Tag Archives: Carrie Wissler-Thomas

Have a Ball: Art Association of Harrisburg brings back gala, featuring costumes, music, food

March 11, 2022 | by Maddie Gittens

Art Association of Harrisburg

The Art Association of Harrisburg is bringing back its signature event featuring music, food and extravagant costumes.

The 2022 Blue-Green Gala to support the local arts organization will take place on April 2 at the Country Club of Harrisburg.

“It’s always a big event,” said President Carrie Wissler-Thomas. “Everybody needs a chance to get dressed up and get wild and crazy and have a good time.”

This is the association’s first year holding the event since the beginning of the pandemic. Last year’s gala was held virtually.

Wissler-Thomas said that the annual gala, which began in 1941, has always been a grand social event. However, it also plays a big role in raising funds to support the association.

“We do depend on this,” Wissler-Thomas said. “It’s very supportive for us.”

Historically, the event has incorporated themed costumes. Previously called the bal masqué, the gala brought in artists dressed to themes such as “Hollywood,” “Las Vegas” and “time machine,” among others. This year’s theme is “blue-green,” and attendees are encouraged to dress in those colors. That could include anything from a blue gown to a green Grinch-inspired outfit, Wissler-Thomas said.

Harrisburg Mayor Wanda Williams and philanthropist Peggy Grove, chair of the event, will judge the costume contest.

During the cocktail hour, the band, The Two Beat Dames, will play music from the 1920s, and DJ Jonathan Frazier will provide music for the rest of the evening.

The Country Club will serve a plated dinner, as well as hors d’oeuvres and dessert.

There will also be a silent auction featuring art pieces to bid on and a wine pull.

Over the years, the gala has been held at locations around the city, some formal, others casual. Event organizers were constantly reimagining the event to fit with the changing times.

When the gala first started, hundreds of people would attend wearing elaborate costumes. Funds raised at the galas even allowed the Art Association to purchase its current building on Front Street.

“It was really the big social event of Harrisburg,” Wissler-Thomas said.

She doesn’t know yet what to expect of attendance this year, but hopes the event will be a success.

Tickets are available for purchase and required for the event. The association prefers that attendees register by March 15.

“It’s going to be fun,” Wissler-Thomas said. “We all need that right now.”

The Country Club of Harrisburg is located at 401 Fishing Creek Valley Rd., Harrisburg. For more information or to purchase tickets to the Art Association’s Blue-Green Gala, visit their website.

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Bob’s Art Blog: The Year in Art 2021

January 17, 2022 | by Bob MacGinnes

January brings annual “Best Of” lists, and Bob’s Art Blog fondly looks back in reviewing the myriad moments of art in 2021. The intention is to cover as many exhibits and artists as possible in this two-part blog. Categories abound, so I hope you enjoy hopscotching down memory lane. Even the Art of Vegetables, The Art of Making What’s Old, New Again and the Justice League of Art were covered.

Art in the Wild & Blue Yonder

Art from Art in the Wild

April heralded the return of Wildwood Park’s art opus, “Art in the Wild.” Seventeen installations were created, featuring 21 artists for the ninth edition. Carlisle newcomers came away this year’s winners with art activist Carrie Breschi and fiber artist Carol Reed, both of the Carlisle Arts Learning Center, taking first and second place. Veterans of all nine years, Beau and Jana MacGinnes and Aubrey McNaughton, as well as returnees Eve Gurbacki, Jill Lippert, Brook Lauer, Kareena Stellar, Chip Hitz, Richard and Maria Cary Joel, Lorayn McPoyle, Stephen Reinhart and Isabel Patterson comprised two thirds of this year’s participants.

The year 2021 marked the third edition of Sprocket Mural Works’ Mural Fest that ran from May through November, bringing the organization’s mural count to over 50. Thanks to the Sprocket team led by Megan Caruso and Jeff Copus, as well as over 300 volunteers and the ever-growing roster of marvelous muralists who continue to grace Harrisburg and York’s skylines.

Director, Director: “Action” from the Top

Photograph by Kim Love, part of AAH’s Community Exhibition Program

Art Association of Harrisburg: For a Harrisburg landmark institution approaching its century mark, the AAH has benefited greatly from the stellar leadership of Carrie Wissler-Thomas and her 42 years at the helm as CEO and president. When one considers that she has commandeered this “art monolith” for almost half its existence, it becomes all the more remarkable. It is through her vast experience that Harrisburg has been shaped by vehicles of her implementation like Gallery Walk, as well as new initiatives like the Community Exhibition Program.

Susquehanna Art Museum: As Alice Anne Schwab enters her seventh year as executive director of the only dedicated art museum in central Pennsylvania, SAM continues to provide timely and topical exhibitions under her tenure. Drawing upon her richly diverse resume, including institutions like the Harrisburg Symphony Orchestra, SAM’s commitment to culturally inclusive exhibits and events has flourished.

Carlisle Arts Learning Center: Executive Director Becky Richeson’s guidance has proved invaluable in steering the Carlisle art scene at CALC to become a leading nonprofit organization. Starting her ninth year at CALC, Richeson has led this art magnet as it proudly anchors Pomfret Street’s corridor of commerce, serving as a cultural hub for Carlisle residents.

Kicking Off Spring in Style

Designer Carley Furlow took the show’s title to heart, “Figuratively Speaking,” at the AAH in March. In a nod to the first full year of the pandemic, she fashioned a blouse out of black COVID masks and a skirt out of newspapers. Whoever said old news is just that hasn’t strutted the catwalk.

Art by Tina Berrier

Meanwhile the art director at Millworks, Tara Chickey, mounted the first new show for spring on Millworks’ lobby walls with a fab four of female impressionists and a guy thrown in for good measure. This erstwhile group made quite a statement, from Pamela J. Black’s palette gushing garden greens and cherry tomato reds to Tina Berrier’s cultural communiques with wildly imaginative interpretations of indigenous tribes. Amie Bantz paid tribute to her Korean heritage with on-point folk art. She took cues from the past and put her own unique spin on recognizable motifs, making magic happen. Tristan Bond let his imagination run wild with fantasy paintings, incorporating his interest in Manga and comic art. Not to be outdone by her colleagues, Chickey reached for the stars with a sunset-washed palette, simmering in shades of soft pink and turquoise, which follows a dancer’s dream.

Shows of the Year

Art by Stephen Dolbin

The Carlisle Arts Learning Center started spring with “I’m Fine,” a community-wide project that addressed mental health. Late summer found a blockbuster again at CALC, both upstairs and down. “Left Behind,” a two-man show from photographer Michael Hower and sculptor Stephen Dolbin, was impactful beyond words. The visual and tactile impressions made by these talented men paid testament to time immemorial, with a nod to society’s decay and discarded past. In viewing “Left Behind,” Stephen’s art made one consider the Native American’s role on this planet in paying tribute to the indigenous tribes as well as the birds of the sky and beasts of the land. Coupled with Michael Hower’s thought-provoking “Abandoned,” a series of photographs, this made for a powerhouse presentation.

Art by Amie Bantz

Art impresario, Amie Bantz mounted “Lunchbox Moments” in the upstairs gallery to an overflow crowd of patrons. Bantz took literal quotes from the Asian and Pacific Islander communities and presented them on lunchboxes to share the potent and poignant views that many from this population dealt with as kids in the school cafeteria. Often, heartbreaking and hurtful barbs were directed at them. Having grown up with years of negative comments about her traditional lunch fare, Amie knew that the feelings of shame were shared community-wide and the hundreds of lunchboxes mounted on the wall attested to that. The artist herself stated, “The only way to reduce hate is if we find common ground.”

St. Stephen’s Riverfront Gallery produced a heavenly body of art, receiving commissioned works from 28 artists throughout the country for its show, “Decolonizing Christ.” The art depicted Christ as a person of color and demonstrated individual interpretations both of this realm and beyond our earthly grasp. Lori Sweet, artist of distinction, won the Bishop’s Award for her beatific painting, “The Healer.”

Art by Kelly McGee Curran

At the same time, Kelly McGee Curran mounted her “Purify” show in a series of paintings for the Millworks exhibit that was a year in the making. The spiritual tribute to her native heritage shown forth as her journey resulted in a spiritual quest to obtain a level of purity in spirit.

The Art Association boldly brought “lowbrow art” to its main gallery walls with a quartet of four “artistic gunslingers” who shook up the status quo with the exhibit, “Nothing Pretty.” Desperadoes Krissy Whiski, Tina Berrier, Sean Arce and Ted Walke faced off with sheriff Carrie Wissler-Thomas and gallery curator, Rachel O’Connor. Who was left standing at the end? They all rode off into the sunset together.

Curator, Wherefore Thou Art?

Shows of the year become just that under the skillful hands of the gallery curator and in the unique paring of artists and themes. In recognition of Black History Month, the Susquehanna Art Museum’s director of exhibitions, Lauren Nye, continued the museum’s tradition of showcasing the legacy and breadth of the African American experience, with art pertaining to the history of the African diaspora. From Romare Bearden and Alma Thomas to the museum’s “Sun + Light” exhibit in February by South Carolinian artist Charles Edward Williams, Nye featured the cultural contributions of the Black community.

Lauren Nye, Susquehanna Art Museum’s director of exhibitions

Rachel O’Connor, curator at the Art Association of Harrisburg, was cooking on all four burners at the city’s longstanding art institution. She started with the 93^rd Annual Juried Exhibit, then came “Nothing Pretty” at the AAH, and she closed out the year in grand style with “Situated: Confronting Identity.”

Cathy Stone, curator at the Carlisle Arts Learning Center, waited over half a year before the first artist reception was held, but it was well worth it. A blockbuster doubleheader at the gallery, both upstairs and down, opened in August to a packed house. “Left Behind” and “Lunchbox Moments” made for an over-the-top visual knockout punch. Stone is adept at creating unique parings, often juxtaposing disparate artists to create a frisson that complements each other perfectly.

Masters of the House

Jackson Boyd and Vivian Sterste

Gallery owners Vivian Sterste and Jackson Boyd celebrated eight years in Midtown at their Vivi on Verbeke art haven. There is a balance between the two partners, with Vivi’s pottery and paintings seesawing in tandem with Jeb’s photography as the gallery’s main focus. Vivi’s “River Series” mugs pair perfectly with Jeb’s images of bridges and the Susquehanna River. A highlight of the gallery has been community paintings completed by neighbors and friends that are part of the Broad Street Market.

Gallery at 2^nd reopened for July’s 3^rd in the Burg for a four-month run and will resume hours sometime in April. Owners Ted and Linda Walke filled the studios with the art of sculptor Chad Whitaker, mixed media artist Keegan Beinhower, cartoonists Sean Arce and Rance Shepstone. Adding a female trio of Johanna Martin, Angelica Rios and Ashley Russo helped to bring a different perspective to the fall season.

An important addition to Harrisburg’s gallery scene, Nyeusi opened the day before Gallery Walk in September, and its reception has been overwhelming. Partners Dr. Dale Dangleben and Michelle Green have dedicated the gallery to African, Caribbean and African American art. The upscale gallery features many local artists as well as global contributors to this sparkling gem. Cultural events are a mainstay on the calendar monthly.

Art by Paul Nagle, showcased at Metropolis Collective

Metropolis Collective of Mechanicsburg is often considered the alternative gallery whose reputation is synonymous with the avant-garde and cultural cognoscenti who march to a different beat. Its discordant rhythm comes from Richard Reilly, rock and roller, as well as Hannah Dobek, gallery director and artist in residence. Together, they unleash musical performances, artists a plenty and their own brand of hipness. 17 W. Main St is the address for finger-snapping beat approval.

Maestros of Midtown

Anyone who lives in Harrisburg knows there is only one true maestro and that is Stuart Malina, long-time conductor of the Harrisburg Symphony Orchestra. I affectionately named a contingency of emerging artists the “Maestros of Midtown.” The diverse group, always in flux, occupied the venerable Civic Club four times over the course of the year with seasonal art shows. Initially led by Reina Wooden and Charlie Feathers, the leader’s baton got handed to Brad Maurer of The Cercus insect cartoons.

The “Maestros of Midtown” at the Civic Club

The consistent core group was comprised by Harrisburg Magazine’s co-artist of the year, Bethany Nicholle, painter Grace (colorursoul) Robinson and mixed media artist, Nora Carreras. The full roster included no less than 31 members, equal to, say, a small symphony. There were a number of repeat performers in the orchestra including Claudie Kenion, sculptor Chad Whitaker, painter Jonathan Frazier and photographers Larry Washington Jr., Jelani Splawn and Jemar Sweets. Entrepreneurs Darius Davis, Quincy Yates and Jamie Earle all enhanced the mix of products offered.

Art by Nora Carreras

Keegan Beinhower and the HuckleBuckle Boys, Zack Rudy and Garrick Dorsett, brought their own unique brand of art. Douglas Beard created artisanal lamps, and painter Tyler Minnich demonstrated his work in progress. Beyond the aforementioned female artists, the other mainstays were Carrie Feidt, painter, Jeannine Marie (savagehabitexchange.com) and her upcycled clothing, Nicole Herbert and her ceramics, Lily Roque and Ghost Bae tattoo artists and painters, joined by artist Ruby Doub. A special guest appearance was made by “La Petite,” Estella McNaughton with her one-of-a-kind clay bead bracelets.

3^rd in the Boro: Forecast; A Wintry Mix VI

Detail, “January” By Hannah Dobek

The letters “HD,” the abbreviated form for “high definition,” also are the initials for Hannah Dobek, gallery director for the Metropolis Collective in Mechanicsburg. In her case, HD means highly detailed as she is always thinking of the slightest ingredient needed to complete the bigger picture. For the Metropolis upcoming annual event on Jan. 21, the entire frame almost comes into focus for a 3^rd in the Boro evening at 17 W. Main St., from 7-11 p.m. And yet due to her penchant for holding back surprises, the art previews for “A Wintry Mix VI: Tangled Up In Blue” only reveal portions of the art selected. Hannah shrewdly shared “glimpses as in detail shots only…because if we show the entire piece people have no incentive to come see the work in person.” For this Friday’s event, masks will be required with social distancing strongly urged. The show’s title borrows from Bob Dylan’s 1975 hit song “Tangled Up In Blue,” the featured cut from his 15^th studio album, “Blood on the Tracks.” The attention to detail in framing the event in its entirety is what sets Ms. Dobek apart from other gallerists. Her partner in chime is the musical half of the duo, owner Richard Reilly, who commandeers the backstage. Performing her poetry and song ballads is the modern folk singer, Donna Jean Foster. She has produced an album rich with high production values showcasing luminescent lyrics with a voice that puts the message and mood across in perfect harmony for the uncertain times we live in.

Detail, “Stupid Snake, You’re the Boss” By Jamison Eckert

“Tangled Up in Blue” offers the clue that the show’s theme centers around the color and, knowing Hannah, it will cover all the bases. Beyond the color, there is feeling blue, turning blue in the cold, nothing but blue sky and ocean blue, with all artist submissions needing to address an aspect of the color or mood. Creatives featured in the show include local artist of renown, Paul Nagle, and also throughout the continental U.S. They include Alexis Manduke, Emily Paige, Jude Screnzi, Jamison Eckert, Nina Rubin Mantione as well as artist-in-residence, Hannah herself. Ms. Dobek often finds herself in the universe of David Lynch, so will she be wearing “Blue Velvet” for the show? The original song was released in 1963 by Bobby Vinton and covered recently by Lana del Rey. Very possibly, when the doors open at Metropolis on Friday evening, perhaps blue velvet curtains will be drawn back to reveal art that is “tangled up in blue.” Don’t be left out in the blue as there may be a sense of loss for missing out on a surefire way to start 2022.

Stay tuned for Part II coming soon.

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Remembering Ré: Local artist left her mark on Harrisburg through creativity, generosity and passion

December 29, 2021 | by Maddie Gittens

Ré Désabres Plaut

In late September, Harrisburg-based Cordier Auctions & Appraisals held an online art auction featuring 280 paintings and sculptures.

Up for bid was the collection of the late Raymonde “Ré” Désabres Plaut, a French artist who lived in Harrisburg before passing away in 2020. It was an impressive grouping of her work, as well as pieces she owned by other artists.

Scrolling through the online page, I was overwhelmed by the amount of artwork. It was so much that Melanie Hartman, Cordier’s director of catalog and specialty auctions, thought it might dilute the market and depress the prices.

But within the four-hour auction, all but 12 of the 280 pieces had sold, raising $16,000. The highest bid was $750. Hartman was surprised, in a good way.

Keeping with Ré’s will, the money was split between the Art Association of Harrisburg and the Humane Society of Harrisburg Area—two organizations that she was passionate about.

“She would’ve been shocked to see how much it raised,” Ré’s granddaughter Dazzia Szczepaniak said. “She would’ve been proud.”

After talking to Ré’s friends and family, I saw clearly why the auction was so successful—Ré was a force. She was known for her in-home art gallery, her glamorous parties, her creativity, love and eccentricity.

She was electric, and her spark wouldn’t dim in Harrisburg with her passing.

I wish I had met Ré before she passed, had the chance to stroll through her gallery and hear some of the many stories she had to tell—like how, as a teenager, she was a member of the French Resistance and worked to identify and stop Nazi troops. Instead, I gathered stories from those who knew her. Like Ré and her paintings, they were quite the collection.

Absolute Dynamite

Kathy Dunbar met Ré around 30 years ago at the former Dōshi art gallery in Harrisburg, and the pair immediately connected.

Ré was a French immigrant, and Dunbar was from London. And while Dunbar isn’t an artist like Ré, she is an art lover, so the two began frequently attending art shows together. Dunbar would even help Ré with her exhibitions. They had a lot in common.

“We gravitated towards each other,” Dunbar said. “We were cohorts of sorts.”

Ré and her husband Martin Plaut would share meals with Dunbar and her husband Glen weekly. They’d travel to nearby cities like Philadelphia and New York together. Dunbar even spent time with Ré’s family members. Ré had two sons from a previous marriage—Richard and Robin. Ricky suffers from schizophrenia, but he and Dunbar “jelled,” she said. Over time, Ré and Dunbar became family.

Ré was known for the parties that she and Martin threw. She loved to dance and loved a good martini—or two. Ré and Dunbar “partied hearty,” she said.

“She was funny, opinionated and tiny but strong,” Dunbar said. “She was absolute dynamite.”

Her artwork reflected her personality, said Carrie Wissler-Thomas, executive director of the Art Association of Harrisburg.

“Her work is lyrical and expressionistic,” Wissler-Thomas said. “It’s romantic and has a dreamlike quality.”

Many of Ré’s paintings depict the human figure. She took classes at the Art Association and painted from live models. Her beloved pet dog would also model for her from time to time. She painted portraits, landscapes and crafted pieces of pottery. Conveniently, she had a potter’s wheel and kiln in her basement.

Ré and Martin regularly entered exhibits at the Art Association. Well into her 80s, Ré figured out how to digitally enter her work on online platforms, Wissler-Thomas said.

Ré even opened her own gallery on the second floor of her home on N. 2nd Street in Harrisburg. She called it “The Four Winds Gallery” and filled it with her and Martin’s work, along with others, including that of Harrisburg transplant Charles “Li” Hidley, one of her favorite artists. She participated in the Art Association’s Gallery Walk for years.

According to Szczepaniak, her granddaughter, there wasn’t an empty space on any of her walls. She would be in awe when she and her brother visited as children. Ré would teach them how to make pottery, take them to see indie films at Midtown Cinema and introduce them to her artist friends.

“It felt special to come to Harrisburg and know that she was so well thought of in her community,” Szczepaniak said. “Her artistry gave me an appreciation for art.”

Greatest Collection

Ré was stridently independent, but she also was deeply in love with her husband Martin, a former Navy captain and doctor. Like her, he was an artist and had his own galleries over the years.

Ré and Martin lived in separate houses in Harrisburg, which may or may not have been the secret to their long-lasting marriage. But according to Dunbar, they were together all of the time.

As the couple got older, however, their health declined.

The days of Dunbar cheerily drinking martinis with Ré were traded in for making sure Ré took the correct pills and that Martin was safe. It was painful and sad for Dunbar to watch.

Over time, Ré developed dementia, and then Martin passed away.

“I protected her like I would my own children,” Dunbar said. “We weren’t actually family, but we might as well have been.”

Ré eventually moved into an assisted living community before passing in 2020.

“I miss her,” Dunbar said. “They were such an integral part of our lives. How do you replace that?”

Before Ré died, she celebrated her 95th and final birthday. She always did love her parties and, at this one, she was glowing as family and friends surrounded her.

“She was the matriarch,” Szczepaniak said. “She held our family together. That might be my responsibility now.”

When her grandmother died, Szczepaniak worked to clean out her house. She gave family members a chance to choose pieces of Ré’s art to keep for themselves, although many of them already had artwork that she’d gifted them over the years.

Szczepaniak sees that as part of the legacy that Ré leaves behind.

“We all held anything that she gave us as really precious,” she said.

She also noted the personal impact she left.

“She was always sort of a rebel,” Szczepaniak said. “She was a very inspiring female presence, not just for me and my daughter, but her whole community.”

But the greatest way that Ré’s memory lives on is through those who hold her collection of stories.

Near the end of Ré’s life, Szczepaniak spent a lot of time in Harrisburg. She often stayed with Dunbar and became close with her grandmother’s friends. She talked to them about Ré.

“I got close to her Harrisburg community,” she said. “As far as I’m concerned, those connections are helping her to live on in my life. I’m still learning things about her.”

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The Painted Word: The Art Association curates a vibrant future

October 29, 2021 | by Bob MacGinnes

Rachel O’Connor

TheBurg’s crossword puzzle for the month starts with eight letters across, with the clue reading, “the state of being full of energy and life.” It intersects with three letters down: “a form of non-verbal communication as an expression of human skill.”

Get started and soon the picture will come into focus. See the key at the end for the answers.

Almost five years ago, Rachel O’Connor became the newly appointed curator for the esteemed Art Association of Harrisburg (AAH). At the time, TheBurg interviewed Ms. O’Connor about the task ahead, and she shared her excitement and enlightenment about the art scene in Harrisburg. In her words, she wanted to make Harrisburg an even more vitally alive art community, which became her mission.

That was then and, even more so today, Harrisburg is chock full of artists. I often joke with the members of the art community that the latest census revealed that one of three Harrisburg residents are artists—and there is a foundation of truth in that. Starting immediately with the association’s semi-annual “Member’s Show,” Rachel hit the ground running, gaining momentum with every exhibit thereafter. A neophyte curator, O’Connor learned from a master who not only knows the ropes but has been the life force at the AAH for four decades—CEO and President Carrie Wissler-Thomas.

O’Connor’s art education, gained at Messiah University and the New York Center for Media and the Arts, became even more intense under the mentorship of Wissler-Thomas. The combination proved to be beneficial for all parties, especially as the venerable institution successfully navigated the perils of the pandemic. For many fans in the art community, Rachel carved out a name for herself in recent years with a portfolio of groundbreaking exhibits.

The curator’s role includes selecting artists, formulating a cohesive theme and then mounting an exhibit. Beyond those duties, Rachel still maintains her adjunct professorship’s schedule of teaching art history at her alma mater, Messiah University. This provides access to a reservoir of art students, flowing freely with new approaches and ideas, embellishing a core of established, Harrisburg-area talent.

As the year winds down, with special shows to close it out, O’Connor is now a seasoned veteran. She embraces the major challenges of growing an institution approaching its century mark and helping to develop emerging artists. If the turn of global events has taught this young achiever a lesson worth learning, it is that we are only as good as those who surround us.

O’Connor is gracious and sincere for the education she has received at AAH. From the guidance of Wissler-Thomas to the collegial relationships forged with gallery gurus Nate Foster, Randy Miller, Crista Sanfilippo and Jonathan Frazier, learning has been an ongoing adventure. In bringing new ideas and exhibits to the existing foundation, the future of the AAH is on firm footing. For her part, Rachel imparts wisdom that spotlights a commitment to the bigger picture.

“I’d like to expand the AAH in its creative endeavors,” she said. “Growth is always important. Over the decades, the association has grown and reached different stages of achievement. It’s time to reach the next stage. There is a lot of untapped potential here.”

Assembling a collective group of artists who bring fresh “art” and “vibrancy” to this vaunted institution is tantamount to success. These words constitute the solution to our puzzle, and no one knows this better than curator O’Connor.

The Art Association of Harrisburg is located at 21 N. Front St., Harrisburg. For more information, visit www.artassocofhbg.com.

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Bob’s Art Blog: Nothing Pretty

October 25, 2021 | by Bob MacGinnes

Part I — “Nothing Pretty” A surreal revisionist “Western” art exhibit

Take One: “All quiet on the set. ACTION!”

Renegades all, the four gunslingers rode into town on steeds snorting fire, seeking a corral that might, just might, be able to contain their own brand of art. Theirs is a movement that started out west in the late 1960s in the territory known today as Los Angeles, borne out of a culture found only in the underground strata of comics, punk music, graffiti, hot rods and everything but the kitchen sink. An amalgamation of art meeting street culture colliding head on at the intersection of imagination and immolation. Those roots establish the genre known as lowbrow art, a surrealism stampede.

Artwork by Ted Walke

The Art Association of Harrisburg (AAH) is excited to share this exhibit that opened Friday and runs through Nov. 24. Visitors to the gallery may be surprised by this latest offering in a setting that has built its reputation on classicism in its representation of art.

Carrie Wissler-Thomas, CEO and sheriff of the AAH, called to deputize her gallery curator, Rachel O’Connor, who mounted this guns-blazing show. It’s a brave new world as “Nothing Pretty’s” desperadoes demonstrate in their visual redefining of the parameters for open-ended art. If they can dream it, draw it or paint it, it helps to establish their brand of surrealism run wild. And that is the whole point of lowbrow art. It appeals to an audience looking for a “beyond the norm experience” in a gallery setting. It takes thinking way outside the box and lets the inner child take over as the imagination runs wild on both sides of the aisle.

It helps to have a sense of humor, as do these art outlaws. They are led by Ted Walke, owner/proprietor of Gallery@2nd, whose calling card in pen and ink depicts human forms that sometimes border on the fine line of what one would recognize as human—something you don’t want to run into in a dark alley. Walke’s “characters” are poster children for the adage, “beauty lies in the eye of the beholder,” faces and images only a mother could love.

Artwork by Krissy Whiski

Joining Ted in his impish imagination and dry humor is Tina Berrier, whose paintings occupy a space all their own and are instantly recognizable. Employing mixed media allows her to bridge street art to a painterly point of view considering “life, death and the theme of temporality.”

Sean Arce, a featured artist of Gallery@2nd along with Ted, draws from his imagination by illustrating creatures of all sizes and shapes. Using digital formatting and two-dimensional media, Arce creates organisms, otherworldly original. Last but not least, with a western surname if ever there was one, when this artist sidles up to the saloon’s bar, “Whiski, Krissy.” Like a passage from Stephen King’s “Gunslinger” series, “The Dark Tower,” Whiski’s art “paints the spaces that exist between dreams, death and delusions,” states the artist, who uses themes as “fringe science, hallucinations and fairy tales as inspiration.” This is an exhibit that begs to be seen.

“Nothing Pretty” plays exclusively in the main gallery at the AAH through Nov. 24.

Part II — Market Places Market Faces at Doggie Delights

“Give a dog a bone,” a line from a child’s nursery rhyme, could easily be the catchphrase for Doggie Delights at the Broad Street Market and the flagship store at the West Shore Farmer’s Market in Lemoyne. The front man, or in this case, the face at the Broad Street Market location is Aubrey McNaughton. now in her sixth month with the dog snack and treat purveyor.

Brielle Glumac and Aubrey McNaughton

Aubrey is a cheerleader for Doggie Delights and everything market-related. She loves educating owners who have concerns regarding pups with sensitive tummies who may have to go without goodies, as Doggie Delights offers “gentle on the stomach,” handmade biscuits and soft chews for older dogs. They hand-cut and hand-dip all the baked goods for our four-legged friends with all natural, fresh ingredients and no preservatives added with all other treats being sourced from U.S. companies.

Donnie and Kelly Farner are the heart and soul of the company with daughter Brielle Glumac playing a vital role able to work both sides of the river. The company had a setback when their barn suffered a major fire in January, which housed the inventory and equipment used in their business. Through the generosity of customers and friends with a GoFundMe fundraiser, a sizeable amount was raised to help offset their drastic loss. Rebounding for 10 months now, the Farners are happy to announce the opening of a new outpost at The Fresh Market at Town Square in Hershey later this fall. Brielle will be managing the new location.

Meanwhile, the Broad Street Market is in good stead as Aubrey is the person you see Thursday through Saturday. A dog lover since she was a little girl, she now owns a cane corso mastiff. “Baby Tonka” weighs 110 pounds and loves the long-lasting Yak chew. Aubrey takes great joy in greeting the customers at 3rd and Verbeke market weekly. During the summer season, both Aubrey and her protege-helper-daughter assisted her at the stand. Their smiles for miles brought a steadily growing clientele.

So, if you need a special birthday cake for the diva dog in your life, they offer customized peanut butter cakes with yogurt icing or “pup cakes” cupcakes. In addition, they have natural chews, snacks and smoked bones. Aubrey and Brielle will ensure they are downright dog-delicious, no matter which Doggie Delight you visit.

Part III — Calling Art in the Wild Adventurers

This special announcement goes out to “budding” artists. Learn to create landscape art from AITW award-winning instructors Saturday, Nov. 6 from 9 a.m. to 12 noon with $20 registration fee for the workshop (all materials provided). Bring a friend and learn together in a preparatory class for spring 2022 of the 10th edition of “Art in the Wild.” Visit https://dauphincountyparksandrecreation.ticketleap.com/art-in-the-wild-workshop2021/

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Bob’s Art Blog: Spiritual Awakenings & 3rd in the Burg Preview

September 13, 2021 | by Bob MacGinnes

“The Healer” by Lori Sweet

Mention the word “spirituality” to a crowd of people, and, more than likely, no two responses will be the same. It would mean something different to everyone with a wide range of association and interpretations.

Currently, there are two distinct art exhibits in Harrisburg exploring thematic approaches. One is universal as it posits Christ depicted as a person of color. The other is a self-led journey addressing the “purification of knots”…the journey taken to attain that sense of one knowing the divine being. This Friday offers a great opportunity to view a spiritual slice of life different from those that traditional organized religion has offered. Both exhibits share a unique perspective and are available to view this 3rd in the Burg from 6 to 8 p.m.

“De-Colonizing Christ” at St. Stephen’s Riverfront Gallery opened last weekend, on Gallery Walk Sunday, featuring 32 works of art with Christ at its center, seen as a person of color. This exhibit is long overdue in dismantling the legacy of colonialism dating from the 15th century in portraying Jesus with fair skin and blond hair. In this new gallery exhibit, that myth is usurped with fresh and relevant renderings that bear investigation toward establishing social justice. This groundbreaking exhibit demonstrates the need for Christ to be experienced differently.

“The image of White Jesus reinforced a social system in which white Europeans occupied the upper tiers and indigenous people with darker skin ranked lower,” according to the exhibit brochure.

Such was not always the case. Dating back to the 3rd century CE, artists depicted Jesus as bearing their own identity, a sharp contrast to the 20th century homogenized portrayals as only white.

“Deposition 2” by Virginia Cohn Parkum

In its initial conception, Rev. Amy Welin and congregant Carrie Wissler-Thomas, CEO of the Art Association of Harrisburg, with an esteemed panel of judges, were selected for the purpose of creating a meaningful and moving exhibit of works by artists from all walks of life and backgrounds. This dramatic presentation was curated by Rev. Welin and Pastor Mack Granderson, under the keen eye and capable hands of Wissler-Thomas.

“There is such a breadth of works from iconic images to the abstract, the pious to pastoral, from artisinal creations to cutting edge technology,” said Rev. Welin. “There is truly something for everyone’s taste.”

“The Christ” by Jacqueline Doucot

The exhibit is featured on the cloister walls and throughout the nave, culminating at the altar with two beatific works on either side of Ludmilla Pawlowska’s massive hanging cross from “Icons In Transformation.” This breathtaking pairing highlights Michael Reyes, a Franciscan monk from New York, in his gold leaf and oil on canvas, “On the Margins Of…” which depicts a brown-skinned “Madonna and Child.” Mary cradles the baby in her arms as the heavily textured painting is laden with colors reflecting the entire spectrum. It transports the viewer to a place in time revered by believers worldwide, cast in a different light. “The Christ,” by Jacqueline Doucot, is a mixed media work in collage, handmade paper and acrylic on canvas. In this work, Christ stands surrounded by the Tree of Life in illuminating shades of blue, green and cream, reflecting the rebirth of life in its abundant bounty.

This prestigious exhibit was comprised of jurors throughout central Pennsylvania, including Nathan Baxter, retired bishop of the Episcopal Diocese, as well as Ophelia Chambliss, artist and communications specialist. In addition, Nancy Mendes, artist, teacher and exhibit designer, joined Rachel O’Connor, curator at the Art Association of Harrisburg. Rounding out the panel were the aforementioned Pastor Granderson, director of the minority arts program, PA Council of the Arts, and Carlos Graupera, executive director of the Spanish American Civic Association in Lancaster. The judges awarded local artist, Lori Sweet, the “Bishop’s Award” for her painting, “The Healer.” The “People’s Choice” will be awarded in December by votes from viewers. The exhibit is on view through Dec. 19 on Sundays from 12 to 3 p.m. and 3rd in the Burg Friday nights, from 6 to 8 p.m.

For more information about Riverfront Gallery, visit their website.

“Purify” by Kelly Curran at Millworks

“The Pearl and the Womb” by Kelly Curran

Kelly Curran is not your typical artist. She is a searcher, a seeker and, as evidenced by her latest show, “Purify,” a wisdom keeper. Her one-woman exhibit opens Sept. 17 though Sept. 30 in the community room at Millworks downstairs and on the main lobby wall through Oct. 10.

Kelly’s paintings channel her Native American lineage through a series of paintings that speak to ancestral spirits, dreams and interpretations, as well as visions of future days. Think of the setting as a sweat lodge as tribal elders convene to prepare for a vision quest that will reveal all that has gone before and all that is yet to come. The “Purify” pantheon explores Curran’s dream state messages from elders sharing the meaning of “purify” as it speaks to her soul and reveals a deep dive from the artist herself about the purification of knots—knots both literal as knots within the wood slabs and also metaphorically as in the knots that hold us back.

Her vision quest became a personal path. “The purifying of the knots for me was going inside and discovering all that was there,” she shared.

“It was a journey back to my heart,” she said. “The paintings came from a very pure place. At times, it was as if I stepped aside and let the work be done through me as a creative door opened. In accepting the path (revealed), we allow the process to unfold and are left with a flaming light of our own true spirit, able to ‘burn the house down’ and rebuild on solid ground. ‘Purify’ is my journey over the past two years represented through my paintings”.

“Returning” by Kelly Curran

The body of work from the show creates an aura that emanates throughout the paintings, most in light shades and tones as if spirits from the past were guiding her on her quest. There is a lightness that shines from within, evidenced by the element of water filtering from above and below throughout, purifying the subjects portrayed. The central figures to the narrative walk between worlds, finding the veil and parting and passing through portals of time and place.

In sharp contrast to the ethereal works that form the majority of paintings is “Resurrection, Under Manganese Violet,” which required 14 tubes of paint, all applied layer upon layer along with fabric to achieve the rich depth of color and texture in this painting. The subject is surrounded by a blanket of flowers in all shades of purple, violet and lilac with touches of black and white. A halo of harmony and peace permeates her within the resting place in this world, then on to the next in an awakening. Kelly’s journey, which points to the heart, may be universal for the seeker in all of us. Everyone who shares in the visual experience of “Purify” will respond to it on a different level: physical, visceral, emotional and spiritual, especially those open to their own vision quest. True to her heritage, Kelly embodies the belief that everything in life is sacred, playing a vital role in our world. Her journey may help to set a moral compass that points to fairness, integrity and kindness–wisdom to live by.

For more information about the Millworks, visit their website.

Photographs by Jana MacGinnes

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The Painted Word: Take an artsy stroll during Gallery Walk 2021

August 31, 2021 | by Bob MacGinnes

Art by Jim Morphesis

The ring of school bells heralds September’s seasonal changes.

This month, the venerable three “R’s” (reading, ‘riting and ‘rithmatic) assume new meaning for the 33rd edition of the citywide Gallery Walk, now representing “rejuvenation,” “renovation” and “renewal.” And one more “R” added for good measure—“rebounding.”

Carrie Wissler-Thomas, CEO of the Art Association of Harrisburg, is the coordinator of this major fall art event. She is most excited about the 60% increase in participating venues this year, appropriately totaling 21 sites for ‘21. Join me as we channel categories collectively.

Take Me To Church: Since Gallery Walk falls on a Sunday, you may want to start the tour at one of four downtown churches. Showcasing a groundbreaking exhibit within the Riverfront Gallery at St. Stephen’s Cathedral is “De-Colonizing The Christ,” featuring 28 works of Christ as non-white or non-European. It is powerful in its scope and vision. From there, St. Michael’s Lutheran Church will feature the paintings of Halifax artist Thomas Wise. Zion Lutheran Church will showcase small prints of Japanese artist Sadao Watanabe. Tours of the church also will be available. Similarly, church tours will take place at Salem United Church of Christ. Look for “From The Broken Pieces” stained glass art from Diane Hoffer, who creates astounding mosaics, while Barbara James, mixed media artist, showcases her realistic works.

History Housed: The components of history and education go hand-in-glove throughout the McCormick Riverfront Library on Walnut Street. During your visit, you can learn about the library’s renovation and expansion next door into the historic Haldeman Haly House, while eyeing the work of several local artists.

Also downtown, Old City Hall has a history of its own, rich and varied. The apartment complex offers visual works from local artists. And, while strolling about Walnut Street, stop into Strawberry Square to check out the work of students of the Capital Area School for the Arts, who created art during the pandemic year, showing how it affected their lives.

Down on the riverfront, the Civic Club of Harrisburg’s Overlook mansion showcases the art of locals and can be viewed while gazing upon the magnificent Susquehanna. Farther down the river, the John Harris-Simon Cameron Mansion houses the repository of artifacts and adventures from the early days of the county.

Over in Midtown, at the Historic Harrisburg Resource Center, the exhibit “Harrisburg Heritage Highlights through the Decades” features vintage postcards and memorabilia for purchase. Also, author and local historian Rodney J. Ross will sign books for his latest, “Harrisburg and World War II.”

Galleries & Museums: The State Museum of Pennsylvania always has something fascinating within its circular walls. The exhibit, “Witness to History: Col. Paul Evanko’s 9/11 Field Notes,” coincides with the 20th anniversary of 9/11. It details PA State Police Col. Evanko’s race to an emergency command center as soon as he learned the first plane had hit the World Trade Center in Manhattan.

A few blocks away, Gallery@2nd takes the road less traveled, leading to a quartet of like-minded artists offering surreal and abstract approaches that unify their works in the collective experience.

The Susquehanna Art Museum, over in Midtown, is the only dedicated art museum in Harrisburg. It features the final week of the blockbuster exhibit, “The Circle of Truth.” The collection demonstrates how artists view the world as evidenced by 49 evolving interpretations.

Nearby, Robinson’s Gallery offers rare fine prints on view and for purchase, as Midtown Scholar features an art book sidewalk sale out front. Down the street, the resident artists of the Millworks will be on hand to share their work and chat with visitors.

The Susquehanna River provides all the inspiration needed for the gallery, Vivi on Verbeke. Photographer Jeb Boyd, with his virtuosic “Bridges” photographs, captures the fleeting and ever-changing light. Vivian Sterste, co-proprietor, channels her skills on the wheel to create her “Susquehanna River Series” pottery. Together, they present a gallery home that is different with every visit.

A stone’s throw away, Gallery Walk welcomes Harrisburg’s newest art space. The Nyeusi Gallery on 3rd Street specializes in art from Africa and the Caribbean, as well as local Black art. The spacious format is like a breath of fresh air, thanks to owners and curators Michelle Green and Dale Dangleben.

Bite To Eat, Place To Sleep: Add two more “R’s” for restaurant and rest. Mangia Qui is more than a great establishment to dine. Qui Qui Musarra, Staci Basore and Elide Hower will roll out the sidewalk for a plein air demonstration, with local artists painting outdoors. A few blocks away, City House Bed & Breakfast may be the perfect last stop on your itinerary if fatigue sets in. City House presents the paintings of Hershey artist, Joan Maguire, with her watercolor and oil paintings of the sea and shore. If you have a reservation, there are comfy beds upstairs for the weary.

Great Outdoors: Sign up for a guided mural tour. Learn the secrets behind the Harrisburg Mural Festival with artists’ inspirations, themes and techniques. By the end, you may even learn the “mural” of the story. Book your tickets at www.SprocketMuralWorks.com.

Back To The Beginning: This 33rd edition of Gallery Walk begins and ends at the Art Association of Harrisburg with its fall membership exhibition, “Duality.” The opening reception and awards will be held starting at noon with music provided by Hemlock Hollow. Charles Schulz of the Paper Lion Gallery will host the opening reception, with Randy Michener as the exhibition sponsor.

Last year’s Gallery Walk fell under a sparkling fall day and, by all accounts, was received with a tremendous turnout. This year promises even more venues to explore with the added bonus of perhaps not having to wear a mask (at least until Oct. 31).

Gallery Walk 2021 takes place Sept. 12, noon to 5 p.m., at venues throughout Harrisburg. For more information, visit www.artassocofhbg.com/events.

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Bob’s Art Blog: The Art Shows of Summer

August 12, 2021 | by Bob MacGinnes

Both sides of the Susquehanna River offer the final art shows of the summer season, as art emporiums recently were able to hold their first guest receptions in over a year and a half.

Part I – The East Shore

The Art Association of Harrisburg (AAH) opened its 93rd juried art show with a packed garden medley of patrons and art.

“The Dancer” by Sharon Pierce McCullough

CEO Carrie Wissler-Thomas and Curator Rachel O’Connor put on the finishing touches in the late afternoon before the party started. Lending a hand were gallery assistant Nate Foster and art instructor Crista Sanfilippo. Art provided the main course on both floors, and it was a gourmand’s dream with local fare filling the most hearty appetite in a very satisfying manner.

The art picnic provided ample sustenance from sculpture to searing surrealism. Eli Johnson’s oil on canvas, “I met God at Smithfield and Boulevard,” features the colors of the rainbow with crosses divinely orchestrated where religion intersects with art. Sharon Pierce McCullough’s freedom of spirit statuary is symbolic of solidarity in sync with grace as her totem, “The Dancer,” stops short of pirouetting. Being comprised of auto parts, found objects, wire, epoxy and concrete proves that movement is still attainable no matter how tied it is to reality.

“Gratitude” by Kim Love

“Gratitude,” a black-and-white digital photo by Kim Love, captures within its frame a face of humility evoking emotion from the viewer while connecting with the human condition. The photo depicts a story of depth and deliverance all at once, told through a survivor, a soul that has come out the other side able to share as well as surrender. Jim Mackey, with his tribute to Joseph Beuys, used found objects of chalkboard, wood, foam, bones and paint pens, which combine to create an atypical amalgamation forming an equation of organic and manmade materials altering the balance.

Tina Berrier’s “Arrival #1 Oxaca,” an acrylic mixed media work, displays a shaman and acolytes dressed in vibrant, carnival attire. Symbolism carries through the animalistic and elaborate costumes to win the day as other worldly spirits abound. Pamela J. Black’s “Paper Thin” acrylic-on-canvas opts for a subdued palette of purples, blues and sea-washed aquamarine, offering a big wave crashing in pools of persuasion that compels the audience to recognize the power of water. Chet Davis’ “Anger,” an acrylic painting, plays it loose and fast, with a figure perhaps experiencing an out-of-body moment displaying a tempest of emotions, all delivered in colors that defy the range of rage that falls just short of meltdown.

“The Walk” by Patricia Caulfield

Mixed media artist, Patricia Caulfield’s “The Walk,” an acrylic and collage painting, works with inky blue, golden browns and a creamy white. The colors and shapes converge to form a manifesto of meandering meaning brought into focus by inspired ideas one might formulate on a walk. The physical objects become opportunities for enlightenment. The gambol genuflects with a reverence for the beauty found in nature that stops short of elation in pondering the wonders of the world right before our eyes.

“The Burning of Notre Dame” by Earle Rock

Michael Hower’s digital photo, “Strangers in the Night,” spotlights abandoned vehicles of transportation found in Johnstown, Pa., in his homage to art lost to time. Mary Kandray Gelenser’s fabric assemblage, “Hiding, Waiting, Transforming,” sheds light on fabrics gaining a second life as swatches meet creative stitching in her pastiche of patchwork for posterity. Earle Rock’s oil painting of “The Burning of Notre Dame” is a study in richness and depth of color that juxtaposes sky and water in tones that reflect the torrent above in the River Seine. Jessie Waite’s abstract painting, “Relocate,” demonstrates her art is constantly on the move, always marching onward. Color is key with mini-flags of demarcation in blue set against an orange background as shots of red pepper. Now step back a foot, and you will see a female form in repose. Peruse these works of art and so much more at the 93rd juried art show, open now for your viewing pleasure through Sept. 2 at the AAH, 21 N. Front St., Harrisburg.
Photos by Jana MacGinnes.

Circle of Truth

“Do you solemnly swear to tell the whole truth and nothing but the truth so help your artistic endeavors?”

An image from “Half Truths” at the Susquehanna Art Museum

Art recently created and on view now through Aug. 22 at the Susquehanna Art Museum (SAM) is an exhibit related to “The Circle of Truth,” (49 paintings ending with Ed Ruschka) as student artists “riff” on individual interpretations of those major works presented from this show. An exhibit within an exhibit. A microcosm of a macrocosm. As part of the ongoing educational component that SAM offers, a baker’s dozen of student artists inspired by “The Circle Of…” present “Half-Truths,” a companion exhibit highlighting their “takes” on the original idea of artists building their personal presentation of “Truth” in visual form, based on a work sent by the preceding artist. Found in the Education Gallery, “Half Truths” shines a spotlight on the student paintings to reveal their vision as seen through the lens of license, albeit artistic, in lieu of poetic.

SAM’s Artistic Expressions Summer Academy recently took place in a weeklong intensive program designed for advanced art students from regional high schools who were recommended by their art teachers. Every year, the museum, located in Midtown Harrisburg, becomes the campus where students work with guest artists, explore multiple media and interpret artwork that is on view in the museum. This year, the 13 artists selected one of the 49 paintings from The Circle of Truth with their own 20-by-20-inch canvases. Each images title bears the sequential number of their inspiration painting, as if it could be placed into “The Circle of Truth.”

Student artists mentored by Mrs. Attivo at Lower Dauphin High School included Cameron Barber, Lily Ditty, LeKhana Pa, Morgan Early, Megan Orris and Abigail Nissley. Represented from Camp Hill High School with Mrs. Tichenor were students Achiraya Bangching and Bailey Criss and Katie Drawbaugh. Mechanicsburg High School included Ms. Giblin’s students, Lucy Stevens and Carly Schweighart. Carlisle High School’s Mrs. Gogoj selected Briar Thompson. Madelyn Kane represented Cumberland Valley High School and was selected by Mr. Nagle. The students are mostly sophomores and juniors from the area. Both this exhibit and “The Circle of Truth” are on view now with the latter closing Sept. 18.

Part II – The West Shore

Across the river at the Carlisle Arts Learning Center (CALC), a riveting exhibition of photography and sculpture seeks to find middle ground and the space between as it hits the mother lode.

Self-taught, Enola-based photographer, Michael Hower and Shippensburg sculptor/professor, Steven Dolbin, offer a combined approach in their shared exhibit at CALC that opened this past Friday, Aug. 6 in the G.B. Stuart Gallery downstairs. Their “Left Behind” exhibit showcases the talents of both artists, one a gatekeeper for abandoned beauty in his love of places and things lost to time, the other a creator of tactile treasures made to withstand all eternity. For the next six weeks through Sept. 18 they cross paths at the intersection of yesterday and tomorrow found at 38 W. Pomfret St. in Carlisle. Over the years, CALC’s curator, Cathy Stone, has put together some insightful pairings and this latest duo hews to that tradition as she intertwines the large-scale sculptures of Steven Dolbin set against the storytelling photography of Michael Hower in this tour-de-force exhibit. True to her name, Cathy left no “stone” unturned by her artfully deft hands.

“Green Line” by Michael Hower

Michael Hower’s fascination with urban decay and the detritus of life finds him traveling to avenues of abandon-ness. Subjects long forgotten and destined to take on a patina of posthumous gravitas find new meaning in the discarded places that time has passed by. Hower’s pursuit of his own personal beauty focuses on the special segment of society surrendering to nature. He creates an audience appreciation attuned to painstaking detail in its photographic presentation. For this photographer, “Left Behind” is his tribute to time immemorial with spaces, places and objects overgrown by the environment. All that is left to decay and ruin becomes transformed under his gimlet eye, resulting in testaments with a deep resonance from amphitheaters to institutions, factories and transportation graveyards, now all in ruin where they once thrived in a metropolis of movement and magnificence.

“Reliquary” by Steven Dolbin

Author, professor, artist and visionary are terms that complement the many worlds that Steven Dolbin inhabits. He creates sculptures akin to an array of artifacts as if unearthed from an archaeological dig. Dolbin advances what nature has wrought and takes it to a higher level, where art meets science, somewhere in the heavens or buried into the Earth’s surface. His sculptures transcend fine art, lifting it to a higher plane if one can imagine objects hurtling like an asteroid through space and landing embedded, creating geological formations. The natural forms that Dolbin incorporates into his works allude to environmental concerns about climate change and the uncertainty of Earth’s future. To say that Prof. Dolbin’s sculptures are dramatic in their presentation would be an understatement. They command attention by size alone, arresting in articulating focus to the underlying themes of man’s role down through time as a hunter of game and fowl. His work, “No Accident: Death on the Asphalt Trail,” pays tribute to the deer of the woods, which makes for a sense of pragmatism that the pursuit of the hunter is necessary yet points to the ignoble killing of such magnanimous beasts. Tributes to the Native American philosophy of all creation bearing an eternal reverence for the sacrifice of life brings purpose to the on-going cycle of nature that is found in “Reliquary,” an outsized work of oiled, carved and carbonized sycamore wood and oxidized steel. In their designs, Hower and Dolbin skew closely to brethren disciplines, with both artists embracing the exploitation of nature in creating its own permutations.

Lunchbox Moments

They say a picture is worth a thousand words, but what happens when the pictures and words combine to create an even more powerful statement? The CALC Collaborative “Cafeteria” opened for business this past Friday night, with artist Amie Bantz cooking up quite a tasty lunch as presented through her “Lunchbox Moments” exhibit. Growing up as a Korean American, peers often viewed her lunches in a different light altogether.

We all come into the world as a blank slate and are formed by what we see, hear and learn. No one in life starts out with a bias or rationale or an agenda in place. Learned behaviors and ideas create and formulate opinions, reactions and prejudices. Many are developed at a young age and are informed by parents and teachers, adults in general. These notions, both good and bad, shape us into the person we become and then influence future generations to come. At the heart of the exhibit, the artist makes a poignant point of the universal experience shared by all, the feeling of not belonging or fitting in. Amie illustrates this outsider role felt by Asian Americans through the exhibit’s nearly 100 lunch boxes. Narratives detail the range of hurtful moments, from peers at school criticizing culture’s food but also discussing physical features with words that cut deeply.

Bantz, in her latest project upstairs in the gallery, brings to light narrative selections of childhood memories. The artist showcases these painted on lunch boxes representing different experiences in school cafeterias, as to how Asian American, Pacific Islander and children from India are judged by their culture’s traditional meals eaten at school or in community settings. “Lunchbox Moments” is a collection of memories and experiences culled from stories and phrases contributed by members of various communities. The works are meant to expand our understanding of cultural differences and to educate others about the unique opportunities they bring, to open dialogue regarding those cultures, adding richness and depth through a universal language that mankind should embrace. Through the exhibit’s thought-provoking scope, Bantz hopes “to seek understanding, share stories and stop hate,” all worthy pursuits by an artist who desires to change world views for the betterment of all. The show runs through Sept. 18. Click here for a related story.

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Bob’s Art Blog: The Art of Vegetables & 3rd in The Burg preview

July 12, 2021 | by Bob MacGinnes

The beauty of art can be found just about anywhere we look.

Art is a tangible commodity normally found in museums, galleries, restaurants, public spaces and even on buildings. It can be viewed from a distance or up close and personal. There is also art that is found outside of mainstream thinking—an idea whose time has come. Art lies in the mind like beauty itself, in the eye of the beholder.

During the pandemic, the big outing for many may have been a weekly trip to the grocery store. It became our “date go-to” as everything else was closed down due to restrictions. I felt a true sense of euphoria when gazing upon rows and rows of fresh vegetables at places like Karns, Radish & Rye Food Hub and local farm stands such as Veg Out. Colorfully wild in their assortment, ever changing with the seasons, vegetables hold the unique ability to lift spirits, provide inspiration in the kitchen and can even produce smiles.

So, it is really with a debt of gratitude to the farmers, growers, merchants and, most of all, to the master gardener for helping so many during this difficult time. Vegetables, as a contained community, sometimes get the short end of appreciation, at least historically from me. Truth be told, I’m a meat-and-potatoes kind of guy. Except when I am in the grocery store, then vegetables are my mood enhancer. As a whole, the compendium of colors buoyantly lifts me to the clouds and, to see them arranged on the shelves artfully, gives my life a deeper meaning. The presentation proffered either clicks or it doesn’t. But, when it does, it is like gazing upon a masterpiece of art—a prize painting, a sensuous sculpture, a well-turned bowl, a thing of beauty. And like John Keats eloquently wrote in “Endymion,” “a thing of beauty is a joy forever.”

Vegetables and their artistic attributes are an affair of the heart, with an ever-growing appreciation of the bounty that gives us so much in return. They incorporate color in every shade and tone, and their consumption is good for what ails us.

It all started earlier this year when we ventured to Karns Quality Foods on Jonestown Road. It was there that I became smitten. Entering the vegetable aisle, my heart skipped a “beet.” My eyes traveled from artichokes to asparagus, broccoli to Brussels spouts, cabbages to carrots, corn to celery, parsnips to potatoes, radishes to rutabagas, salad greens to spinach, tomatoes to turnips, and, I am sure, a grocery list of others I have overlooked.

A vegetable display at Karns

The artful presentation of freshly scrubbed vegetables lent a pristine purity, looking like they belonged as a still life masterpiece in a museum rather than a grocery store. Chris Nelson, the produce manager and a 12-year veteran at Karns, shared that the layout “stems” from a floor plan devised by him and associates Daniel Jacobs, assistant produce manager, and Christine Comley, head of floral display, in its final rendering. The Karns produce team in its entirety is comprised of 18 associates, each contributing their share to the overall display.

Radish & Rye’s owners, Dusty and Julia James, put their stamp of approval on everything within its four walls of freshness at its1308 N. 3rd St. outpost, offering heirloom vegetables of every variety, artisinal breads and farm-to-table meats and cheeses. On the day we visited, store associates were busy merchandising the shop, and we were greeted with open arms and infectious smiles by the shopkeepers. They both shared with us that the presentation is a team effort, with all lending a hand in completing the visual array at Radish & Rye—“All for one and one for all,” much like the musketeers of Dumas novels. We swash-buckled our way through a wide selection of vegetables throughout the store as well as a battalion of veggies we held captive in our bags. (Pictured: A display at Radish & Rye)

Veg Out, the new kid on the block at the Broad Street Market, with its owner and front woman, Melissa Barrick whose mission is to provide locally grown vegetables, herbs and plants, goes one step farther by selling plants to grow in your own garden to patrons in the brick building. Boasting a dozen varieties of tomatoes, eight types of peppers, squash and seasonal fruits, she will have pumpkins, Christmas trees and lavender wreaths to join her regular repertoire as seasons come to pass. Veg Out is part of the Farmers Market Nutrition Program and even anticipates being part of the SNAP by this winter. (Pictured: The Veg Out stand at the Broad Street Market)

In 1967, the Beach Boys penned a paean to “Vegetables” which simply stated, “I love you most of all, my favorite vegetable.” This off-the-wall, musically diverse song featured none other than Paul McCartney chomping celery throughout the two minutes of musical mayhem. As for me, my romance with romaine will continue as I stroll the aisles of vegetables far and wide. For now “lettuce” keep this secret between us.

Images by Jana MacGinnes

3rd in the Burg, Friday, July 16 (Before, During and After)

Celebrate early before the evening unfolds at Midstate Distillery, opening at 4 p.m. with a flight of spirits to share with friends before going out on the town. From its 1817 N. Cameron St. location, it’s minutes away from the evening’s main attractions. Just halfway through the month finds July’s 3rd in the Burg featuring two events that vie for top billing on the marquee. It’s a flip of the coin as to which one is the hot ticket ending this workweek, with distinct audiences for art appreciation.

It very well may be an overflow crowd at the Art Association of Harrisburg due to its longstanding reputation and the 93rd Annual Juried Art Exhibition. However, there is plenty of space to mingle and be seen. Almost 17 months to the day, this Friday celebrates the first art exhibit reception in the garden at the AAH, located at 21 North Front St. The event unfolds at the dot of 5 p.m. for this traditional blockbuster that features some of the best art from around the country. CEO Carrie Wissler-Thomas and curator Rachel O’Connor have pulled out all the stops for this meet-and-greet celebration. Robert Eichinger of Cumberland Financial Group will be the reception host for the evening. Artist-musician Jonathan Frazier will bring music in its many forms to punctuate the great art within the gallery till 8 p.m. Artists worldwide were eligible to digitally enter the exhibit, which runs through Sept. 2.

The front of the postcard for the Art Association’s “International Juried Show”

An equal amount of fanfare and cause for celebration marks the return and reopening of Gallery@2nd for the first time in ages, starting this Friday night and for every 3rd in the Burg thereafter. A huge Harrisburg welcome back to Ted and Linda Walke, gallery owners. The Gallery@2nd features on-site artists, Sean Arce, Keegan Beinhower, Chad Whitaker and owner Ted. Gallery@2nd offers a unique perspective on art, taking its outside-the-mainstream thinking from its freewheeling proprietor. The presentation at the gallery is representative of what art unrestrained resembles, appealing to likeminded individuals and artists. The quartet comprises artists who break from the rank-and-file consortium and march to their own anthem of art abstractedness. The avant-garde ensemble of patrons, whose appreciation starts at the door and ends with the last call for art at evening’s close, may be queuing up in line as the ink is drying on this blog. It will be open to the public from 6 to 9 p.m. Drop by and say “hi” to this eclectic group of artists and owners at 608 N. 2nd St.

The exterior of Gallery@Second

After, venture out to (I already gave you a clue up above) the Vegetable Hunter at 614 N. 2nd St., open until 9 p.m. to take your favorite date for more art on the walls. A cozy table awaits with a menu that offers a vegan’s dream with a small-batch craft brewery, offering plant-based ingredients for its inspired beers. With small plates, bowls and tacos, it is a cool vibe “vistro,” offering vegetables galore even in dessert form. How can you go wrong? If you are traveling to or from the west shore, check out their newest location at 46 W. High St. in the heart of downtown Carlisle, which closes at 9 p.m. The Vegetable Hunters owners, John and Kristin Messner-Baker, have set the table with a summer banquet of healthy vegan and kosher fare to eat, drink and enjoy. The restaurant officially opened on July 1 to the public.

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Art Association revives in-person events, has summertime lineup planned

June 15, 2021 | by Lawrance Binda

This painting by Bill Kocher will be on display at the Art Association’s Aug. 7 soiree.

The Art Association of Harrisburg soon will reinstate a range of in-person events, following a lengthy pandemic-related suspension.

Starting next month, the association plans a host of live summertime activities, including a new exhibit and several arts-related fundraising soirees, capping off the season with the annual Gallery Walk in September.

“Although the Art Association has been open for visitors and classes since last summer, we haven’t held any receptions and events for a year and a half,” said AAH President Carrie Wissler-Thomas. “We are delighted to welcome everyone to attend one or more of our events this summer!”

Last year, AAH had to cancel most of its activities due to the pandemic.

In-person events kick off with a garden reception on July 16, 5 to 8 p.m., to mark the opening of the 93^rd Annual Juried Exhibition. The reception, hosted by Cumberland Financial Group, will feature music by Jonathan Frazier.

The exhibit features works by artists across the United States and runs through Sept. 2.

In August, AAH will hold three of its popular summer soirees:

On Aug. 7, Kevin Hancock hosts the first soiree at his Uptown Harrisburg home with artists Joanne Landis, William Kocher and Brian Eppley.
On Aug. 14, Dr. Robert Ettlinger hosts the second soiree at his home on the west shore, with photographer Michelle DiNicola and plein air painters Jonathan Frazier, Steve Wetzel and Susan Benigni-Landis.
On Aug. 22, Marc Kurowski will host the third soiree at the King Mansion on Front Street in Harrisburg, with artists Peg Belcastro, Mary Hochendoner, James Rowland and Matthew Seagrist.

All soirees are $45 in advance, $50 at the door.

The 33^rd annual Gallery Walk winds up the summer art season on Sept. 12. Nineteen venues are slated to participate in the art walk that runs from Shipoke through Midtown.

Other summertime events at AAH include:

Summer art classes for both youth and adults, which begin the week of July 12.
A “Psychic Gallery” with William Stillman on Saturday, Sept. 18.

For more information on these events, including reservations for the soirees, visit www.artassocofhbg.com or call 717-236-1432.

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