Tag Archives: HMAC

Musical Notes: August Is Hear

Let’s skip the small talk and dig into the music, because there’s a lot of good stuff happening in the 717 this month!

 

DON’T MISS

The Head And The Heart, 8/26, HU Presents Summer Series, Riverfront Park 

In the fall of 2011, a very cool friend of mine, who is responsible for much of my early music discovery, invited me to a small music festival at the Ukie Club in Philly, and last-minute tickets were about $12. The lineup? An incredible snapshot of time in indie music—Thao & the Get Down Stay Down, Jukebox the Ghost, Good Old War, and an amazing folksy band called The Head And The Heart that absolutely blew me away. My friend threw the band’s song, “Rivers and Roads,” on a CD mix for me and I was hooked. This Seattle folk rock outfit has been a mainstay on the indie scene for the better part of the last 12 years and has seen peaks and valleys of stellar successes and criticism. While they’ve taken on a much more polished sound in recent releases, including 2022’s LP “Every Shade of Blue,” I can vouch for the band’s live performance skills.

 

GET ON YOUR FEET

CupcakKe, 8/24, XL Live

Rapper CupcakKe writes what are possibly the funniest lyrics I’ve ever heard. CupcakKe mostly, if not entirely, raps about sex with euphemisms and comparisons that are second to none. At 26 years old, she’s had an impressive rapping career for 13 years and nearly retired from music altogether in 2019 after concerns that her music was “corrupting youth,” but emerged from her hiatus 40 days later with new music. While none of her music is appropriate to print on the pages of this magazine, this show is likely going to be a great time. For a slightly more accessible intro to her music, check out the track “Squidward Nose.”

 

GROOVIN’

Duane Betts & Palmetto Motel, 8/18, H*MAC

Duane Betts is an astounding talent in his own right for his phenomenal guitar playing and singing in the Allman Betts Band, of which he is a co-founding member, not to mention the years he spent playing on tour with his father, Dickey Betts & The Great Southern. This time around, he’s putting forth his first solo effort, “Wild & Precious Life,” released in July via Royal Potato Family Records. I’d plan to arrive to this show early to catch opening act Cordovas, too. I’ve been especially digging their song “High Feeling.”

 

FOR CONSIDERATION

Windborne, 8/12, Unitarian Church of Harrisburg

As seen on #FolkTok (that’s the folk music section of TikTok, for those of you scratching your heads,) an insanely talented vocal group called Windborne will perform at the Unitarian Church of Harrisburg as part of Susquehanna Folk Music Society’s 2023 Susquehanna Folk Weekend. The quartet, comprised of Jeremy Gordon-Carter, Lynn Rowan, Lauren Breunig and Will Rowan, released a beautiful album in 2022 called “Recollections|Revolutions.”

 

Honorable Mentions 

  • Outlaw Music Festival, 8/4, Hersheypark Stadium
  • The Smithereens w/Marshall Crenshaw, 8/4, The Englewood
  • Pantera, 8/5, Hersheypark Stadium
  • Beres Hammond, 8/9, H*MAC
  • The Chicks, 8/10, Hersheypark Stadium
  • Splintered Sunlight, 8/11, XL Live
  • Guns N’Roses, 8/11, Hersheypark Stadium
  • Shakey Graves, 8/16, XL Live
  • Samantha Fish, 8/17, XL Live
  • Southern Rockfest: A Brothers Revival, 8/19, H*MAC
  • Black Flag, 8/21, XL Live
  • Quinn Sullivan, 8/25, H*MAC
  • RalphReal & The Family Jam, 8/27, West Shore Theatre
  • Rival Sons, 8/29, XL Live

 

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Jovial June: Starting off a summer to remember

It’s six months into the year, and Harrisburg has welcomed so many spectacular artists to the area. Likewise, this summer is going to be filled with classics and newcomers of all different genres. I think I’ve been to at least five concerts this year so far, and I’m not planning to stop any time soon. There is just something energizing about seeing artists in person. Listening to live music is an experience you don’t want to miss.

 

Milky Chance, 6/12, XL Live (Harrisburg University Presents)

Milky Chance’s origin is any kid’s dream—two friends from high school making amazing music together. Clemens Rehbein and Philip Dausch formed the group in 2012 and now are joined by Antonio Greger and Sebastian Schmidt. Originating from Germany, they are classified under a few genres, such as reggae, alternative rock, indie and electronic. In 2014, the band played its first show in the United States at the Bowery Ballroom, releasing their music in the U.S. market. Milky Chance’s specific sound aesthetic can be picked out of a crowd, which is why they were added to the music app, Shazam, “Hall of Fame” in 2015. The group’s sound has been described as a cross between the Red Hot Chili Peppers and Bob Marley. This is definitely a band I don’t want to miss. I’ve been following them since their U.S. debut.

 

Best of the Eagles, 6/17, H*MAC

For some music fans, a “tribute band” may sound like dirty words, conjuring thoughts of second-rate musicians in dingy basement bars. News alert—today, many tribute bands are magnificently talented, not trying to imitate the object of their affection as much as honor their music, their legacy and their devoted fan base. Enter Best of the Eagles, which authentically re-creates the sound and spirit of the beloved 1970s and ‘80s rock band without attempting to impersonate them. These six middle-aged musicians all had long careers in numerous regional and touring bands before joining forces to share the legendary music of Glenn Frey, Don Henley, Joe Walsh and the rest of the fractious, oft-changing gang. How about spending an evening singing along with such hits as “Take It Easy,” “One of These Nights” and “Hotel California?” Yes, please.

 

Lovelytheband, 6/27, XL Live (Harrisburg University Presents)

Friends Mitchy Collins, Jordan Greenwald and Sam Price started Lovelytheband in California in 2016. Their first single, “Broken,” hit the Billboard charts in 2017 and stayed on top for seven straight weeks. The group formed in Los Angeles, which perfectly captures their west coast sound. They are definitely modern pop artists, but their release, “Heartbreak of America,” combines traditional pop music with social commentary. Their music is reminiscent of the late 2010s style of pop music that reminds me of college. I think anyone in high school or college around that time has a memory with their friends of the song, “Sail Away,” playing on the radio in the car or in the background somewhere. It will be a great band to see to relive those years of my life.

 

Mentionables

  • The Record Company, XL Live, June 2
  • Bridge City Sinners, June 2, Lovedraft’s Brewing Co.
  • Puddle of Mud, June 3, XL Live
  • Maroon 5, June 9, Hersheypark Stadium
  • The Swemo Experience, June 10, H*MAC
  • Corinna Joy, June 24, Spring Gate Vineyard
  • Diana Ross, June 27, Hershey Theatre

 

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It’s His Party: Puddles brings his “Pity Party” to Harrisburg (crying optional)

Puddles (photo courtesy H*MAC)

There’s just something about a sad clown.

The melancholy man behind the mask long has been a cultural staple, seen in everything from opera to “Seinfeld.”

This weekend, one of the nation’s best-known sad clowns makes a stop in Harrisburg, as singer and musician Mike Geier brings his “Puddles Pity Party” to H*MAC.

“Puddles gives an emotive performance that resonates with all kinds of folks,” says Geier on the Puddles website, speaking on behalf of his often silent, deeply talented alter ego, a 7-foot-tall crooning clown.

There’s a good chance you’ve already seen and heard Puddles, as he’s been hard at work entertaining audiences for over a decade.

Puddles first hit the national stage during the 2010 Aqua Teen Hunger Force Live tour and began to play in clubs around the country. In 2013, he recorded a version of the Lorde hit, “Royals” with Postmodern Jukebox, a video that went viral.

However, for much of the country, Puddles became an absurdist phenomenon during season 12 of “America’s Got Talent,” when he reached the quarter finals and then returned for AGT’s “The Champions 2020.”

More recently, he’s produced more than dozen episodes of the online musical variety series, the “Still Sequestered Show,” which ran during the pandemic and featured such major guest star as Jack Black, Weird Al Yankovic and Penn Jillette.

“There’s something about a giant sad singing clown that comforts us, let’s us know it’s OK to feel, to show our feelings,” Geier says.

Puddles Pity Party takes place May 7, beginning at 7 p.m., at H*MAC, 1110 N. 3rd St., Harrisburg. For event information and tickets, visit their website. Click here to visit the Puddles Pity Party website.

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Alluring April: New concerts are in bloom this month

April is about new growth and moving forward. And although we may want to discover new artists and bands, it doesn’t mean we can’t go back to the classics. Who doesn’t want to be transported back to the 1990s while listening to “Fancy” by Reba McEntire? There is nothing like music to bring the nostalgia back. And although some of the artists visiting Harrisburg this month aren’t as classic as Reba, the mid-2010s are still nostalgic for some.

 

Reba McEntire, 4/16, Giant Center, 6:30 p.m.

Reba wasn’t named “The Queen of Country” for no reason. The singer started her career in 1975 and is still rocking the stage in 2023. Country artist Red Steagall discovered her at a rodeo where she was performing then helped get her signed to PolyGram/Mercury Records. Her career really took off in 1991 after the release of her album, “For My Broken Heart.” McEntire wrote the album after eight of her band members tragically died in a plane crash. That album is one of her bestselling to this day. After establishing her music career, Reba appeared in TV, film and on Broadway. The beloved singer has a classic country voice that never seems to get old. Her smooth vocals have barely changed over the years, making this show a must-see.

 

Houndmouth, 4/20, XL LIVE, 8 p.m.

This alternative blues band got its start in 2011 in Indiana, recording a self-titled EP. Shortly after, the Guardian named them “Band of the Week.” Houndmouth’s sound is rustic, roots and rock all mixed together, the slow and soulful music tugging at your heartstrings. One of Houndmouth’s top songs is “Sedona,” which was released in their 2015 album, “Little Neon Limelight.” Since then, the band has released two more albums, “Golden Age,” in 2018, and “Good For You,” in 2021. With over 2.1 million monthly listeners on Spotify, the band has certainly made a name for itself.

 

Father John Misty, 4/27, The Forum Auditorium, 8 p.m.

After leaving the band Fleet Foxes in 2012, Joshua Michael Tillman ventured out on his own and assumed the stage name of Father John Misty. He released his first album, “Fear Fun,” later that year. Since the start of his solo career, he has released five albums. In addition, the indie-folk singer has contributed to the albums of other artists, such as Post Malone, Lady Gaga, Kid Cudi and even Beyonce. Tillman’s most notable song may be the single, “Real Love Baby,” released in 2016. In contrast to the many slow and sad melodies that Fleet Foxes performed, Father John Misty keeps his music more upbeat and fun, along with a folk-rock twist.

 

Mentionables

  • Hiss Golden Messenger, April 4, H*MAC
  • Snarky Puppy, April 15, H*MAC
  • Natalie Grant, April 16, Christian Life Assembly
  • Joywave, April 18, XL Live
  • The Last Ten Seconds of Life, April 18, Lovedraft’s Brewing Co.
  • Easton Corbin, April 22, PA Farm Show Complex & Expo Center

 

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Melodic March: Something for every taste this month

 

This is the month when my resolution to go to more live shows really kicks off. Harrisburg has a jam-packed March—from homegrown bands like Yam Yam to major artists like Third Eye Blind. I’m personally going to three concerts this month just because the Harrisburg area is being blessed with so many amazing artists. Some of them are new to the music scene, and some of them have made a name for themselves for decades. Either way, I’m pumped.

 

Certainly So, 3/3, XL Live, 8 p.m.

Certainly So is a semi-new band that formed in September 2019. Drawing inspiration from artists like The Beatles, The Beach Boys, John Mayer and many others, they have an eclectic singer-songwriter vibe. Two of the members, Tanner Gray and Colby Wilson, were childhood friends who parted ways for college. While in college, Gray met the rhythm section, Chase Porter and Zach Corder. However, the band didn’t form until a couple of years after they finished school. Certainly So has curated a unique sound with a range of music that can feel melodic and down-to-earth or speedy and upbeat. I’ve personally had their song, “Dizzy,” on repeat for weeks. It’s got an exciting start, which carries through till the end.

 

alt-J, 3/16, XL Live, 8 p.m.

Forming in 2007, alt-J has made a splash on the music scene. Originating from Leeds in the United Kingdom, their first few years were spent in college creating music, as well as their debut album, “An Awesome Wave,” which came out in 2012. Alt-J’s music has a full sound. If you listen to a single song enough times, you can pick apart the layers that make it up. Some have been featured on shows and movies, such as “Left Hand Free,” the theme song for the Netflix show, “Outer Banks.” Their debut album was the only one I had in my car when I was in high school. I could honestly listen to the whole thing on repeat for hours. It’s hard to compare alt-J to another band because their sound is so distinctive.

 

Yam Yam, 3/17, H*MAC, 7 p.m.

Yam Yam got their start in Harrisburg in 2015, but the band now performs around the country. This funky band has an interesting styling. They have the typical guitar, keys and drums setup, but the addition of a saxophone gives their music greater quality and depth. I would describe Yam Yam as having a “groovy” sound, as they pull in influences from 1970s-era soul music, often overlaid with a jazzy vibe. These Harrisburg boys also have a killer stage presence, and their music makes me want to get up and move. It’s upbeat and positive, which makes it hard to stay still while hearing it, especially when experiencing it live.

 

Mentionables

  • The Grateful Shred, March 1, H*MAC
  • Everclear, March 2, XL Live
  • Kings Of Thrash, March 5, H*MAC
  • Jxdn, March 15, XL Live
  • Cold, March 23, Lovedraft’s Brewing Co.
  • Third Eye Blind, March 23, Hershey Theatre

 

March Concerts:

3/3
Certainly So
XL Live
8 p.m.

3/5
Kings of Thrash
H*MAC
7 p.m.

3/16
alt-J
XL Live
8 p.m.

3/17
YAM YAM
H*MAC
7 p.m.

3/23
Third Eye Blind
Hershey Theatre
8 p.m.

 

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The Week that Was: News and features around Harrisburg

H*MAC announced its partnership with Live Nation this week.

Not only is it a long weekend, but it’s the perfect time to read our July issue of the magazine, which just came out this week! However you plan to spend the Fourth of July holiday, take some time to catch up on this week’s local news, below.

Federal Building owner Justin Etzin said that he plans to transform the building into a 200-unit apartment building, our online story reported. The building would also include restaurants, a movie theater and a salon.

Fireworks and food trucks are headed to Harrisburg this weekend for the Fourth of July. Find all the details for the day, in our online story.

The Harrisburg Area YMCA announced David Ozmore as the new president and CEO of the organization, our online story reported. Ozmore replaces former president Richard Curl who served in his position for 25 years.

Harrisburg City Council voted down a proposal by local developer D&F Realty for an Uptown apartment building, our reporting found. According to council member Shamaine Daniels, the developer had numerous recent citations for code violations.

Harrisburg is teaming up with the Pennsylvania Department of Conservation and Natural Resources to offer youth a glimpse into conservation careers, our online story reported. The PA Outdoor Corps job development program will run from July 5 to 8 in Reservoir Park.

The Harrisburg School District passed a $223.8 million 2022-23 budget, our online story reported. The budget also included a 3.36% tax hike for the school district portion of the property tax.

H*MAC announced a partnership with Live Nation, a live entertainment company, our reporting found. Live Nation will be H*MAC’s exclusive booking partner for its Capitol Room venue.

An I-83 tolling plan has run into a major roadblock, as a state court has ruled against the PennDOT proposal, our online story reported. In the decision, the court said that PennDOT didn’t give the public an opportunity to comment on the proposal.

Italian Lake is set to become more eco-friendly with a rain garden and wetland area, our online story reported. Harrisburg received a grant from The Giant Company and Keep Pennsylvania Beautiful for the project.

Jeremiah Crow’s House of Oddities and Curious Goods in Elizabethtown specializes in the wacky and bizarre, our magazine story reported. If you’d like to see a stuffed, two-headed piglet or a purported lock of Charles Manson’s hair, this is the museum for you.

In our July Editor’s Note, find out who the cute dog is on the cover of our magazine. He’s a resident of the Humane Society and in need of a home.

July is packed with fun events in the Harrisburg area. We have plenty to choose from in both our Community Corner and Happenings columns.

Local environmental groups are stressing the effects that trees have on improving water quality. In our magazine story, read more about the organizations working to plant more trees and restore their environments.

My Heroes Stage is central Pennsylvania’s newest live music venue, our magazine story reported. Located at Hollywood Casino in Grantville, it’s bringing big-name recording artists to the Harrisburg region.

“Official Competition” is a film within a film and an act that turns into reality, says our movie reviewer. Find out more about the movie, playing at Midtown Cinema in July, in our magazine story.

Plants + Pints Harrisburg plans to bring the community together to educate people on living a healthy and eco-conscious life, our online story reported. The event will highlight local farms, vegan and vegetarian businesses and other plant-based products.

Sara Bozich has a lot of fun and patriotic events on tap for the Fourth of July weekend. Find them, here.

The U.S. Army Heritage and Education Center has something for everyone to enjoy, our magazine story reported. Whether you prefer history or art or marveling at the historic guns, the center has it all.

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H*MAC inks agreement, announces partnership with concert promoter, booker Live Nation

H*MAC in Midtown Harrisburg

More national musical acts soon will be making stops in Harrisburg, as the Harrisburg Midtown Arts Center (H*MAC) today announced a strategic partnership with Live Nation, a leading live entertainment company.

Under the multi-year agreement, Live Nation will be H*MAC’s exclusive booking partner for the 1,200-person capacity Capitol Room, the largest of several performance spaces in the sprawling Midtown entertainment and dining complex.

“We have a beautiful venue, and now with our new partnership with Live Nation, we’re looking to take H*MAC to the next level with even more concerts and performances,” said Chris Werner, H*MAC’s president of entertainment. “This new relationship will help drive the ongoing revitalization of the city’s live entertainment scene.”

H*MAC opened in 2009, with the original partners mounting an extensive, multi-year renovation of the 34,000-square-foot space that once housed Harrisburg’s first Jewish Community Center. In 2019, a new partnership assumed control, purchasing the venue for $6 million and continuing the building restoration.

H*MAC now includes several entertainment spaces, art galleries, bars and a restaurant, Zachary’s BBQ & Soul, which opened last year.

H*MAC’s smaller, 350-person capacity space, Stage on Herr, also will undergo improvements, including a wider stage, permanent seating and sound system upgrades, according to Live Nation.

“H*MAC is a fantastic space for live music, and we look forward to working closely with the team in creating new and exciting opportunities connecting artists to artists with their fans here in the capital city of Pennsylvania,” said Geoff Gordon, regional president, Live Nation Northeast.

According to Gordon, Live Nation was attracted to H*MAC due to its extensively renovated and upgraded facility, as well as its location in central PA, which offers a strategic stop for national touring acts.

“Our team currently books shows across the state in Philadelphia, Wilkes-Barre, Scranton, Allentown, Reading, Hershey, State College and Pittsburgh,” he said. “By adding H*MAC, we can provide an additional tour stop for artists traveling between cities like Philadelphia and Pittsburgh, connecting them with a new and engaged audience.”

In conjunction with the partnership announcement, Live Nation today unveiled the first shows that will be a part of the ongoing live performance series at H*MAC, including Jamaican reggae singer Beres Hammond on Aug. 23, Italian goth-metal band Lacuna Coil on Sept. 8, Finland’s symphonic metal band Apocalyptica on Sept. 11, and American punk rock band Dead Boys on Oct. 20.

“H*MAC is a fantastic space for live music, and we’re looking to increase opportunities to connect music fans with some of their favorite artists here in Pennsylvania’s capital city,” Gordon said.

H*MAC is located at 1110 N. 3rd St., Harrisburg. For more information, visit www.harrisburgarts.com. For more information on Live Nation, visit www.livenationentertaimment.com.

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A Lasting Legacy: Why did the Jewish Federation decide to buy the former Dixon Center–and what comes next?

The Jewish Federation of Greater Harrisburg envisions a lap pool and convertible ‘gymatorium’ for Duncan Hall on its new Grass Campus.

“It takes one second to walk on the campus and be inspired by what’s happening here, and a lot of people felt that immediately.”

Abby Smith, president of the Jewish Federation of Greater Harrisburg, is giving TheBurg a tour of the Alexander Grass Campus for Jewish Life. Seen through her eyes and ebullience, the reimagined but still-vacant space—most recently known as Dixon University Center—truly does seem to hum with activity.

Abby Smith

“Our current campus just doesn’t reflect who the Jewish community is,” she said. “We didn’t look on the outside how we are on the inside—this very philanthropic, community-minded set of organizations in this not-that-spectacular space. This lives up to who our community is.”

The Jewish Federation is “planting a seed” that will radiate throughout central Pennsylvania, said Benedict Dubbs, president of the campus designer, Murray Associates Architects.

“It is not just limited to the Jewish culture,” Dubbs said. “That opportunity for education, that opportunity for engagement, that sense of community is so much more now because of the size and the relationship of the campus to the surrounding neighborhoods and the surrounding community.”

  

Past and Future

The Jewish Federation of Greater Harrisburg encompasses several initiatives supporting Jewish life and overall community wellbeing, including the Jewish Community Center and Brenner Family Early Learning Center. Other groups, including Jewish Family Service of Greater Harrisburg, rent space from the federation as they carry out collaborative missions.

Since 1958, the center of the region’s Jewish community has been the JCC at 3301 N. Front St. Today, the building buzzes, beehive-like, with yoga classes, childcare, Jewish education, music recitals, lectures, film festivals, senior lunches, summer camps, religious observances, board meetings and busy staff.

And like a beehive, the space is crammed beyond capacity. News in August 2020 that Pennsylvania’s State System of Higher Education was selling its six-acre, underutilized Dixon University Center three blocks down Front Street set off a cascade of activity. Calls to backers. Board votes. Dialog with tenants and stakeholders. Preparing a bid. Finally, accepting the gift that made it all possible—backing from the Alexander Grass Foundation to help buy the $4.56 million site.

The foundation president, Elizabeth Grass Weese, and her brother, Roger Grass—children of the late Rite Aid founder and philanthropist Alex Grass—appreciated the site’s self-sustaining business model, said Smith. They also liked “the idea that their dad’s legacy could be connected not just to such a beautiful campus and Harrisburg’s Jewish community but to future generations, as well. Alexander Grass was a huge part of how Jewish Harrisburg was on the map nationally, and this puts us back on the map.”

Sandy Cohen, past president of the JCC and the Jewish Federation, is co-chairing fundraising for the new site. He attended kindergarten in the JCC, when the building was new and marked a new era for Harrisburg’s Jewish community as it moved from the Midtown building that now houses H*MAC.

Cohen “grew up in that building,” the social hub where kids bowled and danced, he said.

“Someone built that for us,” he said. “It’s now 65 years later, and our current building—it needs a lot. The Grasses did this for us. Giving back to the community, I can’t say no. If someone did it for us, I want to do it for that next generation, for generations to come.”

 

Room to Grow

With the October 2021 announcement that the federation had submitted the winning bid for the site, the Grass Campus was born.

“While we did not have requirements for the use of the property, we believe the Jewish Federation’s plans are a good fit for the location and the community,” said PASSHE spokesman Kevin Hensil.

Programs Director Terri Travers envisions a space that strengthens community ties through expansion in fitness and recreation, summer camp, children’s theater and senior living.

“We’ve already been able here at the ‘J’ to have some intergenerational programs, but I really see us being able to expand our offerings,” she said. “The sky’s the limit. We want to make sure we’re serving the needs of the community for generations to come.”

A vision of better serving the entire community is driving the transformation, said Smith. Plans tuck existing uses and programs into the campus buildings constructed, mostly, in the early 20th century for the original site developer, Harrisburg Academy:

  • Education. The early childhood center, currently in the JCC basement, will no longer flood with tropical storm mud but with light flowing through tall windows into rooms made more spacious by knocking down walls. Silver Academy, Harrisburg’s Jewish day school, will move to Duncan Hall, across 2nd Street from the main campus.
  • Senior and wellness programming. Clinical space already equipped with sinks and floor drains—and in one room, an eye wash station—create possibilities for partnering with a health care organization.
  • Spaces campus-wide for conferences, meetings and gallery showings. An ornate hall could host recitals and lectures. Duncan Hall’s “gymatorium” will have a sleek stage and backdrops that convert a new basketball court into event space.
  • Office space for federation staff. Travers said that she finally will have separate storage for the program detritus cluttering her current office—water bottles, boxing equipment, keychains and a Slip ‘N Slide “that looks pretty darn fun.”
  • A 15,000-square-foot fitness center on the administration building’s second floor. Whether on cardio equipment or the balcony just meant for yoga and tai chi, members will have serenity-inducing views of the quadrangle and river. A lap pool will be part of the gym complex in Duncan Hall.
  • Jewish Family Service in the former PASSHE chancellor’s home. JFS offerings include clinical counseling and therapy, adoption and foster care, refugee resettlement and food assistance. Clients will be invited to wait in a glass-enclosed solarium that is Smith’s favorite room on the campus. “When you’re coming in for social services, to be in a home is just special,” she said.

The grassy quadrangle bordered by campus buildings and Front Street will remain unspoiled. For one thing, there’s a parking garage underneath. For another, it’s just beautiful, and the Jewish Federation likes it that way. Smith envisions neighborhood residents walking their dogs. Dubbs sees outdoor lectures and movie nights. A volunteer committee of landscapers and arborists is developing plans for the site, including the early learning center’s garden-to-table curriculum.

“Within Judaism, there are so many values that connect back to the earth,” said Smith, citing the Tikkun Olam teaching of a “responsibility to heal the world. It is within our tradition to care about the spaces that we inherit on the earth.”

Other volunteers are offering their expertise to develop IT schemes or address security. “I think they just need to be asked,” said Smith, a volunteer whose day job is president and CEO of Team Pennsylvania. “Just give them the opportunity to step up.”

Within that volunteer cadre, Cohen and his wife, Marcia—who led development of the JCC’s childcare in the early 1980s—see young leaders emerging.

“I’m now the old guard, but I’m happy to see that younger people are stepping up to take leadership roles,” Cohen said. “They’re enthusiastic about it. They’re excited about it.”

Much of the office space will be ready for occupancy this year. Completion of the early learning center and the gym will stretch into 2023, but “hopefully, early 2023,” said Smith. Programs are expected to continue uninterrupted through the transition.

The master plan allows flexibility to meet current needs while adapting to future, unseen developments, said Dubbs.

“If this is a very large book, I think we are in the early chapters of something that will write itself over many years and decades, and it will become better and better,” he said.

Just like the JCC today, much of the Grass Campus will serve the non-Jewish community, said Smith. After all, the conversion also embodies the Jewish value of tzedakah, “an obligation to giving back.”

“We’re here for generations to come, but in a way that better serves the community, that better connects to the community,” she said. “To me, with what we’re able to do on this campus, it changed the future.”

For more information on the Jewish Federation of Greater Harrisburg, visit www.jewishharrisburg.org.

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Poetry in HBG: Local poets heal, find meaning through putting pen to paper

Erika Eberly

Picture this. A poet finishes reading her newest work in a dimly lit basement. The audience doesn’t snap, as is customary for these kinds of gatherings, but just claps. Revolutionary. It’s almost poetic in itself.

The not snapping, the plastic-cup-of-alcohol drinking, the incense burning—it all sets the scene for Thursday nights at H*MAC in Midtown Harrisburg.

On my right sits a guy in a hoodie and trucker hat, on the left, a young woman in a cheetah print dress and cheetah print jacket, and across the room, an older man in a matching set—fur hat, fur coat and fur leg warmers.

Amy Trout

The self-professed “leader of this ragtag group,” Amy Trout, steps onto the stage in her pink beret hat. She recites a poem that starts out about men bothering women at a bar and ends with the scathing realities of sexual assault and its victims who aren’t always believed. She speaks intentionally fast and passionately. And then, ding. She taps the bell on the string-of-lights-wrapped podium, signifying the end of the poem.

Ringing the bell is one of only two rules of the poetry-reading group. The other is that you can’t apologize. Throughout the night, only one person slips up on that rule, and the group catches it. Lastly, the readings are uncensored—a fact that the group seems to take pride in, that you can get on stage and say whatever you want. You have a captive audience.

These are the Blacklisted Poets of Harrisburg, a group that Trout formed as a continuation of the former Almost Uptown Poetry Cartel, which ended in 2021 when its organizer retired.

One thing I learned from the Thursday night reading was that poetry takes many forms and is very diverse in its expression. That’s something you’ll see evidenced in the Harrisburg poets featured in this story. However, poetry seems to serve mostly the same purpose for writers—it’s therapy. And after the past few years that we’ve had, who couldn’t use a little therapy?

 Cathartic

Thursday night’s poetry reading covered every topic—the backstabbing ex, the loss of a loved one, the love affair and entitled men. Ding. Also mental health, science, pregnancy and God. Ding. Then some that either I wasn’t artsy enough to comprehend or just didn’t quite make sense. Ding.

Anthony Honorowski, aka hoodie guy, was the third to step on stage after science poems guy.

“When you come here, you can let it out and express anything you want,” Honorowski told me earlier that night.

That hasn’t always been his experience, he explained, especially during his time in the military.

“It’s very ‘grin and bear it,’” he said. “A lot of stuff gets bottled up.”

At the reading, he shared a poem about a girl who he met in a psych ward.

Honorowski, now an EMT, has seen how the pandemic has affected mental health—it’s affected his own. What was already an issue for him, caused him to spiral during COVID. But through the poetry group, he found release.

“It was a very liberating experience,” he said of his first time reading in front of the audience.

Erika Eberly has had a similar experience. She’s been part of the poetry group since 2017, when it was still the Almost Uptown Poetry Cartel, although she’s been writing since she was 7.

“Poetry has always been a way of getting something out there,” she said. “It’s cathartic, releasing and healing.”

Eberly is also a local actress and has performed with Harrisburg’s Narçisse Theatre Company. But there’s something about the vulnerability of poetry that allows her to fully express herself, she said.

“I always tried to put on a happy face,” she said. “But it’s good to lay yourself down naked sometimes.”

 

Juelz teaching poetry classes.

Literary Legacy

As opposed to the Blacklisted Poets, oftentimes, Harrisburg-native Julian “Juelz” Davenport’s one rule is to censor when reading poetry. It makes sense since he’s regularly reading to young, impressionable minds at local schools.

Davenport has published several poetry books that share his experiences growing up in poverty, witnessing violence and spending time in prison, among other things. He writes to heal himself, but also to help those in the same situations that he once was in.

“I don’t want the kids to go through what I once went through,” he said. “I wish I knew then what I know now.”

Davenport has taught poetry workshops at several area elementary, middle and high schools, including the recently opened STEAM Academy charter school in Harrisburg and Milton Hershey School. He has also visited several juvenile detention centers and youth programs.

“What I’m teaching them is to take what’s inside them and to bring it out,” he said. “I didn’t know how to place my feelings when I was younger. A lot of them are experiencing the same things.”

Davenport even wrote a poetry book specifically for children that encourages kids to have dreams, to stand up to bullies, and accept their peers despite differences.

Davenport has big plans for his poetry and brand, IME Vision, with new books on the way and plans to continue teaching poetry classes to adults and students.

But it all started when he first put pen to paper, as a young man writing letters to his father in prison.

Basil “BooBee” Talib had a similar experience of writing to incarcerated family members.

The Brooklyn, N.Y., native had a rough childhood, he said. His mother died when he was 5, and he never really knew his father.

Talib’s “Aunt Easy” raised him, cared for him, and taught him how to face his fears, he said. She also taught him street smarts: never touch someone’s food, money or girl. Those come in handy, he said.

In his youth, Talib fell in love with the works of writers like Langston Hughes and Malcolm X. They sparked something in him, and he began to write poetry himself.

“I felt like that was the only person that listened to me—that paper,” he said.

When Talib was incarcerated, he continued to write, sharing spoken word poems with other inmates and writing for the prison newsletter.

“In my poems, I share things that I would’ve never shared,” he said. “Without poetry, I would be a ball of rage.”

These days, Talib is a single dad of two sons and coaches their basketball team at the Camp Curtin YMCA in Harrisburg. He has written eight poetry books and speaks at churches, retirement homes and nonprofits, among other places. He has also participated in the American Literacy Corp.’s “500 Men Reading” event. And if you ever ride the public bus in Harrisburg, you might find one of Talib’s poems resting on a seat. He tends to do that, his son Zahkee told me—carry a bunch of print-outs around in his backpack, leaving one here or there for someone to find. Talib just wants to inspire.

“I’ve done so much negative in my life, but why can’t my legacy be positivity?” he said. “When I talk to people, I want to make a lasting impact.”

 

Gardens

Back at H*MAC, the bell dings again. One poet leaves the stage, making room for Taylor Lagyak. When she first joined the group, she had just given birth to her first child and needed a creative outlet. The first time she read a poem, she spoke fast—she was nervous. During a critique group, the other poets advised her to slow down, that they couldn’t understand what she was saying.

But she’s come a long way. On Thursday night, she recites her poem, “I Don’t Need No Hype Man.” It’s all about confidence.

American poet Marianne Moore once said that “poetry is the art of creating imaginary gardens with real toads.” What has inspired a lot of the Blacklisted Poets, as well as Davenport and Talib, is real pain, mistakes and trauma. It’s even what brought most of them to poetry in the first place. But through poetry, on their terms, they’ve turned those toads into gardens.

A selection from Davenport’s poem, “Young Entrepreneur,” exemplifies this:

Something in us sets us apart from the rest.

Ambition is key to the ignition for what beats in your chest.

Failure is just a fuel for actions or just a tool to build every vision that’s been

thought up by you.

I dropped this little note to keep you on your path.

Go get it!

Be persistent, create your own thing and make it last!

Ding.

For more about Julian “Juelz” Davenport and to purchase his books, visit www.iamjuelz.com. To contact or book Basil “Boobee” Talib or purchase his books, email him at [email protected]. For more information on the Blacklisted Poets of Harrisburg, find them on Facebook.

 

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Burg Review: Playwright Paul Hood bares his painful youth in Narcisse’s raw family drama, “Kill Keller”

Brave is the writer who rips open his painful life story to expose all the scars, to re-open all the old wounds.

Local playwright Paul Hood shares his own R-rated teenage years with Narcisse Theatre audiences in “Kill Keller,” his graphic memoir of growing up in Allison Hill in the 1990s with his abusive stepfather Keller (Aaron Bomar).

H*MAC’s snug, basement-level performance space offers the perfect setting for the play, as audiences symbolically enter Hood’s cramped childhood home, complete with decades-old salvaged furniture, a leather whoopin’ strap hanging on the wall, and a velvet Jesus portrait.

Although the vibrant colors of the huge portrait occupy a lot of wall space, Keller’s constant rants and harsh demonstrations of control reflect his rejection of any power higher than himself. Keller humiliates, manipulates, criticizes and beats his stepsons Naudain (Isaiah Brown) and Maclay (Stiles Everett) over their every action and non-action. This sets up a family dynamic in which the boys can’t win. And they weren’t meant to.

Keller is unlikeable in every way, leaving the audience wondering if there is redemption for him. Keller’s only hope for mustering any sort of sympathy is his vulnerability from poor health, and if you have a soft spot for caustic people who suffer from addiction.

Hood’s life story is told through everyday family life situations that are purposefully repetitive, exposing damaged relationships between all the family members. I lost count of the number of times Keller sent Naudain to the store to buy cigarettes, how many times Mom (Erika Eberly) told Naudain to wash the dishes while his older brother Maclay sat on the couch, how many times Mom prioritized her need for affection over her sons’ safety. A silent character is the boys’ biological father, a military man who abandoned the family and whose toxic presence is frequently mentioned.

The turning point in the story comes when Maclay joins the Marines, and Keller’s health problems escalate. This shifts the underlying forces between all the characters, including Reverend Niel (James Mitchell) whose presence only seems to amplify the brokenness. Every scene is weighty with fight-or-flight decisions.

The actors’ body language and repellent reactions toward each other reveal a blended family unsuccessful in bonding together, tromping through metaphorical eggshells all over the stage floor, with any love they might feel shown in a selfish or guarded way. The play is disturbing all the way through to its unsettling end.

Director FL Henley said of Narcisse plays, “No happy endings. And sometimes no endings. We want you to leave with uncomfortable questions. We don’t want to put a bow on it for you.”

Henley assured the audience that, in real life, actor Bomar is one of the nicest people we could ever meet, and he really wanted to play a baddie. Bomar played his role so well that I will probably cross to the other side of the street if I see him around town.

Hood, who felt afraid at first to put something so emotionally raw into the universe, experienced catharsis in writing the play. He said, “I needed to work through stuff that happened with my stepfather. Writing helped me move past the trauma. Even if I almost gave up on the play, even if we almost never performed it, writing it was my therapy.”

I had the privilege of sitting next to Hood during Act I of the play. In way too many scenes, I felt like bending his 6-foot-plus frame down and resting his bald head on my heart. I wanted to re-mother him properly–to hug his inner child hard, to build living room forts with him, and to give him a dog he could keep.

During the final round of applause, I felt my entire body unclench, and I started to fully breathe again. I didn’t realize how tense the atmosphere felt until that moment.

You will want to stay for the talkback after the show. That will give you the opportunity to find some necessary comic relief in the loving and respectful interplay between the actors, to hear their individual and collective journeys (one of which was a significant death in the family that unfortunately delayed the play’s premiere this past November), and to discover the supportive family that is Narcisse Theatre.

“Kill Keller” runs Jan. 14, 15, 21, and 22 at 7 p.m., and Jan. 16, 23, and 30 at 2 p.m. in the Harrisburg Midtown Arts Center (H*MAC). Find more information at https://www.narcissetheatre.org/ and on Facebook.

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