Tag Archives: Gail Walden Coleman

Bob’s Art Blog: Art Hangover, Hanging Art and Turning 100

Gallery Walk attendees look on as artist Jonathan Frazier works on a painting at the Riverfront Gallery at St. Stephen’s Episcopal Cathedral. Photo credit: Jana MacGinnes

After an exhilarating and, at times, exhausting five hours out on the town downtown, Midtown and all around yesterday for Gallery Walk, the 34th edition is “the talk.” My partner remarked it was the best kind of an art hangover she had experienced.

The Silver Screen brought some of Tinsel Town to the Burg with the Art Association of Harrisburg (AAH) saluting Hollywood in grand style. Hats off to Carrie Wissler-Thomas, CEO and Rachel O’Connor, curator and, as Ed Sullivan would say, “It was a really big show.” The weather did not dampen any spirits, only adding an air of intrigue to the day.

For two of the prizewinners at the AAH member’s show, the first name needed to be Jeff. Jeff Bye took “Best of Show” award with his grand scale oil painting, “Everett Theater.” His work demonstrated his love for abandoned old movie houses—this one in decay from Boston. Haunting and dreamlike, its memories linger from the past. Jeff Wiles took first place in photography with a nostalgic nod to the drive-ins of yesteryear in his black and white study, “Last Picture Show,” artfully staged and shot for all time.

“Everett Theater,” oil painting by Jeff Bye, won “Best in Show” at the Art Association of Harrisburg exhibit. Photo credit: Jana MacGinnes

The art hangover was helped along by the Gallery Walk impromptu after-party at the Millworks, where many of the artists congregated at the bar. Zack Rudy and Brooke De Marco of Huckle Buckle Boys held court regaling us with a “Tale of Two Cities”—Philadelphia the night before with a story you could not make up and now back in Harrisburg and so glad to be home. Reina “R76” Wooden did a live demonstration outside the Millworks restaurant doors and made it a point to direct the artists to the bar, including Paul Zemaitis of Moonrise Candle Company, who shared, “Foot traffic was steady all day long for Gallery Walk.” Rebecca Adey of Mod Sew Designs paved her way with a big smile and dog tales to melt your heart. Larry Washington, Jr, photographer at large, arrived after getting some great photos at the AAH early in the day. Jonathan Frazier dropped by after his painting demonstration at St. Stephen’s Riverfront Gallery. Larry traded camera tips and quips with Jonathan as the two weighed in on angles and apertures. PD Murray and Tina Barrier share a Zen-like bond with camaraderie to spare. This dynamic duo will be joined by Tami Bitner for the new show featured on the lobby wall opening this Friday for 3rd in the Burg. Closing out the first hour with a sou’con of devil-may-care bravado, PD imposed on the chef for soup of all things, for which I will be eternally grateful. Thank you, Mr. Murray. Bon vivants out and about added to the ambiance of “Bohemian rhapsody,” reaching a swell of laughter and frivolity. And to all the art-lovers who toured the museums, murals, churches, galleries and restaurants yesterday, you are all winners.

“Last Picture Show” by Jeff Wiles won first prize for photography at the Art Association of Harrisburg exhibit. Photo credit: Jana MacGinnes

 

Hanging Art at CALC

In the G.B. Stuart Gallery, friendship and painting go hand-in-hand as female artists and age-old compatriots Peg Belcastro and Gail Walden Coleman express different perspectives in the exhibit “Heartscapes and Landscapes.” In her own words, Walden Coleman “follows her heart’s feelings” in her intuitive works reflective of her emotional barometer. Belcastro’s love of lush surroundings one may find in a forest is deeply infused with a painterly point of view, capturing “the landscape with bold exciting colors.” A study in contrast demonstrates once again that opposites attract. Gail’s paintings’ abstractness juxtapose precisely with Belcastro’s panoramic vistas grounded in realism. Instead of creating a dissonance as one might expect, they draw the viewers into two separate worlds—one with open-ended possibilities, the other taken at face value liberally sprinkled with imagination and color. Together or apart, each allows for introspection and reflection. “You’ve got a friend in me…” and them too!

You know you are of a certain age when your doctor recommends a diet high in fiber. So, we were elated to learn of CALC’s newest show, opening Friday, Sept. 23—“(un)Common Threads,” featuring fiber art in all its glory, in the Upstairs Gallery. This will be a contrast and a complement to “Heartscapes and Landscapes” downstairs. Curator “Dr.” Cathy Stone, my new art dietician, has assembled a gallery of textile technicians, highly skilled artisans so adroit at their craft that “magician” might be a more apt description. Weavers, dreamers and practitioners of tradition, transcending timeless tactile interest, bring it full circle to a contemporary cache perfect for the stage of tomorrow. Stone’s coterie of juried artists run the gamut from eco-dying, tapestry weaving, knitting, embroidery, felting, saori weaving and lace-making amongst paper and paint and found materials. All told, 31 pieces made the cut, a mere 40% of the entries submitted. There is no one better qualified to juror those select works than guest artist and felting facilitator par excellence, Erma Yost, a Carlisle resident of renown.

Outstanding examples from East Coast artisans include quilting in its many forms. Holly Cole’s layered organza organdy and cotton fabric are dye-painted, hand-embroidered, drawn and free motion quilted. Meghan Udell employed hand-knitted “Morse code” in her unique manner. Other quilt Quixotes include Linda Syverson and Liz Danish. From central Pennsylvania, Carol Reed, CALC instructor, fiber artist and land art enthusiast, specializes in fiber-mixed natural dyeing. In addition, the only wearable art was created by Jana MacGinnes with a flower fusion tunic via roses adorning the neckline and an encased hem with twisted fabric, much like trailing vines entwining romance and fiber as one, like a garden sonnet that captures beauty’s fleeting fancy. When viewed as a whole, this 30-plus-one collection weaves a dream of aesthetic acclaim where art meets craft in a hushed atmosphere. Listen closely as the works whisper to you.

 

Turning 100

It took me 50 years to turn 100 in my writing career, starting with Harrisburg Independent Press back in 1972. Never thought I would see 100…not years mind you. But this blog denotes my century mark-plus of art columns for TheBurg, including “The Painted Word” and “Bob’s Art Blog.” After my first 3rd in the Burg coverage on Charlie Feathers’ show at H*MAC back on St. Patrick’s Day of 2019, I thought, what comes next? In those early days, I had to check in with my editor, Lawrance Binda, regarding topics before I headed out on assignment. Long story short—TheBurg was recently honored for “Distinguished Service to the Arts” for the region for 2022. We were humbled to be included that night at Whitaker Center to see Lawrance and the staff of TheBurg—Lauren Maurer, Kelsey Tatge and art director Megan Caruso–feted by Theatre Harrisburg actors. Here’s to turning 100!

 

September Art Events

Sept. 16: 3rd in the Burg events throughout the city
Sept. 17: Hummelstown Arts Festival – 170 juried artists on Main St from 9 a.m. to 4 p.m.
Sept. 23: CALC’s dual art show “Heartscapes and Landscapes” and “(un)Common Threads” opening reception 5:30 to 7 p.m.

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Bob’s Art Blog: A Season of Thanks & 3rd in the Burg Preview

The Art of a Cover

After all is said and done, the very best art comes from a community of contributors, as evidenced on the latest TheBurg cover for the November issue. A classic autumnal ambiance is achieved with all the colors of the season.

TheBurg’s November cover, photo by Haley Harned

Gracing the front page, the photo has a “wow” factor, staged and shot by Haley Harned. Behind the scenes, no less than nine artists and local businesses added accessories to the mix, elevating it to a still life masterpiece. Candles light the table from Millworks Moonrise Candle Co as its art director, Tara Chickey, provided the china and napkins. Silverware from the Antique Marketplace of Lemoyne sparkles and shines. Flowers courtesy of Paper Moon Flowers find a home, as well as an artisinal mug from potter Vivian Sterste of Vivi on Verbeke. Pumpkins from Radish & Rye Food Hub, coffee from Good Brotha’s Book Cafe, apple pie from Raising the Bar and fall spices from Callicut’s Spice Co. complete the frame.

Haley Harned is an editorial and commercial photographer, as well as a “staging stylist” for numerous local magazines. Having graduated from the Savannah College of Art and Design in 2008 with a BFA, Hailey employs film and digital media to capture her subjects with aplomb. The still life frame featured on the current issue of TheBurg speaks to a level of art obtained by a trained eye turning assignment to an articulated achievement of beauty.

 

Season of Thanks

A new mural in Harrisburg

In the season of appreciation and thanks, it is a gift to be able to write about the beauty that surrounds us, especially that of seasonal change and the natural landscape that we oftentimes take for granted. For those who live in the city of Harrisburg, there are other special words of thanks.

Over the past five months starting at the end of May and continuing well through the fall, Spocket Mural Works graced the community with myriad marvels of murals now totaling well over 50. The new additions combine with the mix of the previous mural festivals, creating an astounding allure. As before, the thanks are many and far reaching to all who made this third festival so special and meaningful. A thank you to one and all—from the 300-plus volunteer brigade to the artistic vision of the muralists to the generosity of the corporate sponsors and the dynamic duo that founded Sprocket, Megan Caruso and Jeff Copus. The murals are living proof of their commitment to the cause by providing public art that makes a difference, opens discourse and adds beauty beyond measure.

 

 

Gallery@2nd Notes and News

It could be the title for a Quentin Tarantino film, “The Grateful Eight,” as there are eight artists in all. The number included gallery owner Ted Walke, who generously offered studio space to a select group of likeminded local artists to showcase their work rent-free, as well as fee-free when art is sold. The original trio of artists came on board when Gallery@2nd reopened in July. They included Chad Whitaker, Keegan Beinhower and Sean Arce. After the initial response to the gallery’s new presentation, more art disciples were afforded space, including Johanna Martin, Rance Shepstone, Angelica Rios and Ashley Russo, all sharing a fervent zeal for the lowbrow art zen of Ted. It’s easy to see why gratitude is part and parcel from the artists’ point of view and, yet, it cuts both ways. The proprietor was grateful to be in a position for all of this to occur after being closed for almost three years. Gallery@2nd would like its clientele to know that the 3rd in the Burg event on Friday, Nov. 19, will be the closing night for the year, with the gallery reopening sometime in April.

 

HBB On the Road Saturday

Art of the Huckle Buckle Boys

A Saturday road trip to Easton on I-78E will be well worth the while for a Nov. 20 date to see the Huckle Buckle Boys’ “Wondering Ox” exhibit opening and reception party at the Hemlock Art Place for a 6 p.m. kickoff. Garrick Dorsett and Zack Rudy of HBB fame will be “unifying their flow experience” in their trademark style. Located at 9 N. Second St. in downtown Easton, the just-under 100-mile adventure promises to be a night to remember. Hemlock is an alternative art gallery that promotes special events and workshops, as well as being home to avant-garde art and gifts. Newly opened in July, the gallery fosters creativity locally and throughout the state. So, it is no wonder that HBB got the invite as Hemlock is excited to unleash their latest offerings in “Wondering Ox.” Be sure to look for Socrates, just don’t share his drink.

 

3rd In The Burg Preview

Rug hook by Susanne Robinson

With 28 venues participating in this Friday’s 3rd in the Burg, the event now surpasses the level of pre-pandemic involvement, which is a positive sign looking ahead to close out 2021 on a high note. From restaurants to clubs to museums to galleries, all bases are covered for support of the arts and local businesses. In this season of giving, it is important whenever possible to keep local business in the foreground and shop local whenever possible.

The latest art venue, Arts on the Square, opened its upstairs gallery housed in Market Square Presbyterian Church at 20 S. 2nd St. on Nov. 7. At the initial reception, this addition to the local scene found a stellar crowd supporting the quintet of artists showcasing their works.

Acrylic art by Kara Young

One of the highlights was Susanne Robinson, fiber artist, who demonstrated the lost craft of rug hooking, which had its origins in 19th century England. With ethereal woolens from Scotland, Susanne weaves a spell of color and texture throughout her exquisite rug tapestries. In addition, a trio of painters graced the walls of the loft gallery covering acrylic works from A to Z. Lori Sweet, award-winning local artist and congregant, is “inspired by nature, mythologies, as well as universal images of the divine feminine.” Kara Young from Gettysburg believes that “art is medicine.” Her guide to create focuses on “justice, peace and faith in a world she believes needs these qualities desperately.” Gail Walden Coleman, artist of local distinction, celebrates “the human spirit and also our sense of humor.” Mother Nature informs her work, and Gail does her best to capture it in her paintings. Last but not least is photographer Kevin Long, congregant and proprietor of Long Shots Photography. He finds mindfulness through slowing down to fully appreciate the world. Photography “helps me recognize the majesty, intricacy and diversity of creations more fully.”

Also, Pine Street Presbyterian, located at 310 N. 3rd St., and St. Stephen’s Riverfront Gallery, found at 221 N. Front St., offer up art throughout the church and in gallery spaces. Be sure to view “De-Colonizing Christ,” now in its last month through Dec. 19 at St. Stephen’s Episcopal Cathedral.

 

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Bob’s Art Blog: Gail Coleman’s Missing Ingredient & Gallery Walk Preview

“Always Nesting” by Gail Walden Coleman

In the words of artist, Gail Walden Coleman of Mechanicsburg, “intuitive work” has been a challenging and, at times, frustrating process in achieving the level of craftsmanship that she demands of herself. By definition, “intuitive painting” will vary from artist to artist, but defining it is where the conundrum begins.

From the novice to the advanced master painter, one must first take brush in hand and then allow the creative side to take over. It is an exercise designed to not fail and to free oneself from expectations. Having metamorphosed from an artist creating multi-faceted jewelry with Swarovski crystals, Gail switched gears, turning to painting several years ago as her creative outlet, broadening her range to flow to estuaries of enlightenment. As fate would have it, her epiphany came when she introduced water as the key ingredient to her work. With that element, her methodology and approach were released, as if the floodgates unleashed. That’s apropos, as her new one-woman show is entitled, “The Art of Allowing: Just Add Water.”

Describing her work, Gail shared, “I began to get messy! I spritzed, dripped, and poured water. I moved it with my fingers, brushes, sticks. I blotted areas and rubbed some areas raw until the fibers in the paper created a new texture.”

“Uncharted” by Gail Walden Coleman

Two parts hydrogen, one part oxygen, H2O became the catalyst for Gail when just playing around, adding it to her mix. Water has long been associated with purification. It became transformative as it produced adaptability, fluidity and mutability, joining colors, brushstrokes and even paper together in completing the picture. As an intuitive painter of palette and pattern, Gail is accustomed to following her instincts, allowing the work to take its own form. Prime examples of her works are “Uncharted,” in washed tones of turquoise, indigo and sienna, creating a vista of land to be explored. Terrain variegated and visceral adds verisimilitude to the painting in that art imitates life with its ups and downs. In painting “Always Nesting,” she alludes to the cyclical patterns in nature—of winter turning to spring and the return of new life in its abundant forms, the magical birth of birds carefully protected in nests. It captures a special moment in time and features inky black, copper and cream with shades of green.

Traveling over a body of water, the Susquehanna River, to view this one-month exhibit at the Cornerstone Coffeehouse in Camp Hill offered a pre Labor Day jaunt. This borough’s mainstay is well known on both sides of the Market Street Bridge. Beyond their coffee, baked goods and light fare, Cornerstone has been a launch pad for many local artists throughout the years. Owners Sue and Al Pera feel that these works truly showcase local artistic talent as a regular menu item. In addition to the Cornerstone’s September, Gail Coleman has exhibited her paintings at the Pure Gallery in Arcona, the Art Association of Harrisburg, the Carlisle Arts Learning Center, Perry County Council of the Arts and Stevie’s Bistro in Camp Hill, among others. In the end, her journey is ongoing, with the final destination far off in the distance. By surrendering to her senses and allowing inspiration to flow unrestrained, she puts her faith in the natural ebb of the water lapping at the canvas, going with it, never trying to swim against the current. www.GailWaldenColeman.com

 

Gallery Walk Preview
Millworks VI: Original Artists x Four

This sixth edition of profiles of Millworks artists arrives just in time for Gallery Walk this Sunday. It features an initial group of artists who signed on back in 2017, when the restaurant/gallery/brewery opened.

These early adaptors include Tara Chickey, Millworks art director, and her husband Caleb Smith, a man of many artistic hats. Joining the duo are Judy Kelly, mixed media artist, and Marsha Souders, clay printmaker, completing the first of four originals there. This exceptional show closes on Sept. 12.

“Lift Me to the Moon” by Tara Chickey

We start with Tara Chickey, whose abstract expressionistic paintings border on the real and surreal, as she mixes and mines memory with actual experiences. Collected over time through travels abroad, Tara creates her works as inspired, imaginative itineraries that lead to the stars, dusted by a palette sprinkled by the fairies. Working with saturated tones of fuschia, rose, teal, purple and pink as if the bees pollinated her paintings, she provides a garden gushing with a glamour only found outdoors. Look for feminine figures and fairies populating the paintings with ladders to the heavens, depicting dreamers and dancers delighting in the bright, bold colors.

 

 

Photographs on metal plate by Caleb Smith

Sharing studio 323 is Caleb Smith, a founder of Moviate and instructor in film, humanities and photography. A photographer and filmmaker, Smith is an influencer in the art scene, juggling duties such as programming the annual Artsfest Film Festival each May. International filmmaking in Iceland and Sweden are part of Caleb’s resume. His art of storytelling is explored through various cultures in his documentaries. His photographs on metal plate (pictured) lend an air of mystery and magic to the mix on the lobby walls and in their studio upstairs.

 

 

 

 

“Afternoon Delight” by Marsha Souders

Artist Marsha Souders of Studio 317, once a teacher, now works in the medium of clay monoprinting. She learned the technique from master monoprinter, the late Mitch Lyons. Souders has gone on to develop her own signature style with a nod to cave paintings, dating to 30,000 years old found in Lascaux, France. She embraces Paleolithic paintings of animals with a handprint of man as the first signature seen. Her process encapsulates paint-dyed clay slips applied to Remay paper then rolled onto a thin, clay slab that builds up an image; the print is then lifted. At best, two prints may be produced with no two ever the same but, more often than not, each piece is a one of a kind. Kismet is created when new world technique enhances old world art. Her art becomes vibrantly alive with the edition of tints, from colored pencils and fine line markers. Under these instruments, the prints offer a vitality of spirit and color.

“Northern Lights” by Judy Kelly

Millworks’ “Robot Girl” also goes by her given name, Judy Kelly, found in Studio 319. Her quirky creations speak volumes about her passion. Fully adoptable, creative characters are comprised from found objects assembled and named, with a profound history attached to each robot. For really, what is a thing made of cast-off parts of this and that without a backstory? Although, thank goodness, her collection has a front story, too. Also in Judy’s wheelhouse are collage, abstract painting, oil and wax, as well as jewelry. For her introduction on the Millworks wall, Judy showcases mixed media works, resplendent and rich in their presentation.

 

 

Noteworthy Gallery Walk News

It didn’t make it in time for the Gallery Walk map, but be sure to visit Harrisburg’s newest gallery, Nyeusi, at 1224 N. 3rd St. on your itinerary for sights you won’t want to miss. Nyeusi features African American, Caribbean and local art. This exquisite gallery houses local talent as well as international fare. Meet owners Michelle Green and Dr. Dale Dangleben, as well as Bethany Nicholle, recently voted Harrisburg Magazine “Artist of the Year,” among a bevy of Black creatives showcasing their works.

Gallery Walk, organized by the Art Association of Harrisburg, takes place Sunday, Sept. 12, noon to 5 p.m., at venues around Harrisburg. For more information, visit their website and/or read TheBurg’s recent feature story.

Photographs by Jana MacGinnes

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Bob’s Art Blog: A Year in Art, Part 2

Part 2: July to December: Artists, Exhibits, Murals and a Special Thanks

Early in July, the surf was up at the beach…in Paxtang! The Tiger Eye Coffee Company serves up three of the best items that life offers: ice cream, coffee and art all under one roof. What presents as a throwback tikibar/ice cream parlor/art gallery combined, specializes in incredible coffee and teas too. Owner Makayla Burton, 2019 graduate of Capital Area School of the Arts, has assembled a “Sweet 16” confection of artists to complement her Hershey’s Ice cream choices. Just up the street, the beach vibe continues at her father’s Harrisburg Framing and Sea Gallery et al (pictured). Rob Burton owns a way-cool shell shop and nautical decor emporium. The elder Burton brings a surf shack aesthetic to 3430 Derry St. Between the two establishments, the Burtons capture the beach scene in Harrisburg to perfection…after all, “Life’s a Beach.”

“Busted flat in Baton Rouge waitin’ for a train,” just me and Kelly McGee. Actually, the Millworks in Midtown (suite 216) houses the dream state paintings of Kelly McGee (Curran). Ancestral spirits inhabit the transitory state of her subconscious mind, and she brings those remembrances to life in paintings on pinewood slabs. The knots provide the portals between two worlds, one of the here and now and the other the shadow sanctuaries. They are the “Methods and Meanings” of Kelly McGee.

“Vacation Creation” stemmed from the adventures of 13 local artists who shared their vacation/staycation views. Charlie Feathers and Reina R76, Bethany Nicholle, Julie Riker, Nate & Tzu Foster with son Malik, the HuckleBuckle Boys, Garrick Dorsett and Zack Rudy, Hannah Dobek, Jonathan Frazier, Natalie Dohman (whose art is pictured), Douglas Beard, Nicole Herbert, Larry Washington, Jr. and even my 3rd in the Burg photographer, Jana MacGinnes all weighed in with anecdotes that regaled as well as inspired.

August’s 3rd in the Boro featured “The Signature Style of Pamela J. Black and her unique wash application of acrylic paints creating highly distinctive and instantly recognizable works that can only be those of Pamela’s. From her solo exhibit at Cornerstone Coffeehouse to Café 1500 for the start of fall also found her as the featured artist in the Art zine, “Pikchur.”

“On the Hunt for Art brought September’s 32nd Edition of the Harrisburg Gallery Walk, which kicked off the fall scene in grand style under the auspices of the Art Association of Harrisburg’s President Carrie Wissler-Thomas. The Latino Hispanic American Community Center was a featured stop on the tour that showcased “Stars Shining Bright, featuring Nora Carreras (whose art is pictured), Lucy Giboyeaux, Claudia Salazar and Raul Cruz. Well-wishers got to sing “Happy Birthday” to Michael Hertrich as his gallery celebrated its first full year in Midtown. Also during the month, we caught up with local baseball historians, Ted Knorr and Calobe Jackson, Jr., with “A Tip of the Cap” in homage to the 100th anniversary celebration of Negro League Baseball at the Susquehanna Art Museum. Jovana Sarver, aka dirt.petal on Instagram, took center stage on the fashion runway as model and designer of facemasks and everything else one can envision. She slayed art forms like they are dragons, fearlessly focused on the designs… proving her to be “A Polymath Petal.” 

Thursday’s child “with far to go” turned out to be the executive director of SAM at the Marty, Alice Anne Schwab, who knows “The Best is Yet to Come.” She was featured in in TheBurg magazine in October. “Art of the State” local hometown heroes Andrew Guth and Ryan Spahr joined Central Pennsylvania artists Marjaneh Talebi, Shelby Wormley, Theodore Prescott, Marc Vandyke and Autumn Wright for the virtual 53rd edition of the event. A fall 3rd in the Burg took us to the gallery in Midtown where everyone knows your name thanks to the proprietors with pizzazz, Vivi Sterste and Jeb Boyd of Vivi on Verbeke (pictured). On our visit, we met Broad Street Market busker-on-trumpet and Allison Hill musician of many hats, including record producer, Jonathan Diggs Duke, a true artist with a horn.

“Bill and Russ’s Excellent Adventures” take place in a home shared by partners aptly named Bill and Russ. For as long as they have been together, their fascination with glass has filled their lovely home with beauty. Much of it “stems” from once local artist, Ona Magaro. Meanwhile, over at the AAH, the member’s exhibition was nearing its close. There, I met the youngest artist of the year, La Petite” Estella, only 5 years old and already a whiz kid. Showing her handcrafted clay art at the Art Association complemented her ceramic bracelets at the Tiger Eye Coffee Company, where she sells colorful and quirky bead bracelets, the money all going toward her college fund. “The Modernists: Witnesses to the 20th Century” at the SAM encapsulated abstract impressionism in its latest exhibit mirroring what we are faced with today. It provides context to the societal upheaval found permeating the world in the first half of the 20th century.

“A Bird Just Being a Bird” by Garrick Dorsett and Zack Rudy

My final art blog for the year was “A Cautionary Tale,” bringing us full circle. Looking back to the first exhibit of the year afforded insight that intuitive painters Garrick Dorsett and Zack Rudy were able to see the future and in their painting from that first show of the year. “A Bird Just Being a Bird” did its best to warn us of impending calamity. The bird was wearing a mask, sharing its message for mankind to do the same.

Art Outside the Box

On Oct. 4, an art open house took place with 11 artists showing their diverse works by “staging” a residential home for sale on Verbeke Street It gave me a sense of deja vu as the core group was comprised of those from “Vacation Creation.” This grouping included paintings from Bethany Nicholle, Hannah Dobek and Reina Wooden. Photography from Larry Washington Jr. added to the mix. Among the two floors, Millworks artists Tina Berrier and Ann Benton Yeager’s paintings provided a stark contrast to the pop art of Kevyn Knox and Stephen Michael Haas, whose paintings played off each other well. Rounding out the contributors were Donny Lyons, Becky Shagin and Darian Hoke. Speaking of the Millworks, its art director, Tara Chickey, rounded up all the odd ones she could find for their annual “Odd Ones Bizarre.” The event was moved up a month this year to take advantage of the beautiful fall weather, perfect for social distancing outside on the parking lot across from the Broad Street Market.

Dizz Gavins finishes his mural. Photo by Dani Fresh.

Sprocket Mural Works unveiled five new murals and beautified our city. TheBurg’s creative director, Megan Caruso, president of Sprocket, along with Jeff Copus, its co-founder, engaged a quintet of talented artists, who contributed their own take on larger-than-life art. This formidable five included Samantha Sanders, Stephen ESPO Powers, Tara Chickey, Dizz Gavins and Emily Matusz, who braved gravity defying heights to achieve their grand scale art.

On TheBurg Podcast for December, Caruso announced with some degree of fanfare that the Harrisburg Mural Fest will return in 2021.

A Special Word of Thanks

Within every community there seems to be one person who is connected to the rest through a magical power, one which provides the conduit of information back and forth in the best sort of way. A lightning rod so to speak. For Bob’s Art Blog that person is Reina Wooden, “R76,” who keeps me informed and up to date on our local art scene, and I am in her debt. So thank you, Reina, for the scoop always. As an arts activist, Wooden participated as a panelist in WITF’s recent Zoom symposium on social justice. In addition, her painting, “The Keystone King,” is featured on the cover of the Black Wall Street PA’s current edition. The painting now resides in the office of newly elected state Auditor General Timothy DeFoor, who is the first African American to hold that position in Pennsylvania.

Art for Worthy Causes

Gail Walden Coleman’s bookmarks (pictured) take a page from the phrase, “charity begins at home.” Coleman’s intuitive paintings were shrunk in size for a big cause, helping to provide meals for those in need for the Central Pennsylvania Food Bank. Aided with help from owner Rose Anderson of the Pure Gallery in Arcona, the women have provided well over 10,000 meals. What a true gift in this time of need. A heartfelt thank you to Gail and the Pure Gallery.

In the wake of the deaths of George Floyd and Breonna Taylor and so many other lives lost to social injustice, artists Michael Fitzgerald and Gary Dutson, along with friends, erected a Black Lives Matter Mural on the wall of the Harrisburg Improv Theatre as part of a national call that sweeping change desperately needs to take place.

Art Without Borders

WITF’s Zoom meeting on Dec. 17 hosted by Charles Ellison through WITF’s YouTube channel featured a local panel of diverse artists on the topic, “Toward Racial Justice: Celebrates Black and Latino Arts in the Midstate.” The symposium featured Ophelia Chambliss, painter/educator; Shelly Lipscomb Echeverria, painter; Lyneal Griffin from Gamut Theatre, Sankofa African American Theatre Company; Daniel Egusquiza, executive director of Barrio Alegria; Christyn Seay, Capital Area Music Associates; Maria James Thiaw, poet/CEO of Reclaim Artists Collective; Reina Wooden R76, artist. To learn more and watch the conversation, visit WITF’s YouTube channel.

End Note

And perhaps a painting from Pamela J. Black called “The Last Word” (pictured) sums up a year that will be remembered for a long, long time. Her painting draws life from a rich mix of color blending tones, much like the master artist might. It informs the viewer that true beauty, the kind that lasts forever, resides in the space of one’s heart and doesn’t need to have the last word. That is real love in the end and provides us with art from the heart, something we can all use more of.

Read The Year in Art Part 1, here.

 

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Bob’s Art Blog: Methods & Meanings

Artist Kelly McGee in her Millworks studio

I first became aware of Kelly McGee’s art on “the Gram,” the only social media we use. Her art intrigued me from the first…and the stories behind the paintings, even more.

Her website said to call to schedule an appointment to meet and see her work up close at the Millworks. Studio #216 houses the one and only Kelly McGee (Curran), chronologically 33 years of age but an “old soul” at heart in the best way. Within her, she holds generations of tradition and customs shared through her “dream state” paintings. For more, read “The Methods and Meaning of McGee” that follows. Part 2 is titled “Art for a Worthy Cause,” showing that small but mighty makes a difference to Gail Walden Coleman.


Part I The Methods and Meaning of McGee

The card reads, “Kelly McGee Curran, Expressionist Painter,” but that merely scratches the surface. Truth be told, Kelly McGee is an interpretive painter of her own dreams and visions. Proudly claiming Native heritage, something we share, she is able to walk between worlds, the temporal one we live in and the transitory state we dream in. In doing so, she interprets those “remembrances” from past generations and portrays them in her paintings, vivid and with profound meaning. Everything connected to indigenous culture incorporates wisdom, warmth and a vitality that transcends all else.

Her dreams part the veil as she enters a portal between two worlds. Her visitations come in the form of elders inhabiting her subconscious state, leading her to the path that follows nature. It often reveals ritual and customs from the past. In her painting, “I Learned to Listen to the Stars,” the guide is her father portrayed as a medicine man of eternity showing her the way. He takes her out to convene with the night sky, the stars and the moon. Even a beloved donkey exists in the dream and is present. She executes the painting as if she is there on the hill marveling at the wonders of the universe—in rapt attention to her father’s words of wisdom. The colors capture the elements of the nocturnal narration in their simplicity. The stars reveal the underlying nature of the canvas as they are the natural knots found in the pinewood that McGee uses to illustrate many of her paintings. Those knots, portals with smoke emanating from them, represent ancestral spirits. The dualistic nature of her divinations comes full cycle as she is both the seer of dreams and the conduit to the canvas. Another work depicts a scene of trees, which is also 2 feet-by-2 feet of an oil on wood and highlights “Trees in a Storm,” which she was inspired to create by an abrupt summer storm, reflected in the swaying trees natural beauty.

As a child, McGee fell in love with painting as her means of self-expression. Early on and out of necessity, she happened upon pine board to paint when serendipitously she ran out of canvas. Today, her works, more often than not, can be found incorporating those knots of imperfection as an integral element of the paintings. They become crucial to the tale the paintings reveal. The knots enhance and inform the narrative nature of the story or dream. When all those elements come together as one, it is kismet—destiny divined in the stars and heavens. And yet Kelly McGee is as down to earth as any artist or person can get. Genuinely generous, she is able to impart her worlds, the here and now, as well as the shadow sanctuaries, to all people who express interest and are looking to learn the story behind the paintings. Kelly weaves all the elements in her unique take on painting with richly textured oils on wood or on traditional canvas. The worlds she inhabits embrace the elements of earth, wind and fire. Her wisdom is of the ages and for the ages. And the knots that swirl throughout the pine boards serve as a visual guide. In the end, Kelly McGee’s art helps to make the “whorl” go round.


Part II Art for a Worthy Cause

The paintings measure just 2.5 inches-by-6.5 inches, but what an impact and difference they have made. Taking the current state of affairs to heart, Artist Gail Walden Coleman felt compelled to create art that would raise funds to help feed those in need. She has taken a “page,” marking it with her own personal stamp of painting from the timeless motto—charity begins at home.

Coleman has spent a great deal of time over the past three months painting artful works on paper that she then cuts and laminates to become exceptionally beautiful bookmarks all in an effort to raise money for the Central Pennsylvania Food Bank. To date she has enabled the organization to purchase and provide 6,200 meals, with no end in sight. She is now starting phase two of this project and has been aided by a local art gallery and frame shop in nearby Arcona, the Pure Gallery. Owner Rose Anderson sells Coleman’s labor-of-love bookmarks in her shop for the asking “donation fee” of $15, with all proceeds going to the food bank. Coleman’s intuitive paintings have been featured at Pure Gallery as well as the Art Association of Harrisburg, Carlisle Arts Learning Center and various local businesses. For more information, please contact [email protected].

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Bob’s Art Blog: OMG ACW OGW

Charlie Feathers’ table at One Good Woman

All right, kids, it’s a Saturday morning, so get your magic decoder rings out to decipher this message.

In 1934, the radio show, “Little Orphan Annie,” sponsored by Ovaltine, used this format to send a cryptic challenge for listeners to solve. This art blog headline reads, “Oh my gosh,” “American Craft Week” at “One Good Woman” in Camp Hill.

The two—crafts and the establishment—have gone hand-in-hand since founder and 20-year proprietor, Holly O’Connor, sold the tea and coffee emporium to owners of the past four years, Michele Koch and Mechelle Webster, who, last Saturday, were found at their newly built flagship store, anchored at 1801 Market St.

American Craft Week truly signifies the arrival of the fall season with its celebration taking place nationally the first two weeks of October. One Good Woman culled local talent with a threesome of artists, each a master craftsperson in their respective fields.

The one good woman, prolific painter, Gail Walden Coleman of Mechanicsburg, draws on a color palette she perfected creating sublimely elegant, multi-faceted necklaces and earrings. She has taken that expertise and transferred it to canvas now using acrylics and oils (pictured). The end result delivers a cornucopia of color with dramatic destinations left up to the imagination, informing a final narrative. Coleman’s work can be viewed at the Art Association of Harrisburg in its “Hope, Memory and Pride” exhibit that runs Oct. 18 through Nov. 21. In addition, her work will be featured at the Cornerstone Coffeehouse in December.

 

Master wood-turner from Liverpool, Toby Bouder, selects his woods based on the strength of their intrinsic properties. Bouder draws from a forest of trees including ash, elm, maple, oak, holly, hemlock and boxwood. Their inherent beauty comes through in the aging process and in his rendering on the lathe. The dyes used, comprised of primary colors, red, yellow and blue, mix to provide unique transformations, as the wood never reacts to the dyes quite the same twice. Bouder’s works (pictured) can be viewed at the Pennsylvania Guild of Craftsmen show at the All Star Sports Complex in Gettysburg the weekend of Nov. 16 and 17. His collection will also be part of the Odd Ones Bazaar on Nov. 30 at the Millworks in Midtown.

At a coffee and tea purveyor (OGW), of course, the Mad Hatter would be there. This time, it in the guise of artist Charlie Feathers, who held court at his table dressed for Alice and friends—all customers of One Good Woman. Teapots of all varieties clamored for attention (pictured top) while Charlie grinned like the Cheshire Cat. An artist who eludes the trappings of a label, Feathers always colors outside the lines, blurring reality and fantasy with a dollop of whimsy on top. A painter, sculptor, potter, clothier and jeweler with his Bootleg Collection of wearable art, his works adorn H*MAC on a rotating basis. Charlie’s offerings have been featured at the Susquehanna Art Museum and Metropolis Collective and are among an upcoming group at the Art Association of Harrisburg with his collaborator, Reina Wooden. In addition, Charlie is the featured artist at H*MAC for 3rd in the Burg on Nov. 15.

American craft is alive and well in central PA as viewed last Saturday in Camp Hill. One Good Woman in this edition has featured its crafts collective as part of its repertoire. Discover for yourself and be sure to look for these artists at galleries, art associations and events near you taking place this autumn.

One Good Woman is located at 1801 Market St., Camp Hill. For more information, visit their website.

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