
Photo courtesy of Janus Films.
“There are no bears. Nonsense! Stories made up to scare us! Our fear empowers others. No bears.”
Promotional content of the Iranian film, “No Bears,” claims the film is composed of two love stories thwarted by societal demands. But I would go so far as to claim that there is a third love story—that of director Jafar Panahi and his craft.
All of these love stories are tragic.
Panahi takes to the screen, at least in fictionalized constructs, as our main character, and, in fact, the entirety of the story is seen through his eyes as he attempts to make a film remotely from another country.
Short note: outside of this fictional story, Panahi actually was arrested in 2010 for supporting protests and was barred from making movies and leaving Iran for 20 years. While it is clear that he has defied the former restriction (he has made five films since then, all of which were smuggled out of the country and screened at film festivals), he seems to be stuck by the latter point, or at least as far as the narrative of this film goes.
There are three narrative tracks to the film. The first is Panahi’s journey as he attempts to direct a film without crossing the Iranian border, using video chat to give direction to actors miles away. His film crew, recognizing the less-than-ideal situation every time the wifi in Panahi’s village goes out, offers to smuggle him across the border, but Panahi refuses, worrying about what might happen if he’s caught. But even his small attempts to film in the village cause more trouble than satisfaction for the filmmaker.
Which leads us to narrative number two: the reaction of the village to a woman, Gozal (Darya Alei), who was promised at birth to a man, finding love with another man, Solduz (Amir Davari). Panahi takes a photograph of the forbidden couple on the street, and the villagers appear at his door, demanding the photograph as evidence against Solduz. Everything Panahi does to fix the problem seems to get him into further trouble. The narrative focuses less on the forbidden lovers than it does on the tension in the village and the promised man’s bruised pride. Perhaps the love story here is more about the village’s love for tradition.
The third story is that of a couple, Bakhtiar (Bakhtiyar Panjeei) and Zara (Mina Kavani), who are trying to emigrate out of the country and flee to a better place, but are having a difficult time securing a second fake passport for the trip—and Zara refuses to leave the country without Bakhtiar. Theirs is the story that Panahi is filming via video chat, taking their situation and turning it into a nicely wrapped version of itself for the camera. But it becomes clear that the outcome of the couple’s illegal immigration will differ greatly from the outcome of Panahi’s film—that is to say, not happily ever after.
At times, “No Bears” feels like a slice of life. But there is so much packed into the film that will leave you plenty to think about long after the credits roll. It is a film that insists, though it is framed as fiction, that there is more reality to it than initially indicated. Though cloaked with this heaviness, the film is still refreshingly beautiful, and Panahi makes quick work of making the cast of characters come to life.
The end of Panahi’s love story is not over yet. However, as “No Bears” plays in theaters across the United States, he has reached a low point in his arc, now in prison for a sentence of six years that the Iranian government states was previously handed down. While we hope for his release, we may as well enjoy “No Bears” for the dark, barely fictional piece that it is.
Midtown Cinema is located at 250 Reily St., Harrisburg. For more information, visit www.midtowncinema.com.
February Events At Midtown Cinema
First Run Film Opening
“Saint Omer”
Friday, Feb. 3
National Theatre Live presents
“Much Ado about Nothing”
Sunday, Feb. 5, 5 p.m.
First Run Films Opening
“No Bears”
“Turn Every Page”
Friday, Feb. 10
Down in Front! riffs on
“Streets of Fire” (1984)
Friday, Feb. 10, 9:30 p.m.
FraserFest presents
“Blast from the Past”
Sunday, Feb. 12, 7:30 p.m.
Valentine’s Day Film
“When Harry Met Sally” (1989)
Tuesday, Feb. 14, 7:30 p.m.
3rd in the Burg Movie Night
“Pink Floyd: The Wall”
Friday, Feb. 17, 9:30 p.m.
National Theatre Live presents
“The Seagull”
Sunday, Feb. 19, 5 p.m.
First Run Films Opening
“Close”
“Emily”
Friday, Feb. 24
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There are many wonderful city and suburban restaurants in our Harrisburg area that will plan special Valentine’s Day dinners.
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