At St. Stephen’s Episcopal Cathedral, tradition fuses with the contemporary, and the sacred meets the culture.
In the sanctuary, light shines through stained glass windows onto wood pews and a crucifix hangs on the wall. Pipes for the church’s organ are affixed to the wall.
But what you may not realize is that the pipes are a façade and in the space behind them sit large speakers.
“This would be the swell division. In here, you can see all the speakers that are buried in here. Normally, this room would be packed to the inch with little pipes. You can see the big subwoofer speakers.”
On a sunny fall day, Matt Topping, St. Stephen’s choir director, showed off the church’s new “Opus 19” organ, opening sanctuary doors to reveal massive speakers where pipes were once housed. The digital organ was just recently installed, capping an extensive two-year process. The instrument is the only one of its kind in the area, according to Topping, and only the 19th designed by Boston, Ma.-based Marshall & Ogletree, which specializes in digital organ building.
“This organ is built to do exactly what you’d expect from an organ,” Topping explained. “It doesn’t have big computer programs. It functions very much so like a physical organ.”
Topping and his wife, Sarah, the director of music at the church, are also new additions and represent the blend of new and old. The young Harrisburg couple, both in their 30s, have backgrounds rooted in traditional music, teach locally, and serve as advocates for keeping historic music styles and instruments, like the organ, alive. Topping hopes that their presence encourages younger people to experience the instrument.
And it is an experience.
Topping directed me to stand in the middle of the sanctuary while he played deep pedal sounds that thundered from the “swell” room behind the walls and shook the pews. Then he switched to lighter keys that emulated a flute, a French horn and a dainty piccolo. From the ceiling above me, an angelic “ethereal” sound twinkled.
When they all come together, you’re surrounded by music.
The organ offers over 100 types of sounds emanating from speakers strategically placed in seven spots around the sanctuary.
Topping explained how the digital organ allows for far more variety than a pipe organ would, especially in their sanctuary, which is limited by space. Another bonus—no time-consuming tuning and cleaning, which makes it more user-friendly and accessible.
But will the organ purists tell the difference? I asked Topping.
“To the trained ear, you could maybe hear some differences, but that’s the specialty of Marshall & Ogletree. They’re professional organists who are tuning the sound,” Topping said. “There are the purists who are kind of old school who will say there’s nothing quite like a physical pipe organ […] and I think in some ways there’s some logic to that. It’s a maintaining of history. But I would also say to them, they should come and have their minds changed.”
St. Stephen’s plans to put their new investment to heavy use. Topping said that the organ is used in every church service, as well as for choir performances and musical showcases. The cathedral also hosts a Music by the River concert series for the community, which will utilize the organ as well.
“This organ we are hoping brings people together,” Topping said. “It’s a huge investment in the church, but it’s an investment not just for the people that go to this church, but for Harrisburg and the community.”
St. Stephen’s is hosting an organ dedication concert on Nov. 23 at 4 p.m. for free and open to the community. Erik Meyer, an organist at the Philadelphia Episcopal Cathedral, will play the new instrument.
While the church remains committed to tradition and history, approaching its 200th anniversary in 2026, Topping also sees the advancements that St. Stephen’s is making. The church has the same cobblestone floors that it was built with, but is seeing a cohort of younger people attending on Sundays. The Toppings themselves are preserving the classic music style, but with a younger perspective.
Considering all of that, Topping sees the new “Opus 19” as a good example of what the church values.
“I think it’s very similar to what you would hear from the Episcopal Church about how they think about their faith,” he said. “They’re really big on maintaining tradition, but they like to let tradition inform their decisions now. So, I think this organ is a good analogy for that. It’s a futuristic instrument […]but it’s very much so rooted in the tradition and has the standard sounds that you would hear from an Episcopal church.”
For more information on St. Stephen’s Episcopal Cathedral and its events, visit their website.
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