Unsafe at Home: Childhood stress can become a lifetime affliction.

My friend, Kelly, described her difficult childhood this way: “I didn’t live in the kid bubble. I understood the concept of need—that no matter what it was, I couldn’t have it.”

She lived in an environment of domestic violence and poverty. When Kelly was 14, her sister ran away, and it would be years before she saw her again. One month later, her father left, deepening the family’s financial hardship.

There’s a word to describe Kelly’s continual childhood adversity—trauma. And there’s an acronym to describe the incidents that made it up— Adverse Childhood Experiences (ACEs).

I was unfamiliar with ACEs when I entered John Harris High School several months ago to view the documentary, “Resilience: The Biology of Stress & the Science of Hope,” hosted by Communities in Schools of Pennsylvania, an affiliate of the largest dropout prevention organization in the United States, and Mission Central, which helps people overcome traumatic situations.

I knew that stress affected children’s learning and behavior, but not much about why that happens. I also considered these behaviors exclusively a mental health issue and lacked the knowledge to connect the dots between ACEs and long-term physical and emotional outcomes in children. Over the coming months, I learned a lot about children and trauma.

Just Surviving

The idea of ACEs originated from a 1995-97 Kaiser Permanente study.

About 17,000 patients completed a survey about their upbringing and present health status. Ten questions were categorized into three types of events: abuse directed toward the participant; neglect, directly involving the participant; and household challenges, which included domestic violence in the home, substance abuse, divorce or imprisonment of a family member.

Each event was given a score of one. Participants’ ACE scores were compared to their present health status. The results showed that the higher the ACE score, the increased likelihood of bad health outcomes such as alcoholism, drug use, depression, suicide attempts and cancer, among others.

Kelly scored an eight.

The study surprised me. I had never considered that terrible events could influence a person’s physical health. But what I found even more compelling were the mechanisms at work in the body during trauma that cause these outcomes.

Trauma, also known as toxic stress, affects children physiologically.

“It’s not just that they are hungry, not just that they don’t have a place to live,” said Ryan Riley, president and state director of Communities in Schools PA. “It’s toxic stress, causing a physiological nightmare.”

Here’s what that physiological nightmare looks like. Stress causes the body to respond with an increased heart rate, higher blood pressure and the release of stress hormones adrenaline and cortisol. Typically, the stress passes— the worst doesn’t happen, or the child receives support, and the body returns to its normal state.

In the toxic stress model, the stress is recurrent. The fighting happens over and over; the fear of where the next meal will come from never leaves; the anticipation of the next physical assault is ever-present. In this scenario, the body’s fight-or-flight response never turns off—it can’t. It needs to remain vigilant against the next onslaught.

A child’s developing brain takes in all this information and spends energy developing the lower levels of the brain, the survival levels, thus neglecting the upper levels of the brain—the higher thinking, learning and relational levels.

Armed with this information, I spoke with Ashley Kettering, a multi-systemic therapist who worked with youth in the juvenile probation system and the county’s Children and Youth Services. I wanted some information about how these experiences play out in a child’s life.

“You look at all these phases you are supposed to normally go through, but now you’re under stress, now you’re under trauma,” she said.

Basically, trauma changes the brain. Instead of energy being focused on learning how to get along with friends and how to read, the brain focuses on just surviving.

Wanting more information, I spoke with Ellen Smith, a retired general practitioner who has started a grassroots effort to inform the community about ACEs, an organization called Peace 4 South Central Pa. She compared the effects of trauma on the body as similar to the feeling one gets when a fire alarm goes off, except the feeling never goes away.

“The potential for fire is always there,” she said. “You can’t do math problems if there’s a fire in your house.”

Kelly’s fire was domestic abuse and hunger, especially in the summer when there was no free school lunch program. Summer consisted of two meals a day because there wasn’t enough to go around.  The “fire” interferes with typical emotional responses.

“Chronic stress affects the way you are able to react in situations, affects the way you can process things,” Kettering said.

Feelings, turn into actions without going through the typical thought processes.

“Fear goes straight to anger,” she said, adding that it makes it difficult to cope with life’s daily stresses.

This inability to cope leads to fighting because the fight-or-flight response is stuck “on.” A simple interaction can lead to an altercation, or the lack of self-control can cause a child to damage property, which then places them in contact with law enforcement. The toxic nature of this continued stress may cause young people to choose drugs as a survival mechanism, also putting them at risk of arrest.

Some Support

Thankfully, Kelly did not turn to drugs to deal with her childhood trauma. Not unscathed though, she has been diagnosed with post-traumatic stress disorder (PTSD). She works for a women’s abuse advocacy group, and, by all accounts, is making a good life for herself.

So, how did Kelly set herself on a path to success? First, she said that, even with her challenges at home, she had a few advantages.

“I’m lucky because I am the societal standard of something that passes,” she said. “I’m quick-witted, thin, athletic and able to make friends and connections easily. Take a few things out, it would be different.”

She also received some support from adults.

Her high school athletic trainer, for instance, helped ease the strain. Injured frequently as a volleyball player, Kelly was often in the athletic training room, where she developed a friendly relationship with the trainer. She could go there to hang out, use the microwave or help herself to a PB&J. She said that they didn’t talk about her life, but that she just knew she could retreat there.

Kelly and Kettering both emphasized that, when kids get into trouble, it’s important to try to understand the lives they’ve been leading.

“We need to be more focused on how we can help them and less focused on how we can punish them,” Kettering said.

Kelly added that the consequences for misbehaving are often worse for children from traumatic environments, as they usually have little or no support from their families.

“If you said the wrong thing or did the wrong thing [at home], you would get ridiculed, disrespected, made to feel stupid,” she said.

All the Difference

Fortunately, there are resources available to help people understand and cope with the impact of toxic stress.

Through therapy, Kelly has discovered that what happened to her as a child was not “normal,” and it has a name—abuse. She described how she still feels the effects of trauma.

“I feel like I’m still waiting for the next shoe to drop. That’s not a feeling that goes away,” she said. “If I am not focusing on accomplishing something, my brain goes to all the things that can go wrong.”

Moreover, organizations like Communities in Schools offer support for students who struggle. Located in schools, the group provides a place where students can decompress when they feel overwhelmed, a respite like Kelly’s athletic training office. It offers someone to talk to, someone who understands the extent of their struggle.

“Programs don’t change kids, relationships change kids,” said Darria Stafford-Williams, site coordinator for Communities in Schools at John Harris High School. “If there’s at least one positive adult in that child’s life—that the child knows they can depend on them—they can trust them. It makes all the difference in the world to that child.”

Sometimes, the trauma comes from a child’s neighborhood, and organizations like Boys and Girls Club of Harrisburg offer islands of calm. Surrounded by caring adults, children enjoy clean, safe, fenced playgrounds and ball fields, allowing them to relax and just enjoy being kids for a while. The club also provides tutoring and meals, recognizing that food and learning help provide stability and a sense of wellbeing.

Children (and their families) who have lost a loved one can go to Highmark Children’s Place and find assistance. Children come, have a meal, and talk through their feelings with peers or just listen as others participate.

People also can teach themselves about trauma. Anyone can hop on a “TED Talk,” watch documentaries like “Paper Tigers” or “Resilience” on Netflix or Vimeo, or surf the web and find a vast library of information on childhood trauma and ACEs.

Acknowledging that a child is experiencing trauma, recognizing that this trauma can cause physical and emotional problems, and a showing a willingness to address those problems are keys to helping children rise above events beyond their control.

Rather than berate ourselves for not knowing, hiding from the truth, or feeling stifled by the enormity of dealing with trauma, we should perhaps consider the words of Maya Angelou, “I did then what I knew how to do. Now that I know better, I do better.”

 For more information on the ACEs, visit acestoohigh.com. Learn more about Communities in Schools of Pennsylvania at cisofpa.org. “Kelly” is a pseudonym. She asked that her real name not be used in this story.

Author: Susan Ryder

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Mystery and Fear: “Beach Rats” tells a complex tale of self-acceptance.

We may be the only ones who really know Frankie.

His friends know one shade of him, and his family another. Frankie (Harris Dickinson) is who they need him to be—the teenage hooligan who runs around, stealing and smoking with the boys, or the son who spends time with his sick, dying father. But only the men he meets from Brooklyn Boys, an online site for gay men, know any shade further.

In Eliza Hittman’s “Beach Rats,” we come to know Frankie as a soft-spoken, hard-boiled egg, reliant on mystery to win over his acquaintances. It is what draws Simone (Madeline Weinstein), his new girlfriend, to him. But perhaps he is still figuring out his own mystery. Refusing to label himself (or, more importantly, see himself) as gay, Frankie struggles to keep his head in the game with Simone and to hide that part of himself at all costs, a struggle that grows more serious as the story continues. The film makes use of quiet, visual storytelling to unravel this compelling tale of societal fear.

This is not a coming out story; this is a case study of the difficulty of coming out. We like everything to be black and white. We will name someone as homophobic or a hooligan or any sort of label that tells others what we assume about a person. But Frankie is a puzzle that is slowly put together over two hours, in such a way that you can see the black and white converging to become an uncomfortable gray.

Dickinson does a phenomenal job wrestling with his character. You would do well to catch this gem of a film.

“Beach Rats” starts on Sept. 15 at Midtown Cinema, 250 Reily St., Harrisburg.

Author: Sammi Leigh Melville

 

MIDTOWN CINEMA

SPECIAL EVENTS

www.midtowncinema.com

 

Down in Front!

“Star Crystal” (1986)

Friday, Sept. 8, 9:30 p.m.

 

3rd in the Burg $3 Movie

“The Sandlot” (1993)

Friday, Sept. 15, 9:30 p.m.

 

Digital Theatre

“Falsettos”

Sunday, Sept. 10, 7:30 p.m.
“Peter Pan”

Sunday, Sept. 24, 2:15 p.m.

Monday, Sept. 25, 7 p.m.

 

Harrisburg-Hershey Film Festival

Sept. 15-18

 

Middle Earth Marathon

Saturday, Sept. 23

 

Stanley Kubrick Collection

“The Shining”

Thursday, Sept. 28, 7:30 p.m.
“2001: A Space Odyssey”

Friday, Sept. 29, 7:30 p.m.

Saturday, Sept. 30, 7:30 p.m.
“A Clockwork Orange”

Saturday, Sept. 30, 7:30 p.m.

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Perfect Pesto?: Take your basil and blend it.

Every year, I grow a small patch of sweet basil in my herb garden.

Growing herbs is my very modest attempt at home gardening these days, having abandoned tomatoes, peppers, eggplant, arugula and all of my other favorite Italian vegetables a long time ago. But as September approaches, I’m giving my little basil crop a grade of perhaps B-minus. My plants are smaller and shorter than usual, and their color is not as bright green as I think it should be. I am blaming the frequent torrential rainstorms that hit us this season—almost 10 inches of rain in July alone.

Nevertheless, it is time for the basil harvest at the Baer household, and my annual pesto project should still be successful. There is no substitute for pesto made on the same day the basil is picked.

I have a lot of Italian cookbooks, and almost all have a recipe for basil pesto. The formula is pretty much the same: fresh basil leaves, good Parmesan, extra virgin olive oil, garlic and pine nuts. I have often omitted the pine nuts (especially if guests have a nut allergy) or substituted walnuts (also very good). But in my experience, one recipe step is always a constant. After washing the basil leaves, make sure each leaf is thoroughly dry before proceeding. I always followed this religiously, often washing the basil early in the day to make sure no moisture remained when I was ready to cook.

Enter a new recipe and a new concept based on the award-winning pesto of Paolo Laboa, a chef from Genoa (“Genova” in Italian), Italy, and now at Solo Italiano, a restaurant in Gloucester, Mass. Chef Laboa’s pesto won the gold medal at the 2008 Genova World Pesto Championship, a competition of 100 chefs from around the world. I have tried his method, and it is indeed very good, resulting in a sauce that’s bright green, delicate (not overly garlicky) and very creamy.

But chef Laboa has exacting standards for making his pesto, which most of us can only approximate. He uses Genovese basil, which is only officially grown in Italy’s Liguria region. Chef Laboa suggests looking for Genovese-style basil either when purchasing plants or seeds. His recipe calls for Parmesan cheese that is aged 24 to 36 months and a type of pecorino called fiore sardo, a Sardinian sheep’s milk cheese. (I always just used a good Parmesan Reggiano, which I grate on my Microplane grater.) But the most startling difference in Laboa’s pesto is that he first soaks the leaves for 15 minutes in cold water to remove “bitterness” and what he describes as “unwanted licorice notes.”

And finally, chef Laboa makes his pesto in a blender, which he has first chilled in the freezer rather than the traditional mortar and pestle. Since I have a very inefficient blender from the Stone Age, I always use my food processor, which has worked pretty well. So, here is Laboa’s unique recipe for Pesto alla Genovese.

Genovese Basil Pesto

Ingredients

  • 6 cups loosely packed basil leaves
  • ½ cup pine nuts
  • 1/3 of a small garlic clove
  • ½ cup good, fruity olive oil
  • 1 teaspoon sea salt
  • 2/3 cup freshly grated, good, imported Parmesan cheese (use half pecorino Toscano cheese if you can find it, but not pecorino Romano, which is very salty)

Directions

  • Place the glass (only glass) blender container in the freezer.
  • Submerge the basil leaves in cold water and let stand for 5 minutes.
  • Using your hands, gently lift leaves from the water. (Have lots of clean dishtowels nearby.) Repeat this process twice, using fresh water each time. Then rinse the bowl and soak the basil leaves for 15 minutes. (This is tedious, I know, but not hard.)
  • Remove the blender container from the freezer. Combine the pine nuts and the small piece of garlic in the chilled container, cover with the olive oil and puree until the mixture is chopped and creamy. Then add the salt.
  • In 4 additions, lift basil leaves from the water and shake off the water. Leave some water on the leaves to add in blending.
  • Puree for 3 to 4 short pulses after each addition but do not over blend.
  • Finally, add the cheese using 2 to 3 short pulses of the blender.

If you are using the pesto the same day, place it in a bowl and cover the sauce with plastic wrap, pressing it down directly on the sauce to avoid discoloration. If you are not using right away, place the pesto in a jar and cover it with a thin film of olive oil. It will keep in the fridge for three days and the freezer for three months.

Toss the pesto with a pasta of your choice but add a little of the pasta cooking water to heat the pesto and smooth it out. Don’t microwave or otherwise heat the pesto. I always add some extra grated cheese to each serving.

Making pesto at summer’s end is a culinary treat. Give this technique a try if you can. I would be interested in knowing what my Burg readers think of it.

Author: Rosemary Ruggieri Baer

 

 

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Magic Man: Upon retirement, Dr. Guillermo Garcia reflects on 40 years of caring for the children of central PA.

During a recent visit to the doctor, my 6-year-old son pointed down the hall from the waiting room.

“There’s the guy who saw the giraffe inside my ear,” he said. “He does magic, you know.”

In the offices of Tan & Garcia Pediatrics, tales of animals and magic tricks are commonplace, and so are expressions of adoration and respect. Just ask any one of three generations of patients seen by Dr. Guillermo Garcia during his 40 years as a pediatrician in central Pennsylvania.

Since 1977, Garcia has conducted countless office visits and phone calls, dedicating his professional life to caring for the community’s children. This summer, however, he made the difficult decision to hang up his stethoscope and retire from practicing medicine.

“I have been so fortunate to be able to do what I do,” Garcia said. “It’s been absolutely incredible.”

Garcia explained that he wanted to be a doctor since elementary school, where he dissected chickens and armadillos in a small town in Mexico.

“It was crazy,” he said. “It was anatomy live.”

Garcia moved to Mexico City and attended La Salle University, later completing medical school at the National University of Mexico. He attributes the development of his passion and his patient approach to the authentic learning experiences working with one of his professors, a man he holds in high regard.

“Our teacher, Dr. Ramirez, told us to buy a white coat, get a pair of gloves, show up in the emergency room and offer your help,” recalled Garcia.

It was in the emergency rooms of Mexico City where Garcia delivered his first baby when he was only 17 years old.

“I could write a book about my clinical experience,” he said. “That’s how we learned, and it was incredibly valuable.”

Garcia’s experiences—both during his internship in Canada and later in Guanajuatillo, Mexico, where he completed his service commitment—provided him with a profound perspective. He spent a year as the doctor of the small town, treating various maladies and delivering countless babies. Garcia dedicated substantial time to improving conditions there, explaining that he was most proud of his work that resulted in a new school and sanitation system.

“There was so much need there,” he said.

Garcia applied and was accepted into the residency program at Polyclinic Hospital, later completing a fellowship at the University of Rochester, where he met Dr. Frank Procopio.

“He and Dr. Tan started a practice in 1976,” Garcia said. “They opened the office in Camp Hill, and I joined them the following year.”

In 1978, they opened a second office in Union Deposit. Procopio retired in the mid-1990s, and Tan & Garcia Pediatrics has been caring for the Harrisburg region’s children and their families ever since.

“I have seen grandmothers who were my patients, who now bring their grandchildren to see me,” Garcia said. “It’s such a privilege to witness the metamorphosis.”

And although the patients have changed, Garcia said his approach to practicing medicine remains steadfast, central to the spirit of his practice.

“I need to make the connection,” he said. “We need to care not just for the patient, but for parents, too.”

But care, he said, is a two-way street, as he’s also learned so much from his patients and their families.

“They are the ones who taught me what pediatrics is all about,” he explained. “It’s a different tier of medicine.”

His gratitude extends to his partnership with Dr. Yoke Tan, the colleague with whom he spent 40 years of professional practice.

“It was a good marriage,” he said of their partnership.

Dr. Tan returned the compliment, noting Garcia’s compassion for his patients and his ability to connect with children and their parents.

“He is an astute clinician—a very good friend and colleague,” Tan said.

Although he will miss Garcia, Tan said he is happy for the new opportunities retirement will offer his friend.

“I wish him well, and I wish him good health,” he said. “And I wish him the time to do the different things he has always wanted to do.”

Garcia has mixed emotions about moving on.

“It’s hard to go,” he said. “I’m going to miss the patients. The children, my children, are amazing. I’m honored to have been part of the greatest profession.”

Nonetheless, he looks forward to spending more time with his family—especially his grandchildren. He said the change of pace will afford him new adventures, like trips to Mexico where he can involve himself in projects like volunteering to teach English in schools. He also is interested in the environmental health and preservation of Mexico’s natural resources.

“I’m looking forward to the new adventure,” he said. “And I like the challenge of trying to figure things out. So, I’m going to help.”

Author: Jen Fertenbaugh

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Oh, That’s That Cantautor!: Singer-songwriter Sergio Figueroa makes his smooth voice heard.

The soft sound of Sergio Figueroa’s voice drifted through Los Tres Cubanos.

The singer, whose style resembles a Latin Nat King Cole, warmly serenaded the Shipoke restaurant’s diners and even shook the hand of a restaurant regular while belting out a Frank Sinatra tune.

Eight years ago, Figueroa brought his voice, which he describes as “romantic with power,” to Harrisburg. He got his start playing local restaurant and house jams with fellow artists John Catalona and Patrick Murphy. He worked his way into eateries such as Suba, Rubicon and Bridge’s Social Club, then through the West Shore and cities across the country.

“I started playing everywhere—in private parties, different restaurants,” Figueroa said. “And everyone was saying, ‘Oh that’s that cantautor—the singer! the singer!’—because those guys saw me everywhere.”

Figueroa’s performances include a diverse set of covers from other Latin singers, American artists such as Sinatra, Michael Bublé and Nirvana, and a few originals.

According to Figueroa, his fans mirror the fusion of different cultures in his music.

“The music I make is not only for Latin people. It’s for everybody,” he said. “American people love me. Sometimes, they don’t understand my music, but they love my voice.”

One of Figueroa’s many accomplishments was opening for “La India,” known as the “Princess of Salsa” music, and for her collaboration with Marc Anthony. Another is the creation of the monthly “Latin Night” at HMAC.

“HMAC opened their doors all the time for me. I love it,” he said. “I love Latin Night at HMAC. And even though it’s Latin Night, everybody [goes].”

Felt Free

Figueroa started singing 21 years ago in his home country of Mexico. His first encounter with music came from his grandmother, whose ever-present voice floated through their kitchen.

“She sung different styles of music,” he said. “Eventually, it started to rub off on me.”

He sang anywhere he could—at home, in school groups, then local bars and popular cafés in Veracruz. Eventually, he recorded two songs there, one pop and the other salsa.

“When I sung for the first time, I felt free,” he said. “It felt like I was breathing real air for the first time.”

At 31, he fled his home country for America, leaving two of his three daughters behind. In the middle of the night, he and 18 other strangers crossed the desert into the states. Three days later, they made it to Arizona with only a group of 15.

“People believe Latin people come into this country to steal and make problems, but it’s not true,” Figueroa said. “You come here to work hard. You come to live the ‘American Dream.’”

For Figueroa, that dream has come at a cost.

Once, when Figueroa was talking to his daughter in their native language in a mall, a woman yelled at them to “go back to their country.” Declining a reply, he just nodded and kept walking. However, not everyone has used just words.

Even with his brother, Angel, already in Pennsylvania, Figueroa struggled to meet new people. So, when two men invited him out for drinks when his shift at a Lemoyne restaurant was over, he was happy to accept.

“They lured me to their house through the woods,” Figueroa said. “Out of nowhere, they just started smacking me, pouring water on me. The whole family. I kept asking them, ‘Why? Why are you doing this?’”

Though he ended up escaping with only a few cuts and bruises, he still lives in fear.

“I never make problems; I just make music,” he said. “But there are some people who look for problems. You know how the situation is now with U.S. immigration, so, of course, I feel scared. For the next four years, I’ll feel scared.”

Figueroa puts those fears into music, even if the lyrics belong to another artist.

“For me, everyone is the same,” he said. “You have a heart, you have eyes, you have love. Nothing makes a difference.”

Now, Figueroa helps others as often as he can by donating music and the proceeds from it. His recent donations were to the people of Uruguay and citizens dealing with inflated food prices in Venezuela.

Up next for Figueroa are more performances in Baltimore, Chicago and the release of his self-titled CD.

“The music helps,” he said. “It helps bring people together. I make different music so different crowds can hear the music. This is music for the world.”

To hear more of Sergio Figueroa’s music, visit his YouTube Channel and add him on Facebook to see his upcoming performances.

Author: Yaasmeen Piper

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2 Centuries Afloat: For 200 years, the Millersburg Ferry has crisscrossed the Susquehanna.

The sun peeked above the horizon, casting a long shadow across the river as the boatman put his long pole into the water and pushed off the eastern shore of the Susquehanna River, careful to check the current. He loved the dawn. Silent. Peaceful.

In 1817, there were no fancy wineries or restaurants along the great road (now Route 11/15), no trains, no bridges across the Susquehanna River, and believe it or not, no Red Rabbit Drive-In. There were only a few houses scattered in the areas where Liverpool, Newport, Duncannon and Marysville are now. None of these early log homes would have electricity or indoor plumbing for another 100 years.

“Ferries were critical to farmers and trappers working the fields and iron mines of the land,” said Dennis Hocker, a member of the Perry County Historical Society. “The founders of towns normally reserved ferry rights for their own early transportation and income.”

Nestled along the Susquehanna River at the mouth of the Wiconisco Creek, just north of Berry Mountain, lies the Victorian hamlet of Millersburg, founded by Daniel Miller in 1807. Ten years later, Michael Crow established what would become a permanent ferry crossing, said Melanie Morrison of the Millersburg Ferry Association.

“Even though Mr. Crow may have operated the ferry before 1817, it is a written lease that establishes the date of continuous operation at this location,” she said.

The Millersburg Ferry, first known as Crow’s Ferry, is the last ferry operating on the Susquehanna River. It runs from Millersburg in Dauphin County to Buffalo Township in Perry County. 

Two Boats

Today, the Roaring Bull V and the Falcon III continue the 200-year-old tradition of the Millersburg Ferry.

The hulls of both boats are built of white pine, and the bows of each boat have a covered open deck and a pilothouse. They are powered by 57-horsepower diesel engines with hydraulic systems. Each ferry can accommodate as many as four vehicles or 20-plus motorcycles. Walk-on passengers are most welcome.

Much has changed over its 200-year history, other things not so much.

When the ferry is running, it’s still the quickest way to get from Millersburg to Liverpool, taking about 20 minutes for the one-way trip of nine-tenths of a mile. Otherwise, the nearest crossings are bridges 29 miles upriver at Sunbury or 15 miles downriver at Clark’s Ferry.

In an average season, assuming favorable river conditions, some 20,000 passengers buy a ticket for the ferry. Most are tourists, though the Amish have long depended on the ferry as a vital means of transport across the river. 

Year after Year

Over the two centuries, numerous families have owned the ferry. In recent times, Robert Wallis became the sole owner in 1972, and the Community Bank of Millersburg purchased it in 1990, donating it to the Millersburg Chamber of Commerce. The chamber formed the association to oversee the ferry’s operations, run by a nine-member, working board of directors.

“Some do the actual repairs and maintenance on the boats, and others take care of fundraising and grant-writing,” Morrison said. “Each member of the board brings a unique talent and perspective to the board, which keeps the board successfully operating year after year.”

The Millersburg Ferry Boat Association currently employs four captains, six first mates and one operations manager. They are all part-time employees, passionate about their positions.

Without skilled captains and first mates, the association would not be able to remain in operation. The association works closely with the U.S. Coast Guard to ensure the program is run in compliance with all rules and regulations.

“We’re optimistic about the future,” Morrison said. “Due to the recent retirement of Capt. Donald Lebo this year, who piloted the ferry for 27 years, we had to reduce the operating schedule from seven days per week to four days per week.”

This, he said, got the attention of the local community, and the board now has a number of people interested in becoming captains.

In August 2006, the Pennsylvania Historic Commission approved the nomination of the Millersburg Ferry to the National Registry of Historic Sites. This recognition celebrates the ferry’s significant historic impact to the state and nation. The boats themselves are not registered as historic landmarks as they are not stationary objects.

“I receive many positive reviews on our boats and crew,” Morrison said. “It’s a pleasure hearing how well they are all doing. Our crews make guests feel welcome and answer their questions regarding the history of the ferry and the general operations of the boats.”

If You Go

The Millersburg Ferry is located on River Street, Millersburg. It’s open Monday, Friday and on the weekends from May through October (closed Tuesday through Thursday). Before going, always check the website to ensure service has not been interrupted. The ferry also is available for private charters during off-hours in the regular season. For more information, call 717-692-2442 or visit www.millersburgferry.org.

Author: Don Helin

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Stronger Together: Celebrating 5 years, Urban Snob has built a chic shop, a network of support.

Stepping into Midtown’s Urban Snob, I felt transported to a New York City boutique.

From the outside, the store seems like your regular accessory store, but, inside, each surface told a story—from the landscape paintings and hand-painted desk made by an employee to the message wall hidden in the changing room.

“[Fashion and jewelry] was something that was always fun for me. It was a way for me to play up my personality,” said Urban Snob’s owner Dimitra Diggs. “I was just an insurance broker before doing this so, you know, in such a conservative environment, fashion was just a way for me to be more creative like my personality.”

Five years ago, Urban Snob opened with just a few accessories and “funky” handbags. Today, the store has developed into a full-on boutique with clothing to match its bold accessories, handbags (one filled with a rubber chicken and fries), swimsuits, shoes and a new line of velvet matte lipsticks.

Diggs is one busy woman. Besides running Urban Snob, she has a full-time job as an insurance broker, spends time with her family, and travels to Los Angeles and New York to buy pieces from her trusted vendors.

“I can tell by looking at the quality of the item, the uniqueness of it,” she said. “Is it something that is too trendy, like something that will only be in style for a while? Sometimes, I might get something just for fun.”

Cool Kids

Urban Snob’s store manager, Alexus Miller, said her favorite thing about the store is the atmosphere and the customers it brings in.

“A lot of people who perform at Stallions and the drag shows shop here, so that’s fun,” she said. “We get younger people, we get older women. It’s all a different mix, but all the people that come here are—cool. The cool kids shop here.”

It seems the cool kids work there, too. Though Urban Snob is their first priority, employees each have their own side artistry.

Miller, a self-titled “snob,” has a makeup business on the side. Josh Ari Selvey (the “urban” to Miller’s snob) is a visual artist and is responsible for the painting on the store’s checkout desk.

Diggs also partners with ResCare, a service provider dedicated to helping low-income communities, and hires their students who match Urban Snob’s style.

Staying afloat for five years may seem like an achievement itself for a boutique in Harrisburg. Consistency, perseverance and faith are what kept Urban Snobs’ doors open, said Diggs.

To mark the milestone, the Urban Snob team recently celebrated with “Snob Fest”—a beached-themed festival thrown in the back of the store, the release of a documentary about the shop that has amassed 11,000 views, and a partnership with two woman-owned businesses to give customers a new experience.

In the beginning of the year, Urban Snob welcomed Cachet Adams of Pampered Peacock Vintage and Sheena Lansanah, owner of She is Shic shoes.

A decade ago, Adams actually had a shop in Urban Snobs’ current storefront. Her first year of business proved successful, but in the second year, the recession hit, and customers became scarce, sending her business to a screeching halt, she said.

After shutting down the store, Adams laid low for a few years. Raising her son and working a full-time job, she still managed a few popup shops and home appointments. With her life coming back into balance, she was re-launching Pampered Peacock when she received a phone call from Diggs.

“When I first decided to open, she was a resource I sought after,” Diggs said. “I wanted to know what worked for her, what were her challenges, and what to expect.”

From their first meeting, the women immediately clicked and decided to add a section of Pampered Peacock Vintage into Urban Snob.

“Dimi is such a cool, down-to-earth, selfless, stylish, effortlessly fly chick,” Adams said. “Sometimes, I feel like she can’t see herself the way that I see her. She’s so sweet and so giving, it’s disgusting, but you just want to support someone like that.”

Sheena Lansanah met Diggs at a family barbecue. Lansanah thought Diggs would be the perfect person to speak at her up-and-coming Women’s Empowerment event. From there, their business relationship and friendship blossomed.

“Working with a friend isn’t hard when it comes to working with Dimi,” said Lansanah. “We blend well because there is no hidden agenda. I want to see her do well, and she wants to see me do well.”

She is Shic’s product line—transparent pumps, fur-covered slides and other unique shoes spewing with rhinestone and glitter—matches the tone of Urban Snob.

“I would describe our shoes as sophisticated chic, hence the name,” said Lansanah. “I’m very much a conservative woman, but I also like to be fly and sensual.”

Together, the young, black, female entrepreneurs empower one another while creating a successful and stylish store.

“It’s important to give these authentic images of black female unity because it contradicts the narrative that is put out there about us,” Adams said. “It’s so untrue that it is almost heartbreaking sometimes.”

This type of unity makes the pressure easier to handle, Diggs said

“We know how challenging it is, and it is frustrating, and those times when you need someone that can understand what you’re going through,” she said. “So, it’s good to have that support system, and I’m glad that I was able to build with this group of women that are all supporting each other.”

According to Lansanah, there is always a seat at the table.

“We’re stronger together,” she said. “I feel like if we can start to understand that and start that movement, we can get a lot further.”

The Urban Snob is located at 1006 N. 3rd St., Harrisburg. For more information, visit www.theurbansnob.com, the Facebook page or call 717-298-0434.

Author: Yaasmeen Piper

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Sound & Artistry: Market Square Concerts pulls the string on a new season.

“One piano, two pianists, four hands.”

That’s how Artistic Director Peter Sirotin describes Market Square Concerts’ first event of the 2017-18 season, which kicks off this month.

The diverse program from the Varshavski-Shapiro Piano Duo features everything from works by Schubert, Chopin and Mendelssohn to the symphonic grandeur of Brahms and Stravinsky to George Gershwin’s “An American In Paris” (the group’s own arrangement, by the way).

“In some ways, hearing ‘An American in Paris’ performed by two pianists sharing one piano may give listeners a glimpse into the composer’s original ideas and intentions, as well as offer familiar melodies in a new world of timbres,” Sirotin said.

He’s also looking forward to the pair’s transcription of music from the Russian ballet “Anyuta” by composer Valery Gavrilin, which is based on a short story by Chekhov about marriage and class in imperial Russia.

“Gavrilin has created a whimsical score that captures the spirit of Chekhov’s satire beautifully,” Sirotin said.

He said that he didn’t have to think twice about including the Varshavski-Shapiro Duo in Market Square Concerts’ new season. He’d heard the Astral National Auditions winner at the Chamber Music America conference in New York last January, and, he said, their sound and artistry “blew me away.”

So, Sirotin is clearly enthusiastic about the premiere program. But he’s equally excited about the other concerts in the coming season.

One takes place in November, featuring the Amernet String Quartet, which will offer a special program to commemorate the tragic events of the 1917 Russian Revolution. One selection will be String Quartet No. 11 by Shostakovich. Another will be the String Quartet No. 2 by Tchaikovsky, which Sirotin lists as one of his own favorite works of Russian romanticism.

“It is filled with beautiful melodies, elegant dance rhythms and spirit of poetry,” he said. “The Shostakovich piece is, in my mind, a perfect work reflecting on the tumultuous first half of the 20th century from the vantage point of the hopeful 1960s.”

The January concert is another that Sirotin describes as special, as it will celebrate the 20th anniversary of the Cleveland Quartet Award. As part of this award, Market Square Concerts, along with only eight presenters nationwide, including Carnegie Hall, offers a debut opportunity every two years to a promising young string quartet. Every winner in the last two decades has gone on to develop a major career, and some have even won Grammy Awards. Two former winners, the Jasper and Jupiter String Quartets, will share the stage at Market Square Presbyterian Church for a performance of the magical and exuberant Mendelssohn Octet.

“Mendelssohn composed this piece at the age of 16, which is astonishing, and I doubt anyone would argue with me if I said that it belongs in the list of 10-best chamber music works of all time,” Sirotin said. “That piece is also particularly special to me because I had a privilege of performing it in school with one of my mentors, Earl Carlyss, a former violinist of the Juilliard Quartet.”

As in previous seasons, Market Square Concerts will collaborate with the Harrisburg Symphony Orchestra and Messiah College on an artistic residency, this time featuring pianist Mark Markham. He will offer the community two performances of Ravel’s magical Piano Concerto with the symphony, vocal and piano master classes at Messiah College and a recital at Whitaker Center featuring Liszt’s Piano Sonata in B Minor, along with works by Scriabin, Rachmaninoff and Debussy.

“The reason for two master classes is Mark’s unique dual career as a concert pianist and one of the most respected vocal accompanists/coaches in the world,” Sirotin said. “Having spent two decades as a pianist of the legendary soprano Jessye Norman, Mark has tremendous experience and insight, which he will share with singers and pianists in the two master classes at Messiah College.”

Sirotin doesn’t have a magic formula for how he puts a musical season together. Sometimes, it has to do with the relevance of a piece to a historical anniversary. Other times, it’s just pure luck when he’s able to book a promising young talent right before a Carnegie Hall debut. But what is consistent is across-the-board artistic excellence.

“My aim is always to offer the right balance between familiar masterpieces, which seem to nourish music-lovers year after year, and music and performances which stimulate, as well as expand, a listener’s musical reference,” he said.

Market Square Concerts debuts its 2017-18 season on Sept. 24. For more information, visit www.marketsquareconcerts.org/concerts.

The Season at Market Square Concerts

Varshavski-Shapiro Piano Duo

Market Square Presbyterian Church

Sept. 24, 4 p.m.

 

Amernet String Quartet

Market Square Presbyterian Church

Nov. 11, 8 p.m.

 

Jasper and Jupiter String Quartets

Market Square Presbyterian Church

Jan. 21, 4 p.m.

 

Escher String Quartet

Temple Ohev Sholom

Feb. 25, 4 p.m.

 

Mark Markham

Whitaker Center

March 21, 8 p.m.

 

Calidore String Quartet

Market Square Presbyterian Church

April 28, 8 p.m.

 

Author: Lori M. Myers

 

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Sunshine in a Pill: Do you need extra vitamin D? Or is it just hype?

Are you getting enough Vitamin D?

If you’re a healthy adult, the answer is most likely yes. But like many vitamins and supplements these days, questionable sources and articles tout bogus benefits from taking vitamin D supplements—and potentially put your health at risk.

Vitamin D’s primary importance is that it influences how well your body absorbs calcium. If not enough calcium is absorbed, the body must take calcium from its stores in the skeleton, which weakens existing bone and prevents the formation of strong, new bone.

Inadequate calcium significantly contributes to the development of osteoporosis. Many published studies show that low calcium intake throughout life is associated with low bone mass and high fracture rates.

Calcium is also needed for our heart, muscles and nerves to function properly and for blood to clot.

The Hype

Vitamin D gets into the body three ways: sunlight, food and supplements. Sunlight on your skin causes the body to produce its own vitamin D—the reason it’s sometimes called the sunshine vitamin.

According to the National Institute of Arthritis and Musculoskeletal and Skin Diseases, adults should have a daily intake of 600 IU (international units) of vitamin D up to age 70. Men and women over age 70 should increase their uptake to 800 IU daily. Like any vitamins, the best way to ensure adequate intake is to eat a varied diet and receive proper nutrition from healthy foods.

Increasing exposure to the sun is not recommended as a way to increase vitamin D because it increases the risk of skin cancer.

Recently, websites and other sources have been teasing the public with ideas that vitamin D is a cure for multiple conditions from depression and fatigue to heart disease and multiple sclerosis. However, there are no studies to support these claims.

On the other hand, regularly consuming excessive amounts of vitamin D has serious health risks. Vitamin D toxicity can cause non-specific symptoms such as anorexia, weight loss, frequent urination and irregular heart rhythms. More seriously, it can also raise blood levels of calcium, which leads to vascular and tissue calcification, with subsequent damage to the heart, blood vessels and kidneys.

Deficient?

Most people in the United States are sufficient in vitamin D. Only about 8 percent of the population is at risk of deficiency, according to the Centers for Disease Control.

The U.S. Preventive Services Task Force found insufficient evidence to support routine vitamin D tests for healthy adults. People with signs or symptoms of vitamin D deficiency who have conditions that may require extra vitamin D, pregnant women, or people who live in a nursing home may require vitamin D deficiency screening.

So, who is most likely to have vitamin D deficiency?

  • Seniors. Their skin cannot synthesize vitamin D as efficiently, and they may not eat enough foods that have vitamin D.
  • People with dark skin. Pigment in the skin reduces its ability to produce vitamin D from sunlight.
  • People with certain conditions, such as liver diseases, cystic fibrosis and Crohn’s disease. Vitamin D is a fat-soluble vitamin, and its absorption depends on the gut’s ability to absorb dietary fat.
  • People who are have had gastric bypass surgery. Changes to the upper small intestine where vitamin D is absorbed can affect a person’s vitamin D levels.
  • People who are bed bound. Limited sun exposure can lead to low vitamin D levels.

In general, the recommendation for healthy adults is to consume between 600 and 800 IUs daily depending on age.

Ask your healthcare provider if you think you need more vitamin D. Vitamin D is naturally found in some foods, such as salmon, beef liver and egg yolks. Vitamin D is also added to foods and drinks like milk, orange juice and cereal. Milk products such as cheese and ice cream are generally not fortified. The best way to get the recommended daily allowance of vitamin D is in your diet.

Most people in the United States are sufficient in vitamin D. Only about 8 percent of the population is at risk of deficiency. There are no studies that show that healthy adults need vitamin D sufficiency screening or vitamin D supplementation. In addition, taking too much vitamin D can make you sick. If you think you need supplements, talk with your healthcare provider before you start taking them.

Dr. Rajinder Sahi is a doctor of internal medicine at PinnacleHealth. For more information about preventive services for adults, visit pinnaclehealth.org/phmg.

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2 and Out? Harrisburg Council introduces term limits for mayor.

Harrisburg Mayor Eric Papenfuse (left) confers with members of his staff following last night’s City Council meeting.

Former Harrisburg Mayor Steve Reed served seven full terms, leaving financial devastation in his wake when he finally left office after 28 years.

City Council President Wanda Williams says she now wants to prevent a future mayor from staying in office too long, accumulating too much power and thus endangering the welfare of the city. So, she introduced an ordinance last night that would limit future Harrisburg mayors to two terms.

“I don’t want that to happen again,” she said following the council meeting. “It’s not fair to residents or to City Council.”

The ordinance further would prohibit anyone who has served more than two years of a partial term from serving more than a single full term.

Mayor Eric Papenfuse said that, in general, he supports term limits for officeholders and might even consider them as part of a new Home Rule charter. However, he does not support this proposal because, he said, one branch of government cannot use term limits “to control” another.

“I think it’s unconstitutional as currently written,” he said.

In contrast, he said he might support a proposal that subjects all municipally elected officials to term limits.

Williams said that she might go for that.

“If he wants to consider council members, that’s fine with me, too,” said Williams, who, with 12 years on council, is the longest-serving elected official in the city government.

She emphasized that this proposal is not a dig at Papenfuse, who, in May, was nominated for a second term as mayor.

“If it had been (former) Mayor (Linda) Thompson, I would have considered it too,” said Williams, who placed the ordinance into the administration committee, which she chairs, for further discussion.

Williams took pains last night not to be too critical of Reed. However, the language of the ordinance plainly states that his longevity in office and consolidation of power created “a longtime imbalance of power between the legislative and executive branches of city government.” The proposed ordinance further asserts:

“The council of the city of Harrisburg hereby recognizes that this historical imbalance of power arose in part from the unchecked exercise of power by a prior mayor who, by serving seven consecutive terms of office, amassed extraordinary powers over governmental and non-governmental affairs within the city.”

In the end, it seems that Papenfuse and Williams may have grounds for a possible compromise.

“I’m not sure if it should be two or three terms,” Papenfuse said. “But I think there’s a benefit to term limits.”

Author: Lawrance Binda

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