Mural Majority: Harrisburg Mural Festival aims to paint a prettier city.

Last summer, Sprocket Mural Works sponsored the creation of five murals around Harrisburg over the course of two months.

The group, founded and run by city residents Jeff Copus and Meg Davis, received plenty of positive response to this inundation of public art, and they were eager to do more. That’s when they got the idea for a mural festival.

“We saw all the excitement of people watching new murals going up,” said Copus, whose day job is program director for the arts group, Jump Street. “So, that’s when we were like, ‘Let’s just really compact this—do a festival type thing.’”

Together with Davis, also known as TheBurg’s creative director, they’ve been planning just that since last summer.

Unifying Effect

Both Davis and Copus long have been interested in public art and community building. Several years ago, when a mutual friend introduced them, Sprocket was born. Its goals were, and still are, to beautify Harrisburg and instill pride in residents, Davis said.

“There’s a really amazing community here of people doing really great things,” she said. “So, part of it is inspiring civic pride through beautification and through art.”

Sprocket’s first project was at Recycle Bicycle at Emerald and Atlas streets in Uptown Harrisburg, a building that, at the time, was riddled with broken windows and spray-painted profanities. Using money she’d earned painting an earlier mural, Davis recruited local artist Ralphie Seguinot to transform Recycle Bicycle’s exterior.

Seguinot shared Davis and Copus’s view on the importance of public art in Harrisburg.

“I think it draws people into the city,” he said. “I think [for] people who are already in the city, it definitely can have a unifying effect.”

Drawing inspiration from other mural groups around the country, Davis and Copus want to reach the entire Harrisburg community with Sprocket’s projects. Employing a wide range of local talent, past murals have gone up all over the city—downtown, Midtown, Uptown and Allison Hill.

The early September mural festival will paint “10 murals in 10 days,” centered around a walkable route in Midtown and downtown. Copus said he envisions visitors taking the train into the city for the day and picking up the “mural trail.”

Community is a recurring theme for Sprocket, and the mural festival is no different. At this stage of fundraising and planning, the group is seeking out community partner sponsorships for the festival’s 10 murals.

“The amount of money that we have to raise for 10 murals is considerable versus just doing a one-off mural,” Davis said. “So, this season, we’ve been looking into more community partners because these businesses and organizations are just inherently interested in supporting the community. It makes a good fit. They’re larger, so they have the funds to do that.”

Hands on Deck

The process of making a mural is an expensive and extensive one. Sprocket prioritizes paying its artists and sourcing its equipment and supplies responsibly. Plus, before artists can even begin to paint, the wall for the mural must be prepped and cleaned. Sometimes, building codes must be considered, factors that also add time and effort.

As Copus and Davis, who run Sprocket on their own time aside from their careers, make plans to do 10 projects in 10 days, it’s no wonder they’re relying on the community so strongly, for both monetary and moral support.

Copus admitted that the $100,000 to $120,000 Sprocket will need to raise for the festival was nerve-wracking at first, but he’s confident about all the good it will do for Harrisburg.

Davis expressed gratitude for City House Bed & Breakfast’s in-kind donation of the lift it rented for its own renovations, an item that will come in handy as artists paint multi-story walls. With partnerships with other Harrisburg-area organizations like Leadership Harrisburg and Lawyers for the Arts, Sprocket has lots of hands on deck to ensure the festival runs smoothly.

“It’s really exciting to see the people who get it, who understand that this is a no-brainer,” Davis said.

That mentality includes artists. Since even before they put out the call for artists in late February, they’ve been getting inquiries from all over the world, Davis said.

“That’s a delicate balance because we want to bring in artists to elevate what we’re doing here, and, if you bring in artists, there will be more national and international eyes on it,” Copus said. “But we know there’s a great talent pool here locally, so we want to make sure local artists have the opportunity to get involved.”

The mural festival will kick off during Kipona weekend with an event featuring sponsor and artist meet-and-greets. Copus and Davis also plan to have events throughout the festival, such as public art talks at local businesses.

“At the end of the 10 days, fingers crossed, all the murals will be done and we’re going to have our celebration,” complete with food trucks, a pop-up HBG Flea and community art tents for families to make art together, Davis said.

“I’ll probably be smiling a lot,” Copus said when asked what he’ll be doing throughout the 10 days of the festival. Smiling, combined with lots of sweating, Davis added.

As Sprocket’s founders look to the coming months and years, they’re excited for what’s ahead.

“We want to get through this mural festival first before we really try to figure out what the next steps are, but I think we both are looking forward to making more murals after the festival,” Copus said.

The Harrisburg Mural Festival will run Sept. 1 to 10 at various locations in the city. To learn more, including how to become a sponsor, visit www.sprocketmuralworks.com.

Author: Rebecca Oken

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The Squids Are All Right: Calamari—dining out and at home.

Early in my cooking “career,” I found myself wanting to cook everything. Every new cookbook was an inspiration to me.

I often laugh when I think back to some of my endeavors: An appetizer made out of Gouda cheese and green olives molded into the shape of a pineapple; hundreds of tiny, bright green shamrock cookies for St. Patrick’s Day; homemade ketchup (not as good as Heinz); homemade apple butter (I scorched and ruined the pan); zucchini pickles (no one ate them); and my own mint jelly (enough to last for countless roast lamb Easter dinners.)

I once spent three days roasting bones and making a demi-glace for a company roast veal dinner. Nothing was too hard. I loved it! And, of course, I tried my hand at cooking all manner of seafood: scrubbing mussels, peeling shrimp, poaching salmon, picking through crab for crab cakes, scalloped oysters and all manner of chowders and stews.

My father, who grew up in a little fishing village in Italy along the Adriatic coast, adored calamari, a type of squid from the octopus family. His little hometown, Vieste, is in the region of Apulia on the Bari peninsula. After my father was gone, I learned that the culinary specialty of this area is stuffed calamari and then understood why he spoke so often of this dish. Most often, the calamari is filled with breadcrumbs, parsley, garlic and Parmesan cheese and is baked or grilled. I never had a chance to make it for him.

My first encounter with preparing calamari was not a pleasant one. At the time, the only calamari I could find at the fish stand was not cleaned, which meant removing the head and “innards” as well as peeling off a thin, purplish membrane that covers the body. But today, calamari can be found headless and cleaned and sold with their tentacles only if you want them.

Most of us are familiar with fried calamari, a popular appetizer served at bars, as well as upscale restaurants. My husband and I enjoy the calamari at several Harrisburg dining spots:

  • Home 231, which serves them with a chili remoulade sauce
  • Sammy’s, which pairs them with an unusual ginger dipping sauce
  • Alvaro, the little Italian bakery turned weekend bistro where they come with owner Lena’s hearty tomato sauce
  • Note Bistro and Wine Bar, which takes fried calamari to a whole new level by serving them with a Meyer lemon vinaigrette and roasted poblano crème fraiche

But there are other ways to prepare and serve this well-known little squid, and one of them is in a pasta sauce that is easily made at home. With cleaned calamari readily available now (either fresh or frozen), pasta with calamari is a simple dish to prepare and a nice change from pasta with clams, shrimp or mussels.

Pasta with Calamari

Ingredients

  • ½ pound high quality durum wheat spaghetti
  • 1/3 cup extra virgin olive oil
  • 4 garlic cloves, minced
  • A pinch of dried red pepper flakes (more if you like a spicier dish)
  • 1 (14½ ounce) can crushed tomatoes (or whole plum tomatoes crushed by hand)
  • A pinch of salt
  • ½ cup white wine
  • 1 pound of cleaned calamari, cut into ½ inch rings (I skip the tentacles but if you like them, toss them into the sauce as well)
  • 1 tablespoon fresh lemon juice
  • 3 tablespoons unsalted butter
  • ¼ cup chopped parsley

Directions

  • Cook pasta according to package directions.
  • In a large skillet, combine olive oil, garlic and red pepper flakes. Cook on medium for about 3 minutes, stirring gently (don’t let the garlic burn).
  • Add tomatoes, salt and wine. Reduce heat and simmer for 4 minutes.
  • Bring to a boil and then add calamari and lemon juice.
  • Add butter and parsley and cook for about 10 minutes. (Taste the calamari to make sure it is tender but do not overcook. Calamari can turn rubbery very easily.)
  • Drain the cooked pasta and add it to the skillet. Toss together for about 2 minutes so the pasta absorbs a little of the sauce and the flavors blend together.)
  • Sprinkle the pasta with the chopped parsley.
  • Serve right from the skillet or a warmed serving bowl.

Pasta with calamari is wonderful paired with an arugula salad, some warmed olive bread and a cold, crisp Italian white wine.

This is such a basic recipe that you can also substitute shrimp or scallops for the calamari or even combine several together. I know my father would have loved it.

Author: Rosemary Ruggieri Baer

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His Musical Island: Violin master Kristóf Baráti arrives on Harrisburg’s shores this month.

Renowned Hungarian violinist Kristóf Baráti is one of those musicians who gets to travel to faraway places apart from his native city of Budapest.

He’s no stranger to jet lag, having just completed concerts in Poland and Belgium, and, while he loves being home, setting down his Stradivarius and taking a breather, he’s looking forward to coming to Harrisburg this month and doing a sort of musical triple-header: a masterclass with talented Messiah College students, a concert at Temple Ohev Sholom and solo appearances with the Harrisburg Symphony Orchestra.

Baráti will be busy, and he doesn’t mind one bit.

“There are absolutely not many chances to play and do a masterclass,” Baráti said. “It will be great to share what I have experienced and what I think about music.”

What Baráti thinks about music could very well be a lesson for child protégés and pushy parents. Born into a family of musicians and spending much of his childhood in Venezuela, Baráti’ said that his mother became the first violin instructor who didn’t force him to play or even love the instrument.

“When my mother would ask me to play, it was like a game,” Baráti recalled. “Music was a beautiful world, and I liked taking part in what my parents were doing. Music got me through that delicate teenage period. Music was my little island.”

Peter Sirotin—artistic director of Market Square Concerts, concertmaster of Harrisburg Symphony Orchestra and teacher at Messiah College—said combining solo performances with master classes is common in large metropolitan areas. He saw benefits to both students and audiences and wanted to bring all three organizations together for this type of project after the successful residency with world-renowned pianist, Ann Schein, in 2014.

“I was particularly thrilled with the fact that her masterclass at Messiah College had also filled the hall,” Sirotin says. “It was a joy to watch her inspire and transform four local, young pianists into better versions of themselves on stage.”

That success sparked Sirotin to repeat that “performance.”

After Baráti’s first spectacular recital for the Market Square Concerts series in 2015, which he played the day before his Carnegie Hall debut, Sirotin started a conversation with Jeff Woodruff, executive director of the Harrisburg Symphony Orchestra, and Richard Roberson, dean of the School of the Arts at Messiah College. Despite the logistical challenges, Sirotin wanted to bring Baráti to the midstate for a residency. They agreed.

“Because of the wonderfully collaborative relationships between all three of our organizations, we made it work,” Sirotin says. “Temple Ohev Sholom is involved because it is one of the venues where Market Square Concerts presents its performances in addition to Whitaker Center and Market Square Church.”

Sirotin admits he had discovered Baráti’s playing purely by accident. One of his Messiah College students had been working on a rather complex Bach fugue and so Sirotin turned to YouTube for a few good examples of live performances of that particular work.

“I came across Kristóf’s video from Moscow Conservatory Grand Hall, which is where I went to school and performed myself 20 years ago,” he said. “I really liked Kristóf’s performance of Bach and decided to look around for some more of his performances. I found that, in addition to his wonderful sense of style and musicality, he is also a remarkable virtuoso who performs some of the most technically difficult works for violin with charm, ease and flair very rarely found these days.”

Sirotin had the opportunity to meet Baráti in person two years ago during the violinist’s first area concert and had invited Woodruff, who also was impressed.

“I am thrilled that this project came together,” Sirotin added. “It is wonderful for our community to have the same access to the high-quality performing artists as large metropolitan areas, and a great feeling to have this level of friendly collaborative spirit in all three organizations I am involved with.”

Sirotin knows students will get some “fresh insights and helpful suggestions” from Baráti. Baráti hopes he’ll do even more than that.

“I want students to develop their own viewpoint and interpretation and their own way of solving problems,” he said. “I want students to get the joy of understanding music and the joy of music itself.”

Kristóf Baráti will perform at Temple Ohev Sholom on April 5, hold a masterclass at Messiah College on April 6, and perform with the Harrisburg Symphony Orchestra on April 8 and 9. For more information, visit www.marketsquareconcerts.org for the April 5 performance www.harrisburgsymphony.org for the April 8 and 9 performances.

Harrisburg Symphony Orchestra Upcoming Events:
www.harrisburgsymphony.org

April Masterworks Concert

April 8 at 8 p.m., April 9 at 3 p.m.
The Forum, Harrisburg
Tchaikovsky’s “Romeo and Juliet Overture Fantasy,” Khachaturian’s “Violin Concerto” performed by Hungarian virtuoso Kristóf Baráti, and Shostakovich’s “Symphony No. 12”

Pops Series

April 22 at 8 p.m., April 23 at 3 p.m.
The Forum, Harrisburg
Michael Cavanaugh sings the songs of Elton John and more

Spring Young Person’s Concert

May 5 at 10 a.m. and 11:30 a.m.
The Forum, Harrisburg

May Masterworks Concert

May 6 at 8 p.m., May 7 at 3 p.m.
The Forum, Harrisburg
Gershwin’s “Concerto in F” performed by Stuart Malina, conducted by Gregory Woodbridge; Rachmaninoff’s “Symphony No. 2”

HSYO Mother’s Day Concert

May 14 at 3 p.m.
The Forum, Harrisburg

Author: Lori M. Myers

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Community Corner: Notable April Events

Capital 10-Miler April 1: Run for the arts at the annual Capital 10-Miler, a race that benefits several arts groups in the Harrisburg area. The race kicks off at 9 a.m. on City Island. For more information, visit www.capital10-miler.com.

Photo Workshop April 1: The Harrisburg Camera Club will hold its 7th Annual Light & Creativity workshop from 8 a.m. to 5 p.m. at the Conference Center at Central Penn College, 600 Valley Rd., Summerdale. Visit lightandcreativity.org.

Street Cleanup April 1: Join Harrisburg Young Professionals for the annual Forster Street Cleanup, 9 a.m. to 3 p.m. at Forster and 2nd streets. Volunteers will pick up litter, pull weeds and plant new, native seeds and young shrubs. Tools, breakfast and lunch will be provided. Visit hyp.org for details.

Spring HBG Flea April 1: Shop the HBG Flea for local art, vintage treasures and curated curios at Midtown Cinema, 250 Reily St., Harrisburg, 9 a.m. to 3 p.m. Visit hbgflea.com.

Art in the Wild April 2-8: Meet the artists as they finish up installations for “Art in the Wild,” Wildwood Park’s annual outdoor art exhibit, April 2 at 1-3 p.m. On April 6, artist Beth Galston will deliver a lecture, “Recasting Nature,” at 7 p.m. at the Nature Center, and the exhibit opens April 8. Visit wildwoodlake.org.

Networking Tips April 3: Harrisburg Young Professionals will host a presentation on networking with David Everett from the JDK Group, part of HYP’s 2017 Professional Development series, 6 to 8 p.m. at HACC Midtown 2, 1500 N. 3rd St. Visit hyp.org for details.

Addiction Seminar April 4: PinnacleHealth will host a discussion about addiction, 7 to 8 p.m. at Giant Food, 2300 Linglestown Rd., Harrisburg. Attendees will learn the signs and symptoms of addiction and where to go for answers and treatment. Visit pinnaclehealth.org.

Community Freedom Seder April 4: Attend the community Freedom Seder at Beth El Temple, 2637 N. Front St., Harrisburg, 7 to 9 p.m. The theme of the event is “We Are All Children of Immigrants: Welcoming the Stranger in an Unwelcoming World.” Visit bethelhbg.org.

First Friday April 7: Enjoy First Friday in Hummelstown, 6 to 9 p.m., with shopping, dining, raffle prizes, music and dancing. Guests are encouraged to bring donations for Morning Star Pregnancy Services. Call 717-991-5105 or email [email protected].

Understanding Islam April 7: Join Fredricksen Library, 100 N. 19th St., Camp Hill, for Islam 101 to learn the basics of the faith, its many denominations and its widespread diversity, 7 p.m. Visit fredricksenlibrary.org.

Easter at the Mall April 8: Harrisburg Mall, 3501 Paxton Rd., will sponsor its annual free Easter event, 10:30 a.m. to 1 p.m., with entertainment, coloring, craft-making, face painting, prizes, egg hunts and special appearances by cartoon mascots and the Easter bunny. Visit shopharrisburgmall.com.

Flea Market April 8: The Flea Market & Car Corral at the Antique Automobile Club of America Museum, 161 Museum Dr., Hershey, will open to the public at 8 a.m. An auction will begin at 11 a.m. with items and lots available for sale. Visit aacamusuem.org.

Earth Day Cleanup April 8: In honor of Earth Day, Wildwood Park asks you to help clean up its lake, streams and trails, 10 a.m. to 1 p.m. Volunteers will pick up litter and pull invasive plants. Bring a water bottle. Snacks, tools and work gloves provided. Visit wildwoodlake.org.

Golden Gloves April 8: The State Athletic Commission will host Golden Gloves Tournament Finals, 7 p.m. at Midtown Arts Center, 1110 N. 3rd St., Harrisburg. Champions will go to the national tournament, April 30 to May 7 in Lafayette, La. For tickets, call 717-787-5720. 

Egg Hunts April 8 & 15: Go egg hunting at the Antique Automobile Club of America Museum, 161 Museum Dr., Hershey, 11 a.m. to 1:30 p.m. Bring along an Easter basket. Treats will be given to children ages 12 and under. For further details, visit AACAMuseum.org.

Dauphin County Egg Hunt April 9: Dauphin County holds its annual Easter egg hunt, 2 to 5 p.m., at Fort Hunter Park, 5300 N. Front St., Harrisburg, for children ages 2 to 9. There also will be a petting zoo and other children’s activities. Visit dauphincounty.org.

Easter Egg-Stravaganza April 9: Join New Cumberland Public Library, 1 Benjamin Plaza, New Cumberland, for its annual Easter Egg Hunt, 2 to 3 p.m. Children ages 2 to 8 can hunt for eggs and enjoy games, crafts and activities. Visit newcumberlandlibrary.org.

Gardening Workshop April 13: Penn State Extension Master Gardeners in Perry County will present “Pollinator Friendly Gardening,” 7 to 8:30 p.m. at the Perry County Penn State Extension office, 8 S. Carlisle St., New Bloomfield. Visit extension.psu.edu.

“From the Top” April 15: The York Symphony Orchestra and young area musicians will be featured in a national broadcast and live recording of NPR’s “From the Top with Host Christopher O’Riley” at 4 p.m. at the Strand-Capitol Performing Arts Center, 50 N. George St., York. For more details, visit yorksymphony.org.

Networking Mixer April 19: Join the West Shore Chamber and local business professionals at the Afternoon Networking Mixer, 11:30 a.m. to 1:30 p.m., at Messiah College, 1 College Ave., Mechanicsburg. The event is free and open to members. Potential members may attend up to three free events per year. Visit wschamber.org.

Spring Book Sale April 20-23: Fredricksen Library, 100 N. 19th St., Camp Hill, will host its Spring Book and Media Sale on April 20, 2 to 8:30 p.m. (members’ preview), April 21, 9 a.m. to 8:30 p.m., April 22, 1 to 5 p.m., and April 23, 1 to 4 p.m. (bag sale day). Visit fredricksenlibrary.org.

Casino Night April 21: Vision Resources of Central Pennsylvania will hold a night of casino-style games, food and dancing in support of its mission at the Sheraton Harrisburg Hershey Hotel, 4650 Lindle Rd., Harrisburg, 5 to 10 p.m. For details, visit vrocp.org.

3rd in The Burg April 21: Enjoy the best of Harrisburg during 3rd in the Burg, the monthly arts and culture event at galleries, restaurants and art spaces throughout downtown and Midtown. Check out all the action at thirdintheburg.org.

Great Harrisburg Cleanup April 22: Help beautify your city during the Great Harrisburg Cleanup, 9 a.m. to 1 p.m. at various locations. For more information, visit www.cactricounty.org/great-harrisburg-litter-cleanup.

Flea & Festival April 22: Join 105.7 the X and Susquehanna Service Dogs for the “People’s Flea & Festival” from 7 a.m. to 12 p.m. at the Capital BlueCross, 2500 Elmerton Ave., Harrisburg. There will be flea market stands, arts and crafts and food vendors. Visit keystonehumanservices.org.

Earth Day Festival April 22: Mechanicsburg’s 8th annual Earth Day Festival will be held from 9 a.m. to 3 p.m. along Market Street. Take in live music, locally grown food, vendors, exhibits, on-site animals and more. Visit mechanicsburgearthdayfest.com.

Tea Party April 22: The 4th Annual Little Miss Tea Party will be held from 11 a.m. to 2 p.m. at Our Saviour Lutheran, 420 N. Progress Ave., Harrisburg. The event includes hat competitions, kids fashion show, refreshments, games, entertainment, etiquette sessions and healthy initiatives. Visit littlemissteaparty.com.

Confederate Iconography April 22: National Civil War Museum, 1 Lincoln Circle, Harrisburg, will host independent scholar Kevin Levin in a presentation, “Confronting Confederate Iconography in the Wake of the Charleston Massacre,” 1 to 2 p.m. Visit nationalcivilwarmuseum.org.

Smart Cycling Class April 22 & 23: Harrisburg Bicycle Club will offer a two-day cycling class at HACC Harrisburg campus to help riders gain confidence and skills, 9 a.m. to 4 p.m. Contact [email protected].

Shakespeare’s Birthday April 23:  Celebrate the life of William Shakespeare, 4 to 7 p.m. at Gamut Theatre, 15 N. 4th St., Harrisburg, for the annual Spring Fling to support the theater. Tickets are $100 each or $150 per couple. Enjoy an open bar, silent and live auctions, entertainment and food. Visit gamuttheatre.org.

Meet the Candidates April 26: Friends of Midtown will host “City Council—Meet the Candidates Night,” 6 to 9 p.m. at Harrisburg Midtown Arts Center, 1110 N. 3rd St., Harrisburg. All candidates are invited to share ideas on improving Harrisburg. Visit friendsofmidtown.org.

Book Sale April 26-29: Kline Library will host its Spring Book Sale at Paxtang Municipal Building, 3423 Derry St., Harrisburg, on April 26 from 5 to 7 p.m. (members’ preview sale), April 27 and 28, 10 a.m. to 7 p.m., and April 29, 10 a.m. to 2 p.m. Visit dcls.org.

Geopolitics April 27: Robert Daly, director of the Kissinger Institute on China and the United States, will speak at 7:30 p.m. at the Radisson Hotel Harrisburg, Camp Hill. A reception and dinner precede the event. Visit fpa-harrisburg.org.

Spring Bird Walk April 29: Learn how to identify birds in the field with experts at Ned Smith Center for Nature and Art, 176 Water Company Rd., Millersburg, 7:30 a.m. to 12 p.m. Binoculars provided. Visit nedsmithcenter.org.

Independent Bookstore Day April 29: Midtown Scholar Bookstore, 1302 N. 3rd St., Harrisburg, will celebrate Independent Bookstore Day, 8 a.m. to 10 p.m., with raffles, special savings, events and visits with children’s authors. Visit midtownscholar.com for more.

Race Against Racism April 29: Walk or run a 5K race along Harrisburg’s 6th and 7th street corridors to promote awareness of racism and injustice in our community and to support YWCA Greater Harrisburg’s racial justice programs, 8:30 a.m. to 12 p.m. Visit ywcahbg.org.

Wetlands Festival April 29: Celebrate Wildwood Park’s wetlands with a day of free, fun and educational activities, 10 a.m. to 4 p.m. Enjoy wildlife exhibits, used nature book sale, presentations by special guests and more. Visit wildwoodlake.org.

Local Lunch April 29: Join Friends of Midtown at its monthly community lunch, held at Ted’s Bar and Grill Midtown, 1313 N. 2nd St., Harrisburg, 12 to 2 p.m. Contact [email protected] or visit friendsofmidtown.org.

Day of Dance April 30: Capitol Kickline, an annual event that celebrates dance education, will be held at 12:30 p.m. on the steps of the PA Capitol building. Dancers can join a flash-mob style kick-line performance and an afternoon of master classes at the Harrisburg Hilton, 1 N. 2nd St. Visit capitolkickline.com.

Taste of Jazz April 30: St. Paul’s Episcopal Church of Harrisburg will host A Taste of Jazz 2017 at the National Civil War Museum, 1 Lincoln Circle, Harrisburg, 2 to 5 p.m. Enjoy live performances, a silent auction and hors d’oeuvres. Visit stpaulstoj2017.eventbrite.com.

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Inlands Meets Outskirts: Tar Heel flavors and Keystone styles at Red Sky Café.

Chef Wes Stepp of Red Sky Café greeted me with two questions: “Are you hungry?” and, “Do you like seafood?”

Yes and yes, I replied.

He smiled broadly and disappeared into the kitchen. He returned quickly with North Carolina Crab Cake—what he called, “red-neck risotto.” North Carolina shrimp and a rounded crab cake sat atop a mound of seasoned, creamy grits. Spicy Sriracha sauce rimmed the plate. I yummed through mouthful after mouthful, telling myself to slow down.

“Southern contemporary,” Stepp explained.

Red Sky Café—named after the sunsets and the rehashed saying, “Red sky at night, gourmet’s delight”— expanded to Camp Hill in November, parked inside the former Sun Motor Cars dealership along the Carlisle Pike. You can find it attached to the newly opened Ever Grain Brewing Co., which converted the former dealership’s customer service window into an ordering window.

“We’re two separate businesses connected at the hip,” Stepp said.

In February, the café opened its fully functioning dining space, complete with an extended menu and specialty cocktails. A garage door situated along the café wall can be raised on a beautiful day to bring in fresh air, giving the dining space an al fresco feel.

Stepp guided me toward a spacious private dining area with space that comfortably sits 60 people. Business partner and catering manager Katie Kennedy decorated the row of tables for the evening’s dinner and beer pairing event.

“We have a full house,” Stepp said proudly.

Stepp, a self-taught chef with more than 25 years of experience, has been in this business since age 13. He cooked his way through college.

“I started out doing dishes, then picked up summer jobs in the Outer Banks [North Carolina], cooking in restaurants,” he said. “I moved up from fry guy to executive chef.”

In 2002, he bought his own restaurant, the Red Sky Café in Duck, N.C. The Camp Hill location is his second.

Business partner, Mike Kennedy, convinced Stepp to bring his cooking north. Kennedy has been a good friend and regular customer of the original location for 10 years. He invited Stepp up to central PA in October last year. After the two talked awhile, Kennedy said, “Wes, just open a restaurant here. People will love your food.”

I certainly did. Other customers have packed the dining area for events such as “Taste of the Beach Tuesdays” and “Tastefully Fit Seminars.”

Stepp said Red Sky Café in Duck is known as a premiere caterer in North Carolina, booking weddings, private parties and corporate events.  

With a general manager running his place in Duck, Stepp is bringing a piece of his Red Sky to our backyard. The original restaurant provides fresh, local cuisine to its Outer Banks patrons. The Camp Hill location has a twist. The goal is to fuse North Carolina fresh seafood with classic central PA pork and beef.

“Inlands meets outskirts,” Stepp said.

I asked if he was hesitant to move up north.  

He shook his head.

“I have a lot of faith in Mike, in his friendship and in his vision,” he said. “I’m excited about how I’ve been received and in how people have treated me.”

The fear of Pennsylvania winters didn’t scare away the West Virginia native.

“I’m familiar with northern winters,” he said. “I’m a big outdoorsman.”

And, as a sometimes-bodybuilder, Stepp also has a passion for fitness.

“One of my goals is helping use food as part of a healthy lifestyle,” he said.

Years ago, he “was challenged” to take part in a bodybuilding contest, he said.

“That’s when I learned about nutrition. In those 12 weeks, I journaled all my food, recipe’d it out, and came up with a cookbook.”

His book, “Tastefully Fit,” covers exercise, active living and clean eating.

“Clean eating is eating foods as close as they appear in nature,” he said. “When people get off processed food, their energy level goes way up.”

He plans to expand the health and wellness programs offered at his restaurant. Currently, he offers “Tastefully Fit” seminars and cooking demonstrations.

“I’d like to offer ‘Tastefully Fit To-Go,’ where I supply people with good food and develop recipes based on what they like to eat, packaged in a cooler and ready to go,” he said.

He also hinted at another recipe book in the works.

“I see Red Sky Café having a bigger part in special events and retreats,” he said. “I’m not sure where it’s all going to go, but I’m doing what’s possible. The gratification is in serving people, even when things go wrong, as long as it appears flawless at the end.”

Red Sky Café is located at 4444 Carlisle Pike, Camp Hill. For more information call 717-525-9722 or visit the Facebook page.

Author: Cathy Jordan

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Trash Can-Do: The reporters have long moved on, but the struggle against litter, dumping continues.

Johan Pacheco has worked enough trash cleanups to know the drill. When he sees something white amid the greenery, he reaches for it with his picker.

“This town, people say it’s old and dirty, but they just have to help,” Pacheco said during an Allison Hill neighborhood cleanup on a chilly Saturday morning. “If everyone helps, we can all do better.”

There is a battle going on in Harrisburg, a war of the cares vs. the don’t-cares. The don’t-cares dump giant mounds of trash anywhere they think they can get away with it. The cares mobilize to pick up the trash and, they hope, prevent dumping in the first place.

This is, of course, an issue that has its news cycles. Around 2013, it was top-of-mind, attracting reporters and cameras to trash-strewn alleys and vacant lots, especially after former Mayor Linda Thompson infamously pinned the problem on “some scumbag from Perry County.”

Eventually, the press lost interest, packed up and left. Since then, say the city’s trash-fighters, progress has been made, but the struggle never ends.

“I think it’s gotten a little bit better,” said Julie Walter, Tri County Community Action’s neighborhood revitalization coordinator. “We definitely see it’s still an issue. It’s improved slightly, but I think there is still a lot of room for improvement.”

Multiple Fronts

The trash problem boils down to two causes.

There is plain, old litter, tossed on streets by litterbugs, or spilling out from overflowing trash cans and uncovered recycling bins. And then there is dumping—the mounds of mattresses, diapers, TVs, tires and assorted junk that don’t make their way to the county waste facility.

Why all the dumping? It’s simple math. The city’s recovery plan imposed a $190-per-ton tipping fee on Harrisburg haulers using the Susquehanna Resource Management Complex, better known as the Harrisburg incinerator.

But in city neighborhoods where rentals dominate and turnover is high, some irresponsible junk-haulers don’t want to pay the tipping fee. Maybe they were called directly by homeowners; maybe landlords asked them to turn a blind eye. In any case, they find a quiet alley and empty their trucks.

“We clean a whole alley on a Monday, and it’ll look like we didn’t touch it by Thursday, because they’ll dump again,” said Harrisburg Public Works Director Aaron Johnson.

While the war is waged on multiple fronts, Tri County Community Action is a sort of clearinghouse. TCCA is coordinator for Keep Harrisburg Beautiful, an affiliate of Keep America Beautiful, and staffs Clean & Green Harrisburg, a broad-based coalition of organizations that have a stake in de-trashing the city.

Clean & Green is the driver behind the Great Harrisburg Litter Cleanup, scheduled for this month. Last year, the Earth Day event attracted 332 volunteers, who picked up 22.4 tons of trash. TCCA coordinates with incinerator owner Lancaster County Solid Waste Management Authority to waive some tipping fees to dispose of the trash collected.

“We want to get 400 volunteers this year,” Walter said. “You have more area you’re able to clean up. More hands, more work.”

New this year, volunteers will get T-shirts.

“So they can all be identified as working the same event,” Walter said.

TCCA also pilot-tested “Stop the Drop,” a homegrown initiative dreamed up by Fathom Studio to turn the city’s hulking home trash receptacles into public trash cans. In a short stretch of 6th Street, where trash receptacles sit out front anyway because they can’t squeeze behind the houses, orange trash can lids with holes signal that public use is acceptable. TCCA plans to expand the program to other city neighborhoods in the summer.

“The cans are already the homeowner’s can that they’re paying for anyway,” Walter said. “It’s part of the normal cleanup.”

An Example

While TCCA rallies the troops, South Allison Hill resident Jeremy Domenico is a one-man army in the fight.

He has, he said, personally removed more than 450,000 pounds of trash and 400 televisions from city streets in two years. As vice president of the South Allison Hill Homeowners and Residents Association, he has led efforts to remove another 200,000 pounds of trash.

“I was tired of coming out of my house every day of my life and seeing trash, so I cleaned up my street,” he said.

When trash blew in from Derry Street, he started cleaning Derry Street, and the effort radiated from there.

Today, Domenico and association President Shirley Blanton organize weekly cleanups throughout the neighborhood, distributing safety vests and needle- and cut-proof gloves. Domenico collects evidence that points to the dumping culprits and testifies in court—131 times, all successful, he said. He recruits parolees who fulfill their community service requirements by trash-picking, and “none have gone back to prison.”

Pacheco, the resident who wants to make the city better, was a DUI parolee who continued to join cleanups after completing his community service hours, no matter the weather.

“I want to make an example for my two daughters,” he said.

Domenico, too, looks to the future, encouraging children to help with summer cleanups. He used to offer candy as payment but has learned that kids mostly like wearing the vests.

“I really believe that you have to stop the mindset of Harrisburg now, and the only way you’re going to do it is through education,” he said.

In Harrisburg’s Camp Curtin neighborhood, resident Brian Mummau agrees.

“My wife and I and people we talk to ask how we change this culture where kids feel it’s OK to drop trash,” said Mummau, who helps flight blight with Camp Curtin Community Neighborhood United.

The coalition is leading the neighborhood’s April cleanup, while Mummau is starting to organize monthly, small-scale pickups.

Big cleanups make a difference, but they tend to attract volunteers from outside the area, Mummau said. The help is welcomed, but “it doesn’t give people who live here that ownership.”

His monthly cleanups are meant to target the worst sites and promote community-building, “with the thought that, if we keep it cleaned up, they may not dump or throw down as much.”

As citizens clean up or call in dump sites, the Harrisburg Public Works Department collects the trash and hauls it away, covering the tipping fee from its budget.

“It’s more of them than us right now,” said department Director Johnson. “We’re kind of losing the battle, but we’re better than we used to be because more people are paying attention to it. People are getting tired of it.”

A city enforcement officer often finds evidence of the offenders, but fines of only $50 are hardly a deterrent, said Johnson. A proposal going before City Council could create “some teeth to fine people” up to $1,000, he said.

“We need to put the word out there that the city is no longer tolerating this,” he said.

Johnson’s office also worked with the city’s Law Bureau to update littering ordinances. Offenders can get a warning and, for repeated offenses, citations to appear before the district justice. In a perfect world, Johnson said, he would have two cherry pickers constantly working in Uptown and Allison Hill, but his crew is also responsible for paving streets, which takes time during the summer.

“When we get calls (about dumping), we definitely go out and get it,” he said.

It’s Home

Another major player in this battle is Capital Region Water, which must implement pollution prevention efforts under the federal Clean Water Act. Basically, that means keeping trash out of the water system.

Since October 2015, CRW has cleared more than 115 tons of debris from inlets, but such items as rags and flattened bottles still flow into sewers and worm their way past screens in the wastewater treatment plant. In 2016, such debris had to be removed 76 times to prevent damage to pumps. A $5 million, two-year screening upgrade is underway to strengthen the system’s defenses against debris, said Community Outreach Manager Andrew Bliss.

CRW supports the work of Clean & Green Harrisburg, financially and with resources. Riffing on Clean & Green’s “2-Minute Tuesday” program (get out there and sweep up for a couple of minutes), CRW launched monthly cleanups in November 2014. Held at sites suggested by residents, each effort starts with door-knocking the week before. On the appointed day, CRW brings the tools, volunteers collect litter, and CRW hauls the trash away.

“Some months, we get just a few people and five to 10 bags of trash,” said Bliss. “There’ve been some cleanups in 30 minutes where we fill up two dumpsters of trash. It’s pretty amazing how much you can accomplish in just 30 minutes.”

On that chilly Saturday morning in South Allison Hill, the intrepid crew of Domenico, Blanton, Pacheco and a few other volunteers cleared a slope above Derry Street of its cigarette butts, plastic straws, Swiss Tea bottles, broken glass and jumbo-sized Speedway Club Chill cups. Domenico hauls the trash to the incinerator himself and has been known to use his pickup truck to block illegal haulers from getting away while he calls the authorities.

“It’s home,” Domenico said, explaining his devotion. “It’s home. We’ve got to try to do the best we can.”
The 5th annual Great Harrisburg Litter Cleanup is slated for April 22, 9 a.m. to 1 p.m., at sites throughout the city. For more information, how to participate and how to become a sponsor, visit www.cactricounty.org/great-harrisburg-litter-cleanup.

Author: M. Diane McCormick

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Artless Cuts: Some arts groups fret, others take it in stride, as loss of federal funding looms

There’s an old adage that says that money makes the world go ‘round.

The arts are no exception, which is why some local groups are increasingly concerned that the Trump administration and Congress will ax an important source of their funds—the National Endowment for the Arts.

The Susquehanna Folk Music Society is one organization that would feel a significant impact if the NEA were eliminated.

“It will reduce the scope of what we are able to do,” said Executive Director Jess Hayden, who said that NEA grants account for about 10 percent of the group’s operating budget ($125,000 over 11 years).

The society also would lose its connection with NEA staff, which often offers ideas and expertise about folk traditions and artists, she said.

Over the past 20 years, NEA has awarded $17.8 million in grants to Harrisburg-area arts programs, averaging $890,000 per year. Pennsylvania Council on the Arts (PCA) received the bulk of that funding, $16.1 million, averaging $805,000 per year.

PCA gets about 10 percent of its annual budget from NEA and the remainder from state appropriations. PCA then re-grants across Pennsylvania to schools, smaller arts councils, churches, individual artists, senior centers and statewide programs.

PCA is deeply involved with central Pennsylvania’s cultural scene, helping to support the work of such organizations as Central PA Youth Ballet, Susquehanna Art Museum, Whitaker Center, Harrisburg Symphony, Open Stage, Rose Lehrman Art Center, Central PA Friends of Jazz, Gamut Theatre, Theatre Harrisburg, Art Association of Harrisburg, Perry County Council of the Arts and Jump Street.

The Susquehanna Folk Music Society also receives grants from PCA, which, together with grants from the Cultural Exchange Fund and private foundations, allows world-class musicians and other folk performers to visit central PA.

“This allows us to bring authentic artists we couldn’t otherwise afford to broader community bases via public events and make ticket prices affordable,” Hayden said.

Jump Street receives 11.5 percent of its funding from PCA, which means that cuts in federal funding could substantially impact the Harrisburg-based arts group.

“It would put a huge hole in our budget,” said Executive Director Melissa Snyder. “We will continue to educate and advocate. We’ll need to find sponsors and foundation grants to supplement.”

School arts programs also could be affected, as they often rely on PCA money. Less funding from the NEA could trickle down to fewer schools receiving grants.

“Special projects centered on education are large, one-time grants that move the needle forward with arts programming,” said Chad Barger, executive director of the Cultural Enrichment Fund. “This is where I see the biggest risk to the arts, should public funding be eliminated.”

And then there’s what Snyder called the “trickle-down educational effect.”

“Students learn geography by building kites,” she said. “Arts careers, like fashion designer or architect, are revealed as arts career paths.”

And it’s not just grants that arts groups are worried about. Proposed federal tax changes could further impact their bottom lines.

Harrisburg Symphony Association’s Executive Director Jeff Woodruff is concerned that tax reform may limit or cap the deductibility of charitable contributions.

“All 501(c)3 charities … receive substantial indirect support [from] that deduction,” he said. “Just how that plays out in Congress as they negotiate tax reform is of concern to the symphony and all charities, especially the larger ones soliciting big-time donors.”

Will Supplement

Some in the arts community expressed less worry, putting the possible loss of federal funding into the broader picture of what they must do every day to survive.

“Generally speaking, only a small fraction of most local nonprofit arts’ operating budgets stem from federal sources, about 9 percent,” said Bill Lehr, who has served on the board of numerous arts organizations.

National statistics show that arts groups receive about 60 percent of revenue from operations and ticket sales, with about 30 percent from contributions, according to Lehr.

“The government piece is important, but not a prime piece, not in terms of the larger, overall budget picture,” he said.

Barger, of the Cultural Enrichment Fund, added that arts organizations are accustomed to the uncertainty of public money.

“This churn happens with any change in administration,” he said “Every year, arts funding is on the table with school funding because arts are considered non-essential. Those who work with government agencies are used to uncertainty.”

Groups that lose federal money will “just supplement with other sources,” Barger said.

Alternative funding streams typically include ticket sales, corporate and private sponsors, nonprofit groups, partnerships, volunteer time and state and local governments. Recently, crowd-funding has gained in popularity.

Gov. Tom Wolf has proposed creating a special fund for arts grants financed by selling bonds, said Jenny Hershour, executive director of Citizens for the Arts in Pennsylvania.

Potentially, that approach could increase the amount of state aid available for the arts. However, Hershour expressed concern that this plan removes the budget’s line item as an annual operating expense, placing it into a special fund for which fundraising will be required every year.

“When a line item is removed, it’s hard to get it added back,” she said. “If a new governor is elected, that represents another risk.”

In the meantime, Hershour and others are turning to political activism to get the ear of legislators. Last month, Americans for the Arts held an “Arts Advocacy Day” to show support for such things as arts education policy, the charitable tax deduction and funding for the National Endowment for the Arts.

“We [went] to Washington to share our concerns with congressional offices,” Hershour said.

She also encourages anyone concerned about arts funding to join her in Harrisburg. On April 25, her group, Citizens for the Arts in Pennsylvania, will hold its own “Arts Advocacy Day” at the PA state Capitol.

To learn more about Citizens for the Arts in Pennsylvania, including their plan for “PA Arts Advocacy Day,” visit www.citizensfortheartsinpa.org.

Author: Gina Napoli

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Beauty Awakened: Central Pennsylvania Youth Ballet presents a classic tale of love, good and evil.

Alyssa Schroeder

Alyssa Schroeder has danced plenty of leading roles during her four years with the  Central Pennsylvania Youth Ballet: The Sugar Plum Fairy in “The Nutcracker,” Katrina in “The Legend of Sleepy Hollow” and Swanhilda in “Coppélia.”

This year, though, the dancer has a new challenge. She’s playing Princess Aurora in the April production of “The Sleeping Beauty.”

“It’s really cool that we first see Aurora on her 16th birthday, innocent, brought up in a castle. But it’s almost hard to play her as a 16-year-old,” Schroeder said, despite also being 16 years old.

Though the fairy tale’s plot can vary, it essentially goes like this: An evil fairy curses a princess, who will prick her finger and die by sunset of her 16th birthday. Good fairies intervene and place the princess and her castle under a spell to sleep for 100 years, until a handsome prince awakens her with a kiss.

Director Alan Hineline considers “The Sleeping Beauty” to be “maybe the greatest” of Tchaikovsky’s three ballets, the others being “Swan Lake” and “The Nutcracker.”

“It’s a big hit with audiences and a great teaching tool,” said Hineline, the ballet’s former CEO and now director of artistic programs. “Yet, many people haven’t seen it.”

Dream to Dance

Established in 1955 by founding Artistic Director Marcia Dale Weary, Central Pennsylvania Youth Ballet is a nationally recognized school of classical ballet.

“Our mission is to inspire, educate and enrich lives through training in and performance of classical ballet,” said CEO Nicholas Ade.

The Carlisle-based school is deeply connected to the Harrisburg arts community. As the resident dance company of Whitaker Center for Science and the Arts, CPYB performs in its Sunoco Performance Center.

CPYB’s annual gala, “Evening at the Barre,” is a celebration now in its third consecutive year at the Hilton Harrisburg, Ade said.

“[This raises] essential support that ensures the educational development of our young dancers through scholarships, world-class training and performances,” he said.

Many student dancers, such as Schroeder, dream to dance with professional ballets.

A high school junior at a cyber school, Schroeder sought out CPYB because of its reputation for excellent training.

“You can see amazing dancers who come out of [the school] and join prestigious companies,” she said.

Valuable Lesson

“The Sleeping Beauty” marks the final production of the regular season for CPYB, and, in fact, this is the third time the school has presented the full-length ballet since 2007, Hineline said.

There are 139 roles in “The Sleeping Beauty,” with some dancers taking on multiple roles. Performers can be as young as 6 years old, performing non-dancing roles, such as pages, he said.

“To me, it would be strange if there were only adults onstage,” he said. “Children learn a valuable lesson—how to be onstage—and provide context for the other characters.”

This performance of “The Sleeping Beauty” includes choreography adapted from the renowned Russian ballet master and choreographer, Marius Petipa.

The ballet demands athleticism while staying within the bounds of classical dance.

“In her first entrance, Aurora has so much energy,” Schroeder said. “Some of the dancing is very quick. After she wakes up, she is more poised, in complete control. You see this in the steps.”

What’s more, this is “pure classical ballet. Every step is precise, as is the way the prince and Aurora carry themselves,” she added. “You have to keep the carriage, but also express what she is [feeling] without going outside the boundaries of classical ballet.”

Hineline agreed.

“The role of Aurora requires both classism and athleticism,” he said. “In fact, all the characters are incredibly physical challenging.”

While many people believe the ballet’s focus is the romance, Hineline sees the ballet’s moral value.  

“[It has a] very uplifting moral that good triumphs over evil,” he said.  

The Central Pennsylvania Youth Ballet will perform “The Sleeping Beauty” on April 8 and 9 at Whitaker Center for Science and the Arts. For more information about CPYB, call 717-245-1190 or visit www.cpyb.org. For tickets, call 717-214-ARTS or visit www.whitakercenter.org.

Author: Barbara Trainin Blank

 

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Potter-Thon: Harry Potter and the Marathon Day at Midtown Cinema

It started in 1997, when the book, “Harry Potter and The Philosopher’s Stone,” hit the shelves in the U.K. (and in 1998 in the United States, as “The Sorcerer’s Stone”).

Author J.K. Rowling had really stumbled across a playground when she tapped into the magical world of Hogwarts. Her creation, Harry Potter, that young orphan boy from England, enraptured both children and adults. Children who had struggled with reading now had a new love for it, if only for Harry’s sake. Each and every page brought some new, exciting adventure into the lives of readers across the world.

And it didn’t stop with the books. In 2001, the world welcomed the first “Harry Potter” movie to the big screen, and those who hadn’t read the books now became engulfed in the “Harry Potter” phenomenon. Daniel Radcliffe, Emma Watson and Rupert Grint became household names.

The story, which stretches out across seven books and eight movies, focuses, of course, on Harry Potter (Radcliffe). The Dark Lord, Voldemort (Ralph Fiennes), murdered his parents when Harry was just a baby—the only reason he survived was because his mother’s love protected him.

It is not until Harry is 11 years old, living with his horrible aunt and uncle as far away from magic as they can muster, that he realizes that he is a wizard. Harry is invited to attend Hogwarts, School of Witchcraft and Wizardry, and, suddenly, his entire world changes. He befriends Ron Weasley (Grint) and Hermione Granger (Watson), and the three spend each school year learning spells, encountering mythical creatures, and roaming the hallways after dark—while Voldemort’s return slowly becomes more and more of a reality.

It isn’t just the magic that keeps “Harry Potter” fans enthralled even 20 years later, but rather the themes of love, friendship and understanding. An entire generation was shaped by this franchise and learned empathy and tolerance from Harry and his friends.

The “Harry Potter” series is something that fans will remember for the rest of their lives. That’s why Midtown Cinema is putting on a 24-hour “Harry Potter” marathon. Fans who buy a pass to this shindig will get to see all eight movies in one day, with butter beer and free coffee available. There will be food trucks during meal breaks, and costumes are highly encouraged—oh, and there will be prizes!

Mark April 22 on your calendars. It will be just as exciting as your first day at Hogwarts!

Midtown Cinema: APRIL SPECIAL EVENTS

“1984”
Tuesday, April 4, 7:30 p.m.

Down in Front!
“Care Bears II: A New Generation” (1986)
Friday, April 14, 9:30 p.m.

3rd in the Burg $3 Movie
“The Never Ending Story” (1984)
Friday, April 21, 9:30 p.m.

“24 Hours of Potter”
A “Happy Potter” Marathon!
Saturday, April 22, all day

Faulkner Honda Family Film Series
“The Never Ending Story” (1984)
Sunday, April 23, 12 p.m.
Monday, April 24, 7 p.m.
Children ages 12 and under get in for free when accompanied by an adult

National Theatre Live
“Twelfth Night”
Tuesday, April 25, 7 p.m.

Tarantino Collection
“Reservoir Dogs” (1992)
Friday, April 28, 7:30 p.m.

“Pulp Fiction” (1994)
Saturday, April 29, 2 p.m. with talkback after screening
Sunday, April 30, 7:30 p.m.

“Kill Bill Vol. 1” (2003)
Saturday, April 29, 7:30 p.m.

Author: Sammi Leigh Melville

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Student Scribes: “God Doesn’t Listen to Women” — From Bread Givers by Anzia Yezierska, 1925

Who hears the woman crying rape into the night,
Thrashing her legs, tears streaming down her swollen face?

Who hears the woman imploring her husband to lower his clenched fist,
Arms outstretched, her face turned away?

Who hears the woman crying with her baby when there’s no one to care for it but her,
Her body draped over the edge of the bed, listless?

Who is listening to her?

Who sees the woman turning the key to lock the liquor cabinet,
Sneaking away and stashing it in her bedside table?

Who sees the woman lingering over the stove, fraught with exhaustion,
Setting the table and washing the dishes?

Who sees the woman laying flowers at her boyfriend’s grave,
On her knees before his stone, wondering why she couldn’t have come sooner?

Has anyone seen her?

Who defends the woman who wants to be educated,
Dreaming of nothing but clutching a stack of books under her arm, walking to school?

Who defends the woman who is forced to have her clitoris removed,
Being restrained at all four limbs, sweating in the African sun?

Who defends the bitches?
Who defends the sluts?
Who tries to rescue her?

What was she wearing that prompted him to rape her?
What did she do to provoke her husband to such rage?
What did she gain from that one night stand?
I’m sure she deserved it.

Why couldn’t she fill the void he replaced with alcohol?
Why couldn’t she work harder?
Why couldn’t she have coaxed him off the edge that night?
She just isn’t good enough.

And to the women who want to be educated,
Have you not yet learned your role in society?
And to the women who scream as their bodies are marred,
When will you realize that your sexuality is a curse?
When will you realize that your pleasure is an instrument of sin?

You’re bitches for yelling at your children, for complaining to your husband, for gossiping with your friends-
It doesn’t matter that you’re tired or trying your best.
You’re sluts for giving into sexual temptation-
You allowed him to seduce you.

You’re sluts for making that risqué comment-
How dare you express your desires.

You’re sluts for wearing that skirt-
The one that falls above the knee.

It doesn’t matter that he said he loved you and he promised to take care of you.
It doesn’t matter that you love that skirt.
Stop being so emotional.
Stop being so dramatic.

He’s a he,
And you’re she.
He can’t help it,
But you can, you
-Bitch
-Slut
-Whore
-Dyke
-Butch

And now that I have your attention,

Is it God’s fault?
Or is it ours?

Who is listening to women?

 

Katelin Morrison is a sophomore English major at Penn State Harrisburg.

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