Complications of Community: “Much Ado About Nothing” and the honesty behind comedy.

Every year, for the last 26 years, hundreds of people have gathered each night to watch Shakespeare performed under the stars.

Located at the crest of Allison Hill, the Reservoir Park band shell is a stunning place. Look to your left, you see the faint outline of the downtown area. Immediately ahead, the amphitheater sits just below the rolling Blue Mountains. It’s a perspective of the city that is unparalleled if only for what it represents—an effort to bring culture back into a suffering community after the Great Depression.

The band shell, which was one of 27 erected by the federal Works Progress Administration (WPA) in the 1930s, holds true to this intention with Gamut Theatre Group’s annual summer production of “Free Shakespeare in the Park.” The show, one of the largest that the company produces each year, brings economic support into Allison Hill, an often-overlooked community. Previous partnerships with local restaurants and businesses aim to show that Harrisburg, as a community, does reach this far up the hill. On any given day during rehearsals, neighborhood kids watch the production, interact with the cast and crew, and are welcomed into the group. From the grass, they learn the choreography, the monologues, and serve as the first audiences of the show that opens right at the start of the summer season.

This year will see the resurrection of one of Shakespeare’s most popular comedies, “Much Ado About Nothing.” The show features a kind of honesty that director David Ramon Zayas believes is central to the best of Shakespeare’s works. This production is fitting for the park because it embodies what living in a small community tends to be like.

“A part of the story that stands out to me is that there is this tight-knit family aspect and everyone is sort of getting into each other’s business in a way that is a little too familiar,” Zayas said.

The story hinges on two relationships, that of Benedick and Beatrice, and of Claudio and Hero. While Benedick and Beatrice are adversaries who bicker incessantly, friends quickly recognize that their conflict is stemmed from a secret love for each other. On the other hand, Claudio and Hero are seemingly happy, but when conflict is introduced into the relationship by another character, that bliss shatters. As the characters deal with the ensuing antics, we see the rest of the community reveling in the effects of their influence.

The plot, according to Zayas’ concept, unfolds in the Little Italy neighborhood of Manhattan in New York City, just after the conclusion of World War I.

“Core elements of the plot rest in this idea that, from the outset, there has been a war, and now it’s over,” Zayas explained. “So, you have a sense of relief that comes with returning home, and the things left unsaid are all coming to the surface with that return.”

Much of the conflict arises from the new world clashing with the old world and traditional roles and values being challenged with a changing post-war reality.

Despite the setting of a time past, audiences will be familiar with the overarching themes that are present within the play because they speak to the nature of human emotions. While the play is, at its roots, a comedy, Shakespeare does an exceptional job commenting on the difficulties of being part of a small community, with all of the quirks and emotions that become intertwined with it. As with most Shakespeare comedies, “Much Ado” relies on complications in relationships to present that comedy.

“The play features one relationship that is good on the outside but is secretly crumbling, and then you’ve got these other people who are terrible on the outside being brought together,” Zayas said.

It is honesty and dialogue, Zayas said, that pushes this story into nuanced comedy.

“Those moments when you are not laughing—there’s so much truth in them that when the laughter comes back, it is more rich and deep because it comes from a place that you’re able to connect to,” he said.

The dialogue supports the honesty through a witty banter that is most closely associated with the play’s title characters, Beatrice and Benedick.

“They bicker and tease each other but it’s the type of teasing between friends that happens when you really know the deepest parts of one another,” Zayas said.

Shakespeare uses the witty dialogue as a comedic display of how complicated expressions of love and commitment are and what that means in this society.

These relationships attempt to find a balance in a world where, on one hand, everything is familiar in the neighborhood as it once was, and on the other, everything has changed since the war. That’s what makes “Much Ado” a particularly fitting story to be presented in the park. Tradition and change are palpable in Reservoir Park, as a piece of land that has remained largely untouched since its acquisition, despite the urban development all around it. The park remains a tribute to both the old world and the new, and Gamut Theatre Group wades through the complicated relationships that come with developing the tight-knit community where they have continued to perform for over two decades.

Zayas is aware of this responsibility as he takes the reins for directing his first show in the park and reiterates how the massive undertaking of the production is really a bonding experience for all involved.

“You go through a truly grueling experience together and bond in a different way that you don’t always get in a regular production,” he said. “There’s a sort of battle-hardened aspect to it, and that’s very special.”

Working with the cast on these productions builds a sense of community that reaches past the production itself. The actors on stage embody it, and this keeps audiences coming back each year, eager to watch Shakespeare under the stars.

“Much Ado About Nothing,” this year’s “Free Shakespeare in the Park” from Gamut Theatre, runs May 31 to June 15 at the band shell in Reservoir Park, Harrisburg. For more information, call 717-238-4111 or visit www.gamuttheatre.org.

 

UPCOMING THEATER EVENTS
AT HARRISBURG’S PROFESSIONAL
DOWNTOWN THEATERS

At Gamut Theatre
www.gamuttheatre.org
717-238-4111

26th Annual Free Shakespeare in the Park
“Much Ado About Nothing”
May 31 to June 15
Wednesday to Saturday at 7:30 p.m.
Reservoir Park, Harrisburg

 

At Open Stage of Harrisburg
www.openstagehbg.com
717-232-6736

“Ragtime”
May 25 to June 16
A musical epic about the changing landscape of America at the turn of the 20th century.

Lion King KIDS summer camp
June 10 to 28
Registration for this exciting class is open for students 8 to 13.

Musical Theatre Workshop
A challenging class for the young artist looking for professional training in acting, singing and movement. Includes a trip to New York City to see “Be More Chill.”

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One Family, One History: In the month of Juneteenth, descendants of Civil War veteran Ephraim Slaughter reflect on the ties connecting their family, their city.

Family members Yvonne Pittman, Keith Mitchell and Dr. Sharonn Williams pose with a statue of Ephraim Slaughter at the National Civil War Museum.

Young Yvonne Pittman never knew that homes on the other side of her neighborhood lacked indoor plumbing until she walked into a friend’s house.

She asked her mother, “Why do they have a bathtub in the kitchen?”

“Don’t you ever say anything to them about having outdoor bathrooms,” her mother admonished.

“I didn’t realize that we didn’t have an outhouse,” Pittman says now. “We had a bathroom.”

The story of African-American life in Harrisburg encompasses integration, business and prosperity, and the power of community. It is also a tale of segregation, deprivation and loss. Three family members descended from Dauphin County’s longest-living Civil War veteran carry the legacy. All share a belief that enhanced attention to the small stories of the past can enrich the region’s historic tapestry.

They are:

Yvonne Pittman. Her grandfather, Ephraim Slaughter, was an escaped slave, Civil War veteran who lived to age 97, respected businessman and philanthropist. His story and statue are enshrined in a National Civil War Museum exhibit.

Keith Mitchell. Pittman’s younger brother. He’s a retired official from the state and federal labor departments and a National Civil War Museum board member, giving him the rare distinction of serving for a museum where an ancestor is honored.

Sharonn Williams. Pittman’s daughter, contributor to the museum’s 2016 African-American Oral History Project, and an experienced genealogist whose ancestral sleuthing uncovered links between Southern plantations and Harrisburg’s African-American community.

 

Why Harrisburg?

Pittman remembers Slaughter. She rode with him in Memorial Day parades. They walked hand-in-hand around their neighborhood, the 4-year-old serving as eyes for the nearly sightless elderly man.

“Pop-pop” Ephraim was actually Pittman’s step-grandfather, married to her grandmother, a widow named Georgiana Jenkins. Ephraim and Georgiana were separated by 43 years, married in a fond union that came with a quid pro quo. She would care for him in his old age, making the most of his Civil War pension. He would deed her his considerable property—an estate worth $10,000 upon his death in 1943.

Slaughter escaped slavery from a North Carolina plantation in 1863. He served with what would become the 37th U.S. Colored Troops (USCT). In 1869, he moved to Harrisburg.

Why Harrisburg?

“That’s the big question for us,” Williams said.

Maybe it was his association with the Grand Army of the Republic or the railroads rumbling through the city. Or maybe it was the age-old quest for work, including the spot he landed at the legendary Lochiel Hotel, hangout of state Capitol pols and lobbyists.

Ephraim owned homes on Boas, Capital and Forster streets, in the Capitol-area neighborhood now known as Fox Ridge. Mitchell remembers going door-to-door in the 1950s with grandmother Georgiana.

“It really didn’t hit me until later that she was actually collecting rent,” he said.

Georgiana shared Ephraim’s entrepreneurial spirit.

In a peripatetic early life in West Virginia, Williamsport and Harrisburg, she cooked on a riverboat, worked in a boy’s school and as a live-in maid, and ran a beauty salon catering to white women during the day and African-American women in the evening. She sewed dresses for her granddaughters. She could turn anything into a flowerpot, including Ephraim’s spittoon, the one he never missed even as his sight was failing.

Georgiana cooked elegant Sunday family meals of pig tongue or stuffed fish—plus her hand-churned ice cream for dessert—but saved one pot exclusively for soapmaking. She ran a boarding house catering to traveling African Americans, lodging those barred from whites-only hotels.

She also took the bus to tend her garden in Susquehanna Township and then shared its potatoes and cabbages with families living along the dirt roads of the township’s Edgemont neighborhood. She sent her children and grandchildren to the best schools available. She put her sister through college. She was auxiliary president, serving with black and white women, at Ephraim Slaughter American Legion Post 733.

“And she wasn’t even 5 feet tall,” said Pittman.

Mitchell and Pittman grew up in Harrisburg’s integrated neighborhoods and schools. Pittman befriended the sheriff’s daughter from a white family living near the Broad Street Market.

“I went to her house, and she came to my house,” she said. “We didn’t know any different.”

Mitchell, 12 years younger than his sister, moved to Susquehanna Township when his parents built a home there. In the township’s schools, most of his classmates were Jewish.

“There was never any hatred based on religious beliefs and all that,” he said. “If you had disagreements, you had disagreements because of some other reason.”

In the lives of Pittman and Mitchell, the merger of Harrisburg’s high schools dissolved longstanding friendships, while “white flight” helped reverse the integration that they knew.

“We’ve gone right back to segregation,” said Pittman. “It happened so gradually that people didn’t pay attention. Because blacks were moving to the suburbs, too, people didn’t know who was being left behind in the urban areas.”

 

Floodgates

As a new Civil War Museum board member, Mitchell’s “number-one priority” is closing a gap between the 18-year-old institution and the community. There, younger generations can learn the history not told in textbooks, because “you can’t know where you’re going unless you know where you’ve been.”

“Even though the museum sits in Reservoir Park, it has not become part of the community,” he said. “It’s kind of up there all by itself.”

The museum is poised to “open up the floodgates” to visitors and volunteers, agrees museum board Chairman Kelly Lewis. The 2017 agreement that settled simmering differences with the city helped guarantee preservation of the museum’s artifacts collection, and digitizing will provide access to researchers worldwide, he said.

The museum can be storyteller of not only the Civil War but its tragic aftermath, when Jim Crow laws backtracked on the freedoms won over spilled blood, Lewis said. In a play on the term Juneteenth, which recognizes emancipation, the museum is developing a “Junetruth” program countering the “Lost Cause” myth.

“There’s still aspects of the Civil War that are being fought in today’s world,” playing out in such areas as inequitable school funding, Lewis said. “It was an all-encompassing civil war, but much of the story told is about generals and battles, not about everyday people and the huge migration of slaves after the Emancipation Proclamation and the humanity of it all.”

On the museum board, Mitchell replaced revered African-American historian Harry Jones after Jones’ sudden death. Lewis hopes to expand the board, enticing more women and “people of all races and creeds to help us tell this story.”

Williams, who offers genealogy workshops, sees hidden aspects of African-American history citywide—say, in the housing project named after black abolitionist William Howard Day, and in Downey School, developed specifically as an integrated institution. Her own work—and the diligent and coalescing efforts of such locals as historian Calobe Jackson, Jr. and activist Lenwood Sloan—are bringing hidden details to light.

“It seems like they only talk about black history during February, but black history is American history,” she said. “It needs to be incorporated all the time. Harrisburg has a very rich history.”

 

The National Civil War Museum is located at 1 Lincoln Circle, Harrisburg. This month, it notes Civil War Days with tours of Harrisburg Cemetery and the Capitol Preservation Committee’s flag laboratory on June 21, and free admission, with demonstrations and a talk on Juneteenth by the Smithsonian’s Kelly Elaine Davies, on June 22. More information, including a schedule, can be found at www.nationalcivilwarmuseum.org.

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The Painted Word: From the Schuylkill to the Allegheny, art festivals abound this summer.

Samantha Sanders. Photo by Landon Wise.

Going, going, gone.

Those three words may be best associated with baseball’s “boys of summer,” but they could equally apply to my favorite summertime pursuit—art festivals in Pennsylvania. As in, “I’m going to an art festival,” and “I’ve gone to an art festival.”

Art’s summer season recognizes many stages: the studio, the gallery, the museum and even the floorboards where the lights go up. So, in this season of the great outdoors stage, look for inspiration wherever your travels take you.

But, first, this commercial interruption.

This edition of “The Painted Word” is brought to you by the 26th year of free “Shakespeare in the Park” under the band shell at Reservoir Park in Harrisburg with “Much Ado About Nothing.” Now that is something! This year, the Gamut Theatre Group production runs May 31 to June 15—let’s all hope for good (dry) weather!

 

Trendy

It’s good to be a little nosy. In Pittsburgh, nosy people are known as nebbers, as in, “I was nebbing in on the conversation, and I found stuff I shouldn’t have” (thanks Urban Dictionary). During the 10-day span of June 6 to 16, make certain you neb around the Three Rivers Art Festival, which takes place in downtown’s Point State Park, 101 Commonwealth Pl., noon to 8 p.m. daily, featuring some 300 exhibitors.

Over the following weekend, June 22 and 23, head the other way on the Turnpike to the Manayunk Arts Festival, which features 300 exhibitors in this trendy part of Philadelphia. Hours are Saturday 11 a.m. to 6 p.m. and Sunday 11 a.m. to 5 p.m. Manayunk is known as a hipster hangout, offering a welcome change of pace from the hustle and bustle of Center City. Manayunk translates from the Lenape, “It’s where we go to drink,” and, appropriately, there are plenty of great watering holes and restaurants along Main Street.

Next, we take you out of the city for the rustic vibe at the Kutztown Folk Festival, which runs from June 29 to July 7 at the Kutztown Fairgrounds in Berks County. There, you’ll discover more than 200 crafts people and folk artists, along with plenty of good, old-fashioned Pennsylvania Dutch food. Be sure to not “throw the cow over the fence.”

Heading west again, the 53rd edition of the Central Pennsylvania Festival of the Arts beckons, with the street fair spanning the avenues of State College and on the campus of Penn State. Dates this summer run from July 10 to July 14. A sidewalk art sale takes place concurrently on the streets of State College. For more details, visit www.arts-festival.com.

Looking for something out of the ordinary? An oozing monster just might do the trick. The 19th Annual Blob Fest takes place in Phoenixville. Yes, actor Steve McQueen’s career was launched in the 1958 cult classic, “The Blob,” partially filmed in Phoenixville in the Colonial Theater, which is central to the three-day horror film festival, which runs July 12 to July 14. Join the madness being re-enacted as participants scream and run out of the theater. Saddle shoes and poodle skirts are optional.

 

Explore, Enjoy

Closer to home, it wouldn’t be summer without the 45th Annual Mt. Gretna Outdoor Art Show over the weekend of Aug. 17 to 18, held under the oaks of the Chautauqua section of Mt. Gretna at Rt. 117 and Pennsylvania Avenue. Hours are Saturday, 9 a.m. to 6 p.m., and Sunday, 9 a.m. to 5 p.m., with 250 to 300 exhibitors and an admission fee of $8.

Several other central PA festivals close out our summer of art.

The Long’s Park Festival in Lancaster takes place over Labor Day weekend, Friday, Aug. 30, to Sunday, Aug. 31, in its 41st offering. Expect to share the experience with more than 10,000 spectators over the three-day event. Ranked as one of the top-50 fine art festivals in America, all proceeds from ticket sales benefit the foundation’s free summer music series.

If underground art is more your thing, drive down to historic Gettysburg over Labor Day weekend for Creature Feature Weekend. This independent film festival/horror convention features a lineup of dark and bizarre movies, along with celebrity guests, Q&A’s, vendors and food trucks. And, while in Gettysburg, it’s requisite to hop on a ghost and/or film location tour. More information can be found at www.creaturefeatureweekend.com.

Finally, circle back home for the 2019 Harrisburg Mural Festival. Over 10 days, starting on Aug. 30, watch as world-class muralists bring to life grand outdoor paintings around the city. The festival will include numerous public and participation events, capped off with a block party downtown to coincide with the Art Association’s annual Gallery Walk on Sept. 8. For all the details, visit the Sprocket Mural Works website: www.sprocketmuralworks.com.

Given the gamut of festival fare listed, it is certain that summer is a state of mind. So get outdoors, explore and enjoy the beautiful weather, with art acting as a perfect complement.

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Sweep of Justice: A man, a ticket, a mission

Illustration by Rich Hauck.

I’m no fan of winter here in central PA, but I carve out one big exception.

For two glorious months—January and February—street cleaning in Harrisburg usually stops because the cold, snow and ice prevent proper operation of the equipment.

Now, I’m all for keeping our storm drains clean, but I don’t understand why the sweeper needs to begin way before dawn, with the giant apparatus rumbling around the small streets in my neighborhood for a good hour, four times a month.

My complaint, though, seems to be an exception.

Folks in Harrisburg have no end of issues with street cleaning—its effectiveness, its reliability—but I’ve never heard anyone else grumble that it starts too early.

The number-one complaint seems to be this: If street cleaning stops in the winter, then why are cars still ticketed for street cleaning?

Ah, ancient Greece had its Riddle of the Sphinx. Harrisburg has its Riddle of the Street Cleaning.

And just as Greece had the legendary Oedipus crack its puzzle, Harrisburg has Steve Cline, a tall, rangy fellow who, while unlikely ever to be mistaken for a Greek hero, brashly took on Harrisburg’s great mystery.

I learned about Cline’s pursuit not through the ancient texts, but through an email.

He sent the email.

Back in March, he wrote to tell me that he was contesting a $50 ticket he had gotten the month prior for not moving his car on a street-cleaning day because there was no street cleaning. It had been suspended for the winter.

Cline felt the fact that they still ticketed was profoundly unfair. And, as he put it in his email, “It violates the social contract between citizens and the government for providing this service.”

Nor did he appreciate the menacing language on the ticket, which threatened a warrant for his arrest if he failed to pay it.

My initial thought: Yeah, good luck with that.

Now, I know Cline a little because, by profession, he’s a GIS specialist and has helped TheBurg create a few maps over the years. But his email was long, with many rambling questions, and while I meant to circle back to it when I had more time, I forgot all about it.

That is, until I got his second email.

This one came a week or so later, and, in it, he told me that he had pleaded not guilty and would have his day in court.

“I will be fighting the street cleaning ticket on the premise that street cleaning was not conducted, therefore my vehicle is not guilty of obstructing Capital Region Water’s ability to clean the streets,” he wrote.

“Fool,” I thought, and arrogantly chuckled to myself. Again, I failed to respond, this time more purposefully, thinking I wanted no part of this sinking ship.

So, at this point, I should explain for readers the labyrinthine system that is Harrisburg street cleaning.

Cline is correct that Capital Region Water (CRW) conducts the actual work and, indeed, with good reason—to keep drains clear and to minimize the gunk and garbage that flows into the Susquehanna River during rains.

Ticketing, however, is out of CRW’s hands. Parking enforcement vendor SP+ (aka Park Harrisburg) doles out the citations, enforcing regulations set by the city of Harrisburg. So, here we have three entities—CRW, SP+ and the city—all with a hand in laying Cline low.

In part, that’s what makes his (and maybe your) problem so tough to solve. There’s no single point of contact and no obvious solution.

During the winter, CRW has to suspend street cleaning—it has no choice. However, that suspension makes no difference to SP+, which, under contract, must continue enforcing the rules as promulgated. And the city, due to its own contractual parking arrangements, can’t unilaterally change those rules.

Ah, the inescapable trap of street cleaning.

Only, in this case, there proved to be a way out.

In mid-April, Cline appeared before magisterial district Judge Barbara Pianka armed with a two-page, point-by-point takedown of the whole rotten system.

Pianka, he said, shut him up halfway through his opus and, with a bang of the gavel, dismissed the charge against him; he’s not entirely sure why. That’s when I got a third email.

“Just wanted to let you know I had my court date today and I won my case!” he wrote. “The police officer tried to use some fuzzy logic, but the judge threw out my charges, and [I] walked out without paying a penny.”

Finally, he had my attention.

Now, I’m not advising you not to pay your street-cleaning ticket. I would have, but, then again, I’m probably more Ned Flanders than Karen Silkwood.

Nonetheless, Harrisburg, I present to you a hero for our times—a man who saw some snow on a dirty Midtown street and then saw his car and saw a ticket stuck in the wiper of his car and got mad. He fought the law, and he won.

About two weeks later, I received a final email from Cline. Heady with sweet victory, he was taking his battle to the next level.

He filed a right-to-know request with the state, yet another player in Harrisburg’s ridiculously complex parking system, and after that was rejected, he did the same with the city.

“I had success with my right to know request through the city,” he wrote to me, just as this column was going to press. “I have 15 months of street cleaning ticketing data!”

Stay tuned, readers. Cline has data, and he knows how to use it.

Lawrance Binda is editor-in-chief of TheBurg

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Fit Takes Flight: The sky’s the limit at 2nd annual Thrive Fit Fest.

Photo by Symmetry Co. Photography

June 22, according to Ashley Mentzer, will be “the best fitness day ever.”

Except, when she says it, it sounds like “ev-aaahhh.”

Mentzer, organizer of the 2nd Annual Thrive Fit Fest, said that fitness should be approachable and fun. She pointed to a publicity photo.

“This is what fitness looks like—all different shapes and sizes and body types,” she said. “We’re real people.”

Mentzer, 29, a New Cumberland native, is transforming Capital City Airport’s 16,000-square-foot hangar into “a hub for central PA’s fitness and wellness community.”

More than 60 fitness, health and wellness professionals will converge at the daylong festival to offer sample classes, demos, workshops and info—to help attendees’ health and wellness goals get off the ground.

“You can come whether you’re a fitness junkie or a fitness newbie and find something that challenges and interests you,” said Mentzer, owner of Thrive Fit Co., Harrisburg.

Crunch Fitness, Harrisburg and York, will kick off the day’s main stage festivities with a dance party-inspired workout. Additional main stage offerings include matte Pilates with Mechanicsburg’s Absolute Pilates, yoga with Lemoyne’s Central Penn Health Studio, an arms and abs-focused boot camp with Mentzer’s own Thrive Fit Co., and barre with Mechanicsburg’s and Lancaster’s Pure Barre.

“We were also on the main stage last year, and it was amazing to see so much buzz and energy,” said Laura Deitch, owner of Pure Barre Mechanicsburg and Lancaster.

Deitch said that barre is “inspired by ballet” to tone all areas of the body—upper, lower and abs. She launched Pure Barre two years ago but said that events like Thrive Fit Fest help her to continue raising awareness about barre’s benefits, as the low-impact workouts are accessible to all.

“One of the things that makes me most excited is the community aspect, having conversations with people and giving them the opportunity to try a class at the same time,” Deitch said. “The more we educate people about their options, the better their chance to live their best, healthiest life.”

 

Energetic, Engaging

The 2015 south-central Pennsylvania community needs assessment led by Penn State Health, which is Thrive Fit Fest’s presenting sponsor, found that one-third of residents are obese and about half participate in aerobic physical activity. Health providers listed “poor eating habits” as the top “risky behavior,” with “lack of exercise” close behind.

Shawnna Smith, a nurse at Penn State Health Medical Group Mechanicsburg who is also a certified personal trainer, is on the front lines of area health care.

“Some people understand the link between health and exercise; others have resistance,” Smith said. “So, part of our job is to get to the bottom of why they have that resistance. Exercise and fitness, if you find something you like, doesn’t have to be a chore.”

Besides Thrive Fit Fest fitness offerings, Penn State Health will provide blood pressure screenings, Orange Theory will offer a heart rate workshop, and the Healthy Grocer and Harvest Seasonal Grill will participate with food demos, recipes and nutritional information.

Additional activities will involve prenatal health and fitness, foot scans and workouts on two additional stages. Swag bags given to all attendees will contain numerous free passes or special rates at participating studios and businesses.

June is the perfect time to evaluate fitness goals, Mentzer said, because New Year’s resolutions have likely fallen by the wayside. So, fitness studios generally have lighter attendance, which can mean more focused attention and dedicated time for those who enroll.

About 500 people attended last year’s inaugural event at FNB Field on City Island, including Harrisburg resident Nada Walton, who brought her 11-year old daughter. A former competitive swimmer whose fitness routine now includes running, Walton said she enjoyed investigating cross-training fitness options.

“My daughter and I rocked out to a POUND workout,” she said. “I had never heard of it. We used drumsticks called ripstix, and the instructor [from Carlisle’s Fit Forward] was energetic and very engaging. My daughter was smiling the whole time.”

Walton and her daughter also enjoyed making peanut butter, painting kindness rocks and learning about York Barbell.

Fit Fest tickets are $25. Proceeds benefit the Warrior Princess Project of PA, an organization that collects gently used and new sports equipment and distributes it to area girls (and sometimes boys) to encourage athletic activities. Donation boxes will be located at Fit Fest.

Mentzer said that she was inspired to create Fit Fest after noticing a worldwide trend in fitness festivals, such as the U.K.’s Balance Festival. She predicts that 2019 attendance will double to 1,000 attendees. She has even bigger dreams for future Thrive Fit Fests, including community CPR training, a 5K and “bigger and better” collaborations between fitness studios.

“Removing walls and connecting health and wellness providers in one location takes the competition aspect away and helps people make life-altering health choices,” Mentzer said. “We don’t have to work against each other. Together, we can achieve the ultimate goal of getting people healthy.”

 

Thrive Fit Fest takes place on June 22, 7:30 a.m. to 1 p.m., at Capital City Airport, 210 Airport Rd., New Cumberland. For more information, visit www.thrivefitfest.com.

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Summer Sippers: Great white wines are meant for outdoor living.

As summer approaches in central Pennsylvania, our wine drinking choices change to better suit the weather.

The best quaffs are white wines of light or medium body that match the season’s warm, humid days and the lighter foods we tend to consume. I submit to you my choices for the best sipping wines to enjoy in these wonderful months.

From the Iberian Peninsula comes albariño, Spain’s finest white wine, known as alvarinho in Portugal, where it is used to make vinho verde (green wine). This apricot-scented liquid has the ability to age due to its acidity, which makes it perfect for lighter summer fare. With a floral nose and splash of brine due to the Atlantic influence, it should be brought together on the palate with soft cheese and sautéed fish. The best Spanish version is from the Rías Baixas region, while Portugal’s finest hails from Monçao, just across the Minho River.

One of the best Italian whites actually originates off the mainland on the island of Sardinia. Vermentino is a dry white wine of floral nose with citrus flavors and an almond finish. A versatile beverage, it’s made with or without oak, as well as dry or sweet. I prefer the product that originates near the center of the island. Complex and clean, this is a wine to try.

I am sure that everyone reading this has had pinot grigio. It’s a ubiquitous wine at almost any gathering, restaurant or bar. However, there are changes afoot, and high-quality quaffs can be found with a little research. In my opinion, the best pinot grigio hails from the Italian province of Trentino-Alto Adige. These mountain wines are light and minerally with good acid and stone fruit undercurrents. Another indication of quality are the words “estate bottled” on the label. This designates that the people who make the wine also grow the grapes, giving them full control of the winemaking process. The words “Denominazione di Origine” on the labels are an indication of quality for any Italian wine worthy of purchase.

Chenin blanc is a grape that doesn’t get much attention, but should be on all wine drinkers’ radar. It’s a popular quaff from South Africa, where it was labeled as “steen” until recently. This overlooked fruit is slowly making inroads on our own West Coast, with Oregon particularly stepping up. This grape makes my favorite summer sipper known as vouvray, a wine from France’s Loire Valley. It’s an amazing white wine with fruit that sings on the palate, as well as integrated acidity that keeps it all in check. Bottled dry, sweet or sparkling, this versatile wine can age or be consumed immediately. The most popular are the bottles labeled “demi-sec.” This is a middle ranking that literally means half-dry (sweet). It is, hands down, the best wine to drink during these summer months spent outdoors.

Keep sipping,

Steve

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Ding Goes the Bell: All aboard the Rockhill Trolley Museum.

The Rockhill Trolley Museum is raising money to restore this Valley Railways car. Donations can be made to the museum through its website or by calling 814-447-9576.

Learning to drive a trolley wasn’t exactly on my bucket list.

And why would it be? We don’t see them cruising down Front Street or carrying passengers to and from York. In fact, before visiting the Rockhill Trolley Museum, I wouldn’t have guessed that trolleys operated right here in downtown Harrisburg years ago.

But about 90 minutes outside the city lies an interactive playground of history you can touch, feel, sit on and, yes, even drive.

The Rockhill Trolley Museum, located in Rockhill Furnace, is home to 23 trolleys with 13 currently in operation, said museum President Joel Salomon. The museum houses large pieces of history that, for many older generations, seemed to vanish overnight.

Hidden away in one of Pennsylvania’s charming, but tiny towns, the museum is one of our state’s best-kept secrets, Salomon said. Since its inception nearly 60 years ago, the volunteer-run museum has laid and maintained three miles of track, transported trolleys cross-country (which, as I learned, is no easy feat) and painstakingly brought new life into some very old cars.

As I noticed on my tour with Salomon and volunteer Jim Cohen, visitors are often perplexed upon their arrival to the museum. And it’s easy to see why. There are no glass-encased artifacts or “Do Not Touch” signs in sight. Instead, I was encouraged to climb on board, feel the cool metal of the car’s body and take a seat inside.

“This is an actual operating museum. The trolleys are the exhibits,” said Salomon. “When you go to an antique car museum, you can only look at them. Here, we try to run two or three different trolleys a day.”

Almost as impressive as the cars themselves is the enthusiasm of the museum’s dedicated crew. According to Salomon, the museum has 25 to 30 volunteers, with 12 to 15 considered highly active.

“Our farthest-away volunteer lives five hours away in the Rochester area,” Salomon said. “Volunteers do everything from building tracks, maintaining the tracks and powering trolleys.”

 

Labor of Love

Notable local Harrisburg volunteer, Sloan Auchincloss, offered his support to the museum with time, personal interest and resources. Auchincloss passed last year, but his long history with the museum had spanned decades previously.

“[Auchincloss] was a member and friend of the museum for years,” said Salomon.

While he was most active during the 1970s and ‘80s, Auchincloss had more recently taken an interest in a rare, recently acquired car—a Valley Railways trolley car built in 1895 and locally operated until 1938. Before making its way into the museum, the car was gutted and transformed into a restaurant and, eventually, became somebody’s home.

Salomon and the rest of the volunteers have been actively raising money to restore the shell of this unique trolley car to its heyday, meaning they’ll need to search for almost all of its mechanical parts, seats, windows and more.

Thanks to a grant from the Auchincloss family, as well as several matching grants, the museum has $40,000 tucked away to help bring this distinguished trolley car back to its former glory.

Which, as I saw firsthand, is a labor of love.

Being entirely volunteer-run and privately funded means it can take anywhere from a few years to a couple of decades to restore a trolley car. And there’s no cutting corners at Rockhill.

Volunteers scour internet sites like eBay and reach out to connections around the world in search of original parts. As one may imagine, these can be tricky to come by. And if a car comes in that’s been badly beaten down, such as the Valley Railways car, it can take hours of research to identify its origins. Once the volunteers find out more, they’ll work to meticulously match every detail—from the stained glass patterned windows to the coat hooks hanging inside.

While I’ve ridden in a trolley or two on my travels, it was the rich history of each car and the devotion of the museum’s volunteers that left me with a new appreciation for historical preservation.

In fact, I was hard-pressed to find a question Salomon couldn’t answer—from when trolleys stopped running in Harrisburg (the answer, July 1939) to when they were most popular in America (in 1920, they were the fifth-largest industry, he said).

The museum officially opened its doors for the season on Memorial Day weekend for rail fans, history buffs and families to come ride in a little piece of history.

According to Cohen, the museum sees up to 50 visitors on any given day. The big draw, though, comes during special events, including the Pumpkin Patch Trolley days and the Polar Bear Express. With hundreds of Christmas lights twinkling across the tracks, the museum can attract upwards of 600 trolley passengers per night in December.

As we neared the end of our tour, Salomon expressed what he really wanted visitors to take away from their experience.

“We really want to show people that this is possible,” he said. “We can restore a trolley back to its former glory.”

And while the museum’s youngest visitors may not understand the historical impact of what they’re riding, Salomon insists that the kids who come will never forget ringing that trolley bell for the first time. And, if we’re being honest, I don’t think I will either.

 

The Rockhill Trolley Museum is located at 430 Meadow St., Rockhill Furnace. It is open Saturdays and Sundays from Memorial Day weekend through October, with special events running through December. Tickets are $8 for adults and $5 for children ages 2 to 12. For more information, visit rockhilltrolley.org.

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Artist in Focus: Jovana Sarver

If you love Harrisburg, you’re almost certain to love Jovana Sarver’s story.

A 2006 graduate of the Capital Area School for the Arts (CASA), Jovana left for the “big city” (Philadelphia) and even spent time in Iceland before coming back to her home city.

Here, she honed her artistry and today creates in a wide range of styles and media, both 2-D and 3-D. So, one day, she might be painting with oils and, the next, making gorgeous pots and paper objects. Or she may be drawing with charcoal or creating installations from fiber.

Whatever the medium, you’re sure to find her art fascinating, expertly rendered and wildly inventive.

To learn more about Jovana and her art, visit www.jovana-sarver.com.

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The Final Straw (and Hay): Try one more pasta dish before grilling season.

My mother always prepared our red sauce pasta the same way.

She cooked the pasta in a big pot of boiling salted water, tested every minute or so to make sure it wasn’t cooked beyond al dente, and then dumped it into a large bowl when done.

The sauce came next, poured over the pasta like hot lava, followed by freshly grated Parmesan Reggiano cheese. Meatballs and pork were served in separate dishes. There was always fresh Italian bread from the Italian bakery on S. 19th Street in Harrisburg and a green salad served at the end of the meal.

To this day, I think there is nothing better than this.

But as I add more pasta dishes to “Rosemary’s Cucina,” I have been incorporating more recipes that call for all the sauce ingredients to be cooked and tossed together in a deep sauté pan with the cooked pasta added at the end. This restaurant technique results in pasta that has totally absorbed the sauce and glistens beautifully on the plate.

I recently celebrated spring by making a pasta classic from Emilia Romagna, located in northern Italy. It’s called “paglia e fieno,” or “straw and hay.” It is so called because the dish traditionally is prepared with a mix of yellow egg pasta and green spinach pasta. I used fresh fettucine purchased from a newly discovered vendor at my farmers market. But you can use dried pasta, as well, either fettucine or tagliatelle—wider noodles that work so well with the creamy sauce.

As discussed many times in this column, so many classic Italian dishes have multiple versions and variations. I used a very simple recipe from cookbook author and restauranteur Lidia Bastianich. It is a luscious combination of fresh pasta (just briefly cooked), baby peas, prosciutto and sweet heavy cream. It drew rave reviews from hubby despite the peas! I would serve it to company, too.

 

Paglia e Fieno

Ingredients

  • 4 scallions
  • 2 tablespoons olive oil
  • 1 cup shelled fresh peas or frozen baby peas
  • 6 to 8 slices good prosciutto, cut into ½ inch ribbons
  • 2/3 cup chicken stock or canned low sodium chicken broth
  • ½ cup heavy cream
  • 1 pound fresh fettucine, a mix of yellow egg and spinach or a half pound each of dried egg and spinach fettucine
  • ¼ cup or more to taste of freshly grated Parmigiano-Reggiano or Grana Padano cheese

 

Directions

  • Bring a large pot of salted water to boil.
  • Trim the roots and tips from the scallions. Cut them in half length-wise, then crosswise into 3-inch strips.
  • Heat the oil in a large, heavy skillet over medium heat.
  • Add the scallions and cook until wilted, 1 to 2 minutes.
  • Scatter in the peas and cook until just tender (if you are using frozen peas, this will only take less than a minute). Add the prosciutto and toss for 1 or 2 minutes.
  • Pour in the chicken stock and bring the mixture to a boil. Then reduce the sauce to a simmer and cook until it is reduced by half.
  • Add the heavy cream and continue to simmer until the sauce thickens slightly, another 2 minutes.
  • Cook the pasta in the boiling salted water. If you’re using fresh pasta, it only needs 3 minutes from the time you toss it in the pot. If using dried pasta, follow the instructions for cooking it “al dente.” Save a little of the pasta cooking water in a measuring cup if needed to thin the sauce.
  • Drain the pasta when cooked, but leave some cooking water clinging to the strands. Work quickly!
  • Add the pasta to the simmering sauce and cook a few minutes more to further reduce the sauce. Only add the reserved pasta water if the sauce becomes too thick.
  • Serve in warm bowls and sprinkle with lots of grated cheese.

 

You can tinker with this recipe a little bit.

  • Sauté some sliced button mushrooms along with scallions.
  • Use chopped pancetta instead of prosciutto.
  • Use ricotta, thinned with some pasta water instead of cream.
  • Add a little grated lemon zest.
  • Substitute chopped sweet onion for the scallions.

My pasta adventures continue. A few nights ago, I cooked some bucatini pasta with my regular red sauce and chopped Italian sweet sausage in my deep sauté pan, adding a little pasta water and lots of grated cheese. It was delicious.

It’s early June. There is still time for a pasta dinner before your grill takes center stage.

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Passion & Peace: “The Gospel of Eureka,” a case study for harmony.

Eureka Springs, Ark.: home of “The Great Passion Play,” the epic drama depicting Jesus Christ’s last days on earth that draws 50,000 people a year—and the home of a thriving drag scene, bolstered by an ever-growing LGBTQ community. In a fascinating documentary directed by Donal Mosher and Michael Palmieri, we see “The Gospel of Eureka” unfold.

The beauty of Eureka Springs is its ability to mesh the LGBTQ community with the devout Christian community without a citywide meltdown. Eureka was the first city in the state to issue same sex marriage licenses in 2014 and passed the Non-Discrimination Ordinance 2223, including LGBTQ residents in the list of those protected against discrimination. In the 1970s, Anita Bryant, leader of the “Save Our Children” campaign that targeted gay men, tried to make her comeback by coming to Eureka Springs, and no one showed up to her show. But, “like any other town,” as a member of the drag community narrates, “Eureka is a tinder box, just waiting for the match to strike.”

Mosher and Palmieri do their best to show both sides of this matchbox. The film follows the bathroom ordinance battle in 2017, showing protests and marches from both camps. In one scene, we see a man holding a sign protesting the ordinance, saying, “Nothing’s gonna happen that God doesn’t want to happen” (when the reporter repeats the line for clarification, a look of amusement comes over his face). And in contrast, we see a parade of people marching down the street in support of gay pride.

While there is much controversy here and elsewhere in the country, Mosher and Palmieri spin the focus to capture the specific demographic that finds themselves in the middle of this Venn diagram: LGBTQ Christians and their allies. We meet several key players, such as Lea Keating and Walter Burrell, the gay Christian couple who own the Eureka Live Underground, which hosts drag shows on a regular basis. We meet a trans woman who found peace with herself upon moving with her husband to Eureka and loves to go to “The Great Passion Play.” We meet the man who runs a passion play-based merchandise shop and ensures that the messages on various items (T-shirts, etc.) are inclusive. We meet the pastor running “The Great Passion Play,” who prioritizes people’s civil rights over his own views on homosexuality.

What unfolds is a community of people who love each other and support each other, defying stereotypes as they go. “The Gospel of Eureka” is heartwarming and uplifting, a beacon of hope in a world that defaults to taking sides. It serves as a case study for harmony in controversy.

“The Gospel of Eureka” plays as a one-night only showing on June 12 at Midtown Cinema, 250 Reily St., Harrisburg. For more information, visit www.midtowncinema.com.

 

JUNE EVENTS
at Midtown Cinema

Digital Theatre Series
“Coriolanus”
Monday, June 3, 7 p.m.

“Small Island”
Sunday, June 30, 7 p.m.

[Untitled] Docs
“Grizzly Man”
Sunday, Jun 9, 7 p.m.

“The Gospel of Eureka”
Wednesday, June 12, 7 p.m.

Down in Front! presents
“Caged Heat”
Friday, June 14, 9:30 p.m.

3rd in the Burg $3 Movie
“Mean Girls”
Friday, June 21, 9:30 p.m.

Outdoor Film Series
“Moana”
Friday, June 28, at dusk

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