Tag Archives: Whitaker Center

A Trip Back in Time: At “Dinosaur Discovery,” you can relive both the Earth’s history and your own.

Imagine locking beady eyes with potential prey, smelling the breath of larger predators, guarding a nest full of eggs, ducking mosquitoes the size of your snout, and hearing the cracking of your babies birthing themselves through their eggshells.

Whitaker Center’s new summer exhibit, “Dinosaur Discovery: Where Science Comes Alive!” carries those misty, longing elements that snap me right back into my overalls and braces. Seeing those dinosaurs tower over me menacingly sent me back to elementary school field trips, reading about them in picture books, and being young enough to believe I could build my own time machine to visit real ones.

The exhibit’s curators took great care to choose a representation of dinosaurs with contrasting features: babies and adults, flight and ground, herbivores and carnivores, predator and prey. Most of the exhibits show them battling each other. There was no such thing as a safe space back then.

“Guests may remember that we had a dinosaur exhibit in 2013 that was very popular with families,” said Steve Bishop, vice president of Science and Cinema Operations at Whitaker Center. “We wanted to offer what we feel is a next-generation version of that exhibit.”

“Dinosaur Discovery” is decidedly upgraded from “Dino Adventure,” which already offered a fair number of robotic dinosaurs, preserved reptilian eggs and fossilized dino dung.

Today’s kids enjoy video game graphics that are far superior to yesteryear’s Pong, so they expect realistic graphics and advanced robotics. The virtual reality simulator pod delivers a realistic, minutes-long slice of life from a dinosaur’s point of view within the Cretaceous ecosystem.

You can also look forward to dinosaurs that are more lifelike.

“Guests can get up close and personal with over a dozen active dinosaur animatronics,” Bishop said. “There are a lot of components to the exhibit that are educational, but feel like pure fun.”

They can even operate one of the dinosaurs with a remote control.

Many of the easily recognizable species, like T-Rex, will be robotically roaring, eating, caring for their young and fighting with each other. And there will be others, more obscure, whose names I quickly forgot after passing my fourth-grade earth science test.

Because archeologists and paleontologists add more artifacts about dinosaurs as they discover them, “Dinosaur Discovery” isn’t a crusty exhibit stuck in a time machine. It offers up-to-date models and the latest information for all us science geeks. The field itself isn’t frozen in place, either, with a new genus and species of horned-face dinosaur recently discovered in New Mexico. It’s so new, it hasn’t even been named yet.

Little ones who enjoy a tactile learning experience have the chance to touch dinosaur skin, teeth and even a nest. There’s also a big sand table for kids to sift through with archeologists’ tools to dig for “fossils.” They even can find fossils by rubbing crayons on paper-covered templates, which holds more of a guarantee if your little one is easily frustrated and not as deep a digger as the older kids in the sandbox.

“I’m excited for Whitaker Center to offer an exhibit with such a popular and captivating subject like dinosaurs,” said Ted Black, the center’s new president and CEO. “The exhibit elements are going to be really engaging and a great complement to the other three floors of the Harsco Science Center. Coupled with the other attractions and museums in this region, Harrisburg has a lot to offer in terms of family entertainment this summer.”

Like the giant reptiles themselves, the exhibit will only be available for a limited engagement. It starts this month in the Gloria M. Olewine Gallery in the basement of Harsco Science Center and goes extinct from Whitaker Center three months later.

As a perfect pairing to the prehistoric theme, be sure to check out “Walking with Dinosaurs: Prehistoric Planet 3D” at Whitaker Center’s Digital Cinema.

This time, I’ll be wearing my mom jeans instead of my overalls.

“Dinosaur Discovery: Where Science Comes Alive” runs June 3 to Sept. 3 in the Gloria M. Olewine Gallery at Whitaker Center, 222 Market St., Harrisburg. For more information, visit www.whitakercenter.org.

Author: Gina Napoli

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Prepared for Departure: Upon retirement, Michael Hanes reflects on his years leading Whitaker Center.

When Michael Hanes assumed the position of president and CEO of Whitaker Center for Science and the Arts, he intended to stay five to seven years.

By the time he officially retires, in January 2018, he will have been at the nonprofit for more than a decade.

“As time passed, we had developed plans for a number of projects and new programs,” Hanes said. “I was committed to seeing that work completed.”

Over the past 10 years, Whitaker Center has refreshed its Harsco Science Center, created a fund to promote access to plans for facility renovations and successfully completed a major fundraising campaign.

Hanes further advocated for the creation of innovative science programs, such as “Surgery Live!” and the renovation of Select Medical Digital Cinema with state-of-the-art projectors.

“We have broadened the donor base with generous support now coming from across the community to include individuals, small businesses, trade associations, foundations and local, state and federal government agencies,” Hanes said. “We have continued to invest in a beautiful and unique facility, including new paint for Sunoco Performance Theater, scheduled for this summer, and to upgrade critical infrastructure as the center approaches its 20th anniversary.”

Hanes and his wife, Madlyn, donated the funding to erect a public sculpture at Whitaker Center’s Market Street entrance.

In addition, Hanes said he was determined that Whitaker Center would weather the Great Recession in financially secure fashion.

“We have accomplished this,” he said.

As one of his final jobs, Hanes is producing a giant-screen film about effective management of water resources, featuring the Chesapeake Bay. He actually retired a couple of months ago as CEO, replaced by Ted Black, but will remain as head of Whitaker Center Productions until January, when the project ends.

“This is a particular passion of mine,” he said.  

Common Threads

Hanes grew up in northern Indiana in a house homesteaded in the mid-1800s by his great- great-grandfather.

“We were expected to participate in the work of the farm, and each of us had daily chores,” he said. “In addition, we were encouraged to be independent thinkers. Through the actions of my parents and everyday experiences, I learned to value hard work, generosity and lending a helping hand to others.”  

From a young age, Hanes said he was curious about the world, graduating from the University of Indiana at Bloomington and eventually earning a doctorate in educational psychology, specializing in child development.

“Educational achievement was important in my family,” he said. “There was a clear expectation that my siblings and I would attend college.”

One of Hanes’s proudest professional accomplishments occurred when he became the youngest member of the University of Florida faculty to be named to the graduate research faculty. Subsequently, he achieved the rank of full professor in seven years, due, in part, to the fact that he had published four books in the first seven years of his career.

Other academic positions included dean of the School of Education at West Chester University and president of Georgia Southwestern State University.

Hanes came to Whitaker after more than 35 years as a professor, researcher and administrator in universities and nonprofits.

“When I needed a challenge, I would change careers,” he said, laughing. “But education and learning have been the common threads throughout my careers as a teacher, researcher and administrator.”

After retirement, Hanes will remain president emeritus of Whitaker Center, which opened in downtown Harrisburg in 1999.

“The center’s most important work” is offering “the public diverse and engaging educational experiences in science, visual arts and performing arts,” he said.

Better Place

Hanes’s writing background will come in handy when, post-retirement, he and his wife resume a project they had started a while back—collaborating on a book about dual-career couples. This is something they have lived for nearly 40 years.

“During my tenure as a university president, Madlyn was serving as the chancellor of Penn State Harrisburg.” Hanes said. “For nearly 20 years, we lived with homes in two different locations. Recently, the homes have been only 90 miles apart, but for more than 10 years, we lived in two different states separated by more than 1,000 miles.”

Madlyn Hanes is currently vice president for Commonwealth Campuses for Penn State University, having served as an academic and executive administrator there since 1988.

“As we researched the topic, developed a prospectus, and wrote a couple of chapters, we discovered that more and more professional couples are finding themselves in similar situations,” Hanes said. “We hope to help young couples develop the skills to pursue ambitious professional and personal goals while growing together as a family.”

After Hanes’s retirement, the couple also hopes to pursue their interests more actively. These include “trips to interesting places” in the United States and around the world. They have traveled to and worked in such locations as Ecuador, Israel, China, South Korea, Puerto Rica, India and Great Britain.

Hanes also enjoys sailing at Lake Champlain, the Chesapeake Bay and Biscayne Bay in Florida.

“We used to talk about retiring when I was 55,” Hanes said. “I’ve long since passed that. But my intent has always been to leave Whitaker Center in a better place than when I arrived. I believe I have.”

Learn more about Whitaker Center for Science and the Arts at www.whitakercenter.org.

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His Musical Island: Violin master Kristóf Baráti arrives on Harrisburg’s shores this month.

Renowned Hungarian violinist Kristóf Baráti is one of those musicians who gets to travel to faraway places apart from his native city of Budapest.

He’s no stranger to jet lag, having just completed concerts in Poland and Belgium, and, while he loves being home, setting down his Stradivarius and taking a breather, he’s looking forward to coming to Harrisburg this month and doing a sort of musical triple-header: a masterclass with talented Messiah College students, a concert at Temple Ohev Sholom and solo appearances with the Harrisburg Symphony Orchestra.

Baráti will be busy, and he doesn’t mind one bit.

“There are absolutely not many chances to play and do a masterclass,” Baráti said. “It will be great to share what I have experienced and what I think about music.”

What Baráti thinks about music could very well be a lesson for child protégés and pushy parents. Born into a family of musicians and spending much of his childhood in Venezuela, Baráti’ said that his mother became the first violin instructor who didn’t force him to play or even love the instrument.

“When my mother would ask me to play, it was like a game,” Baráti recalled. “Music was a beautiful world, and I liked taking part in what my parents were doing. Music got me through that delicate teenage period. Music was my little island.”

Peter Sirotin—artistic director of Market Square Concerts, concertmaster of Harrisburg Symphony Orchestra and teacher at Messiah College—said combining solo performances with master classes is common in large metropolitan areas. He saw benefits to both students and audiences and wanted to bring all three organizations together for this type of project after the successful residency with world-renowned pianist, Ann Schein, in 2014.

“I was particularly thrilled with the fact that her masterclass at Messiah College had also filled the hall,” Sirotin says. “It was a joy to watch her inspire and transform four local, young pianists into better versions of themselves on stage.”

That success sparked Sirotin to repeat that “performance.”

After Baráti’s first spectacular recital for the Market Square Concerts series in 2015, which he played the day before his Carnegie Hall debut, Sirotin started a conversation with Jeff Woodruff, executive director of the Harrisburg Symphony Orchestra, and Richard Roberson, dean of the School of the Arts at Messiah College. Despite the logistical challenges, Sirotin wanted to bring Baráti to the midstate for a residency. They agreed.

“Because of the wonderfully collaborative relationships between all three of our organizations, we made it work,” Sirotin says. “Temple Ohev Sholom is involved because it is one of the venues where Market Square Concerts presents its performances in addition to Whitaker Center and Market Square Church.”

Sirotin admits he had discovered Baráti’s playing purely by accident. One of his Messiah College students had been working on a rather complex Bach fugue and so Sirotin turned to YouTube for a few good examples of live performances of that particular work.

“I came across Kristóf’s video from Moscow Conservatory Grand Hall, which is where I went to school and performed myself 20 years ago,” he said. “I really liked Kristóf’s performance of Bach and decided to look around for some more of his performances. I found that, in addition to his wonderful sense of style and musicality, he is also a remarkable virtuoso who performs some of the most technically difficult works for violin with charm, ease and flair very rarely found these days.”

Sirotin had the opportunity to meet Baráti in person two years ago during the violinist’s first area concert and had invited Woodruff, who also was impressed.

“I am thrilled that this project came together,” Sirotin added. “It is wonderful for our community to have the same access to the high-quality performing artists as large metropolitan areas, and a great feeling to have this level of friendly collaborative spirit in all three organizations I am involved with.”

Sirotin knows students will get some “fresh insights and helpful suggestions” from Baráti. Baráti hopes he’ll do even more than that.

“I want students to develop their own viewpoint and interpretation and their own way of solving problems,” he said. “I want students to get the joy of understanding music and the joy of music itself.”

Kristóf Baráti will perform at Temple Ohev Sholom on April 5, hold a masterclass at Messiah College on April 6, and perform with the Harrisburg Symphony Orchestra on April 8 and 9. For more information, visit www.marketsquareconcerts.org for the April 5 performance www.harrisburgsymphony.org for the April 8 and 9 performances.

Harrisburg Symphony Orchestra Upcoming Events:
www.harrisburgsymphony.org

April Masterworks Concert

April 8 at 8 p.m., April 9 at 3 p.m.
The Forum, Harrisburg
Tchaikovsky’s “Romeo and Juliet Overture Fantasy,” Khachaturian’s “Violin Concerto” performed by Hungarian virtuoso Kristóf Baráti, and Shostakovich’s “Symphony No. 12”

Pops Series

April 22 at 8 p.m., April 23 at 3 p.m.
The Forum, Harrisburg
Michael Cavanaugh sings the songs of Elton John and more

Spring Young Person’s Concert

May 5 at 10 a.m. and 11:30 a.m.
The Forum, Harrisburg

May Masterworks Concert

May 6 at 8 p.m., May 7 at 3 p.m.
The Forum, Harrisburg
Gershwin’s “Concerto in F” performed by Stuart Malina, conducted by Gregory Woodbridge; Rachmaninoff’s “Symphony No. 2”

HSYO Mother’s Day Concert

May 14 at 3 p.m.
The Forum, Harrisburg

Author: Lori M. Myers

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Artless Cuts: Some arts groups fret, others take it in stride, as loss of federal funding looms

There’s an old adage that says that money makes the world go ‘round.

The arts are no exception, which is why some local groups are increasingly concerned that the Trump administration and Congress will ax an important source of their funds—the National Endowment for the Arts.

The Susquehanna Folk Music Society is one organization that would feel a significant impact if the NEA were eliminated.

“It will reduce the scope of what we are able to do,” said Executive Director Jess Hayden, who said that NEA grants account for about 10 percent of the group’s operating budget ($125,000 over 11 years).

The society also would lose its connection with NEA staff, which often offers ideas and expertise about folk traditions and artists, she said.

Over the past 20 years, NEA has awarded $17.8 million in grants to Harrisburg-area arts programs, averaging $890,000 per year. Pennsylvania Council on the Arts (PCA) received the bulk of that funding, $16.1 million, averaging $805,000 per year.

PCA gets about 10 percent of its annual budget from NEA and the remainder from state appropriations. PCA then re-grants across Pennsylvania to schools, smaller arts councils, churches, individual artists, senior centers and statewide programs.

PCA is deeply involved with central Pennsylvania’s cultural scene, helping to support the work of such organizations as Central PA Youth Ballet, Susquehanna Art Museum, Whitaker Center, Harrisburg Symphony, Open Stage, Rose Lehrman Art Center, Central PA Friends of Jazz, Gamut Theatre, Theatre Harrisburg, Art Association of Harrisburg, Perry County Council of the Arts and Jump Street.

The Susquehanna Folk Music Society also receives grants from PCA, which, together with grants from the Cultural Exchange Fund and private foundations, allows world-class musicians and other folk performers to visit central PA.

“This allows us to bring authentic artists we couldn’t otherwise afford to broader community bases via public events and make ticket prices affordable,” Hayden said.

Jump Street receives 11.5 percent of its funding from PCA, which means that cuts in federal funding could substantially impact the Harrisburg-based arts group.

“It would put a huge hole in our budget,” said Executive Director Melissa Snyder. “We will continue to educate and advocate. We’ll need to find sponsors and foundation grants to supplement.”

School arts programs also could be affected, as they often rely on PCA money. Less funding from the NEA could trickle down to fewer schools receiving grants.

“Special projects centered on education are large, one-time grants that move the needle forward with arts programming,” said Chad Barger, executive director of the Cultural Enrichment Fund. “This is where I see the biggest risk to the arts, should public funding be eliminated.”

And then there’s what Snyder called the “trickle-down educational effect.”

“Students learn geography by building kites,” she said. “Arts careers, like fashion designer or architect, are revealed as arts career paths.”

And it’s not just grants that arts groups are worried about. Proposed federal tax changes could further impact their bottom lines.

Harrisburg Symphony Association’s Executive Director Jeff Woodruff is concerned that tax reform may limit or cap the deductibility of charitable contributions.

“All 501(c)3 charities … receive substantial indirect support [from] that deduction,” he said. “Just how that plays out in Congress as they negotiate tax reform is of concern to the symphony and all charities, especially the larger ones soliciting big-time donors.”

Will Supplement

Some in the arts community expressed less worry, putting the possible loss of federal funding into the broader picture of what they must do every day to survive.

“Generally speaking, only a small fraction of most local nonprofit arts’ operating budgets stem from federal sources, about 9 percent,” said Bill Lehr, who has served on the board of numerous arts organizations.

National statistics show that arts groups receive about 60 percent of revenue from operations and ticket sales, with about 30 percent from contributions, according to Lehr.

“The government piece is important, but not a prime piece, not in terms of the larger, overall budget picture,” he said.

Barger, of the Cultural Enrichment Fund, added that arts organizations are accustomed to the uncertainty of public money.

“This churn happens with any change in administration,” he said “Every year, arts funding is on the table with school funding because arts are considered non-essential. Those who work with government agencies are used to uncertainty.”

Groups that lose federal money will “just supplement with other sources,” Barger said.

Alternative funding streams typically include ticket sales, corporate and private sponsors, nonprofit groups, partnerships, volunteer time and state and local governments. Recently, crowd-funding has gained in popularity.

Gov. Tom Wolf has proposed creating a special fund for arts grants financed by selling bonds, said Jenny Hershour, executive director of Citizens for the Arts in Pennsylvania.

Potentially, that approach could increase the amount of state aid available for the arts. However, Hershour expressed concern that this plan removes the budget’s line item as an annual operating expense, placing it into a special fund for which fundraising will be required every year.

“When a line item is removed, it’s hard to get it added back,” she said. “If a new governor is elected, that represents another risk.”

In the meantime, Hershour and others are turning to political activism to get the ear of legislators. Last month, Americans for the Arts held an “Arts Advocacy Day” to show support for such things as arts education policy, the charitable tax deduction and funding for the National Endowment for the Arts.

“We [went] to Washington to share our concerns with congressional offices,” Hershour said.

She also encourages anyone concerned about arts funding to join her in Harrisburg. On April 25, her group, Citizens for the Arts in Pennsylvania, will hold its own “Arts Advocacy Day” at the PA state Capitol.

To learn more about Citizens for the Arts in Pennsylvania, including their plan for “PA Arts Advocacy Day,” visit www.citizensfortheartsinpa.org.

Author: Gina Napoli

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Songs & Sunshine: Get some positive energy into your life

Xiu Xiu. Photograph by Cara Robbins.

It seems that, as soon as spring is in full force, everybody is out doing things and being active. Positive energy is all around, and events around the city are in full swing.

If you’re still getting over feeling cooped up over the long winter like I am, you may be in need of a good concert to get you into the spring mood. This month, I’ve found a few different bands with some feel-good sounds. No matter what your tastes, you’re bound to find something here to give you the energetic boost you need to get through those inevitable April showers.

XIU XIU, 4/8, 7PM, DER MAENNERCHOR, $15

I’m not going to lie—I’m super excited for this show. Xiu Xiu is an underground indie rock band known for their experimental, supernatural sounds. Last year, while finalizing their new album “FORGET,” the band released another album, “Plays the Music of Twin Peaks.” Around the same time, they collaborated with singer-songwriter Mitski on a song for a soon-to-be-released John Cameron Mitchell film, composed music for Danh Vo for his art exhibitions, recorded an album with Merzbow, and scored their own reworked, experimental version of Mozart’s opera, “The Magic Flute.” Whew! These guys have clearly been busy with some new material, so now is the time to see them. If you need another excuse to go to Der Maennerchor, Moviate, Harrisburg’s source for underground and independent entertainment, is turning 20. So, come out and celebrate!

SAMANTHA FISH, 4/15, 9PM, H*MAC CAPITOL ROOM, $20

Blues has slowly been making its way into my heart, so here’s your chance to get into that Americana roots mood with me. You may have heard Samantha Fish’s song, “Let’s Have Some Fun,” featuring some skillful, southern-esque guitar and playful, yet sultry, vocals. Her most recent album release, “Wild Heart,” is her third studio release featuring Samantha on guitars, Luther Dickinson on various strings and Brady Blade on drums, and featuring other guests such as Lightnin’ Malcolm on guitar, Shardé Thomas on drums and Memphis session singers Shontelle Norman-Beatty and Risse Norman. The album was recorded in three different studios while on the road from Louisiana to Mississippi, so you know it’s dripping with that southern soul. Join her in the Capitol Room at H*MAC for some down-to-earth tunes.

SPIRITUAL REZ, 4/21, 9PM, ABBEY BAR, $10-12

Nothing gives you better vibes than reggae music, and that’s a fact. Spiritual Rez is like what happens when reggae, funk and ska mix with Sublime and the Red Hot Chili Peppers at a dance party. Their sound is full of layered, groovy instrumentals and soulful vocals, providing the perfect conditions to work on your rusty dance moves. You can find their latest album, “Setting in the West,” on their website and listen to it if you want a taste of what’s to come. I recommend “Together Always” for a relaxing yet upbeat song to start your day.

Mentionables: Shakespace, April 1, H*MAC; Solar Federation Performing the Music of Rush, April 1, The Abbey Bar; Black Black Beast, April 7, Little Amps downtown; GL8TM, April 15, River City Blues Club; Country Music Festival, April 22, Spring Gate Vineyard; Average White Band, April 27, Whitaker Center

4/7 – BLACK BLACK BEAST
LITTLE AMPS DOWNTOWN
133 STATE ST., HARRISBURG
STARTS AT 7 PM

4/8 – XIU XIU
DER MAENNERCHOR
221 NORTH ST., HARRISBURG
STARTS AT 7PM

4/15 – SAMANTHA FISH
H*MAC CAPITOL ROOM
1110 N. 3RD ST., HARRISBURG
STARTS AT 9PM

4/21 – SPIRITUAL REZ
ABBEY BAR
50 N. CAMERON ST., HARRISBURG
STARTS AT 9PM

4/27 – AVERAGE WHITE BAND
WHITAKER CENTER
222 MARKET ST., HARRISBURG
STARTS AT 7:30PM

Author: Kait Gibboney

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Creative Class: Education is a core mission for Harrisburg’s theater groups.

When you think of theater, you likely think of the drama, the comedy, the lights, the excitement.

Education may not immediately spring to mind.

But the benefits of an arts education are many—among them, improved communications skills, critical thinking and problem solving. Fortunately, two local theaters provide ample opportunities for education in the arts for students in the Harrisburg area.

Education on Stage

Since 2002, Gamut Theatre Group has been performing both in-house and touring educational productions for students. Gamut’s current offering is William Shakespeare’s “Romeo and Juliet.”

Each performance includes a post-show discussion, which can be customized depending on the school’s curriculum. Gamut’s director and professional actors pose questions to students and encourage a dialogue about themes of the play, character development and staging choices for the production.  Students and teachers also have an opportunity to ask questions they might have.

Melissa Nicholson, Gamut’s executive director, said that students benefit greatly from seeing Shakespeare performed.

“Shakespeare wrote these as plays,” she said. “However, in schools today, it is studied as literature, which can be confusing since the language is 400 years old. The biggest thing we hear when students come to see a show is, ‘Now we understand it.’ It connects them to the story in an entirely new way.”

Nicholson understands this issue well. She currently is president of the Shakespeare Theatre Association, an international association for theaters that primarily produce the works of William Shakespeare.

The educational performances are designed not to run longer than 90 minutes and combine Shakespeare’s original text with modern “narrations” to increase student understanding.

A few blocks away at Open Stage of Harrisburg, the educational production, “The Diary of Anne Frank,” has been performed for 18 years. This play, which is staged each March, is available as a morning performance for school groups and one public performance. The performances for school groups include a special presentation by Holocaust survivor Hilda Mantelmacher.

“Being able to include a presentation from an actual Holocaust survivor with these performances has such an impact on the audiences,” said Open Stage Associate Artistic Director Stuart Landon. “It brings to light that this is so much more than just a play. It’s a recounting of history, a true story of suffering and survival.”

For the second year in a row, local actor Erin Shellenberger will portray Anne.

“I think that presenting this story through live theater is key,” she said. “Many of our youth are very visual learners, and, by presenting the story to them in real time, it humanizes an event that can sometimes feel distant.”

Education at Camp

In June, school may end, but that doesn’t mean the learning stops. Both Gamut and Open Stage host summer camps so kids interested in the performing arts can pursue their emerging passion.

Open Stage of Harrisburg’s Studio School offers summer classes for kids ages 8 to 18. The OSHKids “Summer Camp: Disney’s Aladdin,” for kids ages 8 to 11, runs June 12 to 30. The classes focus on developing characters, learning how to build sets and costumes and preparing for a student showcase.

For kids ages 12 to 18, the Music Theatre Workshop (MTW) runs July 10 to 28. MTW is an intensive, three-week program in acting, singing and movement focusing on the repertoire of classic and contemporary music theater. Auditions are required to participate in both programs. OSHKids auditions will be held in May and MTW auditions will be held in June.

Over at Gamut Theatre Group, summer programs are offered for kids ages 6 to 16. The Gamut Summer Theatre Academy is for ages 8 to 16 and is an all-day, intensive four-week program in the study of theater, dance, voice, improvisation, stage combat and writing. The academy is offered in one-week sessions, with each week including a Friday night production. The program begins July 10 and ends Aug. 4. The Popcorn Hat Players Theatre Camp is for kids ages 6 to 12 and is a half-day program that runs Aug. 8 to 18. The goal of the camp is to enhance communication skills and develop self-confidence, imagination and creativity.

Education Essentials

At Gamut Theatre: In March, Gamut offers two weeks of educational shows to the public. The public performances of “Romeo and Juliet” are March 17 to 26, Fridays and Saturdays, 7:30 p.m., and Sunday, 2:30 p.m. For tickets, visit www.gamuttheatre.org/tickets. Student matinees run from October through July. Schools interested in more information on the educational outreach performances should call the theater at 717-238-4111. Additional information is available at www.gamuttheatre.org/student-matinees.

Registration for both the Gamut Summer Theatre Academy and the Popcorn Hat Players Theatre Camp can be done online. For more information and to register for classes at Gamut, visit www.gamuttheatre.org/summercamps.

At Open Stage: “The Diary of Anne Frank” will be performed on March 12, for which a limited number of tickets are available. Tickets for the public performance are available at www.openstagehbg.com. Educators interested in bringing classes to see “The Diary of Anne Frank” should contact [email protected] for reservations for performances in 2018.

If your child is interested in either OSHKids Summer Camp or Music Theatre Workshop, call 717-214-3248 to schedule an audition appointment. For more information on classes at Open Stage of Harrisburg, visit www.openstagestudioschool.com.

Upcoming Theater Events At Harrisburg’s Professional Downtown Theaters

At Gamut Theatre
www.gamuttheatre.org

The Popcorn Hat Players Present “The Snow Queen”
March 8 to 25
Saturdays at 1 p.m.
Wednesdays and Thursdays at 10 a.m. available by request for groups of 20 or more.

“Romeo and Juliet”

March 17 to 26
Fridays and Saturdays at 7:30 p.m.
Sundays at 2:30 p.m.
Doors and bar open one hour prior to the performance.
Tickets are $30 on Fridays and Saturdays.
“Bring Your Own Price” on Sundays, where any size donation buys your admission.

“Improvapalooza 2017”

March 31
Doors and bar open at 6:30 p.m. Performances begin at 7:30 p.m.
Tickets are $15

At Open Stage of Harrisburg
www.openstagehbg.com

Studio Workshop at Open Stage
Free evenings of 1-act plays
March 8 & 9 at 7:30 p.m.
No reservations required

“Sundae Best Variety Show”
At Open Stage
March 11 & 12 at 7:30 p.m.

“The Diary of Anne Frank”
Sunday, March 12 at 2 p.m.
Open Stage’s 18th annual production
At Whitaker Center

“Uncanny Valley”
A new play about artificial intelligence by Thomas Gibbons
April 7 to May 7

Author: Laura Dugan

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Wheels Free: With new apartments and growing amenities in Harrisburg, some residents have parked their cars permanently.

screenshot-2016-12-28-09-58-45When Brett Comeau moved from Los Angeles to downtown Harrisburg to start a business and close the gap in a long-distance romance, he resisted giving up his wheels to join his girlfriend in her carless existence. Give it a month, she suggested.

“Within a month, I said, ‘I don’t ever want to own a car again,’” he said now, four years later. “It’s so much easier. The stress-freeness of it. I don’t have to drive through traffic.”

As the revitalized city offers new living and entertainment options, a new breed of urban dweller is attempting—and succeeding at—the carless life. They are walking, biking, busing, train-riding and Uber-ing to their destinations.

Oh, and some are keeping their personal vehicles but only for occasional use. We’ll get to them in a minute.

Of course, cities have long been home to residents who don’t own cars. In Harrisburg in 2015, the U.S. Census Bureau tells us, 3,266 people age 16 and over didn’t have a vehicle for getting to work. They commuted by bus, foot, bicycle, taxicab and carpooling.     

For most people, though, the thought of ditching the car is akin to cutting off a limb. Car ownership, we’ve grown up believing, is equivalent to freedom. But the return of upscale amenities to the city—dining, entertainment and rehabbed housing—has inspired more professionals to throw away the car keys, or at least, give the car long rests between rides. In the process, they’ve discovered a new form of freedom—an escape from the tyranny of the motorized machine.

No Place Like That

Several new, upscale apartment buildings opened last year, offering more living options in walkable downtown and Midtown Harrisburg. Of all the new (and old) buildings there, The Flats @ Strawberry Square may make the strongest case for the carless curious.

The units link directly, through an indoor walkway, to the Hilton Harrisburg, restaurants, Open Stage and Whitaker Center, in addition to the many shops and eateries in Strawberry Square itself.

“You don’t even have to go outside if you don’t want to,” said Brad Jones, president and CEO of Harristown Enterprises, which developed the building. “If you do go outside, you’re a block or two from another 35 or 40 restaurant establishments. There’s no place like that in central Pennsylvania.”

WCI Partners, busy rehabbing homes and apartments, finds that walkability attracts residents. City dwellers “generally want to live in the city to have easy access to restaurants, parks, shopping, theater, community involvement,” said Vice President, Director of Operations Lori A. Fortini.

When it comes to walkability and building community, “one feeds the other,” said Fortini, whose company recently opened the 33-unit Union Lofts building at N. 3rd and Boas streets.

“It’s a bounce back and forth,” she said. “The more you commute outside of the car, the more you are aware of your surroundings and able to connect with them. At the same time, that creates the safety to do that.”

As Comeau noted, spending goes where wallets go, and being carless, he and his girlfriend, Linda Walters, keep their wallets close to home.

“Linda and I spend about 90 percent of our money on local businesses,” he said. “We are part of this community.”

Spinning Wheels

ChuChi and Shadow inspired Scott Foulkrod to adopt a daily walking life.

The Harrisburg University professor had no one who could take the two small dogs for walks every few hours. So, he moved into a luxury apartment rehabbed by Vartan Group on Pine Street, just blocks from his workplace.

Always an outdoorsy type, Foulkrod “fell into the routine pretty quickly” of walking back and forth between home and work a couple of times a day. He also walks to downtown events and restaurants.

“It’s a simple way to live,” he said.

It’s a living arrangement that could change with a move to the country someday, but, for the time being, “It seemed like a no-brainer.”

Foulkrod didn’t entirely abandon the car—“a car I really like, a nice car.” His Audi TT convertible stays garaged for much of the time but comes out for grocery runs and getaways.

Like Foulkrod, Ian Kanski has a car but, most days, keeps it parked in a nearby lot since moving to Harristown’s Fifteen at Twenty-Two, or F@TT, apartments on S. 3rd Street in September. The apartment is across the street from his business, Integrated Agriculture Systems, the folks behind the hydroponic and aquaponic systems increasingly seen in schools.

“I couldn’t resist the opportunity to live right next to where we were putting our office,” he said. “It’s great for me to walk to meetings downtown.”

The car is handy for out-of-town meetings and driving to his company’s Susquehanna Township facility, but often, he takes the train to meetings in Philadelphia and New York. Even travel to Costa Rica, where his wife is from, is simplified by proximity to Harrisburg Transportation Center’s Amtrak station, for rides directly to Newark Airport.

“I get my baggage, walk over to the train station, and get to another country without getting into a car,” he said.

Asked if he doesn’t miss having a firewall between work and home, Kanski laughed. He gets that question a lot, it seems.

“Being in a startup, it’s hard to separate those two things, anyway,” he said. “In the startup world, work follows you anywhere. That’s inevitable.”

I’m Done

The freedom of carlessness, it seems, comes from making the car work around your life—not the other way around. Comeau said that he’s no longer “tempted to go somewhere for no reason.”

The hardest part of the adjustment, he said, was learning to plan ahead, but routine makes the lifestyle run smoothly. Groceries come from walks to the Broad Street Market or are delivered by Giant Food’s Peapod service. If he and Walters rent a car for some purpose, for a weekend every two or three months, they think of everything they need that a car facilitates and “cram everything in.”

About six months ago, to adopt a cat named Kinsey, Comeau and Walters rented a car, picked her up, bought all the food, took her home to their WCI apartment on Walnut Street, and, while she was adjusting, drove around for things that included a Troeg’s Brewery tour in Hershey.

“By Monday, when we dropped the car off, I said, ‘I’m exhausted. I’m done,’” he said.

Walters, the girlfriend who converted Comeau to carlessness, has always lived and worked along bus routes. The natural-born organizer knows all the routes and uses Capital Area Transit (CAT) updates to follow the progress of her buses. If a bus is late, she calls Uber to get her to work, “because Uber is pretty quick,” Comeau said.

“When she’s on the bus, she listens to podcasts, she listens to notes, she listens to books on tape, as opposed to having to drive and get all stressed out by traffic,” he said. “She just zones out and gets to do her thing, and she really enjoys that.”

Comeau and Walters hope that Zipcar comes soon to Harrisburg to replace their occasional car rental needs. Zipcar media relations did not return an email asking if Harrisburg is in their sights.

Great, Walkable

Like Walters, some who go carless find a transportation assist from the bus system. According to Jones, CAT and Harristown “have a long working relationship.”

“Service to various parts of the region are pretty good in this area, especially if you’re in the center,” he said. “You could literally go to 50 different locations by bus—Hershey, Hummelstown, Carlisle, Mechanicsburg, Holy Spirit. The new Pinnacle hospital now has a service. You can cover a lot of ground by bus.”

Many of CAT’s 10,000 daily riders don’t have cars, said CAT spokesman Bob Philbin. “Anyone living in Harrisburg can move from point A to point B within the city within about 30 minutes,” he said.

New routes include a loop from Shipoke to the Capitol and 2nd Street, and, at lunchtime, it expands to the Broad Street Market “so we can move that lunch crowd around the city apart from downtown,” he said.

Recently adopted bus tracker software lets riders check the CAT website to see their buses en route, with a separate link for mobile phones. CAT’s Twitter feed notifies users of delays. There’s no app due to the challenges of aligning ever-evolving bus routes with Google maps, Philbin said.

“We’re constantly evaluating routes in and out of Harrisburg and around Harrisburg,” he said. “The system was built with Harrisburg at its core.”

Harrisburg is not only a walkable city but a bikeable one. Therefore, some residents have replaced the auto through a combination of bike and bus. In fact, riders bringing bicycles to rack on buses have risen 10 percent to 15 percent, year over year, to reach the current level of about 15,000 annually, Philbin said.

So far, at least, Kanski, whose new home is above El Sol restaurant, hasn’t had to hop the bus much. He walks almost everywhere he needs to go.

“There’s good, diverse cuisine,” Kanski said. “There’s great arts and culture happening in Harrisburg as a whole. Everything is pretty close. It’s a great, walkable city.”

Disclosure: Alex Hartzler, a WCI Partners principal, is publisher of TheBurg.

Author: M. Diane McCormick

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Follow the leader: Parents join in pre-K play at Whitaker Center’s Little Learners program

screenshot-2016-12-28-10-36-21About 20 preschool-age kids seated on carpet squares cheer “yes” or “no” to questions about the day’s theme—bats. Some kids follow along as educators Cynthia Hitz and Melody Graeff introduce big, batty words like “echolocation,” “nocturnal” and “pollinate.”

Some kids itch to scoot away from the carpet square to play. And that’s OK.

The Little Learners program, a two-hour session every Wednesday until March, allows children and their accompanying adults to follow, well, their inner child. For two hours every Wednesday until March, Hitz and Graeff design structured and unstructured play at the Harsco Science Center’s KidsPlace.

“We’re flexible with our Little Learners,” Hitz said. “It’s child-centered and open concept.”

Lead the Way

To start the playdate, kids choose from play stations inside KidsPlace: a grocery store, theater stage, ambulance, construction building site and a vinyl-cushioned obstacle course. The gated-off area is designed for kids under 5 so that they can safely explore and lead their parents around.

The kids run from station to station, seeking out their parents and grandparents from time to time. They find musical instruments and educational toy sets scattered among the stations. Plastic balls fly over the vinyl obstacle course. They build towers with foam building blocks at the construction site.

“We don’t have these things at home to play with. It’s not a regular playdate,” said Kelly Kirsch, who started attending with her three children last year. “We like the different activity stations, the themes, the social interaction and the learning aspect.”

Hitz encourages adults to let the children lead the way.

“Kids already know what they want,” she said. “By adults being the followers, it helps kids work on their planning skills.”

Preschoolers’ communication—whether it’s audible “oohs” and “ahs” or pointing and walking toward what they want—is their way of planning and following through. They might even think about who they want to play with.

“They are capable, highly intelligent and learning to express themselves,” Graeff said. “They are sorting out that process in their own minds.”

Jen Holtry and her three kids keep returning to the program.

“I like the interaction with the other kids,” she said. “Whitaker has a nice, fun environment for learning.”

Graeff and Hitz started singing, “Shake, shake, shake our sillies out,” to transition the group into the day’s lesson. After the kids wiggled their waggled away, they planted themselves on carpet squares, and the educators dove into the day’s lesson.  

Miss Them

The program’s content had a little something for everyone.

Teachers led an interactive discussion with kids about the bat theme. The adults left the lesson with some exotic bat facts. We learned about a bat whose wingspan can reach 6 feet. (Relax. It’s native to Australia.).

The kids sat still for as long as someone under 5 can.

Then the teachers unleashed the kids on sense-stimulating, bat-themed learning stations. A playdate overload of bat activities flapped through KidsPlace. Kids paged through books and examined fossil skeletons. They listened to a bat’s squeaking sounds and a narrative lecture.

Adults helped set up projector slides (remember those?) with bat photos. Kids transformed into bats by trying on felt bat wings. They then created a batty craft with paste, cotton swabs, construction paper and toilet paper tubes. Not much else has the ability to transport a sensible adult straight back to childhood.

The theme changes every week. In November, there was such a thing as “National Eat Cranberry Day.” Last month, kids learned about how animals adapt to winter. The educators draw inspiration from science, art or community events. For the wildlife and bird themes, Hanover’s live eagle camera mesmerizes kids while adding a community connection.

One noted downside exists—attachment.

“We develop relationships with the children and their parents,” Graeff said. “We miss them when they grow up.”

Whitaker Center’s Harsco Science Center is located at 222 Market St., Harrisburg. For more information about Little Learners, visit www.whitakercenter.org/little-learners.

Author: Gina Napoli

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Get Down, December: Party like it’s 2017.

Driftwood. Photograph by Marc Safran Photography.

Driftwood. Photograph by Marc Safran Photography.

As 2016 winds down, it’s the perfect time to listen to some vibrant music to get you into that new year spirit.

This month, I’d like to draw the focus away from the mindless holiday music this time of year. Don’t get me wrong—I like holiday tunes. But it’s rare to hear something new, unfamiliar and exciting among the repetitive classics. I mean, how many covers of “Santa Baby” have you heard in your lifetime? As a remedy, these bands promise to be lively and grab your attention. If you’re looking for something new and energetic to listen to, these three acts have some hot tunes to keep you warm.

THREESOUND, 12/3, 5PM, H*MAC STAGE ON HERR, $TBD
Threesound comes to the Harrisburg Midtown Arts Center from Virginia on their “Different Spaces” tour. This quartet has an upbeat, happy sound paired with smooth guitar and solid drum rhythms. The band fuses genres together to create unique music that guarantees some groovy tunes. Their second album, “Different Spaces,” was released earlier in the fall. Also on the bill for the evening is DigitalDavy, a DJ from Pennsylvania playing what he calls a combination of Nu-Disco and Deep House. Both acts’ sweet sounds will undoubtedly stir up some dance fever in the audience.

SEASONS, 12/4, 1:30PM, PA FARM SHOW COMPLEX, $8
Taking place during the Pennsylvania Christmas and Gift Show, local Celtic folk band Seasons will play in the afternoon. This band is what you get when you mix contemporary folk to new-age Celtic music featuring exciting vocals and soaring strings. Seasons is made up of siblings Mary-Kate Spring, Peter Winter, Mary-Teresa Summer, Mary-Grace Autumn and Mary-Clare Chun Lee. The group is well traveled nationally and internationally and has opened for Grammy award-winner Ashley Cleveland. Celtic music isn’t too common around these parts, so it makes my inner-Irish self happy to hear a new take on a familiar sound. If you’ve never heard them before, you can find their self-titled album on their website for an introduction of a distinct take on the Celtic genre.

HUMAN HOST, 12/10, 7PM, LITTLE AMPS COFFEE ROASTERS, $5 suggested donation
This experimental New York jam band is accompanied by Lancaster experimental alternative rock band Future Dinosaurs and Pottstown alternative punk band Boffo. The group formed in 2002 and consists of members Mike Apichella, Steve Yankou and John Hollahan. This band is definitely worth checking out beforehand. Their album “Ophiopogon’s Blue Wonder” provides a surreal listening experience. Their bizarre style, blended with traditional rock, makes for an interesting sound, so swing by Little Amps Coffee’s Uptown location in the evening for a fun, house-style show.

Mentionables:
Get the Led Out, Dec. 1-3, Whitaker Center; Driftwood w/Rivers, Dec. 9, Abbey Bar; Strangled Darlings, Dec. 10, Midtown Scholar Bookstore; Corinna Joy, Dec. 10, Carley’s; Catullus, Dec. 31, H*MAC Stage on Herr

Author: Kait Gibboney

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Musical Notes: Keeping It Weird–a peculiar month ahead

October is a month for embracing the abnormal, so it’s only fitting that the musical acts this month are a bit unconventional.

Sometimes, I find it hard to narrow music down to one type or sound, and these artists are no exception. Although each fits in a different genre, they all delight in stretching their creativity. Their musical fusions and radical genre-benders are bound to grab your interest and complement your curious side this fall.

JULIANNA BARWICK, 10/6, 8PM, DER MAENNERCHOR, $8/$10
Ambient music is taking off these days, and Julianna Barwick is at the forefront of this growing genre. Hailing from Louisiana but currently calling Brooklyn home, she creates flowing, hypnotic waves of sound with voice, piano and percussion through a loop station. Barwick has had an oddly diverse musical background. She’s toured with artist Sigur Rós, as well as with children’s choirs. She’s also recorded with the Flaming Lips, performed with Yoko Ono and contributed to classical recordings for Sony Masterworks. Her unique, ethereal performance is sure to leave you entranced and bewitched. Touring with Barwick is well-known Philadelphian harpist Mary Lattimore, known for writing harp parts for artists such as Meg Bair, Thurston Moore and Kurt Vile.

GIANT PANDA GUERILLA DUB SQUAD, 10/7, 8PM, ABBEY BAR, $12/$15
If you’re into some alternative reggae, this band has what you need. Giant Panda Guerilla Dub Squad is best defined as reggae jam band meets psychedelic Americana. These Rochester, N.Y., natives started making music in 2001 during a time when the reggae scene was taking off. The three current songwriters, guitarist-singer Dylan Savage, bassist-singer James Searl, and multi-instrumentalist Dan Keller, blend their distinctive styles of reggae into a melting pot of mellow tunes. Their new album, “Make it Better,” was released last month and features a blend of familiar reggae with dreamy instrumentals and some funky hooks. Whether you like classic reggae, experimental reggae or somewhere in between, check these guys out for some chill vibes.

MORSE CODA, 10/8, 8PM, RIVER CITY BLUES CLUB, $12
This Philadelphia art rock band throws it way back to some classic sounds with updated twists. The trio of vocalist/instrumentalist Michael James Stipe, bassist/vocalist Liam Tinney and drummer Brian Doherty pay unconventional tribute to influences like Jim Morrison, David Bowie and Alice Cooper through their dark, wailing vocals and lively, energetic instrumentals. Stipe’s solo work will be highlighted in this performance, as well, following the release of his first self-titled “Morse Coda” LP. Don’t miss the performances of opening acts Angela Stipe, with her blues-influenced acoustic works, and experimental artist Adam Stehr, who features bluesy rock ballads.

Mentionables: Makespace Music Festival, Oct. 1, HMAC; Port Ellis/LØRE, Oct. 12, Little Amps Uptown; Travelin’ McCoury’s and Jeff Austin Band, Oct. 25, Abbey Bar; Moutin Factory Quintet, Oct. 26, River City Blues Club; Blackmore’s Night, Oct. 29, Whitaker Center

Author: Kait Gibboney

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