Tag Archives: Tahirih Alia

Modern building with restaurant, art space to replace blighted Midtown properties

Blighted buildings on the 1400-block of N. 3rd St were demolished on Thursday, making way for a new project.

Two blighted buildings in Midtown met their fate on Thursday, as crews razed them in preparation for new development.

In their place, at 1414 and 1416 N. 3rd St., developers have plans to construct a three-story, multi-use building with art space and a restaurant.

Owners of Harrisburg-based ModernRugs.com, Zachary Nitzan and Tahirih Alia, purchased the two dilapidated buildings, along with two adjacent buildings, in 2016. Their online rug business is currently located in one of these buildings, at 1404 N. 3rd St. They are in the process of renovating the building at 1408 N. 3rd St., which was once a hardware store, as well.

The goal of the estimated $6 million project is to connect the two standing buildings with the new building, once constructed.

The plan calls for a 9,000-square-foot building, featuring a façade of dark brick, large windows and metal mesh screens. According to Nitzan, the first floor would likely feature a restaurant. The second floor would be an art studio, exhibit and workspace, extending through all three of the owners’ buildings, once connected. The third floor would house office space. The plans also call for a rooftop deck and bar.

Rendering of the project. Photo courtesy Chris Dawson Architect

“We are both really passionate about art and design,” Alia said. “This location is really ripe with possibility for being an arts district.”

In 2020, ModernRugs.com received $60,000 in Dauphin County gaming grant funding for the demolition costs. Before demolishing the buildings, they were deteriorating, Nitzan said.

The couple expects to break ground on the new building within a year and complete the project by 2025. In the meantime, they plan to conduct outreach with the community to hear what they would like to see, they said.

“We really love Harrisburg. It’s an amazing community,” Alia said. “We want to be mindful and make sure this is good for all parts of the community.”

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Bob’s Art Blog: A Year in Art

Part I – January through June: Artists, Exhibits, 3rd in the Burgs and Social Relevance

The New Year started “on the sunny side of the street—grabbed our hats and left our worries on the doorstep.” We headed to the first art shows of the season on Jan. 10 to the Wild West (Shore).

The year began with art activist Carrie Breschi at Carlisle Art Learning Center (CALC), who kicked off 2020 with another healthy dose of social relevance in her merry-go-round of “Untamed Color,” an amalgam of art addressing seasonal affective disorder (pictured). With colorful sunburst stations set up for kids of all ages to create eye-popping art, Breschi enlisted a company of color consultants featuring Thomas Oakes, Cathy Stone, Deb Allen, Aron Rook and Carol Reed, who converged in the upstairs gallery at CALC. So bright and eclectic, you needed sunglasses indoors.

Meanwhile, miles away in Mechanicsburg, Metropolis Collective held an after-party all night long featuring 20 artists who held fast to the notion there are no rules in art. Under the watchful eyes of owner Richard Reilly (aka Rock-it Man) and Hannah Dobek, gallery director and artist in residence, Metropolis mapped out mayhem in the gallery as the Huckle Buckle Boys, Zack Rudy and Garrick Dorsett unleashed their brand of outsider art, taking no prisoners.

January’s 3rd in the Burg featured two art exhibits that started with an “S,” Scottish landscapes at St. Stephens Cathedral’s Riverfront Gallery from the Art Association of Harrisburg’s CEO Carrie Wissler-Thomas, featuring sacred sites rendered in rich oils that lined the cloister gallery walls. The lure and lore of Scotland came alive under her ethereal brushstrokes.

“Kildalton Cross Sheep, Islay” by Carrie Wissler-Thomas

At the Susquehanna Art Museum, a radical “Shift” took place in the lobby gallery. The technology-tempered paintings from Tiffany Calvert and Alex Kanevsky created a new paradigm. Prominently featured in American Art Collector magazine, the exhibit brought national recognition to SAM, as well as to the artists’ works. To top that off, SAM at the Marty celebrated its fifth birthday in Midtown on Jan. 23 with a party and grand announcement of reaching its $3 million goal for future development and programs, due to the successful “Bridge to the Future” capital campaign.

With February designated for lovers and Mardi Gras partygoers, a 3rd in the Burg-timed event at the Art Association of Harrisburg featured a dual show, “Hear Me?”, an art exhibit featuring deaf artists from around the state downstairs, while upstairs, Charlie “Bootleg” Feathers and Reina “R76” Wooden took over the gallery rooms with a surprise behind every door. As the deaf artists created the connective tissue of disability disavowing any impact on art, likewise upstairs the dynamic duo left no doubt their art was aimed at social relevance too, addressing mental health awareness (Feathers) and the Me Too Movement (Wooden), in an artistic avalanche (pictured, “Me Too Mannequin”). The language of art is universal, be it spoken or signed.

The road trip to spring took us to the Milton Art Bank, where else but in Milton, Pa.? Their “Black/White” exhibit stole the show with a who’s who of A-list artists, past and present, sharing their diverse works across all mediums in black, white and even gray. Museum founder and curator Brice Brown of New York, created a visual tour-de-force for the art-loving public to appreciate in a six-month run. With the pandemic closing down businesses by mid-March, the edition of 3rd in the Burg became my take on “Outsider Art” scenes of nature’s art with a glorious sunset on the Susquehanna River, Italian Lake and an early peek at the eighth edition of “Art in the Wild,” which filled the void for the first look at springtime.

Spring’s return brought sad news when the art community lost local poet, Joe O’Connor, who succumbed to the coronavirus on April 13. One of Harrisburg and Camp Hill’s favorite sons, Joe left behind indelible words for all of us to live by in these uncertain times. Joe is sorely missed. The 50th Earth Day celebration took place behind shuttered doors at St. Stephens Riverfront Gallery, which featured the fine oil paintings of John McNulty, whose studies on the trees of the forest and glens were masterfully created with their inner-play of light and shadow. It is no wonder that McNulty is one of the area’s Seven Lively Artists.

“Conversation” by John McNulty

Meanwhile, at Elementary Coffee Co.’s temporarily closed North Street location, artist Katelyn Buchan achieved her “own personal Nirvana” with an introspective look at what drives her art and fuels her passion, an overlying principal of a deep and abiding love for nature. And to finish off the Earth Day celebration in neighborly fashion, our friends and artists Brandi and daughters Madden and Kendall with our very own granddaughter, Kiwi, created rainbows and stars chalked on the cul-de-sac for all to appreciate, lifting quarantine spirits.

The annual rite of spring known as “Art in the Wild” got moved back from its usual April opening to mid-May due to the pandemic. Established artists who create for the love of art pushed new entrants to grand heights. At the vanguard of installations were previous back-to-back winners Beau and Jana MacGinnes, as well as Eve Gurbacki, who inspired newcomers Suzanne Pagel and Jill Lippert, among others, in creating landscaping legerdemain (pictured, “Kindred Spirits” by Eve Gurbacki).

When June rolled around, I sought out the ancient art of rug-making. Our journey took us to Modern Rugs on the 1400-block of N. 3rd Street in Harrisburg. With their art gallery presentation, owners Zachary Nitzan and Tahirih Alia provided a rich history of rugs and romance, of exotic locales and enchanted people. Their lives are as fascinating as the exquisite rugs they produce. We were entertained and enlightened, regaled with high sea adventures and traveled to distant lands, all in search of the finest materials to create one-of-a-kind works of art. In the end, we realized rugs share the story of life, and we were hooked.

 

Additional Artistic Achievements

By mid-March, quarantine began as central Pennsylvania found itself in lockdown status. In response to a growing concern for her neighbors, Carlisle photographer Nicole Dube took it to heart and started a photographic journey, through social distancing, of over 100 family portraits. “Alive and Well” became not only an archival record but served as a time capsule of the pandemic to be valued even more in the years to come. Viewed at CALC over early summer, it served to define the heart of an artist and a community at large under stay-at-home orders. Dube’s exposé captured a place in time for posterity.

By April 2, just three weeks into restrictions, artists Nikos and Terra Phelps of Christmas Decor festooned an ordinary sycamore tree with 15,000 lights, providing Harrisburg with a Tree of Hope lighting, a way for city residents to rally behind local small businesses and restaurants experiencing hardship due to the pandemic (pictured). Their 17 hours of trimming the tree was a labor of love, which served as a fundraiser with its goal of raising $25,000. Twinkly Pro generously donated the lights, and the Tree of Hope at the base of the Walnut Street Bridge lit the way for other organizations to follow suit.

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Bob’s Art Blog: The Threads that Bind

A display wall at Modern Rugs in Harrisburg

Art knows no boundaries in the many ways it presents itself to the world.

Beyond the usual mediums of painting, photography and sculpture, there is the ancient art of rug making. Historically the province of “exotic” Eastern lands like the Orient, Persia, Turkey and India, known for their reputation for making the most beautiful rugs in the world, the art now finds itself encompassed under one roof in Midtown Harrisburg at Modern Rugs. No one appreciates this legacy more than the owners and curators, Zachary Nitzan and Tahirih Alia, who hold the art form near and dear to their hearts.

Their professional relationship and personal lives are as intertwined as the exquisite rugs they sell. I recently visited their headquarters, and, in the most serene and sincere way, they divulged the ancient tales of rugs and romance, of exotic locales and enchanting people. From the very first moment, we were “hooked.” It was a privilege to go on the journey with them. Rugs tell a tale with no two alike. In fact, Nitzan shared that “ancient rugs tell the story of life.”

Dyed-in-the-wool purists, both embrace the mysteries and rich history of how rug making became elevated to the art form it is today. Their journey together echoes the tantalizing tapestry of textiles woven to create horizontal works of art. What evolved out of necessity for protection from the elements thousands of years ago has transcended mere functionality to become the main focal point in a room. Originally created for comfort from the hard ground, rugs became a crucial element in completing the look and feel of beauty in home furnishings. It’s an art form as old as time, dating back to the caveman and his depiction of hunt scenes on walls and animal hides on the floors. The original weavers were the shepherds. Centuries ago, they started knotting wool into heavy woven cloth that was later developed into rugs.

Zachary and Tahirih, inveterate world travelers with a love of beauty, speak often about their never-ending search for sourcing the finest materials to provide inspiration for the latest in design technique. An expert like Nitzan knows instinctively, after a quarter-century in the business, what intricacies go into the manufacturing of rugs and the workmanship involved in artisinally hand-wrought goods. In fact, he is a member of the International Society of Appraisers. Generally, the more tightly a rug is woven, the more detailed the design can be. The elements that determine the value of a rug are attributed to materials used, density of knots and the rarity of the design. Silk and wool fabrications aid in the absorption of the organic dyes. As rug connoisseurs, both Nitzan and Alia hold a tremendous appreciation for the labor-intensive process involved in one-of-a-kind creations. Their exclusive in-house rugs, Christopher Fareed Design Collection, allows for maximum customer input with selection from a grouping of over 40,000 choices. These rugs have adorned such ornate residences as palaces in Dubai and can also be found in boutique hotels around the world.

Co-owner Tahirih Alia in the showroom at Modern Rugs.

Given the distinction of being an international force in the industry, their love affair with Harrisburg and, specifically, Midtown, is all the more remarkable. Four years ago, Zachary and Tahirih uprooted their established business in Washington, D.C., to move the entire operation to the city and never looked back. The team’s core group, including sales director Tara Clugston and marketing director Brad Moody, made the move from D.C. The design director, Kayla Reimold, operations manager, Cherri Parks-Taylor and graphic designer Blen Asres complete the front line of key players crucial to the success of Modern Rugs. The trio hails locally, bringing homegrown talent to the mix. It is no wonder that the staff has become an extension of family, as personal relationships are the threads that bind. That strength is made permanent by forging an investment in the people they work with so closely.

There is nothing quite like seeing and touching the rugs in person. With vaulted ceilings and exposed brick walls, the showroom reflects an aesthetic that is more an art gallery than a rug store. An entire expansive room is dedicated to one-of-a-kind rugs hanging like the works of art they are, from floor to ceiling. It sets the stage of a museum exhibit in the art of rug making.

The online business at Modern Rugs is a global one. Rugs make statements of personal style and taste reflecting clientele preferences for color, patterns and texture. With the collection’s ability to shift gears for custom work, the sky’s the limit. The design is limited only by the imagination in terms of the creative process. In fact, their rugs have been made from rough sketches on a napkin. One example is an historical script from a Civil War soldier lifted from a poignant letter home to his wife and replicated in rug form. If you can dream it or draw it, the rug becomes your personal tale.

Opening their flagship location was the first step to help turn Midtown into even more of an art destination. For Modern Rugs, “collaboration and community” go hand-in-hand in that the entire area benefits from a collective of likeminded entrepreneurs. Restoration, revitalization and renaissance join their vernacular in the next breath.

They shared future dreams of expansion, already well underway in the next building. With ample space on the second and third floors, the owners see endless possibilities ahead. The build-out is already in progress. The couple envisions a presentation combining the artistic components of rug making to networking with neighbors and friends like the Susquehanna Art Museum and other merchants on the block. An overriding goal is to be able to develop production of all rug manufacturing in Harrisburg, creating 100 new jobs. Nitzan and Alia flipped over one of the showroom sample rugs highlighting The Modern Rugs label as the last step in the process, their forever business card, ensuring the rug has surpassed every facet of inspection.  The owners look forward to the day when the “green light” is given to reopen their doors. In the meantime, they are happy to meet by appointment following the guidelines outlined by the state.

One may view Modern Rugs as a lush garden in terms of nurture and care. From a deep appreciation of their staff’s contributions, Nitzan and Alia plant seeds in rich soil to produce a product that stands above the rest. And for the artists worldwide, that same philosophy applies, like helping to fund an orphanage in India. Civic and community-minded, they are good friends and neighbors both on a local level and a global stage.

In the space of two hours, we had sailed the Seven Seas to the Orient, strolled serpentine byways to Byzantine bazaars and traveled in “a passage to India,” all in a quest for a deeper appreciation of antiquities brought into the 21st century. We gained invaluable insight and came away richer from the experience. We were entertained, enlightened and enveloped in the very best of ways—like being wrapped up in the most special rug of all—we had shared in their story of life.

Modern Rugs is located at 1404 N. 3rd St., Harrisburg. For more information, visit their website.

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Bob’s Art Blog: The new “Roaring ’20s”

A sculpture by Charlie Feathers hangs on the wall of his Midtown home/studio, as does the painting below by Reina “R76” Wooden.

Sometimes, spur-of-the-moment get-togethers with like-minded people create magic. Collective conversations converge, creating sparks that carry over into the next day—or the next year.

For a couple of dozen creative types, that moment of magic coalesced on Monday night, the eve before the last day of 2019. It was fitting in many ways.

The scene was reminiscent of the art salons that were the place to be in Paris during the 1920s (isn’t that a coincidence?) when Gertrude Stein and partner Alice B. Toklas held court at their residence surrounded by literary figures (Hemingway and Fitzgerald) artists (Pablo Picasso and Henri Matisse) and other legendary bright lights like Gerald and Sara Murphy of the French Riviera playground.

This group of expatriated Americans known as “The Lost Generation” (after the Great War ended) altered Paris forever, embracing the Jazz Age spirit. The ever-changing roster of artists actually invented the nuance of networking. The salons valued ideas and intellectualism over social strata as the mix of personalities hailed from all walks of life.

On Monday night, Harrisburg had its own version of this Roaring ’20s scene. In the heart of Midtown, artists “Bootleg” Charlie Feathers and Reina “R76” Wooden threw an art open house where many familiar local faces showed up to celebrate a reconstituted art salon and to gather together for an impromptu art show tour. Who better to appreciate art than artists and art lovers?

Among local luminaries present, portraitist painter Andrew Guth rubbed elbows with potter Vivian Sterste and photographer Jeb Boyd of Vivi on Verbeke. Bearded sculptor Chad Whitaker and friend Jess surveyed the offerings upstairs and down. “Art in the Wild” sculptor Beau MacGinnes (sounds familiar) and his model wife, Kaila, were there, as well as my beautiful wife and 3rd in the Burg photographer, Jana. In fact, Beau and Jana formed a landscaping lynchpin four years ago installing art exhibits at the annual Wildwood Park show.

Entrepreneurs and partners Zachary Nitzan and Tahirih Alia, owners of Modern Rugs on N. 3rd Street, were excited to see all the recent work that the collaboration of Charlie and Reina’s partnership has brought forth. By the sheer volume of energetic pieces across all mediums, that team effort has spurred a creatively combustible collection. From bootleg jewelry and adorned fashion pieces to wire-wrapped wall hangings, paintings, sculpture and more, the duo presented an outpouring that surpassed their previous groupings individually. When two artists encourage and challenge each other, magic happens.

Vivi and Jeb have shared a similar bond, as well as being a creative couple. Kirsten Moe, a long time arts patron and Harrisburg resident owning one of Charlie’s teapots, spoke to the object being more than functional, going beyond a teapot and becoming a tempest of a treasure. Last but certainly not least in the art world sphere was Lessa Helm, potter and catalyst behind the 3rd Street Studio, one of the founders of 3rd in the Burg, who was also revolutionary in bringing contemporary art to Harrisburg. As the evening continued, I even got to meet Lawrance Binda, co-publisher and editor-and-chief of TheBurg. It was our first opportunity to actually converse—my boss of sorts.

When you hear the phrase, “they phoned it in,” it usually references an actor’s performance. In my case, it’s my art blog. Instead, I just hit “send,” which I’m doing right now. Happy New Year!

Editor’s Note: You don’t need a party invitation to see Reina and Charlie’s works. Look for a new exhibit featuring the artists early in 2020 at the Art Association of Harrisburg.

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Midtown, By Design: ModernRugs creates beautiful, functional art, helping to weave together a neighborhood.

Owners Tahirih Alia and Zachary Nitzan

Two decades ago, passion drove Zachary Nitzan to share an ancient art with the modern world.

He launched a website, starting a business and a renaissance—an artistic revival that would carry him and his work around the world, and, eventually, lead him to join the architectural restoration of historic Midtown Harrisburg.

Nitzan is the owner of ModernRugs.com, a global, online curator of contemporary area rugs. Last summer, Nitzan, along with his business partner, Tahirih Alia, moved all operations from Washington, D.C., to Midtown after falling in love with its urban landscape.

“Harrisburg is such an organic city with so much beauty,” Nitzan said.

They purchased much of the 1400-block of N. 3rd Street across the street from the Susquehanna Art Museum, including the old Volunteers of America (VOA) building, the adjacent, three-story building that once operated as Midtown Paint & Hardware, two smaller storefronts at the end of the block, and two empty lots behind the properties.  

Renovations began shortly after closing on the century-old properties last winter, a project that proved to be an enormous undertaking.

“There was a lot that we couldn’t salvage due to so much intentional damage and neglect,” said company Media Director Brad Moody of the newly remodeled, 8,000-square-foot headquarters of their operations.

The interior’s exposed brick creates a modern, urban feel while preserving the building’s authentic character. This was the perfect project for Nitzan and Alia, as the idea of blending antiquity with modernity is central to their business.

“The process of creating a rug—of knotting the handspun, naturally dyed fabrics together in a precise pattern—is an ancient and beautiful art,” explained Nitzan, who has dedicated much of his life developing his expertise. “Ancient rugs tell the story of life.”

In addition to ModernRugs.com, Nitzan and Alia own and operate Christopher Fareed Design Studios, an exclusive design label serving commercial designers and developers.  The label’s high-end, custom-designed area rugs possess remarkable attention to detail, employing organic materials and, when possible, natural dyes. Christopher Fareed rugs decorate the floors of some of the world’s most exclusive properties, including palaces in Dubai and VIP suites in Las Vegas.

“I’m constantly pushing the boundaries of design and materials,” he said, describing his design process as an evolution.

Some clients request an original design while others alter an existing one.

“The rug evolves to perfectly reflect a precise part of life,” he said.

While many of the designs are commercial pieces, several Christopher Fareed collections are sold on ModernRugs.com. Moody added that the custom, commissioned business is expanding into commercial spaces and upscale shopping malls—more evidence that the movement that Nitzan helped start is taking hold.

With increasing demand, Nitzan and Alia both emphasized the importance of maintaining a clear set of ethics to guide their business decisions.

“There is a danger in art becoming a commodity,” Nitzan said.

He and Alia frequently travel the world, searching for high-quality materials and developing personal relationships with the artisans to monitor ethical production practices and support the regions where the rugs are produced.

Despite visiting exotic locales, Nitzan and Alia decided on Harrisburg as the perfect location to relocate their operations, noting that several rug designs hanging in the showroom were inspired by walks along the capital city’s streets.

The showroom is currently open by appointment. However, Nitzan and Alia said the renovations, which should be completed by fall, will allow them to further immerse themselves into the local art scene.  

The two small, dilapidated buildings at the end of the block will be torn down to expand the three-story, 9,000-square-foot building at 1408 N. 3rd Street, once a hardware store.  The first floor will house an urban showroom open to the public, and the second floor will function as an industrial-style workspace, complete with pendant lights made from repurposed flood lighting that Nitzan acquired from Camp Hill borough’s pool. ModernRugs.com and Christopher Fareed already employ a team of 10, and that number is expected to double.

Alia said that she and Nitzan are committed to supporting the local art scene, and they plan to utilize the top floor to host community events. Future plans also include the transformation of the empty back lots into an outdoor gathering spot.

“Our vision is to create a space where artists can thrive,” Alia said.

They expect that they will build upon the foundation in Midtown already pioneered by such places as the Broad Street Market, H*MAC, Midtown Scholar and the Millworks.

“We are in good company,” Nitzan said.

He added that the community response to their relocation and renovation project has strengthened his appreciation for Harrisburg.

“The city has been so welcoming to us—from area businesses to the mayor’s office,” he said. “We love it here.”

ModernRugs.com is located at 1404 N. 3rd St., Harrisburg. To learn more, visit www.new.modernrugs.com and www.christopherfareed.com.

Author: Jen Fertenbaugh

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High-End Rug Company Plans Move into Midtown

HardwareStore4

This former hardware store will be renovated to accommodate a high-end rug business, while the blighted buildings on the right are slated to become shops.

A company from the Washington, D.C., area plans to relocate their custom and designer area rug business to Harrisburg, setting up the transformation of a key commercial block in Midtown.

The principals of the company, Zachary Nitzan and Tahirih Alia, will move their headquarters to a building on the 1400-block of N. 3rd St., formerly the home of Midtown Paint & Hardware, across from the Susquehanna Art Museum.

The company plans to renovate the historic, 9,000-square-foot space to accommodate a showroom on the first floor and office and modern-industrial workspace on the second floor. The third floor will be gallery and event space, hosting local art events and showcases regularly, said Alia.

The building at 1408 N. 3rd St. was built in 1905 as the West End Republican Club. In the 1970s, it became a hardware store, Mary Carter Paint Center, followed, in 1988, by Midtown Paint & Hardware. In 2014, GreenWorks Development bought the building, proposing to turn it into a U-GRO Learning Center, part an initiative called “Education Row,” an idea now abandoned by GreenWorks CEO Doug Neidich.

As part of their deal with Neidich, Nitzan and Alia also bought two small storefronts adjacent to the building, which they plan to restore as boutique shops. In addition, they purchased two empty lots on Susquehanna Street directly in back of the main building.

Nitzan and Alia operate two distinct businesses, ModernRugs.com and Christopher Fareed Design Studios. ModernRugs.com retails modern area rugs, curating thousands of upscale, modern furniture and area rugs, while Christopher Fareed is an exclusive design label that serves a modern boutique/luxury hospitality clientele, said Nitzan.

The principals plan to move their headquarters permanently to Harrisburg in several months, when renovations are complete.

ModernRugs3

Principals Tahirih Alia and Zachary Nitzan with sales director Tara Clugston of ModernRugs.com.

Change is coming quickly to the 1400-block of N. 3rd. Two months ago, a long-time bar, the Taproom, closed after the city denied it a 2016 business license. At the other end of the block, MX Cocina, a small Tex-Mex eatery, opened yesterday in the Campus Square building, adjacent to Brother’s Pizzeria. And, just around the corner at 263 Reily St., a new Indian restaurant received approval on Monday from the city’s Zoning Hearing Board to open in the location once occupied by the restaurants Nonna’s and Cribari’s.

Nitzan and Alia said they’ve been enamored with Harrisburg for years, ever since they came through the city after a drive through Amish country.

“We were driving through and saw the bridges and said to each other, ‘Let’s go visit,’” said Nitzan. “We came into this city, and I said, ‘I can move here. I can live here.’”

Since then, company staff has visited Harrisburg many times, eventually looking into property. They said they were “shocked” at how cheap real estate was compared to the Washington, D.C., area.

Visiting Midtown, they spied the former hardware store, which wasn’t even on the market. Their realtor, Cathy Bonitz-Eakin, contacted Neidich, and they reached a deal quickly, said Nitzan.

The multiple sales closed last week, and the team expects to begin the renovation shortly, hoping to move their business to Harrisburg in the summer. The first floor requires complete rehabilitation, as does the exterior, which years ago, was marred when a modern “skin” was bolted on to the historic brick front.

The second and third floors, however, are in relatively good shape, the lucky victim of benign neglect, as they’ve been basically untouched since the Republican Club moved up the street decades ago.

“Midtown is amazing; it’s gorgeous,” said Nitzan. “It’s like Georgetown at clearance prices.”

That description may surprise some in Harrisburg, but Nitzan points to a myriad of urban amenities to make his point, including the Millworks, Midtown Scholar Bookstore, Little Amps Coffee Roasters and the Broad Street Market—things as good as you’ll find in any city, he said.

“It’s been a long love affair with this city,” added Alia. “It’s such a beautiful place.”

Nitzan and Alia said they are eager to hire staff for their new Harrisburg headquarters. The staff will consist of a core team of Harrisburg-based employees—a mix of graphic designers, local artists and sales staff who will manage the showroom and online presence, brand promotion, product selection and customer relations. Their company culture is one that promotes collaboration, creativity and community engagement, they said.

Learn more about these businesses by visiting https://new.modernrugs.com and www.christopherfareed.com.

 

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