Tag Archives: Harrisburg Midtown Arts Center

Following online outrage and revenue hit, HMAC files chapter 11 bankruptcy as a prelude to sale

The House of Music, Arts & Culture in Midtown Harrisburg

One month after a sexual assault allegation engulfed the House of Music, Arts & Culture (HMAC) in a social media maelstrom, its owners have filed for bankruptcy and plan to sell their business.

HMAC (formerly the Harrisburg Midtown Arts Center) will continue its normal operations as its owners restructure debt obligations to more than three dozen creditors, said John Traynor, who owns HMAC with his husband, Gary Bartlett, and two other partners.

Their company, Bartlett, Traynor & London LLC, last week filed for Chapter 11 bankruptcy in the U.S. District Court for the Middle District of Pennsylvania. They believe that they have a buyer for the business, according to the filing documents. HMAC listed more than $5 million in total assets, chief among them the sprawling, historic building at 1110 N. 3rd Street.

Traynor hopes to transition to new management and ownership by 2019.

“This allows us to reorganize, take a breath, and work with creditors,” Traynor said. “I think HMAC could use a fresh start, and Chapter 11 will help facilitate that.”

Traynor and his partners have developed HMAC for a decade and, in 2009, opened the first phase, Stage on Herr, a bar and concert venue. In all, they’ve since spent millions of dollars renovating the 34,000-square-foot property, which served as the city’s Jewish Community Center starting in 1924 and later housed Harrisburg’s Police Athletic League.

Today, HMAC comprises three separate performance venues, as well as a full-service bar and kitchen. It hosts shows by local and national performance artists, corporate events, weddings and community gatherings.

According to Traynor, it’s one of the largest privately funded development projects in Midtown Harrisburg.

Crimes and Consequences

Traynor said that that HMAC’s finances were healthy until July, when an HMAC customer claimed that she was drugged inside the bar and later beaten and raped. On social media, she said that HMAC’s staff failed to recognize her as a victim of date rape drugs and left her vulnerable to her attacker when they asked her to leave the bar.

She posted those allegations on HMAC’s public Facebook page on July 28 and deleted them within an hour, Traynor said.

But a screenshot of her post, along with a sensational article from the Philadelphia-based site YC.news, circulated in other online community groups. A conversation in the Midtown Harrisburg Facebook group generated hundreds of comments from people both excoriating and defending HMAC.

The Harrisburg Police Bureau investigated the woman’s assault and quickly debunked her allegations against HMAC. Chief information officer Gabe Olivera told the press that the woman left the bar premises with her attacker, voluntarily, after it closed. The assault occurred later that night in a home in Uptown Harrisburg.

Michael Ray Wright was charged with the woman’s rape on July 30. But Olivera said that HMAC could not have prevented the assault.

“We were totally vindicated by the police,” Traynor said.

He said the claims that the bar mishandled the incident were the work of “disgruntled ex-employees who work for a competing venue.”

The accusation sparked a firestorm nonetheless. Traynor says that the woman’s refuted allegations were “conflated” with other grievances against him and his business.

On Facebook, some community members said that reports of racism, predation and poor working conditions at HMAC long ago led them to boycott the establishment. Traynor denies their claims wholesale.

“I’ve heard them all,” he said. “I’ve heard that I’m a sexual predator, that I drug people, that I cultivate a [bad] culture, but it’s so ridiculous. Some of the people that are maligning me worked for me for seven, eight years. I think they don’t understand the ramifications of what they’re doing. The whole advent of social media and how easy it is to pile on and make false statements is a new phenomenon.”

John Traynor, inside HMAC, from December 2017

Traynor admits that Stage on Herr had a freewheeling reputation in its early days but said that HMAC’s management became more professional as the business grew. He claims he didn’t take the social media “bashing” personally.

But he said he won’t forgive the critics who allegedly contacted national booking agents and convinced bands to back out of HMAC gigs.

In all, the firestorm cost HMAC a dozen shows and some $200,000 in revenue, Traynor said.

“We were operating on cash flow, and our cash flow was severely impacted,” Traynor said.

Under Chapter 11, HMAC will be able to rebuild its events calendar and renegotiate debt payment schedules, Traynor said. He said that the company did not have any problems fulfilling its debt obligations until recently.

In the coming weeks, Traynor said, HMAC’s owners will also prepare a case against a dozen people who he claims defamed the business and interfered with its performance contracts.

He said that he and his partners have collected evidence to press charges for tortious interference of contract – the act of intentionally damaging a business agreement and causing financial harm.

Traynor said that the Dauphin County District Attorney’s Office is investigating the claims of interference. That office could not be reached for comment on Wednesday.

He expects that a dozen people could be named in a civil complaint.

“They’ll all pay,” Traynor said. “They can’t do what they did without consequences.”

Not Going Away

It’s unlikely that HMAC’s patrons will notice that the business has filed for bankruptcy.

Filing under Chapter 11 of the federal bankruptcy law grants debtors temporary relief from liabilities while they reorganize their assets. Unlike a Chapter 7 filing, it does not mean that the business will liquidate and close.

“A company doesn’t have to be insolvent to file for bankruptcy,” said Juliet Moringiello, an associate dean and bankruptcy law expert at Widener University Law School. “Chapter 11 was designed as a process for a company with a good business model to pare down its debts and renegotiate contracts.”

According to bankruptcy filings, HMAC has less than $10 million in liabilities. The documents indicate that the company will be able to pay its debts in full once it emerges from restructuring.

Twenty of HMAC’s creditors – including business vendors and utility providers — are unsecured, meaning they wouldn’t be guaranteed money in a liquidation. Peggy Grove Enterprises is the largest unsecured creditor, with $170,000 invested in the project.

The City of Harrisburg is a secured creditor due to its status as a taxing entity, according to city Solicitor Neil Grover. Property records show that HMAC owes $19,000 in local property taxes, including $4,700 to the city of Harrisburg and more than $11,000 to the Harrisburg School District.

Even though a Chapter 11 filing may indicate that a business is in distress, it usually doesn’t hamper its services, Moringiello said. She pointed to America’s airline industry as an example.

“Every legacy airline in America has filed Chapter 11, but as far as passengers are concerned, the planes keep flying,” Moringiello said. “Filing for bankruptcy doesn’t mean a company is going away.”

That’s good news to Jeb Stuart, a lifelong Harrisburg-area resident and preservation advisor to the Historic Harrisburg Association. He said that HMAC’s multi-use spaces have enriched Midtown Harrisburg and preserved an important historic structure.

“It’s very contemporary and animated and innovative,” Stuart said. “To have a space for public assembly with a huge auditorium and stage capabilities, that’s a major contribution to North 3rd Street.”

Traynor said that HMAC will continue its normal program of musical shows, weddings, corporate events and fundraisers through the end of the year. But its owners are also planning new projects.

The project received a $1 million state Redevelopment Assistance Capital Program (RACP) grant in December, which will finance infrastructure improvements. Traynor hoped to use the money to expand the Capitol Ballroom and refurbish the basement to accommodate a music school.

He insists that the grant is the only public money HMAC has received.

Traynor said he wants to see HMAC endure for years to come, which is one reason he wants to find it a new owner, he said. He hopes that the restructuring under Chapter 11 will facilitate a sale.

“What I would hate to see is for this project to close,” Traynor said. “We put a lot of money and sweat equity into it, and now it’s time for a transition.”

The owners’ desire to sell pre-dates the social media firestorm, Traynor said. They’ve been negotiating with national entertainment agencies for the past three months, he said.

HMAC’s assets include more than $5 million in property, $44,000 of inventory and approximately $22,000 in accounts receivable, according to its bankruptcy filings.

Among those assets are HMAC’s liquor license, which it will defend in a Pennsylvania Liquor Control Board hearing later this month.

The PLCB put HMAC under a conditional licensing agreement (CLA) in 2014. It placed additional requirements on HMAC’s license, namely that the owners install soundproofing systems and perform additional security checks every night.

Traynor said that the CLA arose from noise complaints. He is confident that the business will retain its license after the hearing.

He also denied that the PLCB hearing had any influence on the decision to file for bankruptcy.

If the PLCB yanks the license, however, the value of HMAC’s assets would depreciate significantly, Moringeillo said. She thinks it unlikely that the Chapter 11 filing will influence the PLCB’s decision.

Wednesday, Sept. 6: This article was edited to correct the name of a Philadelphia-based news site. It is YC.news, not YC.com.

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Wide-Ranging Discussion: Harrisburg officials tackle multitude of issues at community forum.

Harrisburg Mayor Eric Papenfuse makes a point while City Councilmen Dave Madsen, Westburn Majors, Cornelius Johnson and Ben Allatt listen in during tonight’s community forum at HMAC.

A mayor and four council members walked into a bar tonight, but it wasn’t the start of an old joke.

Mayor Eric Papenfuse, along with City Council members Ben Allatt, Cornelius Johnson, Dave Madsen and Westburn Majors, fielded questions in a town hall meeting tonight at the House of Music, Arts & Culture (formerly the Harrisburg Midtown Arts Center). The forum, which was organized by Capital Region Concerned Citizens and moderated by CRCC organizer Brandon Flood, brought 40 people to HMAC’s upstairs Capitol Room.

Flood said the event was inspired by discussions on a Facebook page called Concerned Citizens of the Harrisburg Community, which counts more than 2,000 members.

“We want to take some of the energy on that page and turn it into face-to-face dialogue,” Flood said.

The wide-ranging discussion was organized in a question-and-answer format, with city officials commenting on topics ranging from blight and crime to minority business participation and housing. Here are some of the highlights.


Community Policing
Flood asked the panelists about the timeline for hiring a new community policing coordinator and the possibility of increasing community policing initiatives in the city. The city’s previous community policing coordinator, David Botero, was reassigned to desk duty and later fired after he was charged with possessing drug paraphernalia in May 2017.

Papenfuse reported that the city has begun interviewing candidates and hopes to select a new coordinator by the end of February. He said that the Police Bureau’s long-term goal is to overcome staffing shortages and develop a community policing division. The bureau currently employs one full-time community policing officer and five officers who were recently trained in community policing techniques through a federal COPS grant.

Johnson also offered an update on the community policing task force that council offered to convene last fall. He said that legislation to convene a task force consisting of citizens, council members, city employees and police representatives was pushed into the new year to make time for other legislative priorities. He said that council hopes to pass a task force resolution later this year, after council members have time to research different models and revise legislation.


Development and Inclusivity
Madsen, chair of the community and economic development committee, shared ideas to get more residents into the workforce. He said that Harrisburg has a 7 percent unemployment rate. The national unemployment rate stood at 4.1 percent in Dec. 2017, according to the U.S. Bureau of Labor Statistics.

Madsen hopes to start partnerships with Careerlink and the STEP program at HACC, training programs in which participants can learn interview skills, get assistance writing resumes and work with counselors to transition into full-time employment.

“A lot of our residents don’t know about these programs, but, if we can communicate and inform them, we can invest in our residents,” Madsen said.

Papenfuse also affirmed the city’s commitment to partnering with minority-owned businesses and women-owned businesses on publicly funded projects. He said that city hall maintains a list of local MBEs and WBEs and encouraged any small business owner to join the list by registering their enterprise with the city.

“We want to make sure all residents are part of Harrisburg’s growth,” Papenfuse said.


Growth
The panelists also discussed Harrisburg’s need to attract new residents from outside the city. Papenfuse pointed out that the city has half the population it did in the 1950s.

The mayor claimed that Harrisburg would not be able to sustain its development unless its population grows, and he took the opportunity to assuage fears about creeping gentrification in parts of the city.

“I understand the fear that newcomers will displace old residents, but I don’t think that’s happening in Harrisburg yet,” he said.

Papenfuse noted that some recent development projects in Midtown, such The Millworks restaurant or HMAC itself, revitalized vacant or abandoned properties. Those projects didn’t displace any residents or business owners, he said, but that might not always be the case.

“As the city continues to grow, we will see the redevelopment of buildings that are serving a purpose,” Papenfuse said. “We need to make sure we have affordable housing in all neighborhoods and work to ensure prosperity benefits everyone.”

Allatt added that central Pennsylvania needs to overcome its entrenched parochialism, which emerges locally in the perception that life-long Harrisburg residents resent newcomers.

“There’s a lot of resistance to working together as a region,” Allatt said.

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Chamber Made: Sempre Dolce reimagines traditional chamber music.

“Are you familiar with Nirvana?” asks Mary Gardner-Firestone, one of two violists in Sempre Dolce.

The quartet—Gardner-Firestone, fellow violist Marie Valigorsky, violinist Greg Glessner and cellist Matt Masek, with guest violinist Sjrsten Siegfried—is rehearsing on a Tuesday evening amid the gymnasium-style Capitol Room of the Harrisburg Midtown Arts Center (H*MAC).

Glessner closes his eyes while trying to identify one of the most famous rock bands of all time.

“I’ve heard the name.”

Glessner, raised on classical music, has only a passing familiarity with the musical culture most others could not avoid if they tried.

“The only pop culture I’m in tune with is old TV shows,” says Glessner, citing “The A-Team” and “ALF” as favorites.

With a prompt from Gardner-Firestone, Glessner lifts his instrument to his chin and sprints into a lively version of “The A-Team’s” signature theme song.

“Well, I think you’ll like this one,” says Gardner-Firestone before passing over sheet music for her own arrangement of “Smells Like Teen Spirit.”

A regular feature at the MakeSpace, Sempre Dolce will have its third performance of chamber music at H*MAC early this month, featuring a combination of original pieces by Valigorsky, arrangements by Gardner-Firestone and selections from a range of canonized composers such as Philip Glass and Johannes Brahms. Largely an invention of Valigorsky, the group is a product of an underground classical music scene kept alive by challenging where classical music does and does not fit.

Arrangements of contemporary works have become a centerpiece of Sempre Dolce’s performances, with Gardner-Firestone shifting the band AWOLNATION, the “Game of Thrones” theme by Damon Djawadi, and the White Stripes into classical notation. Upon seeing “Seven Nation Army” in the set list, cellist Massek bemoans, “Not this one—the Ravens song? They play it at Ravens games all the time.”

It’s a tactic the violist is used to for introducing newbies to the sounds and themes of classical music. Gardner-Firestone regularly creates arrangements on request for a variety of private students—ranging in age from “5 to old enough to be my grandparents”—when she’s not playing for Sempre Dolce.

Early Starts
The group began from a chance meeting between Gardner-Firestone and Valigorsky in 2015 when the latter attended a performance by the former at the MakeSpace in Harrisburg.

“I’ve been playing chamber music and forming groups since graduate school,” said Valigorsky. “It started small but really grew as we went along.”

Gardner-Firestone introduced Valigorsky to Glessner, whom she had met through a private chamber music group hosted by Camp Hill bassoonist Jan Jekel.

Glessner, like most members of Sempre Dolce, began playing as a child. After nursing a jealousy towards an older brother who began piano, Glessner sought out the violin by age 6.

“They so wanted it to be piano,” Glessner said of his parents. “We already had a piano, we already had a teacher. But no, it had to be the violin. From there, I took it up quite naturally.”

Valigorsky introduced the pair to Matt Masek, with whom she had an existing musical relationship. Masek stands out among the group for his experience in the rock band Shadow Scream.

“We actually put out three albums,” said Masek. “The last album was based on Madeleine L’Engle’s ‘A Wrinkle In Time.’”

After the band went bust, Masek began playing for Valigorsky and her original compositions at the MakeSpace.

New to the November performance is violinist Sjrsten Siegfried, whom Valigorsky met through the West Shore Symphony Orchestra.

“My mom started me on the fiddle when I was 5,” Siegfried said. “My first instrument was built my by great grandfather. I went to university on a scholarship and was paid to play for a while.”

The casual setting of H*MAC is nothing knew to Siegfried, who played violin in bars while studying abroad in Beijing.

“They really liked when I played George Michael’s ‘Careless Whisper.’ They liked when I ripped into it like a saxophone.”

The group’s inclusion in H*MAC’s fall lineup (which includes a reunion of punk legends The Dead Boys, a My Chemical Romance tribute band, and the venue’s annual “The Rocky Horror Show” production) might seem strange to some, but not to co-owner John Traynor.

“A lot of people don’t understand exactly what H*MAC really is,” said Traynor. “When we first announced H*MAC as a project back in 2009, it was always to be multi-faceted. We do theater. We do rock. We do classical.”

Traynor cites a joint project with Elizabethtown College to bring opera to H*MAC as well as last year’s performance of the Broadway show and classic rock masterpiece, “Tommy.”

“Partnering with chamber music and classical music is just an extension of all of that,” he said. “The goal is really to offer something to everyone in the community and not just have one genre in our focus.”

In Touch
For most members of Sempre Dolce, working as classical musicians in central Pennsylvania mostly means hunting for the rare opportunity to play with others, thereby raising the complexity of music they can pursue.

“It’s meditative by yourself and that’s great,” said Siegfried. “But there’s just something about making music with other people. It’s like conversation with instruments.”

The connections of private groups, public symphonies and live bands that brought together Sempre Dolce is emblematic of the links that keep the genre alive and well in the midstate.

“It’s mainly through finding a group and networking through there,” said Glessner. “I feel like it’s kind of an underground network of sorts.”

Classical musicians are hidden throughout public life, Masek added.

“The flipside is, for the members of this group, there are fantastic players out there who are probably sitting at home—doctors, lawyers, engineers—who can play these instruments like crazy but haven’t touched them in years,” he said.

“Families know families,” said Gardner-Firestone. “And just staying in touch with people helps.”

Sempre Dolce performs Nov. 3 at the Harrisburg Midtown Arts Center, 1110 N. 3rd St., Harrisburg. For more information, visit www.harrisburgarts.com.

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Musical Notes: Chills & Trills

Deep breath in. Deep breath out. Smell that beautiful fall air. Breathe in the cool afternoons and crispness of the changed leaves.

October is here. This month is host to my favorite holiday: Halloween. You’d better believe Harrisburg’s got some creepy crawls prepared. If you’re looking for something spooky, we have costume parties and dances for your nightlife needs. Local talent takes the spotlight this month in popular venues around town for a more mellow time. In the spotlight this month, WXPN is bringing Grammy-winning artist Rickie Lee Jones to H*MAC for what will surely be one of Harrisburg’s biggest acts this month. There’s a lot to do during this mysterious month, so be sure to check out what the city has to offer.

OUTBREAK: THE BLACKLIGHT ZOMBIE BASH, 10/13, 9PM, RIVER CITY BLUES CLUB, $7-$10It’s not really October unless you attend at least one costume party, right? At least, that’s my motto! River City Blues Club is putting on a night of glow, gore and glam with “Outbreak: The Blacklight Zombie Bash.” This evening of dancing, live painting and projections is accompanied by performances by Clark’s Secret Identity and Nefarious Godz with special guests DBU and Elemenetic. The headliner, Clark’s Secret Identity, is a self-titled “humble hometown rock band” with roots in prog rock, experimental, metal and punk. These guys are locals from Mechanicsburg, and they’re bringing their sick shredding skills to the stage for a truly spooky Friday the 13th.

AN INTIMATE EVENING WITH RICKIE LEE JONES, 10/23, 8PM, H*MAC CAPITOL ROOM, $50The hype for this show is so real. Rickie Lee Jones is gracing H*MAC’s Capitol Room stage for an intimate evening of music. This two-time Grammy winner’s long music career started in 1978, producing over 15 critically acclaimed albums so far. She has also graced Rolling Stone’s cover twice in two years and has been featured on “Saturday Night Live” several times. Her self-titled album is definitely worth a listen for her notable songs “On Saturday Afternoons in 1963,” “Last Chance Texaco” and the well-known “Chuck E’s in Love.” This show is sponsored by WXPN, and it is definitely one of Harrisburg’s biggest shows in a long time. Don’t miss this chanteuse slay the audience with her bold, yet caramel-smooth vocals and jazzy rhythms.

“THE ROCKY HORROR SHOW” PRESENTED BY H*MAC THEATRE CO., 10/27-10/28, 8PM & MIDNIGHT, H*MAC CAPITOL ROOM, $20-$25 It’s that time of year when this cult classic makes a comeback. When I was going to college, every Halloween, I would go out for the annual screening and performance of “The Rocky Horror Picture Show” on campus. I’m glad that I can continue this musical tradition in Harrisburg the way it was meant to be watched—a live performance with an audience shouting out scripted and unscripted lines. Newly engaged and stranded in the middle of the night from car problems, Brad and Janet seek shelter in a nearby castle, only to find it full of wild and weird characters with some serious secrets. If you’ve never experienced “The Rocky Horror Show” before, now’s your chance to dip your fishnetted toes into the water. Come join me, and let’s all do “The Time Warp” again!

Mentionables:
Emmanuel Nsingani, Oct. 6, River City Blues Club; Alash Ensemble: Tuvan Throat Singers, Oct. 7, H*MAC Capitol Room; Corinna Joy, Oct. 8, Spring Gate Vineyard; Mountain Road, Oct. 14, The Abbey Bar; Crocodiles, Oct. 17, H*MAC Stage on Herr; Halloween with Enema—Blink 182 Tribute, Oct. 21, H*MAC Stage on Herr; Keel-O-Ween w/the Larry Keel Experience, 10/27, The Abbey Bar

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Pet Sounds: Susan Giblin’s life may have been short, but her impact has been huge.

 There’s a famous children’s quote by teacher and scholar Forest E. Witcraft that’s been modified and expanded over time to emphasize the space we share with all living things:

“A hundred years from now, it will not matter what my bank account was, the sort of house I lived in, or the kind of car I drove … but the world may be different because I was important in the life of animals and the creatures on this earth.”

That sums up well the life work of Harrisburg native Susan Giblin, a paralegal turned animal rights advocate who lost her battle to leukemia at age 46 in 2010. Immediately after her passing, the Susan Giblin Foundation for Animal Wellness and Welfare was established in her honor and today remains a small local nonprofit doing big things to help animals in central Pennsylvania.

Susan’s husband, Mike Giblin, a local businessman and musician, launched the foundation almost on impulse at her funeral, astounded by the large attendance and emotional outpouring.

“They say the funeral of a youngish person is usually well attended, but when 300 people showed up, I decided, along with her friends that very day, that we needed to do something to continue her legacy,” Giblin said. “It wasn’t until she was gone that we got a sense of just how far her reach and impact really was. It was very inspiring.”

A celebration of life memorial service held in her honor that year at the Harrisburg Midtown Arts Center (HMAC) morphed into the first fundraiser for the foundation. The fundraisers that followed each year all have been held at HMAC, where Giblin is a partner.

The Susan Giblin Foundation works to raise and distribute funds to support animal caregiving organizations, foster awareness and education of complementary animal therapies, and support the continued education of those in the animal medical field.

The biggest event occurs in February, when grants are awarded and bands play thematic sets. Past themes have included songs from the ‘70s and ‘80s, bands fronted by women and one-hit wonders. It’s a true community event with purpose for a woman who shone locally.

Susan worked for many years as a paralegal in labor and patent law before turning her attention to the veterinary field after spending 15 years volunteering at the Helen O. Krause Animal Foundation, where she helped to place animals in loving homes. She later worked at the Dauphin County Animal Hospital and Boiling Springs Animal Hospital, and, at age 42, went back to school to get her undergraduate degree from the veterinary medical technology program at Wilson College.

While volunteering at the Helen O. Krause Animal Foundation, she met Lisa DeOrnellas, a hospice nurse and current executive director of Hospice for All Seasons in Grantville. The two became close friends during their time volunteering together.

“Susan made everybody she knew feel like they were the most important person in her life,” said DeOrnellas, who currently serves as president for the Susan Giblin Foundation.

What would Susan think of a foundation bearing her name?

“She would hate that her name keeps getting brought up, but she would love to know how many animals she has helped and what it’s done for communities in central Pennsylvania,” DeOrnellas said.

Since its inception, the foundation has donated $41,505 to about a dozen organizations, including Steelton Community Cats and The Emma Zen Foundation, which has provided pet oxygen masks to fire and emergency medical services departments in the area. The foundation also funded a cat rescue in Paros, Greece. Susan visited there and wanted to help almost immediately after learning about the island’s large stray cat population.

“People come from the mainland and dump cats there regularly,” Michael Giblin said. “Susan would fill her pockets with cat food when we were out exploring the island. She was the pied piper of cats.”

The foundation’s focus is grassroots support in the community, Giblin said, and that mission reflects who Susan was.

“Her life was not very loud, but it was very large,” he said.

To learn more about the Susan Giblin Foundation for Animal Wellness and Welfare, visit www.susangiblinfoundation.net or follow on Facebook at Susan Giblin Foundation for Animal Wellness and Welfare.

Author: Ann Beth Knaus

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Final Mayoral Debate: Candidates throw last punches, address campaign issues

Harrisburg’s five mayoral candidates made a final push for votes last night in a concluding mayoral debate that turned heated at times.

Moderators Blake Lynch and Mark Hall, an ABC27 reporter, kept the debate civil, though the town hall-style event at Harrisburg Midtown Arts Center kicked off to a feisty start.

Moderators Blake Lynch, left, and ABC27 Reporter Mark Hall, right, stand in front of mayoral candidates, from left to right, Lewis Butts, Gloria Martin-Roberts, Mayor Eric Papenfuse, Anthony Harrell and Jennie Jenkins.

Challenger Gloria Martin-Roberts started her opening remarks by separating herself from two former mayors, who both have indicated support for her, as well as her campaign treasurer, James Ellison.

“My name is not Linda Thompson, it’s not James Ellison and it’s not Stephen Reed,” Martin-Roberts said. “Some of you may be confused by the negative mailers that you have received over the past couple of weeks…They’ve had their time.”

She then criticized a PennLive article about a letter that Reed sent to encourage a friend to donate to the Martin-Roberts campaign. She said she did not ask Reed to write the letter to request the donation.

Likewise, incumbent Mayor Eric Papenfuse responded to campaign rhetoric from the Martin-Roberts camp. He referenced a Facebook post from Ellison that claimed Papenfuse purchased properties while mayor.

“I have not purchased any investment properties since taking office,” he said, adding that his wife also has not purchased any properties since he was elected mayor in 2013. “This is a ridiculous falsehood of my character.”

He asked Martin-Roberts to admit to the falsehood and have Ellison take down his Facebook post.

Martin-Roberts said she would not have Ellison take down the post. She pulled out several mailers sent by Papenfuse’s campaign that link her to Harrisburg’s old guard, while saying, “This is lack of character.”

Later in the debate, Martin-Roberts did say sorry.

“I apologize for losing my temper,” she said.

Challengers Jennie Jenkins, Anthony Harrell and Lewis Butts also addressed issues that have arisen over the course of their campaigns, as moderators fired questions from the community during the second half of the 90-minute event.

Jenkins addressed her termination from her position as police officer with the city. Last year, Jenkins entered a county program meant for first-time offenders charged with nonviolent crimes. This came after the city suspended her in 2013 after accusing her of taking $7,000 from the Police Athletic League.

Moderators asked why she entered this program if she maintained her innocence in the theft case.

“It was a way I could move on with my life,” she said, adding that she spent two-and-a-half years without income while tied up in the lawsuit.

Moderators bluntly asked Harrell, “Who are you, and where have you been?” They followed up and asked specifically about his community or church involvement aside from his two well-known biographical details: that he served in the armed forces and now studies full-time at Central Penn College.

“I lived in the community, purchased from stores, and I send my children to schools,” he said.

Butts touted his Harrisburg First plan, which includes a citywide Wi-Fi network, a shopping mall at PennDOT and, most notably, a hydroelectric dam in the Susquehanna River.

He called himself the “revenue candidate.”

“The hydro-power dam [would bring in] a lot of extra money for roads, scholarships and anything that we need,” he said.

With the final mayoral debate complete, voters get the last word on Tuesday, May 16, with the primary election.

Author: Danielle Roth

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HBG Rocks: Local bands are here to energize your spring.

Supersuckers

You know, Harrisburg’s really got it going on with music. We may be a small city, but it’s full of talented musicians ready to share their sound.

This month, I’m celebrating a year living in Harrisburg. So, I think it’s only fitting to show some city pride in my column. A large part of what drew me here was its unique community of musicians. A lot of my friends, neighbors and coworkers are into the local music scene through their bands, and they often perform in spaces around the city. Last spring marked the first time I started going to shows at spots like H*MAC and the Makespace. For the sake of nostalgia, these are my (mostly) local picks of some alternative rock shows coming up that remind me of my first year here. I wouldn’t want to jam anywhere else. Cheers!

HOT JAM FACTORY, 5/12, 9PM, H*MAC STAGE ON HERR, $10

This show is lining up to be a local band triple threat. Hot Jam Factory is a fairly well known band originally hailing from Harrisburg. Joining HJF for the evening are fellow Harrisburg natives, indie folk singer-songwriter Marie Danielle and the alternative rock group, The Give Take. Starting as a two-piece band at H*MAC’s notorious open mic nights, Hot Jam Factory expanded their sound and eventually moved on to open for MTV’s 2011 Winter Tour. This art rock group has a lot of high-energy, experimental tunes that will make you want to dance and sway the night away. If you like some good, guitar-heavy garage rock sounds like I do, I recommend their song “Cold Water” on their “Checkered Past” album.

SPACE PARTY, 5/20, 9PM, RIVER CITY BLUES CLUB

Break out the metallic fabrics, chunky moon boots and star-shaped sunglasses because it’s time to boogie on down. Shawan and the Wonton is set to headline this interstellar evening with friends Gobbo and DJ Star Dog. Lead singer Shawan Rice’s style melds blues, jazz and R&B together into some healing music magic. Her rich vocals blend well with the band’s chill vibes, produced by Mike Dempsey on keys, Billy Cave on lead guitar, Xander Moppin on bass, Jason Mescia on winds and Logan Bedard and Dani Fiore on percussion. The event promises to be an “inclusive space escapade” that highly encourages costumes and props. Space cowboys and aliens alike welcome here.

THE STONEWALL VESSELS, 5/27, 8PM, RIVER CITY BLUES CLUB, $10

Hailing from Lancaster County, this group is close enough to be considered local-ish. The Stonewall Vessels will team up with locals Sun & Rain for a dynamic evening of high-flying psychedelic rock. This band is known for playing with various acts ranging from pop punk to metal. The Stonewall Vessels enjoy taking advantage of their hard-to-pin-down nature to spread some energetic jams locally and nationally. This five-piece is bound to intrigue you with their soaring vocals and varied rock influences. Their single, “The Great Swindle,” draws you in with the smooth guitar, and the lively instrumentals don’t let you slow down once you’re strapped in.

Mentionables: Supersuckers, May 5, Abbey Bar; Doughland Stucks, May 5, Little Amps downtown; The Maccabeats, May 7, Whitaker Center; Pinegrove, May 7, H*MAC Capitol Room; Dossey, May 11, Spring Gate Vineyard; Peter Paulsen Quintet, May 26, River City Blues Club

5/5
SUPERSUCKERS
ABBEY BAR
50 N. CAMERON STREET, HARRISBURG
STARTS AT 9PM

5/7
THE MACCABEATS
WHITAKER CENTER
222 MARKET ST., HARRISBURG
STARTS AT 3:30PM

5/12
HOT JAM FACTORY
H*MAC STAGE ON HERR
1110 N. 3RD ST., HARRISBURG
STARTS AT 9PM

5/20
SPACE PARTY
RIVER CITY BLUES CLUB
819 S. CAMERON ST., HARRISBURG
STARTS AT 9PM

5/27
THE STONEWALL VESSELS
RIVER CITY BLUES CLUB
819 S. CAMERON ST., HARRISBURG
STARTS AT 8PM

Author: Kait Gibboney

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Winter Soul: Celebrate Black History Month with African-inspired grooves.

Screenshot 2017-01-31 08.21.46

Sierra Leone Refugee All Stars.

Ever since I started living and working in Harrisburg, I’ve met a lot of people who have helped to expand my musical tastes. Recently, I was introduced to the smooth, seductive vocals of Al Green, and it’s bringing out the soul in me. Fortunately, Harrisburg venues, coinciding with Black History Month, have booked some bands rooted in African culture and sounds. So, get ready to get soulful with a plethora of blues, funk, reggae and classical African music.

THE PLIMSOULS RE-SOULED, 2/4, 9PM, H*MAC STAGE ON HERR, $10

If it weren’t already implied by the name, these guys are going to bring the soul. The Plimsouls Re-Souled was formed out of former Plimsouls guitarist Eddie Munoz and features retellings of classic Plimsouls songs. Back in the late ‘70s, as rock and roll was evolving into that iconic ‘80s rock, the Plimsouls formed as a garage soul-punk band. The Plimsouls Re-Souled, the current revamp of the band, blends together rock n’ roll with bluesy soul that brings you back down South. Set to open the show are The GTVs, a garage soul band from Philadelphia.

NEW YORK FUNK EXCHANGE, 2/10, 9PM, ABBEY BAR, $7

Time for things to get a little funky. New York Funk Exchange is a saucy fusion of old school funk, soul and R&B. Adapted from the classic funk style, their sound is lively and energetic, featuring the big band sound of the Wall Street Horns and rich, soulful vocals of Serena Fortier. This nine-piece band formed in 2007 in Brooklyn and has since built a reputation following their 2009 debut album, “The Funkonomic Stimulus Plan.” Currently on tour, New York Funk Exchange is hyping up the release of their next album, expected to drop this winter.

SIERRA LEONE’S REFUGEE ALL STARS, 2/16, 7:30PM, ROSE LEHRMAN ARTS CENTER, $25

If you’re searching for classical African music, Sierra Leone’s Refugee All Stars has what you’re looking for. As the name implies, the band members are largely refugees from the Sierra Leone civil war. While in a refugee camp, Ruben Koroma and his wife, Grace, joined up with fellow musicians and friends such as guitarist Francis John Langba and bassist Idrissa Bangura. The group made music together while in the camp and continued to play after the war came to an end in 2002, expanding with new members at their hub in Freetown. They’re now celebrating a 10-year career of spreading messages of positivity and hope through their classic reggae and Afrobeat style.

Mentionables: GL8TM, Feb. 11, The Blue Moose Bar & Grille; The NRA Country Concert, Feb. 11, PA Farm Show Complex; Soul Solution, Feb. 18, River City Blues Club; Generations, Feb. 25, Ted’s Bar & Grill; The Chris Paterno Band, Feb. 25, H*MAC; Millennium Music Conference, Feb. 23-25, various locations

2/4 – THE PLIMSOULS RE-SOULED
H*MAC STAGE ON HERR
1110 N. 3RD ST., HARRISBURG
STARTS AT 9PM

2/10 – NEW YORK FUNK EXCHANGE
ABBEY BAR
50 N. CAMERON ST., HARRISBURG
STARTS AT 9PM

2/16 – SIERRA LEONE’S REFUGEE ALL STARS
ROSE LEHRMAN ARTS CENTER
HACC MAIN CAMPUS, HARRISBURG
STARTS AT 7:30PM

2/18 – SOUL SOLUTION
RIVER CITY BLUES CLUB
819 S. CAMERON ST., HARRISBURG
STARTS AT 9PM

2/23-2/25 – MILLENNIUM MUSIC CONFERENCE
VARIOUS LOCATIONS AND TIMES

Author: Kait Gibboney

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Musical Resolutions: It’s the time of year to try something new

Mountain Road. Photograph by Wendy Adams.

Mountain Road. Photograph by Wendy Adams.

Ah, January.

A time of new beginnings. A time to redefine and expand ourselves in the new year. A time for something fresh. Maybe a change in your weekend routine. Try going to a venue you haven’t gone to yet. Try listening to a band you haven’t heard yet. Better yet, try listening to a new genre of music. Well, that’s the resolution I present to you, lovely readers. Are you up for the challenge? Here are some great acts to diversify your sound and get the year rolling.

MOUNTAIN ROAD CD RELEASE PARTY, 1/7, 8PM, ABBEY BAR, $8

If you need more country music in your life, this band may be for you. Specializing in what they call “the perfect blend of current meets classic,” this southern rock band is returning to its roots in Harrisburg. Mountain Road’s four members have toured locally, regionally and nationally, playing their collection of traditional and contemporary country music. Their recognizable sound will be sure to draw newcomers in. Also, Kevin Cole, the lead singer, advanced two rounds on “The Voice.” If that’s not impressive, I don’t know what is.

WEDNESDAY 13 & BOURBON CROW, 1/19, 8PM, H*MAC STAGE ON HERR, $10

This act is for people looking to discover two genres at the same time, so get ready. Wednesday 13 is known as a well-established metal band that features some ghoulish theatrics. However, this show will be a little different. Instead of their regular routine, Wednesday 13 has decided to strip down to an acoustic guitar and adjust their vocals for a different feel. This is part of their “Winter 2017 Acoustic” tour, and the act will feature a Q&A with fans. So, if there’s anything you want to know about playing in a metal band, now’s your time to ask.

FIERCE & LOVERS OF MUSIC (HALFWAY TO PRIDE), 1/28, 7PM, H*MAC STAGE ON HERR, $10

I don’t know about you, but I’m always in need of more strong women in my music selection. From Harrisburg, Lovers of Music features female lead and backup vocals, and Fierce is an all-girl band from Lancaster. Lovers of Music identify as a blend of R&B, jazz and funk, while Fierce is a rock-pop combo. Both acts invite you to feel the music and have a heartfelt time. They’ll come together for the “Halfway to Pride” event, sponsored by the Pride Festival of Central PA. Food and drink specials will be going on, and a drag show is also scheduled for the night. When’s the last time you’ve been to a drag show? Everyone should experience at least one.

Mentionables: Clark’s Secret Identity, Jan. 13, River City Blues Club; Jo Dee Messina, Jan. 20, The Forum; Don Johnson Project, Jan. 21, River City Blues Club; The Highballers, Jan. 21, H*MAC; SPIEL-BURG’s Saturday Solution: First Dose, Jan. 21, J.B. Lovedraft’s Micropub; Anthony Haubert (show tunes), Jan. 22, Carley’s Ristorante & Piano Bar.

Author: Kait Gibboney

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Musical Notes: Keeping It Weird–a peculiar month ahead

October is a month for embracing the abnormal, so it’s only fitting that the musical acts this month are a bit unconventional.

Sometimes, I find it hard to narrow music down to one type or sound, and these artists are no exception. Although each fits in a different genre, they all delight in stretching their creativity. Their musical fusions and radical genre-benders are bound to grab your interest and complement your curious side this fall.

JULIANNA BARWICK, 10/6, 8PM, DER MAENNERCHOR, $8/$10
Ambient music is taking off these days, and Julianna Barwick is at the forefront of this growing genre. Hailing from Louisiana but currently calling Brooklyn home, she creates flowing, hypnotic waves of sound with voice, piano and percussion through a loop station. Barwick has had an oddly diverse musical background. She’s toured with artist Sigur Rós, as well as with children’s choirs. She’s also recorded with the Flaming Lips, performed with Yoko Ono and contributed to classical recordings for Sony Masterworks. Her unique, ethereal performance is sure to leave you entranced and bewitched. Touring with Barwick is well-known Philadelphian harpist Mary Lattimore, known for writing harp parts for artists such as Meg Bair, Thurston Moore and Kurt Vile.

GIANT PANDA GUERILLA DUB SQUAD, 10/7, 8PM, ABBEY BAR, $12/$15
If you’re into some alternative reggae, this band has what you need. Giant Panda Guerilla Dub Squad is best defined as reggae jam band meets psychedelic Americana. These Rochester, N.Y., natives started making music in 2001 during a time when the reggae scene was taking off. The three current songwriters, guitarist-singer Dylan Savage, bassist-singer James Searl, and multi-instrumentalist Dan Keller, blend their distinctive styles of reggae into a melting pot of mellow tunes. Their new album, “Make it Better,” was released last month and features a blend of familiar reggae with dreamy instrumentals and some funky hooks. Whether you like classic reggae, experimental reggae or somewhere in between, check these guys out for some chill vibes.

MORSE CODA, 10/8, 8PM, RIVER CITY BLUES CLUB, $12
This Philadelphia art rock band throws it way back to some classic sounds with updated twists. The trio of vocalist/instrumentalist Michael James Stipe, bassist/vocalist Liam Tinney and drummer Brian Doherty pay unconventional tribute to influences like Jim Morrison, David Bowie and Alice Cooper through their dark, wailing vocals and lively, energetic instrumentals. Stipe’s solo work will be highlighted in this performance, as well, following the release of his first self-titled “Morse Coda” LP. Don’t miss the performances of opening acts Angela Stipe, with her blues-influenced acoustic works, and experimental artist Adam Stehr, who features bluesy rock ballads.

Mentionables: Makespace Music Festival, Oct. 1, HMAC; Port Ellis/LØRE, Oct. 12, Little Amps Uptown; Travelin’ McCoury’s and Jeff Austin Band, Oct. 25, Abbey Bar; Moutin Factory Quintet, Oct. 26, River City Blues Club; Blackmore’s Night, Oct. 29, Whitaker Center

Author: Kait Gibboney

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