Harrisburg, Let’s Get To Work: Have a great business idea? We might help fund it.

Screenshot 2014-09-30 00.58.15Among the many hidden talents in our capital city is a burgeoning entrepreneurial class.

People of all ages are striking out on their own to build businesses and careers on their own terms, and they are backing up their ideas with hard work. These businesses, both small and large, make up much of the daily fabric of our city and provide the foundation of its creative lifeblood. For a city of such modest size (about 50,000 people), Harrisburg has more than its fair share of risk-takers and entrepreneurs.

Whenever asked, I always say that the hardest part of being an entrepreneur is taking that first step and giving up your day job. My path exemplifies this. I studied hard, completed college and law school, took a job at a leading law firm and, after only five years into my legal career, decided to quit and take a 50 percent pay cut with stock options at a start-up company formed by two immigrants from Morocco.

Not long after taking this entrepreneurial leap, two other partners and I purchased the company from its founders, dramatically grew its revenues and, a few years later, sold it to another company in California. It was, by any measure, a tremendous success. Had we failed, however, it would have been a very difficult and long road back for me to replace the income and considerable perks and prestige that I enjoyed as a lawyer. When I made the decision to leave my stable legal career, the path before me was precarious and uncertain. But, as it turned out, it was the best career decision of my life.

At their heart, entrepreneurs are a peculiar group. Being one of them (and married to another, very talented one), I am familiar with their many quirks, ambitions, unconventional outlooks on life and otherwise wily ways that can sometimes make them a bit foreign to others.

An entrepreneur is a risk-taker. He or she eschews convention in exchange for freedom and control. Whereas some paths are predictable, entrepreneurs revel in the unknown. Whereas some paths extend the status quo, entrepreneurs seek to disrupt it.

Entrepreneurship is a mindset, a constant way of thinking and being. Its practitioners are relentless, resilient and self-assured (some might say a little too much), but the best ones also listen and consider carefully the advice of a group they trust most (my “personal board,” as I call it), even if they sometimes ignore it.

Entrepreneurs are bold, yes, but also humble in the deepest sense, and from that humility springs an indefatigable drive to stay focused “like a dog on a bone”—never letting go. They always seek to get to “yes.” “No” is just another step on the path to getting there.

In a word, entrepreneurs are different. Culturally, we like to celebrate (and also sometimes malign) the feats of the individual entrepreneur. Names like Jobs, Gates, Ellison and Musk are associated with incredible accomplishment and success, just like the names of Ford, Rockefeller, Carnegie and Vanderbilt before them. It is true that entrepreneurs succeed (and often fail) individually like no other, due in large part to the traits described above. But it is equally true that success in entrepreneurship always contains a healthy dose of assistance from others who believed in them as much as they believed in themselves.

In that vein, just last year, Adam Porter and Adam Brackbill began an effort to formalize and promote entrepreneurship in the city. From their modest offices on N. 3rd Street in Harrisburg, they provide office and creative space for those who wish to dream and create. St@rtup is a terrific new venture, and they and many others (not the least of whom is Lori Fortini at WCI Partners—an employee of the company I co-own, but also a true entrepreneur in her own right) have inspired me to expand my investments in the next generation of dreamers and doers.

Therefore, with some pride and excitement, I am pleased to announce to you, our readers, that I, along with several established business leaders, want to encourage and financially support other Harrisburg entrepreneurs. In short, we want to invest in your business.

Here are the criteria:

  1. Own and operate a business that is either Harrisburg based or supports Harrisburg residents. We prefer that you live in the city, but having your business here is a great start.
  2. Have invested your own money already. If you aren’t “all in,” you aren’t really trying. Most investors want to see “skin in the game.” We certainly do.
  3. Fill a niche. Another restaurant or coffee shop will have to be truly exceptional to be considered, as we already have great offerings in those areas.
  4. Get started. A mere business plan, without some preliminary action to get rolling, is very difficult to evaluate, let alone invest in. Showing initiative to get at least part of the idea into practice is important and exemplary.
  5. Expect that initial investments will be modest—maybe $5,000 or $10,000. Follow-on investments are possible. But six-figure proposals will not be funded (at least not by us alone).
  6. Make sure you plan to be profitable and convincingly show how. This is not charity; it’s business.
  7. Apply. Send your idea, business plan and profile to [email protected] and to [email protected].

TheBurg has always reported on entrepreneurs and businesses that we find interesting. With this program, I hope to complement TheBurg’s coverage of local success stories by helping to get new ones off the ground.

The United States is still the land of opportunity. Let’s get busy, Harrisburg.

J. Alex Hartzler is publisher of TheBurg.

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Bulls-Eye Blues: At River City, it’s music, fun and, if you’re lucky, a game shot.

Screenshot 2014-09-30 00.34.44What do B.B. King and Phil “The Power” Taylor have in common?

The great blues guitarist and world champion darts player both would feel perfectly at home inside Harrisburg’s newest club.

That’s right—a musical style and a niche sport have inter-bred, and the result is River City Blues Club & Dart Room, located in a large space on Cameron Street, just (if you’ll excuse the pun) a dart’s throw away from I-83. A brightly lit electronic sign beckons passers-by to step inside the tidy brick building, once home to Sacred Heart Catholic School.

The sign isn’t the only beacon for enthusiastic music lovers. Social media has been buzzing as the word spreads about the new venue. At the late August grand opening, the large parking lot was filled to capacity, and eagle-eyed patrons waited their turn to jockey for position as coveted spaces became available.

A staff member sat vigil at the door collecting the $5 cover charge, which customers gladly forked over to hear several live blues acts on tap for the warm summer evening.

Upon entering, a few curious patrons climbed the stairs to check out the dart room and watch a little friendly competition before heading downstairs where musicians entertained the crowd.

Partners Phil Dobson, Jonas Hair and Rick Hefelfinger—all veterans of Harrisburg’s entertainment and arts scenes—have succeeded in striking just the right balance of atmosphere, space and acoustics in the room where both local and out-of-state musicians perform. The dimly lit space feels cozy, but not cramped, and patrons can converse without shouting as they listen to the band.

The sometimes edgy, but interesting and tastefully displayed artwork created by Root 222 lines the walls both upstairs and downstairs, and many customers take the time to walk up and inspect the colorful pieces more closely. Hair, who has experience working with art galleries, plans to use his connections to feature other artists on a rotating basis.

Seats were at a premium during opening night as guests lined the bar, sat around tables, or scooted together along the black leather sectional that hugged the side and back walls. Some shared appetizers like nachos, or jalapeño crab poppers, while others chose from a variety of wings, burgers, salads and sandwiches listed on the two-sided menu.

There wasn’t a bad seat in the house when Eli Charleston, ragtime-blues guitarist, took the stage. After finishing his set, Charleston commented on the new venue.

“I love it,” he said. “It’s classy, and it’s nice to have a fresh face in Harrisburg.”

For now, live music will be limited to Thursday through Saturday, according to Hair. Thursdays will be open mic nights, and Hair encourages those who want to share their musical talents to arrive before the 9 p.m. start to secure a place on the roster.

The downstairs may be hopping on weekends, but the upstairs takes on a life of its own every day. In the dart room, five traditional English dartboards line a back wall for steel-tip dart players, and nine state-of-the-art Phoenix Electronic dartboards automatically record scores, making it easy for those with a competitive streak to show off their skills.

Mark Fair and John Kuczynski are professional dart players who oversee operations and ensure the dart leagues and equipment run smoothly. Both men have traveled all over the world to play. Kuczynski competed on the U.S. team in Hong Kong and Korea and won world titles in Chicago and France. Fair has competed on the U.S. team in Hong Kong, Korea and Las Vegas. Both men are willing to help others learn the game.

Ryan Davis, league and tournament coordinator, will be available to lend a hand, as well. Would-be players need to just show up, and someone will get them started. The cost is 75 cents per game, and those who choose to join a league can opt to play anywhere from one night a week to all seven.

“We know we have the best dart room on the East Coast, if not the entire country,” said Fair.

Thirsty players can take time out to order a drink at the bar just outside the dart room, relax inside the roomy café upstairs, or grab a bite to accompany their favorite libation. Happy hour runs from 7 to 9 p.m., and doors open at 6 p.m. every day of the week.

Guest who come for the live music and fail to secure a seat downstairs will be glad to learn that they can enjoy the music being played downstairs on the televisions upstairs via live feed.

Hair said the response to the new club has been phenomenal, and he hopes to continue to add to the schedule.

“Harrisburg has always been a blues town, and I’m very happy to be doing this,” he said. “We plan on building upon what we have now to continue to showcase both local and out-of-state talent.”

River City Blues Club and Dart Room is located at 819 S. Cameron St., Harrisburg. For more information, visit www.rivercityhbg.com.

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Abstract Expressions: Reina_76: Fragments of a life, re-assembled.

Portrait of Reina_76 by Michael Fitzgerald.

Portrait of Reina_76 by Michael Fitzgerald.

In what at first glance appears to be a random splashing of colors and materials, the Harrisburg-based artist who signs her work as “Reina_76” tells stories of social conflict and class separations cutting across economic, national and technological spectra.

“Even in the colonies, there is no equality,” she said of a recent show mounted at WITF headquarters in Swatara Township.

The display featured eight sculptures, abstract presentations including “Military Colony,” “Urban Colony,” “Medical Colony” and “Gated Colony.” The pieces used such materials as light bulbs, vacuum cleaner belts and pieces of plastic netting to tell their stories.

In another show, Reina used old sport coats, seemingly random paint colors, a beer can, pieces of news clippings and other flotsam to create what she called “pop culture” pieces about music and the military.

Somehow, it works, with a minimum of explanation.

“It says Katy Perry ‘Last Friday Night,’” Acacia Bellamy of Lower Paxton Township said, reading words from a snippet of a creation based on an old beige sport coat.

“It’s very pop culture,” she added, pointing to a QR code, a peace sign, Atomic Balls candy and a picture of Gen. David Petraeus.

Another visitor called the display “pretty … unique, totally eclectic.”

“Usually, when you walk into a gallery, you expect to see frames,” said Megan Weber of Harrisburg, pointing out what Reina’s art is not.

Reina_76 was born Reina Ercilia Aguilar Wooden to the son of a Susquehanna County hog farmer and daughter of a Venezuelan textile worker.

“I really applaud my mother,” she said, and the admiration is clear.

One Christmas, her mother took her two daughters and her son to Venezuela to visit their grandmother. Reina, who “was into being 17,” was impressed with the poverty and class that permeated the South American nation.

“The shower was a bucket and a hose,” she said. “Tin huts and animals everywhere.”

Her mother had come to the United States after answering an ad in a Venezuelan newspaper offering opportunities to learn English and work in a variety of industries. Here, she met the man who would be Reina’s father, a graduate of Howard University, doing post-graduate work at American University in Washington, D.C.

“She didn’t want to go back to Venezuela,” Reina said of her mother, who later graduated from Cheney University in Philadelphia.

Reina returned home to finish high school. She went on to college and, in 1998, graduated magna cum laude from Howard University.

Her bachelor’s degree in business administration, or BBA, “grounded” her, she said. But it also left her determined there would be “no suits” in her intended future.

She returned to Harrisburg in 2003 and met a guy who was into art, but turned out also to be into heroin and abuse. It was a relationship that resulted in a hospital stay and a night in a county jail when she was arrested in a barroom brawl.

“The abuse rattled my self-esteem,” she said. It also led her from work as a successful business consultant to a job in a grocery store.

“In an odd way, it led me to believe in art again,” she said.

Reina_76’s journey into the art world has sometimes been at odds with her family. Her sister, one year her junior, works on legal issues with the Environmental Protection Agency. Her brother, a year younger, is a member of the Secret Service.

She grew up surrounded by post-modern art her parents purchased, but they do not support her pursuit of art as a career.

“They felt it is not a respectable profession,” she said, recalling a time when her mother went to the basement, ripped several of her paintings from their frames and tossed them in the trash.

“My dream is to have an exhibition in MOMA,” Reina said, referring to the Museum of Modern Art in New York.

She said the artist with whom she has best connected has been Jean-Michel Basquiat. Basquiat was the offspring of Haitian and Puerto Rican parents and a one-time muse to Andy Warhol. His father was an accountant who wanted nothing to do with art.

“I saw his show at MOMA,” Reina recalled.

Her abstract creations are a reflection of her discomfort verbally expressing her thoughts. Some of the conflict derives from her visit to Venezuela as a teenager. Her familiarity with fabrics and textures comes from time spent on her grandfather’s farm.

Now 38, she has no spouse, no children, no tattoos and minimal jewelry; she appears for an interview wearing a small-jeweled ring and a matching wristwatch. Her abstract commentaries have been shown in Harrisburg and also in the MARFA gallery in New York’s East Village.

“Somebody from Brooklyn found me on Facebook and said she had bought one of my paintings,” she said of a recent contact. It was one of four acrylic-on-glass creations shown and sold at the Vivant Art Gallery in Philadelphia’s Old City.

As to what’s next for Reina, she said she’s cooking up creations for local shows over the coming months, which will continue to offer our area samples of her abstract, often avant garde, approach.

“Harrisburg has some great artists doing wonderful work,” she said. “But we need to embrace a more contemporary, interactive approach to art. It is the future of art.” 

There are two chances to see Reina’s art this month. She will exhibit “The Faces of Reina 76” at Historic Harrisburg Association, 1230 N. 3rd St., Harrisburg, during 3rd in The Burg, Oct. 17. She will show her installation piece, “An Immigrant for a Day,” in the group exhibit “Alienation” at Graham Street Studio, 312 Graham St., Harrisburg. The reception for that show is Oct. 18, 6-9 p.m.

Readers may contact John Messeder at [email protected].

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Room For Improvement: A story in TheBurg inspired a Harrisburg couple to try to save the historic Jackson Rooming House. Will their efforts be too late?

Screenshot 2014-09-30 00.23.14“Why are you hesitating?” Lessa Helm said. She was speaking to her husband, Kerry, who had just pulled back the thin plywood panel that stood between the intermittent traffic of N. 6th Street and the historic, crumbling Jackson Rooming House, which they had bought the previous Friday for one dollar.

Lessa, who has neck-length wavy gray hair and a tanned face, wore jeans and a Chincoteague Island sweatshirt. She kept one eye on a granddaughter who roamed the vacant lot next door, intent on ditching her flip-flops in the tall weeds. Kerry, on lunch break from the Department of Education, where he works on the state English language and literature assessments, wore a red, button-down shirt with rolled-up sleeves and sunglasses perched on his brushed-back golden hair.

Why was Kerry hesitating? This wasn’t the Helms’ first experience of a rundown old building. Their current home, on the 1700-block of N. 3rd Street, had been gutted when they bought it back in 2009. They’d since converted it to 3rd Street Studio, an art gallery with inviting window dressing, erratic hours and an apartment on the second floor. Before they renovated their first home, in Virginia, it had been shuttered for 13 years. “We generally like older places,” Kerry says—places where you could “leave your mark.” When Kerry decided the old home needed a hallway, he picked up a sledgehammer and, presto, a hallway there was.

Plus, as far as the Jackson house was concerned, the Helms had already waited plenty. The building, a four-story brick structure with a distinctive corner cupola and an elegantly curved roof, has been catching Kerry’s eye for years. “It looks like a haunted house,” he said. “It’s just cool.”

The Jackson Rooming House is named for its former owner, German Jackson, who was once a bellhop at the Penn Harris Hotel and who remains a local legend. His house offered room and board to prominent blacks in the era of segregation; the adjoining Jackson House burger joint also bears his name. In 2012, the Historic Harrisburg Association placed two properties on the block on its list of “preservation priorities.” One was the so-called “Swallow Mansion” on the corner, once the parsonage of the abolitionist preacher Silas Comfort Swallow and, later, the black-owned Curtis Funeral Home. The Jackson Rooming House was the other.

The rooming house and the restaurant building were attached as one parcel. In his will, Jackson referred to the latter as “my store room.” Last spring, the owner of the restaurant, Dave Kegris, who inherited the property from Jackson, announced he was looking for someone to take the rooming house off his hands. “If someone wants it, they can come and get it,” Kegris said, for a story in this magazine. Not long afterward, Kerry Helm got in touch with Kegris. “He thought it was a great building and wanted to see somebody restore it,” Kerry recalled.

As it turned out, getting hold of the property would involve more than a simple sale. Splitting the parcel required action from the planning bureau, the county and city planning commissions, as well as City Council. The process was further complicated by delays, such that the Helms ultimately didn’t close on the property until Sept. 12, more than a year after they read about its precarious fate in TheBurg.

A few days later, on a sunny, windy morning, Kerry stood in the foyer of his newly purchased rooming house, peering into the dark interior. Lessa, coming up beside him, at last saw why her husband was stalling. “Oh my gosh,” she said.

Inside was what remained of the Jackson Rooming House—two stories’ worth of split timber and plaster, lying in a heap in the middle of the floor. A couple of antiquated light fixtures hung innocently from the ceiling. Above, a beam of light shone through an empty window frame, illuminating an old chest that was stranded, tantalizingly, on a few shards of floorboard. Along the right-hand wall, a dark wooden staircase climbed up from the foyer’s tile floor, strewn with debris. It looked like a giant wrecking ball had been dropped from the third story.

“It was better than this when we started the process,” Kerry said equably. But Lessa was less forgiving.

“You know what?” she said. “It is all because the city took so long.”

 …

Over the summer of 2013, the Helms started procuring the documents they would need to formally subdivide the Jackson properties. From Melham Associates, an engineering firm on N. Front Street, Kerry obtained a site survey, which he submitted to the planning bureau on Nov. 7. At the time, all three floors in the house were intact, but with winter approaching, Kerry sought to move quickly. “I hope to be able to cover the roof before any heavy snow or ice occur,” he wrote the city planner, Geoffrey Knight, in an email, “since much damage has already been done over the years and it is causing significant issues inside the building.”

When Knight started working for the city, in December 2012, he was the only person in a bureau that once employed five people. The city has recently hired a second planner, but, at the time of the Helms’ application, his office was overwhelmed. “It was an issue of, we’ve got a million things going on in the planning bureau at any one time,” he said.

Kerry didn’t hear back for several months. Finally, in March, he reached Knight, who said he hadn’t yet looked at the drawings. On March 20, Kerry sent an email to the mayor, Eric Papenfuse. “I am not writing to complain,” he began. Recent activity around vacant buildings and blight—in February, Papenfuse had defended the arrest of a local preacher whose abandoned church had collapsed in south Harrisburg—had caught his attention. He worried about the damage caused by the long winter and was eager to expedite the process. “It could be that if it continues to sit vacant for much longer it will become virtually impossible to restore,” he wrote.

Three days later, Knight emailed him to apologize for the delay. He appended a description of the “process for filing a Subdivision Plan.” It entailed submitting a short application along with 15 copies of the site plans. “I wish we could have gotten the application sooner,” Kerry wrote back. Unable to gather the documents for the planning commission’s April hearing, he set his sights on May.

At the May hearing, on a Wednesday evening, Knight presented his bureau’s report on the application. It included a lengthy description of the building, identifying its architectural style as “Second Empire” and singling out such elements as the roof cupola, an entryway transom and an ornate brick chimney. Helm asked for a copy of the report, which he found “very detailed.” “You did a great job Wednesday,” he told Knight in a subsequent email.

Knight’s report recommended approval of the subdivision plan, noting the historic nature of the house and the Helms’ intent to rehabilitate it. In the meantime, though, the house had deteriorated. On May 11, Mother’s Day, Kerry entered it for the first time since the previous October to discover the third floor had partially collapsed. Where he had once been able to access the roof through a third-story window, the floor beneath it was now gone and the second floor landing was blocked by debris.

There was also another administrative kerfuffle to come. As part of the subdivision process, the planning bureau required four 2-by-3-foot copies of the drawings for final signatures, which Kerry delivered—only to learn in July that the city had lost them. “They were distributed to several Bureaus to help with the review of the application,” Knight wrote Kerry. “[U]nfortunately, I have not been able to locate them.”

“That’s when I freaked out and called the mayor’s office,” Kerry said. Two days later, Knight wrote again, saying he’d found three of the copies and the signatures could proceed. (Knight attributed the misplacement of the plans to a lack of “secretarial support,” along with the volume of paperwork that enters his office. There were “only so many horizontal spaces in the bureau,” he told me.)

A month and a half later, Kerry stood outside his new property, a thick carpet of ivy shimmering on its north-facing wall. “I’ve got nothing against Geoff,” he reflected. An employee of the state, he is no stranger to bureaucratic delays. In any case, all the red tape may have saved his life; if the floors were going to come down, at least they did it when no one was around.

“I think it’s an awesome project,” Knight told me, adding that it helped to signal an “improving market” in Fox Ridge, the neighborhood behind the properties. Looking over the building, the Helms had a quieter assessment. “It’s got history,” Kerry said. “It looks the way it looks.” Considering the extent of the damage, he worried they might wind up having to knock it down. But he still hoped to follow through on their original plan—restoring it into a home they could live in.

If that didn’t work, at least they’d made one mark on its future, by getting it onto a separate deed. “We don’t really own anything,” Kerry mused. “We have it while we’re here, and then we move on.”

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An Apartment in Paris: Living, dying and the heartbreak of real estate.

Screenshot 2014-09-30 00.35.20Every country has its little quirks that are unique to its culture—traditions or circumstances that foreigners would look upon with puzzlement and would not fully be able to understand without firsthand experience.

One such example is the “viaje,” a French transaction in which an individual buys a property at a very cheap price, but cannot use the property until the seller dies—and commits to paying a monthly fee until said death. In some circumstances, the viaje is a rough deal, as the seller may continue to live for another 30 years, but, sometimes, the buyer gets “lucky,” and the seller dies shortly thereafter. But the concept can be seen as a gamble—and this is exactly what playwright Israel Horovitz had in mind with “My Old Lady,” his stage play-turned-film.

Kevin Kline plays an attention-loving, bankrupt, recovering alcoholic named Mathias Gold—he says his friends call him Jim, but he does not have friends—who has inherited a “viaje” apartment in Paris from his late father. As Mathias’ last hope was to sell the apartment (he is 57 years old with very little to show for it), he is disappointed to find what the “viaje” actually entails. It seems that poor Mathias has inherited his father’s debt.

The seller happens to be a 92-year-old Englishwoman named Madame Mathilde Girard (Maggie Smith), who has lived in the apartment since she was 20 and is in excellent health, thank you very much. Her daughter, Chloe (Kristin Scott Thomas), also lives there and is infuriated to find that Matthias, desperate to pull his life out of a rut, is interested in selling to a Frenchman who would like to tear down the building and turn the whole lot into a hotel. As Chloe tries to save her home and Matthias tries to salvage his life, the past begins to unravel before their eyes, turning this simple story about an apartment into a complex drama that captures what it’s like when your past impinges on your future. As Madame Girard so wisely reflects, “You have life left, Mathias—there is no greater wealth.”

There are a few scenes in Horovitz’s adaptation that don’t translate quite well to the big screen. While Mathias’ personality lends a theatrical tinge to certain scenes, there are moments that lay it on a bit thick. And the ending feels a little forced, like the filmmaker ran out of time to wrap things up, but did anyway.

Because of this, the resolution seems almost jarring. But, overall, the story is engaging, with plenty of emotional twists that artfully reveal the characters’ many layers throughout the film—a nod not only to the well-crafted story, but also to the brilliant acting. Dame Smith convincingly ages herself for the role, presenting a delightful blend of stubborn old-lady charm and blissful ignorance. Kline both shocks and wins your heart with his unstable, almost childlike persona, and Thomas plays her part with refreshingly raw spirit.

“My Old Lady” is a fun film about life and its struggles—something you should be sure to check out. It will be playing this month at Midtown Cinema.

Sammi Leigh Melville is a staff member and film reviewer at Midtown Cinema.

 

Midtown Cinema October Events

Brunch & a Movie Series
10/5, 11:30 a.m. brunch, 12:30 p.m. movie
“E.T. The Extra Terrestrial”
BYO champagne & Cinema provides the OJ (and Reese’s Pieces!).

Down in Front!
10/10, about 9:30 p.m.
“Fire Maidens of Outer Space”
Our improv trio rips apart the terrible 1956 sci-fi B-movie. BYOB… you’ll need it.

Saturday Morning Cartoons
10/11 & every second Saturday, 9:30-11:30 a.m.
Halloween-themed classic cartoons!

Mommy & Me Matinees
10/11 & every second Saturday
Stroller parking and babies welcome!

Foreign and Classic Film Series
10/12 6 p.m. and every 2nd Sunday
“The General,” Buster Keaton’s silent action comedy.

Silent & Scary Film Series
Every Sunday in October at 8 p.m. BYOB.
10/5 “Nosferatu” (1922)
10/12 “Phantom of the Opera” (1925)
10/19 “The Cabinet of Dr. Caligari” (1920)
10/26 “Dr. Jekyll and Mr. Hyde” (1920)

“Night of the Living Dead”
10/5, 7:30 p.m.
10/19, 7:30 p.m.
10/28, 7:30 p.m.

“Halloween”
10/17, 9:30 p.m. 3rd in the Burg $3 Movie
10/24, 9:30 p.m.
10/31, 9:30 p.m.

“The Rocky Horror Picture Show”
Oct. 31, 8 p.m. & 10:30 p.m.
Let’s do the time warp again!

Moviate Presents
Mike Kuchar, in-person, 10/22, 7:30 p.m.
Filmmaker and actor Mike Kuchar returns to the MC.

Moviate Presents
“Beetlejuice,” Oct. 26, 7:30 p.m.
The classic 1988 Tim Burton comedy on 16mm.

National Theatre Live
10/26 and 10/28
The National Theatre presents “Frankenstein,” mature audiences only (contains nudity)

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Big & Digital: Whitaker Center retires IMAX as large-format technology advances.

Screenshot 2014-09-30 00.32.19“Film is becoming obsolete,” stated Steve Bishop, vice president of Science and Cinema Programs for Whitaker Center. “It’s going the way of 8-track tapes and the typewriter.”

Indeed, the way movies are made and viewed is changing, and Whitaker Center is getting ready to make the switch. By the time you read this article, IMAX movies will no longer have a home in Harrisburg. In their place will be something equally immersive and awe-inspiring: a digital technology called D3D.

Beginning Oct. 18, visitors to Whitaker Center will experience theater on a giant screen digital film set-up that comes with a more than a $1 million price tag. That may sound like a lot of money, but, according to Bishop, D3D is well worth the expense.

“If we [and other theaters] want to stay in business, we have to convert to digital,” Bishop explained.

Out with IMAX

The IMAX system, while providing an amazing visual experience, had its share of quirks. For starters, each reel of IMAX film measures 6 feet in diameter and weighs up to 600 pounds. A feature-length IMAX film reel contains 61 miles of film, making it costly to receive and ship.

Film is also very delicate and sensitive to changes in temperature and humidity. Too much of either will cause the film to curl, leading to what Bishop termed “a bad hair day in the IMAX projection booth,” so that the film won’t run through the projector. On average, each film could be shown no more than 500 times before faded and scratched images ruined the picture. Then the film had to be disposed of, or in rare cases, shipped overseas to a theater that couldn’t afford a brand new copy.

Instead of miles of celluloid film, the D3D projection system is small and simple. It consists of a hard drive the size of a hardback novel that plugs into the computer projector. When the center is done showing that particular movie, the hard drive is returned for use at another theater, making it much more environmentally friendly than the IMAX system. The screen will be slightly smaller—instead of being six stories tall, it will be more like 4½ stories.  The picture and sound quality will be comparable, and the ticket price will remain the same.

What might change, and for the better, are the new ways to use the theater. While the center will still show a mix of Hollywood hits and documentaries, Bishop and his staff are looking for creative ways to use the digital technology, possibly including things like live-streaming concerts and video game competitions.

“Anything on a computer screen could be put on the theater screen,” explained Bishop.

Right now, the center has a program called “Surgery Live,” where actual surgeries from Hershey Medical Center are shown to students in real time to get them interested in a career in the medical field. The surgeon, nurses and other staff talk to the students, and the students can respond back. More than 5,000 students have participated in the program over the past six years, but the current classroom can hold only 100 students at a time. If the program moved to the theater, attendance could double.

The First Films

To debut D3D, Whitaker Center theater will show two films on the new system this month: “Jerusalem” and “Watermelon Magic.”

When determining which movies to show, Bishop has a short list of criteria. He might look for a film that complements an exhibit at the science center or go by reviews from his colleagues at other museums. It is also important to find movies that “take advantage of the huge screen” and have an educational value, since “more than three-quarters of the school kids and half the families see a film” during their visit.

“Watermelon Magic” is one of those family-friendly educational films. It is a 30-minute movie that follows the story of a little girl named Sylvie as she learns how to grow watermelons on her family’s farm in Bucks County. Through amazing time-lapse photography and simple storytelling, young viewers will learn the importance of healthy food and sharing.

According to Bishop, “Watermelon Magic” is a good example of how the move away from IMAX will help filmmakers. He said that IMAX film cameras are huge, about the size of an oven, and weigh around 300 pounds. They can only hold three minutes worth of film, since each frame on an IMAX film reel is the size of a playing card, creating many stops and starts in the movie-making process. Therefore, making an IMAX movie is very expensive and time-consuming. The move to a giant digital format allows small-scale, independent filmmakers to make large-format movies at a fraction of the cost.

The second movie at the center is “Jerusalem,” a 3-D National Geographic film about the city of Jerusalem and the cultures within, as seen through the eyes of three women: Jewish, Muslim and Christian. The movie shows that, “In 1 square mile, you see how these cultures have learned to live together, and it shows that different cultures can co-exist,” according to Bishop. The movie also follows an archeologist as she searches through some of the interesting historical sites of the city.

Running in correlation with the film is a photo exhibit titled “Jerusalem: Beyond the Wall.”  In 2004, photographer Jason Eskinazi distributed disposable cameras to both Israeli and Palestinian children in Jerusalem so they could document their lives through pictures. Ninety-eight of the images from the project will be on display on the lower level of the science center beginning on Oct. 18.

Since 1999, more than 1.7 million people have watched IMAX films at Whitaker Center.  One man who has seen nearly all of them is Phil Russotto, co-chief projectionist. Russotto oversaw the installation of the IMAX system in 1999 and was at the final showing on Sept. 21 to say goodbye to his old friend. He says it is “bittersweet” to see the end of the IMAX era, but he’s “excited to learn the ins and outs of the new system.”

Beginning this month, you can see the changes for yourself.

Whitaker Center is located at 222 Market St., Harrisburg. For more information, visit www.whitakercenter.org.

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A Dress to Impress: Unique, affordable fashions slip into Camp Hill.

Screenshot 2014-09-30 00.26.17Pretty, sophisticated yet understated clothes, eclectic music, and helpful staff greet those who enter Camp Hill’s newest clothing boutique, Little Black Dress.

Located on Market Street in Camp Hill, Little Black Dress, with its distinctive yellow awning, sits between Nino’s Bistro and Body Logic Therapeutic Massage.

Lisa Bedway DeCavalcante opened Little Black Dress, which shares her initials, on Sept. 1. After 12 years of retail experience as a buyer and co-manager of a local boutique, she wanted to create a unique clothing experience.

“Little Black Dress tries to fill a niche that isn’t currently being addressed in the retail scene in the greater Harrisburg area,” said Bedway DeCavalcante.

That niche is affordable, comfortable and unique designer clothing. The shop carries everything from exercise wear to swing dresses.

An Edge, a Twist

Little Black Dress recognizes that women’s lives and personalities are multidimensional, busy and diverse. So, their clothes should negotiate the many aspects of their lives.

According to Bedway DeCavalcante, women, at the end of the day, should “never feel like ‘get me out of this outfit,’” and clothes at Little Black Dress are “no Spanx required.”

Comfort and good design aren’t mutually exclusive, however. Little Black Dress carries clothes that are not only comfortable but also fashion forward— designer lines such as Cartise, Lucky Brand and Julie Brown Designs.

The store offers what Bedway DeCavalcante called “staples with an edge, a twist.” The python print exercise leggings by Pheel, the Barbara Gerwit two-toned gray, long sleeve T-shirt with a twisted back panel, and the slate blue Baci top with dolman sleeves exemplify this edge.

Sales associate Jocelyn Hambrook has known Bedway DeCavalcante for three years and is excited about seeing the vision of Little Black Dress come to life. A 20-something, she is particularly enthusiastic about the Lysee Leggings and Turk Collection for the younger set and what she calls the store’s “cool vibe.”

Little Black Dress desires to meet the needs of fashion newbies as well as sophisticates. Women unfamiliar with designer fashion can come to Little Black Dress and get help maneuvering the brands and making good choices.

Asking questions serves as the first step in assisting women through fashion decisions. If a woman isn’t sure what to purchase, Bedway DeCavalcante asks about her type of work, likes, dislikes and personality. Based on that information, the staff makes suggestions about what might work.

This represents another hallmark of Little Black Dress—customer service. Staff members take pride in providing great service, whether a person is spending $20 on accessories or $2,000 on a new wardrobe.

“We know the clothes well, and we know women’s lives well,” said Bedway DeCavalcante.

Not Everywhere

At Little Black Dress, the expectation to understand the customers’ wants and needs is paramount.

It offers designers that women know and want, such as its two denim lines, Not Your Daughter’s Jeans and Kut from the Kloth. However, it also stocks lines that women may not know as well, such as Barbara Gerwit. In fact, the store may stock a limited number of a specific garment to allow for uncommon clothing expression.

“You aren’t going to see these clothes everywhere,” said Bedway DeCavalcante.

Julie Nagle of York visited the shop during its first week of business. She said that the clothing is ”very nice quality” and that there aren’t many shops in the area like it.

Two doors down at Underneath It All, owner Kimberly Over hasn’t been in the shop yet, but is looking forward to visiting.

“I am so happy to see a new business in there, and I wish them the best of luck,” she said.

Bedway DeCavalcante wants to collaborate with other small businesses in Camp Hill to support one another. For example, Blooms by Vickrey, a few blocks up on Market, supplies the shop’s flowers. One Good Woman, just behind Little Black Dress, will provide refreshments for the Oct. 4 premier party.

Little Black Dress seeks to offer clothing that women will feel comfortable and confident in when attending events, working, relaxing and, as Bedway DeCavalcante put it, “shlepping bags” from the grocery store.

The clothing staple, the little black dress, offers women economy, flexibility and style in their wardrobe. The boutique Little Black Dress desires to do the same.

Little Black Dress is located at 1845 Market St., Camp Hill. Hours are Monday, Tuesday, Wednesday and Friday, 10 a.m. to 5 p.m.; Thursday, 10 a.m. to 7 p.m.; and Saturday, 9 a.m. to 4 p.m.; closed Sunday. For more information, call 717-525-7488, email [email protected] or visit www.littleblackdresscamphill.com.

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It Affects Everyone: During Breast Cancer Awareness Month, ensure your health in body, mind and spirit.

Screenshot 2014-09-30 00.35.52As a licensed professional counselor, my clients come to me for support, guidance and active listening with a variety of issues and concerns from behavioral to medical.  Medical problems affect your mental health and therefore may affect your recovery even more. It is important that people look at the whole picture: healthy mind, body and spirit.  As people take care of themselves, they tend to heal with best results.

Wellness with your body starts in your mind; get comfortable with making sure you do a good breast exam. Feel your boobs. No, seriously, feel your boobs. When is the last time you gave yourself a breast exam? Many times, people avoid feeling their boobs because they feel uncomfortable, or they touch them but don’t give a thorough exam to feel for lumps. By being pro-active with your boobs, you are protecting yourself and others. Educating others on what to look for if you do have a lump is very important, as many times it is easily missed. The month of October is Breast Cancer Awareness Month. This is the time when people around the country do their efforts to raise money towards research.

Someone recently stated to me, “It only affects 50 percent of the population.” The truth is it affects everyone. We all know someone who has breasts and may be affected: whether it’s your mom, grandmother, sister, aunt, girlfriend, wife and even men. Yes, men can get breast cancer, too. Men can develop breast cancer, but this disease is about 100 times more common among women than men. This is probably because men have less of the female hormones estrogen and progesterone, which can promote breast cancer cell growth.

Many times, people fear the unknown. So, instead of getting help or going to the doctor, they don’t get the help they need. This would include early preventatives, as well. The earlier the detection, the earlier you can get the proper help needed. Many women fear the unknown of their breasts. As children, most girls anxiously await puberty to fit into their first bra and, as they develop, their breasts help make them feel sexy, confident and womanly. The prospect of having them altered or destroyed can be devastating.

Choosing the right treatment for you may be difficult. Be proactive and talk to your support system, talk to your doctors, think of what is best for you with the best possible outcomes. It is important to choose treatment over waiting for something to fix itself. It may seem scary and a long process, but life is more important than the alternative.

When people go through a crisis in life, such as cancer, they may have additional stress, anxiety and depression, with a variety of other symptoms. It is completely natural to feel these emotions when going through such a big, unexpected change. It is important as a supporter of the individual to listen and to be there for her, through both good and bad times. Epictetus said, “We have two ears and one mouth so that we can listen twice as much as we can speak.” During this time, try listening more to the person who is experiencing the pain.

As a counselor, it’s essential to see the entire scope of breast cancer for mind and body.I have seen people who have cancer and, during this time, some seem to talk about the devastation of their disease. It is important to recognize it is a horrible thing but not to catastrophize everything. Things may improve with proper care and a proper mindset.  Surround yourself with loved ones who are optimistic and make you laugh—most of all, those who support you.

Amanda Levison is a Licensed Professional Counselor at the Neurofeedback & Counseling Center of Pennsylvania. For more information or to reach her, please visit www.neuroandcounselingcenter.com or call 717-202-2510.

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Market Milestone: A big “Happy Birthday,” as the Broad Street Market turns 150.

Screenshot 2014-09-30 00.25.06You may never have noticed it, but high on the southwest corner of the stone Broad Street Market building is a rather marvelous street sign. Etched into a block of what appears to be white marble, its time-worn lettering reads: “Third Street/Verbeke Street,” as if to put to rest all the brouhaha from the neighborhood back in 1864 about salvaging the original name, Broad Street.

One hundred and fifty years ago in Harrisburg, corner buildings—particularly formidable stone piles such as this—were expected to serve as informational centers, as well as anchors for the block. In some places in the city (the old 8th Ward comes to mind), they were placarded with advertising. For a state capital, one that had yet to pave its streets much less lay stone curbing or replace its creaky wooden sidewalks with brick ones, mounting street directional signs on poles at each intersection was about as unlikely as finding a way to avoid the mud.

Capping off the topmost course of stone after a year of construction had to have been exhilarating for the market construction crew. The West Harrisburg Market House, as it was known in those days, was the crown jewel of everything that William K. Verbeke had worked for since the founding of his “Village of West Harrisburg.”

 *     *     *

In 1856, William and his sister Margaretta were left some real estate on Walnut Street following the death of their father Dr. James C. Verbeke, a prominent city druggist and physician (back in Europe, he had been a surgeon at the Battle of Waterloo). Margaretta, married to Pennsylvania Telegraph Publisher Theophilus Fenn, invested her proceeds into some of what became the borough of Marysville on the West Shore. Verbeke Street there is named for her. William, the older of the two, plowed his inheritance into 30 acres of some of the soggiest, unforgiving-looking, cow-manure infested scrubland in the Harrisburg environs.

Stretching north along the river, the patchwork of smelly farms, marshland and scraggly woods lay legally in Susquehanna Township, although that disorganized body had evidently neither the resources nor the inclination to develop it. Verbeke believed that the state legislature’s approval of Harrisburg’s charter—allowing it to shed its 66-year-old borough form of government for third-class city status—would go hand-in-glove with the annexation of land running northwest to Maclay Street and east to 13th.

Verbeke’s gamble—the land, most of it purchased from farmer Robert Gillmor—lay principally between Charles and Reily streets and Front and Fulton streets. For all intents and purposes, it was a builder’s nightmare. The river district had, since time immemorial (likely the end of the Ice Age), endured regular flooding. According to newspaper accounts, when Verbeke began his development, a large sand dune sat somewhere in the middle of Verbeke Street. He would later put it to good use as mortar for brick.

The plan was basically “build a village and they will come.” With annexation, Verbeke was either sitting on a veritable goldmine or destined to end up back in the family drugstore. Either way, he hoped to prove that West Harrisburg, as it was so quaintly called, was worthy of investment, tax dollars, infrastructure and other amenities. To get his town quickly up and running, Verbeke took a shortcut. He purchased wood frame houses downtown, hauled them up 2nd Street and had them set on new foundations. For antsy developers, perception (in the form of visible occupants) can be everything.

Raised a benevolent, Christian gentleman, Verbeke offered lots to some of the most downtrodden of Harrisburgers. The black community, much of it squatting in shacks behind the old state Capitol where only the luckiest souls worked as charwomen, was already earmarked for removal anticipating site improvements for the 1864 East Wing extension program. As non-homeowners, African Americans couldn’t even expect reasonable compensation.

So, Calder Street from 3rd to Fulton eventually boasted its own “all-colored” schoolhouse, Calder School, at the corner of Marion Street. Joyous over their new neighborhood, residents began calling their little section of town “Verbeketown”—Bill Verbeke may as well have been Abe Lincoln.

Verbeke didn’t seem to care what people called his town just so they called on it. On his plot plan, the main, wide thoroughfare, plainly named Broad Street (although a few wisecrackers began calling it “Broadway”), was an obvious takeoff on the State Street approach to the Capitol as planned by William Maclay. Instead of a government building, there were plans for a pair of market houses so residents wouldn’t have to trudge down to Market Square to buy groceries.

*     *     *

Papers to incorporate the West Harrisburg Market House Company were drawn up on April 20, 1860. As originally planned, the markets were to be a pair of two-story buildings constructed of river stone at a price not to exceed $10,000. The ground floors were to be used by vendors and the second floors as rental space.

However, the timing could not have been worse, the beginning of four anxious, mostly war-torn, nail-biting years. By the time of the Confederacy’s attack on Fort Sumter, S.C, on April 12, 1861, the only visible progress made on the market—at least that reported by the newspapers—consisted of an excavation. As it was filling up with rainwater, Verbeke and his primary partners, Jacob and Lewis Haehnlen and Theophilus Fenn, might have been forgiven if they had thrown in the towel.

With the war, Verbeke and his wife Marion (sometimes spelled Marian) busied themselves as volunteers. Sacrificing precious capital that could have been used to build the markethouse, they organized the Marion Verbeke Rifles (evolving eventually into Company F of the 54th Pennsylvania Infantry). Meanwhile, Dr. Verbeke’s old notions store on Walnut Street was converted into a camphouse for soldiers who weathered the winter of 1861-62 there. Marion helped nurse the wounded as mangled men began streaming into town.

In the Sixth Ward, talk of a temporary market facility cropped up in both city papers in early 1863, but came to naught. The Daily Telegraph gamely announced on June 3 that a foundation finally was under construction.

The popular name Broad Street was already becoming ingrained in the general population. However, that summer, Common Council, with Verbeke elected to it (and installed on the newly formed Street Committee), voted to officially rename it Verbeke Street. One wonders how the purportedly self-effacing developer voted, having already named William Street after himself and Marion Street for his wife. But proposals to change the name back to Broad Street would not go away.

As a 10-year-old in 1920, my mother, who lived at 260 Verbeke and spent some of her formative years attending Verbeke Street Elementary School across the street, vividly remembered holding hands with her sisters on their way to visit the Broad Street Theatre, now the site of the Midtown Scholar Bookstore, to see films in the days before talking pictures. Ethel Janes Frew, to her dying day—even though she begrudgingly acknowledged that it was the “Verbeke Street School”—clung stubbornly to “Broad Street” and all that the name implied.

Although the Aug. 8, 1863 edition of the Telegraph reported the foundation as finished and stonemasons raising the walls, the force employed was small. Charles S. Swartz, a State Street plasterer and a one-share holder in the market who was hired to supervise construction, hoped to have the first building ready by October or November but, with the war on, well, good tradesmen were always hard to find and now harder to rehire, with many missing arms and legs. One mason, reported the paper in a later edition, while dressing one of the stones and chipping off a block, was startled to discover a large, petrified rattlesnake inside.

*     *     *

Work ground to a halt for the winter and did not recommence until the following spring. The winter of 1863-64, a bitterly cold one in Harrisburg according to reports, saw the roofless and windowless market building become a sleeping place for homeless people trying to get out of the wind. Verbeke eventually turned it over to the “Invalid Corps” for wounded soldiers. Construction ratcheted up again in the spring, and the June 21 issue of the Patriot & Union noted that things were moving along. About this time, the “Third Street/Verbeke Street” lettering was set in place, no doubt with some fanfare from the stockholders. By Sept. 1, 1864, workmen were observed finally roofing the building.

In its original form, the stone market was a diamond in the rough. Described as having a brick floor with plaster interior walls (which were lined to imitate stone), heavy timber framing held up the roof. Historians have long wondered about the structural system at this point—how many floors actually were there in the original market?

Newspaper accounts tell of the YMCA holding Sunday school services on the “second floor.” Construction specs as published by both city newspapers mention a building 200 feet long, 50 feet wide and 40 feet high, with a hip roof at either end. Verbeke, in a letter to the Patriot & Union on Sept. 6, 1860, wrote that he hoped that the upper story could be rented out for machine shops or for public purposes. So, a substantial support system—perhaps post-and-beam—from the ground floor up must have been in place. The main hall had a ceiling 20 feet high; the second story was to be 150 feet deep with a 20-foot ceiling. It is currently a jumble of ductwork for the steam and ventilating systems. Photos of how it originally looked have yet to be discovered.

On Oct. 28, 1864, with the project ready to come on line, Secretary of the Commonwealth Eli Slifer finally signed the long-dormant market agreement into law, while a call went out in both the Telegraph and Patriot & Union for vendors. West Harrisburg Market House opened for its first day of business on Tuesday, Nov. 1, with nearly all of its 22 stalls rented, and all were reported gone by Nov. 19. The original market days were Tuesday and Friday morning between 5 and 10 a.m. and Saturday afternoon and evening between 3 and 8 p.m. But, interestingly, it was not until 1964 that the company would begin calling itself Broad Street Market in the city directory. Ironically, by then, most of the generation who still called it that had long since died or moved away.

Gradually, the market expanded. In 1869, a 50-by-86-foot wood frame extension, jerrybuilt, was added onto the James Street elevation. In 1880, it was replaced by yet another one-story frame, this time surmounted by a lantern or windowed superstructure on the roof. This building would stand until 1977, when it was torn down to create the current pedestrian plaza. Meanwhile, a more substantial freestanding brick market—constructed on the site where the second stone building should have gone—was built in three stages: 1874, 1877 and 1886.

In 1974-75, with the Broad Street Market proudly placed on the National Register of Historic Places and sold to the Harrisburg Redevelopment Authority (the city would acquire the market from HRA in 1978), some $1.4 million in federal funds was used to restore and improve what had become the last of Harrisburg’s once-vaunted farmer’s market system. In 1889, demolition of the original wooden sheds on Market Square had given way to convenient, well-situated neighborhood markets at Chestnut and Court, 4th and State, Market and 14th and Kelker and 4th streets, but all have been razed or closed down in the name of progress.

And now, 150 years on, we’ve come to a crossroads, so to speak, with people returning to the city to buy farmers’ fresh produce. Come Saturday, Nov. 1, Harrisburg needs to celebrate the diamond in the rough it still has, the crown jewel the Broad Street Market can be once again, if only we support it.

Happy Birthday, Broad Street Market.

Ken Frew is the librarian for the Historical Society of Dauphin County and the author of “Building Harrisburg: The Architects and Builders, 1719-1941.”

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Pedal Masters: Five decades old, the Harrisburg Bicycle Club gears up for many more.

Screenshot 2014-09-30 00.36.21It started out simple enough.

Nine people gathered together with a specific, modest goal — to see more of the beautiful countryside of central Pennsylvania. Under the leadership of Sydney Lustig, they proudly proclaimed their slogan: “Cyclists of the Harrisburg area, unite!”

That was in 1964, and, as it marks its 50th anniversary, the Harrisburg Bicycle Club is still going strong.

Cynthia Gorski, current HBC president, said that, the year before, Lustig posted an ad in the Harrisburg Evening News for a 12-mile bike ride to Gifford Pinchot State Park in northern York County. By the spring of 1964, the club had held its first ride.

Though small at first, HBC has grown to include about 800 members who bike in Cumberland, Dauphin and Perry counties but occasionally find themselves in Adams, York and Lebanon
counties, too.

“There’s something very freeing in exploring these areas,” Gorski said. “When you can do it with others who appreciate it as much, it’s pretty indescribable.”

These People Move

Membership for the Harrisburg Bicycle Club comes in waves, Gorski said. 

Larger groups participate in the summer, while people go into hiding during the colder
winter months.

Because they avoid races and focus more on biking for pleasure, Gorski said that members range from 30 to 80 years old.

“As members age, new rides are created,” she said. “Some of the rides that have evolved have been the ‘Old Spokes,’ the ‘Silver Spokes’ and ‘Learning to Linger.’”

These rides take on a slower pace and usually happen during the day, she added.

But don’t let the names fool you. These riders have fine-tuned their skills.

“They have more disposable income to purchase a higher-quality and lighter bike and, with more time to ride, they improve,” she said. “Aging doesn’t necessarily slow you down — non-movement does. And believe me, these people move.”

Worth the Work

Owen Moore of Lemoyne has put thousands of miles behind him since joining the club in 1971. At 78, he’s learned to enjoy a variety of tours, from the trips to Williamsburg to the annual fall tour to Cape May, a ride that celebrates its 40th anniversary this year.

He completed his first fall tour alongside one of the club’s first members, Jim Kehew. Moore followed behind his more seasoned companion, looping around Lancaster County to Newark, Del., over to Dover, Del., and, from Lewes, they victoriously rode the ferry to Cape May.

“At the end of the first day, I was one tired puppy,” Moore said. “I was really concerned if I could get up and go the next day. But I was a lot younger then, and a good night’s sleep was enough to help
me recover.”

When the fall tours started four decades ago, riders would clock in about 100 miles a day, nearly half of the entire trip. As the group ages, and in hopes of attracting less experienced riders, they’ve cut back to about 50 miles a day, Moore said.

They’ve also learned to break off into smaller groups of about six, making it easier for cars to pass by and to provide each other support if a tire blows out or someone’s hurt.

Spouses who opt out of biking alongside their significant others travel close by in a car. Moore’s wife, Fran, has done her fair share of bailing out a troubled rider.

Gorski, who lives in Monroe Township, said the official starting point of the fall tour is in Elizabethtown, but many riders start from their homes in the Harrisburg area and meet up along the way before joining as one large group.

Overcoming Obstacles

The club first started going to Cape May when sponsors opened up their homes to riders. Over the years, they switched it up, sometimes going to different beaches in Maryland. But they’ve continued the tradition of traveling to Cape May the past few years, Moore said.

Even though it’s one of his favorite rides, Moore might have to skip on this year’s excursion. In March, doctors removed a golf-ball-sized tumor from his brain. He was told to stay off his bike a little more than a month after the surgery, and heavy rains that turned to hot and humid weather kept the senior rider from training.

While Moore’s physical obstacles might set him back this year, other riders have found their strength through the club.

Ann Brooks, 58, of Hampden Township, joined HBC in 2004. She had been an avid spinner, taking part in indoor cycling classes at the local YMCA to stay in shape. When she was diagnosed with breast cancer in 2003, she took a break from her exercise routine to undergo numerous surgeries
and procedures.

When she finished her treatment a year later, she sought ways to get back into shape.

The Lance Armstrong Ride for the Roses, a century ride hosted by HBC, inspired Brooks to try
cycling outdoors.

“I started training on my ancient mountain bike riding the 2-mile loop in my neighborhood,” she said. “I quickly realized that wouldn’t cut it. My sweet husband bought me a new road bike for Mother’s Day, and I began serious training by riding with the Harrisburg (Bicycle) Club.”

Her first fall tour later that year was alongside her good friend, Gorski. Together, they rode with several others through a 60-mile downpour thanks to Hurricane Jeanne, Brooks said.

“It was extremely challenging, dirty and something I probably would not willingly repeat,” she said. “We did arrive in Cape May in one piece a few days later and enjoyed a couple of days relaxing with fellow riders and the families that met up with us.”

Even as a new rider, Brooks found guidance in the experienced riders who took the time to go at her pace, providing encouragement and friendship,
she said.

“You will meet a great group of people, hear wonderful stories and participate in a great adventure that is the open road,” Brooks said of the club. “You will truly begin to appreciate the beauty of central Pennsylvania when you travel on the seat
of a bike.”

For more information on the Harrisburg Bicycle Club, visit www.harrisburgbicycleclub.org.

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