TheBurg Podcast, March 25, 2016

Bernie in Midtown

Welcome to TheBurg Podcast, a weekly roundup of news in and around Harrisburg.

To listen to this week’s episode, click here.

March 25, 2016: This week, Larry and Paul talk about a $9 million conservation proposal involving the forested watershed that supplies Harrisburg’s drinking water. They also discuss City Council’s after-session discussion of a home rule charter plan the members aren’t quite warming up to. Plus, the Bernie Sanders campaign arrives in Midtown, and Larry appears in a WITF interview.

TheBurg Podcast is proudly sponsored by Ad Lib Craft Kitchen & Bar at the Hilton Harrisburg.

Special thanks to Paul Cooley, who wrote our theme music. Check out his podcast, the PRC Show, on SoundCloud or in the iTunes storeYou can also subscribe to TheBurg podcast in iTunes.

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Capital Region Water Weighs $9 Million Conservation Bid

The authority seeks to conserve the pristine 8,200-acre property that includes the reservoir supplying Harrisburg's drinking water.

The authority seeks to conserve a pristine 8,200-acre property that includes the reservoir supplying Harrisburg’s drinking water.

Harrisburg’s water and sewer authority announced plans Monday for a $9 million conservation agreement that would permanently restrict development on its 8,200-acre property in Clarks Valley, a pristine, forested watershed in northern Dauphin County that supplies the city’s drinking water.

The agreement would involve a partnership with the Nature Conservancy, the Ward Burton Wildlife Foundation and Fort Indiantown Gap, a National Guard training facility that neighbors the property. The agreement would keep the land in authority hands while restricting how Capital Region Water could use it.

“The DeHart watershed property is critical to protecting our drinking water,” said Capital Region Water CEO Shannon Williams. “Yet there are not protections in place against future development of this land.”

Under the proposal, such protections would be enshrined in a conservation easement, a legally binding agreement that attaches to a property and restricts how it can be used by current and future owners.

The easement would seek to preserve the watershed property “predominantly in its natural, scenic, forested and open space condition,” maintaining water quality and protecting rare plants and animals while preventing further development, according to a summary provided by Capital Region Water.

The property falls within one of the largest road-free areas in the state and forms part of the Kittatinny Ridge migration corridor, said Josh Parrish, director of the Nature Conservancy’s “working woodlands” program.

“For us, it’s a conservation priority,” he said.

The Nature Conservancy, a Virginia-headquartered environmental charity, will be Capital Region Water’s long-term conservation partner under the proposal, monitoring compliance with the restrictions on use of the land.

The project cost will primarily be funded through the Army Compatible Use Buffer program, or ACUB, a federal initiative that seeks to maintain undeveloped zones around military bases.

Fort Indiantown Gap was the country’s busiest National Guard training center last year and is the site of constant aviation, making it incompatible with residential development, according to Lt. Col. Christopher McDevitt, construction and facility management officer for the Pa. National Guard.

“We fly constantly, 7 in the morning til midnight, pretty much every day of the year except Christmas,” McDevitt said. “We’re noisy neighbors sometimes.”

The Ward Burton Wildlife Foundation, a conservation non-profit founded by the former NASCAR driver and 2002 Daytona 500 champion, will work with Fort Indiantown Gap to establish the easement with the federal funds.

The new proposal differs significantly from a prior conservation agreement that the authority’s board rejected in a 3-1 vote in early 2015. That agreement would have involved the $1 million sale of a smaller portion of the property to the Pennsylvania Game Commission, which would have submitted to similar land-use restrictions.

The earlier proposal shared the aim of conserving the property in perpetuity, and would have left the door open to expanding the acreage subject to restricted uses.

But the outright sale to the Game Commission, in contrast to the proposed easement, would have meant Capital Region Water retained much less control of the parcel, a prospect opposed by some authority customers.

Through letters and comments at two public hearings, customers told the authority they “did not want to give up ownership of the property to an organization with a statewide constituency,” Williams said.

Williams also said the proposed conservation agreement would provide “much-needed revenue” for the authority, which plans to spend tens of millions in the next few years on upgrading the city’s aging water and sewer infrastructure.

In addition to the $9 million payment for the easement, Capital Region Water could also see future revenues from the property through timber sales and sales of carbon credits.

The authority is working on a 10-year plan to sustainably harvest timber on the property, which the easement will require to be approved by the Nature Conservancy and certified by the Forest Stewardship Council, a non-profit Parrish called the “gold standard” in forest management.

Capital Region Water is asking for public comment on the proposal by mail or through its website, capitalregionwater.com, by April 8. It will also host two public meetings on the proposal, on March 23 at 6 p.m. at 212 Locust St. and on March 29 at 6 p.m. at Hamilton Health Center, 110 S. 17th St.

 

 

 

 

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TheBurg Podcast, March 18, 2016

pipes

Welcome to TheBurg Podcast, a weekly roundup of news in and around Harrisburg.

To listen to this week’s episode, click here.

March 18, 2016: This week, Larry and Paul talk about a blistering report on the city treasury leaked by City Controller Charles DeBrunner. They also discuss what happened when state officials showed up at City Council chambers to hear about the city’s proposed updates to its recovery plan.

TheBurg Podcast is proudly sponsored by Ad Lib Craft Kitchen & Bar at the Hilton Harrisburg.

Special thanks to Paul Cooley, who wrote our theme music. Check out his podcast, the PRC Show, on SoundCloud or in the iTunes storeYou can also subscribe to TheBurg podcast in iTunes.

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Harrisburg Officials Split over Critical Report on Treasury Department

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Harrisburg Controller Charles DeBrunner takes the oath of office two years ago.

An independent review of the Harrisburg treasurer’s office has split elected city officials, after City Controller Charles DeBrunner released a preliminary internal report on the findings over objections by the city solicitor and mayor.

The review, which encompassed the treasury’s general practices as well as specific activity during the 2014 calendar year, found the office lacked certain written policies and that aspects of its operations left it more vulnerable to fraud.

DeBrunner said Monday that the 20-page report, by the New York consulting firm Alvarez & Marsal, found “numerous serious accounting problems” encompassing both the treasury and the city’s finance bureau, as well as a “culture at the city where errors are accepted and expected.”

But Mayor Eric Papenfuse sharply critiqued that characterization, saying it was politically motivated and misquoted the report’s actual findings. He further accused DeBrunner, who published a redacted version of the report on his official website, of “short-circuiting” an ongoing investigation that was still in its early stages.

The report “seems to have been released for political purposes over the objection of the solicitor and the administration as the investigation is not yet complete,” Papenfuse said.

The city retained Alvarez & Marsal after former Harrisburg Treasurer John Campbell was arrested in August 2014 on charges that he had embezzled funds from a number of local non-profit organizations.

Those non-profits were unaffiliated with city government, but they led to Campbell’s resignation from his elected post and prompted Harrisburg to seek an independent review of the treasury’s internal controls and financial activity during 2014.

In its report, submitted to the city in late February, Alvarez & Marsal found that a lack of internal controls in the treasury in that period and perhaps earlier resulted in “an environment where the opportunity for fraudulent activity exists.”

The report also said that the deputy treasurer, Celia Spicher, performs “too many” functions, including both initiating and approving outgoing wire transfers and reconciling monthly bank accounts, a practice that “weakens checks and balances and negatively affects operations of the office.”

Spicher is on vacation this week and was unavailable for comment, according to a person at the treasurer’s office who answered the phone there Monday.

Though the review found no specific instances of suspicious activity, DeBrunner said, the state of the city’s controls and records made it “less likely” that such activity would be detected by the firm’s limited review.

DeBrunner also claimed the problems found in the report encompassed the administration’s finance bureau, and not simply the treasury, which is headed by an elected city treasurer. The report does not explicitly mention problems with the finance bureau, but DeBrunner said they could be “inferred.”

DeBrunner, an independently elected official who oversees certain aspects of city finances, said he released the statement because he believed that citizens deserved to see it and wanted to push the city to address the issues it raises.

“I am hopeful that this report will motivate the Mayor and the Treasurer to improve the city’s internal controls and change the default expectation to one where the city’s financial records are given the attention they deserve,” DeBrunner said.

Yet he and Mayor Papenfuse appeared to draw opposite conclusions about the implications of the findings. Papenfuse said most of the problems had been or were in the process of being resolved, and that the unauthorized release of the report hampered the investigation into possible abuses under past practices.

“He’s hindered our ability to go forward with Alvarez,” Papenfuse said, noting that the report was simply the first phase of a two-phase project that was later to weigh the benefits of a more expensive forensic investigation into specific account activity.

“In my opinion, he’s acted recklessly and irresponsibly and wasted $42,000 of taxpayers’ money,” Papenfuse added, citing the cost of the first-phase review.

Neil Grover, the city solicitor, said Alvarez & Marsal had taken the position that the city needed the firm’s permission before releasing its report to the public, based on clauses in its contract relating to disclosure to third parties. He said the issue had been “still under discussion” when DeBrunner released the report without the mayor’s blessing.

The mayor also denied that the city had a “culture” of tolerating errors, saying the statement did not reflect the administration and noting that most of the employees Alvarez interviewed during its review worked under the treasurer or controller.

Tyrell Spradley, the current city treasurer, said Monday that he had agreed with DeBrunner upon taking office in November 2014 that there were significant problems with the treasury’s internal controls.

He said the findings in the report were “no big surprise,” but that he was glad to have outside confirmation of the problems, which he said his office has made significant strides in correcting.

Spradley also concurred with the controller’s opinion that the problems extended beyond the treasury. He said he supported the controller’s release of the report, whether or not it had been approved by the administration.

“I honestly think the public should know,” he said.

Read the redacted report here.

This story has been updated with information about efforts to contact the deputy treasurer and with details from the city solicitor about a discussion regarding disclosure with Alvarez & Marsal.

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TheBurg Podcast, March 11, 2016

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Welcome to TheBurg Podcast, a weekly roundup of news in and around Harrisburg.

To listen to this week’s episode, click here.

March 11, 2016: This week, Larry and Paul talk about a well-attended public meeting on a proposed marijuana decriminalization bill and the second workshop on updates to the city’s recovery plan. They also discuss two slices of city living they witnessed in the warmer weather.

TheBurg Podcast is proudly sponsored by Ad Lib Craft Kitchen & Bar at the Hilton Harrisburg.

Special thanks to Paul Cooley, who wrote our theme music. Check out his podcast, the PRC Show, on SoundCloud or in the iTunes storeYou can also subscribe to TheBurg podcast in iTunes.

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New Light

Constance Cochrane, "Drama of the Fall," c. 1940.

Constance Cochrane, “Drama of the Fall,” c. 1940.

The sky was open, a baby blue canvas brushed by a few clouds. Light beamed down, reflecting all the colors of the world. The wind blew, shifting the clouds. The serenity of the light offset the hustle and bustle of the city, filled with busy students, business owners and traffic. A white building with the look of a bank came into view. A shelter from the light nip of the cold.

After a visit to the Susquehanna Art Museum on Third Street, everything starts to look like a painting. The museum is the temporary home of “New Light: The Pennsylvania Impressionists,” a group of paintings that capture the moment-by-moment beauty of landscapes and light. The exhibit, which runs until May 22, includes such Impressionist works as “The Fair” by Harry Leith, “Late Afternoon” by Edward Willis Redfield and “Drama of the Fall” by Constance Cochrane. All of the paintings are on loan from the Woodmere Art Museum in Philadelphia.

Cochrane’s 1940 “Drama of the Fall” is a central work in the exhibit, appearing on postcards and other promotional material. “It nicely represented the theme of this show,” said Lauren Nye, the museum’s director of exhibitions. “I liked the visual of the light shining down from the clouds.” Cochrane was a founding member of the Philadelphia Ten, a group of women artists that exhibited together from 1917 to 1945. She was an advocate for women’s participation in the mostly male-dominated field of visual arts. Cochrane worked from Monhegan Island where, with the help of her mother, she brought property.

There is an irony in the “Impressionist” label. The paintings themselves are very straightforward, leaving no doubt as to the scene they wish to convey, yet they are still open to interpretation. It’s all up to the viewer to see what she sees beyond the obvious picture. Nye’s favorite part is trying to discern the artist’s motions from the brush strokes visible in the paint. “Is the hand of the artist visible or hidden?” she said. “She clearly wanted that to be something people were influenced by.”

When Cochrane painted “Drama of the Fall,” she had to work quickly. She couldn’t take a picture and paint it later. She used what she had, because paints were expensive. The result is a simple moment in time expressed with a steady hand. The bright, varying colors draw the viewer in, occasionally repeating to bring the eye across the canvas. The texture of the painting differs from detail to detail. Up close, trees are smooth with little paint clumps. Boulders are wavy, suggesting a river rushing towards the viewer, yet they don’t disrupt the bright red flowers at their foot that balance the color palette at the bottom of the frame.

Nye pointed out how the color of the water towards the middle of the painting shifts from left to right, a change mirrored in the sky above. She also noted the contrast between the amber and evergreen colors, representing changing seasons.

Quiet classical music played in the lobby. The sky had shifted towards an orange tint from the sunset’s final shine being cast upon the city. No clouds swept across the twilight atmosphere, leaving brilliant tones of blue, yellow, green, orange and red. A perfect day for an Impressionist painter to capture with a brush in hand.

Tierra Woodford is a sophomore at Capital Area School for the Arts in downtown Harrisburg.

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st@rtup to Anchor Historic Moose Lodge Building

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The historic Harrisburg Moose Lodge Temple, which is undergoing rehabilitation.

A Harrisburg co-working outfit will triple in size as it becomes the anchor tenant in the renovated, historic Moose Lodge Temple in Midtown.

st@rtup Harrisburg will take the entire ground floor of the landmark building at N. 3rd and Boas streets, which last housed the Ronald Brown Charter School. The company is expected to make the move this summer when the renovation is complete.

“This move will allow us to better serve the city’s growing creative class and independent workforce,” said Adam Porter, st@rtup co-founder with business partner Adam Brackbill. “Harrisburg’s high quality of life and easy access to major markets make it a great place for anyone with an idea and the energy to execute it.”

st@rtup Harrisburg was founded three years ago as the city’s first co-working space, setting up in a building on the 1500-block of N. 3rd Street. The new space, measuring 6,536 square feet, will allow the company to meet growing demand for a variety of workspaces, from shared desks up to private offices, said Porter.

WCI Partners purchased the dilapidated, 92-year-old building last year from Atlanta-based Mosaica Education. It had been empty since 2005, when the school district’s former board of control refused to re-authorize the school’s charter.

In addition to the st@rtup space, the renovation includes 33 high-end apartments in the building’s upper floors. Porter described the building as “Harrisburg’s first live/work” space, with the expectation that some tenants will choose to work downstairs in st@rtup.

Besides the Moose Lodge building, the project includes the renovation of three Victorian-style townhouses along the 900-block of N. 3rd Street. Those buildings will feature commercial tenants on the ground floors and apartments upstairs, said WCI President David Butcher. TheBurg plans to occupy the ground-floor space in two of those townhouses, moving from its current location in Uptown Harrisburg.

Increasingly, creative companies are relocating to the southern tip of Midtown. Recently, photography and video company GK Visual purchased and moved into a former warehouse at 933 Rose St. The company will hold a ribbon cutting for its new space on March 30 at 4:30 p.m.

To learn more about st@rtup Harrisburg’s new space, visit www.startuphbg.com/new-home

Disclosure: WCI principal Alex Hartzler is publisher of TheBurg.

 

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TheBurg Podcast, March 4, 2016

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Welcome to TheBurg Podcast, a weekly roundup of news in and around Harrisburg.

To listen to this week’s episode, click here.

March 4, 2016: Let the sun shine… This week, Larry and Paul discuss a City Council workshop on the recovery plan, the Sunshine Act and a government-related nonprofit’s closed-door meetings, and a U.S. News & World Report survey that gave high marks to the Harrisburg metro area as a place to live.

TheBurg Podcast is proudly sponsored by Ad Lib Craft Kitchen & Bar at the Hilton Harrisburg.

Special thanks to Paul Cooley, who wrote our theme music. Check out his podcast, the PRC Show, on SoundCloud or in the iTunes storeYou can also subscribe to TheBurg podcast in iTunes.

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Student Scribes: “The Room”–So Bad, It’s Good

Maybe it’s empty because we’re early. Or maybe “The Room” really lives up to the critics’ harsh reviews.

I fidget. An overdressed man in a tuxedo turns the corner. It’s entirely obvious that the long, curly, black wig he wears under a large top hat is not his real hair. He lingers around the theater door. Now, there’s a whole whopping four people here to see this movie. We wait. One by one, more people join us in silence and wait for the ushers to let us in. Some girls wear red dresses, and guys wear the same tux as the first, minus the wig. I feel less like a fish out of water as the last group arrives. They wear normal clothes, except the last guy, who removes his leather jacket to reveal a red T-shirt. Speech bubbles with random exclamations and quotes cover the front.

Wow, people really are into this movie.

“The Room,” a movie, follows main characters Johnny, Lisa, Mark and Denny in a 99-minute storm of affairs, betrayal, accusations and trips around San Francisco. The film is written and directed by its star, Tommy Wiseau.

The dialogue makes me cringe. They speak with such melodrama, I can’t help but laugh. The scenes get more unrealistic every minute. Lisa, the lead female, has a conversation with her mother, Claudette. Claudette claims she was tested and diagnosed with breast cancer, and Lisa brushes it off completely, weaving an elaborate (but idiotic) lie about her supposedly abusive fiancé, Johnny. She cheats with Johnny’s best friend, Mark. Denny shows up and somehow almost gets murdered by a drug lord, and they all yell and cry and play football in tuxedos. A lot. The end leaves so many unanswered questions. “The Room” lacks structure, character development and overall purpose.

But I love every bit of it.

When it first premiered in 2003, “The Room” received a wave of negative reviews. Critics tore apart every aspect of the movie. They criticized the camera quality, the set, the over-dramatic acting and the continuity errors. It’s rated a strong 3 to 3.5 out of 10. The people who kept it from a 0 are the people like me, who said, “It’s so bad, it’s good.”

 “The Room,” like “Rocky Horror Picture Show,” has attained cult status. The Rolling Stone article, “The 25 Best Cult Movies of All Time” (where “The Room” places 21st), says a movie can be a cult film once it has developed a “fiercely devoted audience that watches it over and over, preferably at midnight in a theater packed with other die-hards.” Cult films attract all kinds of people. Kristen Bell, an actress, admitted she loves the film. Some people like to dress up, some stick to callbacks, yelling at the screen at certain parts.

I’m the first to leave the theater. I watch the crowd exit as I wait for my siblings. Everyone’s attire makes sense now. The girls in the red dresses resemble the character, Lisa, the guys in suits dress for the wedding scene. The curly wig? The main character. The guy with the red shirt covered in speech bubbles wore some of the best quotes from the movie.

The movie shows more than enough establishing shots of San Francisco, prompting someone in the audience to yell, “Meanwhile, in San Francisco!” They joined in yelling the most operatic line, “You are tearing me apart, Lisa!” Later, Mark describes the room, but the room doesn’t fit his description at all. Everyone yells at the screen.

“The candles…”

“What candles?”

“The music…”

“What music?”

“The sexy dress…”

“What sexy dress?”

Everyone becomes the biggest fan and the biggest critic at the same time.

Though its bad reviews make it more enjoyable, Tommy Wiseau, the writer/director/star, takes criticism quite personally. He recently did a Reddit Q&A, talking about the feedback from reviewers.

“We had [rehearsal]. I encourage [people] to actually think about twice before re-writing, bashing actors, because all the actors did a very good job. In the media, they said they didn’t know what they were doing, but we had regular rehearsal, six months before, so everything was done very professionally, and [actors] did [a] very good job.” Wiseau has mentioned many times that he is proud of the film, despite people calling him out on holes and errors. Greg Sestero, who played Mark, explained his experience with Wiseau and “The Room” in his book, “The Disaster Artist: My Life Inside ‘The Room,’ the Greatest Bad Movie Ever Made.” Sestero called “The Room” “a drama that is also a comedy that is also an existential cry for help that is finally a testament to human endurance.” He mentioned some encounters he had while filming.

“In the love scene’s final shot, Johnny gets out of bed and walks bare naked to the bathroom. Tommy thought long and hard about his decision to show his ass. ‘I need to do it,” he told me. “I have to show my body or this movie won’t sell.’”

The rest of the cast also finds humor in the reputation of “The Room.” Juliette Daniels, who played Lisa, joined Philip Haldiman (Denny) and the rest of the cast (minus Wiseau and Sestero) in a mockumentary called “The Room Actors: Where Are They Now?” about how (or if) the cast has changed at all since 2003. It will premiere in 2016. Like every “so bad it’s good” movie, the people who contributed to it still get a lot of hate and insults from people who can’t lighten up and have some fun. Daniels, on her Facebook page, proudly states that she is done hiding from the film.

“Quote the film all you want… I love my Roomies.”

So, if you ever love a terrible movie, even if it gets a 0/10 in every review, makes little money, and everyone you know hates it—embrace it. There’s someone out there who, for some still unknown reason, loves it too, as well as viewing parties, merchandise and so many Halloween costume opportunities. Who knows? Something bigger could come from it. James Franco took advantage of one of the opportunities. He is currently directing “The Disaster Artist,” a “behind-the-scenes” look at “The Room,” based off Sestero’s book. Tommy Wiseau told Reddit, Twitter and all other social media about his involvement in the film.

Even an A-list actor takes advantage of a bad reputation.

Maggie Estrada is a sophomore at CASA.

 

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Student Scribes: Seeing the World in Cubes

My hands slide over the smooth plastic surface. A steady stream of clicking resonates in my ears. Welcome to the world of competitive Rubik’s cube solving. You may chuckle when you hear it, but to some, it’s a blood sport.

Suddenly my movement stops, and the cube falls to the table. Hands jolting to the timer, I clock in under two minutes. It’s just not fast enough. Fifteen-year-old Jay Ni agrees. He currently holds the 11th place world record in 3-by-3 blindfolded solving and is a close personal friend of mine.

“The highest I ever got was ninth on the chart. As of today, I got pushed down to 11th with a time of 26.71 seconds,” says Ni, resigned.

As I begin to scramble my cube again, I can only dream of making the international leaderboards. Yet, where does one start in such a small activity, learn the ropes?

“I actually don’t remember,” Ni says, trying to think back. “I started cubing around the summer of 2012, however I wasn’t really cubing. I looked up one video. I hated the video and tossed my cube, but I did solve it before I put it away. It wasn’t until a year later, when I really tried to get faster, that I became a cuber.”

I fidget with my cube as he speaks, loosening edges, applying an algorithm here and a shortcut there. These concepts are greatly misunderstood because of their function and use. Ni and I meet with odd questions from beginners every day, such as, “Do you just memorize the colors?” It’s much more mathematical than that.

“An algorithm is a combination of written moves to move multiple pieces at once. There are thousands of algorithms out there, all for a specific purpose,” says Ni.

A clean solve, as any cuber will tell you, relies on algorithms. With 43,252,003,274,489,856,000 possibilities, these equations represented by letters are the only possible way to return your Rubik’s cube to its original state. No one solves the cube by luck. The lottery proves easy in comparison.

Some people maintain the concept of a simple pattern, but that’s just not realistic. Even its roots are complex and mathematical. Created by Erno Rubik in 1974 as an architectural teaching tool, Rubik wasn’t even aware he had made a puzzle until he was unable to return his creation to its original state.

I lace my cube with specially made speed lubricant, and move it in a set pattern (R,R,U,U,R,U,R’,U’,R’,U’,R,U,R’). Each letter and symbol mean something vital to a final solve, involving a direction and number of turns. While I finish up, Ni talks through a competition day and how fierce it can really get.

“On cubing day, you walk to the place where you will register, you give them your ticket, and they let you continue. You walk into a packed room of people who are just like you, with the same interest and hobby. You receive time slots for your competitions. My first time, I only signed up for 3×3. I solved an average of five cubes and my score was based on my times. After competing, there are tons of workshops and other stuff to do. Often, you make friends and stick with each other. Cubing can get very competitive, but it’s all in fun. Believe it or not, people almost always respect each other in the world of cubing. However, when competitions start, it gets pretty heated.”

A small kid walks by us, seeing the movement of our hands, and his jaw drops. Obviously, I don’t cube for the attention, but it’s still nice. Almost all beginners or outsiders to the world of cubing react in this way.

“When you pull your cube out of your bag, the first person who walks by it asks if you can solve it and to show them. When you solve it quickly, they respond with praise. People look at the cube as impossible. Cubers see it as a joy and a passion.”

Obsession might better describe cubers in a platform that has come to include foot solving, blindfolded solving, one-handed solving, solving marathons and a variety of cube types. Devotees like myself and Ni are all too happy to share our pastime with people.

“If I have time, I tell people to grab my cube, and I’ll teach them how to solve. I’ll tell them the basics of sides and algorithms, and, in at least one hour, anyone can solve it.”

Ni pulls a case from under the table, and adds a few exotic cubes to the pile I started. Despite the name, it’s a little known fact that Rubik’s cubes are the least preferred brand in the competitive cubing world. Most people aiming for speed purchase Asian brands such as ShengShou or Dayan, which improved upon the original design, adding plastic “torpedo” features for easier torque and cornering. Lives are devoted to tweaking these small cubes, and happily so. Yet, the cube can only take you so far, and the training is far more important.

“I think cubing has gone to a point, or will get to a point, where the fastest time will be the fastest a person’s fingers can possibly move. I believe that there will be a point where there are no world records because people would achieve that time,” Ni says.

He lays out his cubes in a line, each one increasing in size. He lists times for each, for a standard two-handed solve.

“Two-by-two, 4.05 seconds. Three-by-three, 12.75 seconds…” he continues, all the way up to a seven-by-seven cube. His absolute highest time is a mere 4 minutes and 16.56 seconds. Each time is only made official after meeting a barrage of standard procedures and rules. A scramble, solve, recording, inspection time and method must all be up to the World Cubing Association’s codes in order to count for the record books.

With hundreds of methods in existence, creativity also factors in greatly toward a stellar time. Mathematics professors, architects and obsessed fans spend endless hours searching for new solve methods in order to shave off mere seconds. They share these configurations with the cubing community for the most part, and Ni, with the rare exception here and there, knows them all. I note the pride in his voice, but it doesn’t come across as bragging.

This dedicated subculture is slowly making its way into the mainstream. A U.S. national cubing team has been established, with cubing conventions springing up in droves around the world while leaderboards grow in size. “Nerd” morphs into an endearing term. Watch one or two videos online, and you can see every possible nationality, age group and gender toying with the same six colors together.

“Cubing has become more cool over the many years. When you pull out a cube and solve it, people will be amazed,” Ni says.

I nod in agreement. While solving the cube may not exactly win you a girlfriend, it usually elicits a gasp or two. Reasonably so, considering the fact only 35,000 people have the ability to solve it, according to the World Cubing Association.

“The craziest thing I’ve ever seen at a cubing convention is cubing mosaics. People use hundreds of cubes and line them up with a specific color and pattern on top to create a giant picture. I did 30 cubes for a mosaic at the U.S. open competition, then I got bored,” Ni says, a smile playing upon his lips at the memory. It’s this kind of unity he speaks of that keeps me coming back for more puzzles.

As the interview wraps up, we begin to banter like usual. A girl walks by and spots our mountain of cubes.

“Is that a Rubik’s cube?”

We affirm in unison.

“Can you solve it?”

Ni turns around, hopeful.

“Sit down.”

Christian Witmer is a freshman at CASA.

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