Tag Archives: Whitaker Center

Musical Mobility: In May, the tunes are worth a drive.

Wye Oak (Photo credit: finelinemusic.com)

Wye Oak (Photo credit: finelinemusic.com)

Get out of town. No, really.

I’ve got two excellent acts to check out that are within the bounds of the commonwealth and one central PA headliner that is fit to go national, but will be gracing the stage of a local venue. So, dust off your car or stay put. I’m wagering the weather and the tunes will be good either way.

Wye Oak, 5/3, 7 p.m., The Chameleon Club (Lancaster), $12/$14

A Baltimore duo at a Lancaster landmark makes a nice pairing. I first listened to Wye Oak’s LP, “My Neighbor/My Creator,” when released in 2010. The song, “I Hope You Die,” made a great impact, a melodic tune in contrast to its rather brash title; Jenn Wasner (lead vocals, guitar) brings lyrical significance and potent vocal control to this track. While that single track is not entirely exemplary of their body of work (she plays alongside her maybe-boyfriend and drummer, Andy Stack), employing more synth and piano than their more customary heavy guitar and drum work, they are one of Baltimore’s darlings. Atomic Books even had a listening party on April 30for their new album, “Shriek.” See them while they’re still affordable and playing in honest, local spaces like The Chameleon Club.

Dana Fuchs, 5/23, 7 p.m., World Café Live (Philadelphia), $18-$20

As billed by the World Café Live, all Dana Fuchs has to do is sing. After a few listens, Fuchs’ southern rock ‘n’ roll and blues fusion songs are for just that. Her sultry, powerful voice is on display in every track, and it’s no wonder she was cast as Janis Joplin in the hit off-Broadway musical show “Love Janis.” Taking in a show in the three-tiered World Café Live, WXPN’s headquarters, is a full-service treat that concert-goers will appreciate.

Very Americans & Ducky & the Vintage, 5/31, 8 p.m., FedLive, $8 (in advance) $10 (door)

The indie rock band Very Americans is comprised entirely of central PA’ers. Their EP “Stereo Types” on Eulogy Recordings, a subsidiary of Sony, aims to take the local boys into new territory by selling this production internationally. The band’s sound takes cues from its punk background, particularly in the song “Floodgates,” but Garrett Rothman’s vocals bring them back to a more traditional, Brandon Flower-like (The Killers) ring to it. While more comparisons could be made, give their four-track a listen, and, if you enjoy, support these good ole Americans.

Mentionables: Of Montreal, Union Transfer (Philadelphia), 5/12; The Pains of Being Pure at Heart, Johnny Brenda’s (Philadelphia), 5/19; Ethan Bortnick, Whitaker Center, 5/31

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Musical Notes: Spring Strings–Warm up to these acts in March.

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Reverend Peyton’s Big Damn Band (Photo credit: bigdamnband.com)

This month, a wide variety of guitar personalities enter the midstate, from fingerpickers to free range stylists. Unique acts await you. I didn’t mean that to sound like a fortune cookie, but we’re certainly fortunate to have these musicians rollin’ on through during the doorstep to spring.

 

Reverend Peyton’s Big Damn Band, Abbey Bar, 3/20, Doors @ 7 p.m., $15 (advance)/$18 (door)

The blues has found a place to hang its hat in Harrisburg, and Reverend Peyton’s Big Damn Band adds to our odd love for the Delta sounds. Josh “The Reverend” Peyton leads his trio to and fro in the United States, fingerpicking his way through 250 appearances per year. Peyton’s guitar playing is as good as it gets, and his band’s newest album, “Between the Ditches,” does justice to the bellow-voiced, barrel-chested vocalist. This one will be a foot-tapping special.

 

Diane Cluck, The MakeSpace, 3/23, 7 p.m., $5-$10 (Donation)

Cluck came highly recommended to this Musical Notes via Matt Hickey, a trusted booker in the area, who has been on the pulse of anything musically underground for many years. He’s spot on with this choice. Cluck’s wobbly vibrato, dense lyrics and unique guitar playing (“she plucks the strings where the neck meets the body of the guitar, producing a harp-like tone,” says NPR’s David Farland), will not be everyone’s folk fancy, but this Lancaster-raised wonder is held in high esteem throughout the music world. The MakeSpace is lucky to have landed Cluck, so, if you want to see something different and exploratory, stop on by the N. 3rd Street venue.

 

Delicate Steve, Messiah College Student Union, 3/26, 9 p.m., Free

Messiah College’s Student Union has been bringing names upon names to its weekly B-Sides event on Wednesday nights for many years, including Josh Ritter, Brooke Waggoner, Rosie Thomas, Justin Townes Earle and Over the Rhine. Now comes Steven Marion, a New Jersey native, who has essentially created his own genre of ethereal, electronic riffs (Filter Magazine refers to it as the Asian Blues). Some songs, like “Wally Wilder,” sound cartoonish. Others bleed into the psychedelic realm, but they all have one thing in common: no lyrics. One time, essayist and author Chuck Klosterman wrote a fake bio for Delicate Steve for the Luaka Bop Label. It’s absurd and funny—you should read it. Anyway, sit back, enjoy one of the many non-alcoholic treats at Messiah, and take in the sonic pleasures of Delicate Steve. It’s free—what the heck?

Mentionables: The Fleshtones, HMAC, 3/8; Hayes Carll and Bob Schneider, York Strand Capitol, 3/21; Keb Mo, Whitaker Center, 3/26

 

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Connected at the Heart: Valentine’s Day–Theatre Harrisburg Style

Screenshot 2014-01-31 09.38.39Could it be karma? Or perhaps coincidence? Or maybe just foresight and good planning.

For couples in love or those with stars in their eyes, it appears that Theatre Harrisburg has planned an event so perfect in its conception that it’s come together like some romantic puzzle. So let’s take a look at the pieces.

On Feb. 14, Theatre Harrisburg will present “Evening of Romance.” It’s on a Friday—close to the weekend and absolutely perfect for those lovers or wannabes who wish to express what’s in their hearts for their significant other. Feb. 14 is Valentine’s Day. Remember?

“Evening of Romance” will take place in Uptown Harrisburg at the Jay & Nancy Krevsky Production Center, 513 Hurlock St. No big deal, right? But it is.

“It is appropriate that this event is being held here, named after a couple who met in this building, fell in love and married,” says Samuel Kuba, executive director of the theater. “Jay and Nancy’s passion for each other and Theatre Harrisburg has never diminished after all these years.”

Are you beginning to notice a theme here? Okay. Stay focused. There’s more.

Doors to the event will open at 6:45 p.m. There’ll be complimentary champagne, a gourmet dessert buffet and flowers and candy for each guest. No need to rush out and get the obligatory (and somewhat boring) heart-shaped box of chocolates and wilting posies. Theatre Harrisburg takes care of all that for you, and it’ll all be quite artistic. Additionally, there will be several special grand door prizes awarded. All of this amidst a sparkling draped lobby, illuminated by candlelight and decorated with fresh flowers. See? One less item to worry about in impressing that special person.

Next.

As you gaze into the eyes of that wonderful someone, you will be serenaded by songs sung by Jonathan and Beverly Hudson of Palmyra, another real-life married couple (there’s that romance theme again) with selections from Mozart’s “Don Giovanni,” “Candide” and other selections, including works by Verdi, Gershwin and Irving Berlin. All or most will surely speak to the affairs of the heart. Along with being a duet in the true sense of the word, the Hudsons have a creative connection to Theatre Harrisburg: Jonathan lent his operatic vocals to the show “The Last Romance” staged at the theater last summer which starred…wait for it… the Krevskys. Beverly starred in the 2012 production of “A Little Night Music” presented by Theatre Harrisburg at Whitaker’s Sunoco Theatre.

“Together, these two artists will generate enough musical heat to warm any heart and take the chill off even the most frigid weather,” Kuba says.

The puzzle is almost complete. Onward.

At 8 p.m. that evening, there will be a performance of the Ken Ludwig romantic farce “Lend Me A Tenor,” a lightning-fast, non-stop laugh fest that, at its core, involves several different—and sometimes unlikely—couples. One of those couples is the constantly quarreling spouses, Tito and Maria Merelli, played by—you guessed it—real-life husband and wife, Anthony and Ann Ariano. In keeping with the romance theme, all disagreements will remain on the stage and true domestic bliss will prevail. Audiences will witness every nuance because the venue’s intimate space guarantees everyone an up-close-and-personal experience.

So, could anything or any evening be more perfect? A venue named for a loving couple, sung by another loving couple, and performed by yet another loving couple. Candy, flowers, champagne, gourmet desserts, prizes, candlelight, Mozart and Gershwin. You can’t ask for more.

Wait, there IS more.

As if Theatre Harrisburg had some sort of magic wand, there will be a full moon that night.

C’mon, Theatre Harrisburg. You planned all this, right?

You did, didn’t you?

“Evening of Romance” will take place on Feb. 14, at Theatre Harrisburg, 513 Hurlock St., Harrisburg. Tickets available by visiting or calling Whitaker Center Box Office, 717-214-ARTS. “Lend Me a Tenor” runs Feb. 7 to 23.

 

 

 

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Musical Notes: Fem Feb–this month, the ladies make the music.

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I promised to balance the scales this February with leading ladies. In addition, the Millennium Music Conference returns this month to the midstate stage, hitting venues in and around Harrisburg.

One diversion from the norm is a plug in the mentionable section for a young Colombian blues player who has an affinity for central Pa. His name is Carlos Elliot Junior, and he’ll be playing on Jan. 31, barely making the February cut.

Yo Mama’s Big Fat Booty Band, Appalachian Brewing Company, 2/12, 8 p.m., $10

This band’s name is suggestive of their music—funky. Mary Frances (vocals and keyboard) leads this itinerant group around the country, evangelizing their brand of funk. “Onward!” is their most recent album, dropping in late October. The track, “Trunk Fallin’ Off,” is a blend of old school hip-hop and straight-up rap and encourages you to dance that derriere off. The album opener, “Ante Up,” is a more straightforward funk tune, employing horns and more instrumentation and relying more on the repetitious, but smooth-sounding, lyrics found in this genre. If you have the dance-bone and are in for an upbeat time, this show will be just that. 

Clannad, Whitaker Center, 2/7, 8 p.m., $29

Clannad is a New Age Celtic band, comprised of three siblings (Moya, Pol and Ciaran Brennan) and their twin uncles (Padraig and Noel Nuggan). Everyone knows the Brennan’s sister, Enya, but they were the first to blend Gaelic and pop/rock and have been rewarded for their hit tunes, “I Will Find You,” (theme from “The Last of the Mohicans”) and “In a Lifetime” (featuring Bono), selling 15 million records worldwide. Their legacy is as the forerunners of earthly/spiritual music, and Moya’s voice got quite the endorsement when Bono said she “has one of the greatest voices…ever.”

Millennium Music Conference, 2/20-2/23, venues in Harrisburg/Camp Hill/New Cumberland/Lewisberry/Duncannon

The 18th Annual Millennium Music Conference is part-educational/mentoring for young artists and a way for emerging musicians to showcase their talents. The lineup is loaded at bars, venues and restaurants in the area. Be sure to hit up their website to see the roster of events. Locally, bands will be performing at Anthony’s, The Abbey Bar, Carley’s, Ceolta’s, Midtown Scholar, Momo’s, Stage on Herr and Suba. In the past, the music has been hit-or-miss, but this is certainly a lens into the farm league of East Coast artists.

Mentionables: Carlos Elliot Jr., Stage on Herr, 1/31; Jimkata, Appalachian Brewing Company, 2/5; Roofbeams, The MakeSpace, 2/15

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Musical Notes: Music in “Man”uary–Wintertime is guy time.

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It’s Manuary here in Musical Notes, unintentionally so.

Not to worry, I will make it a personal mission next month to balance the scales. That being said, what a stellar line-up we have in the wings of our winter. I’ll be advertising The Hold Steady early (editor’s order), Keller Williams and Todd Snider. The mentionables would be stealing the headlines any other month, but be sure to do your research on those footers.

TODD SNIDER, YORK STRAND CAPITOL, JAN 6, STARTS AT 8 P.M.

This guy is prolific, writing nearly a tome of records over the last 20 years. He’s unabashedly crass in his folksy lyrics and, on-stage, his talking blues style works perfectly into his bit. Storytelling is his cash crop, and my recommendation is to stream his “Agnostic Hymns & Stoner Fables” album, a severe and honest repudiation of the 1 percent. His stoner delivery, meshed with a strong flavor of twang, makes his songs equally funny and sad.

KELLER WILLIAMS, FEDLIVE, JAN 26, DOORS AT 8 P.M.

The one-man band has put his solo act in the closet temporarily, teaming up with More than a Little for his most recent album, simply entitled “Funk.” Think George Clinton meets Talking Heads. The first cut of the album, “I Told You I Was Freaky,” is a nonsensical rhyming romp, and Keller applies this absurdity generously over the 10 tracks. Get ready for the weird and funk at this concert.

THE HOLD STEADY, ABBEY BAR (APPALACHIAN BREWING CO.), FEB 7, DOORS AT 8 P.M.

This concert, and in fact, this tour, is wholly dedicated to the memory of Harrisburg’s Mike Van Jura, fondly and almost ubiquitously known as “Jersey Mike.” The band decided to raise money in honor of this change-maker, who championed The Hold Steady via The Unified Scene, a hardcore fan board. Not only are these guys dedicating all the proceeds from this sold-out show to a foundation for Van Jura’s kids, they are kick-ass rock ‘n’ rollers. Go back to their “Boys and Girls in America” (2008) for some gritty and witty messages. And, if you can somehow score a ticket, you and a couple hundred others can uphold Jersey’s creed that “Live music can make a city.”

Mentionables:

Marc Cohn & Paula Cole, Whitaker Center, 1/11, Starts at 8 p.m.
Skogen, The MakeSpace, 1/23, Starts at 8 p.m.
The DuPont Brothers, Stage on Herr, 1/30, Starts at 8 p.m.

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City as Classroom: Harrisburg is more than just a place where schools are located; it’s a learning environment itself.

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A wide river. A rich history. Smooth government buildings balanced by planned green spaces. Meandering streets that twist and turn through Uptown, Midtown and downtown. Architecture with charisma. Harrisburg is a city worth exploring. City schools take advantage of its attributes all year long.

“We use the entire city as an extended campus,” affirmed David Rushinski, principal of Harrisburg Catholic Elementary School. He said that parents who enroll their children in the city campus note the phenomenal benefits of being next door to cultural, scientific and performance venues.

A valuable asset of Harrisburg is that it is such a walkable city.

“It’s simplified to schedule field trips almost every week to locations right around the corner such as the Whitaker Center, the planetarium or Strawberry Square to see the Popcorn Hat Players,” he said. “Plus, all of our students receive a year-long membership to the State Museum.”

St. Stephen’s Episcopal School on Front Street uses its picturesque spot in the city as a resource for several aspects of learning, from simple to more complex. Fall mornings are spent playing in Riverfront Park during recess.

“We don’t have a huge campus, so we are especially vigilant in how we use the space and the community around us,” said Ellen Konkle, development and alumni coordinator for the school.

The students enjoy walking to the Dauphin County Library, where they sign up for library cards and spend afternoons at the YMCA for swimming and gym class. “The takeaway is that it makes our students grateful for being an integral part of a community,” she said. “They learn civic responsibility by appreciating city parks, knowing that they are invested in making public space a nice place to enjoy.”

This is the next generation of city leaders, according to Konkle, and the valuable insight they gain from every day experiences in a cultural city boosts all levels of learning. “Also, the use of city resources in our curriculum is one of the most unique factors about St. Stephen’s and one that many alumni recount as a reason they think so fondly of their days with us.”

Caleb Smith, film and video teacher at Capital Area School for the Arts Charter School (CASA), said that, in his curriculum, students work on a variety of video projects, including narratives and music videos.  

“Location makes a strong impression when used correctly, and, rather than having all the scenarios take place in locker-lined hallways, we use the city as our classroom with a large variety of close places,” he said.

For example, students have used Riverfront Park and the Walnut Street Bridge for recognizable and nature-oriented locations, he said. The Capitol steps down to 2nd Street provide an older look for shoots, while the modern buildings around Strawberry Square evoke yet another mood.

“The city is our classroom and also the location and background to almost all of our productions,” he said.

 

Books & Bridges

If writing is a student’s passion, there’s no need to venture far to find the perfect place for inspiration.

“Creative writing typically takes a ‘field trip’ to the Midtown Scholar Bookstore, where the writers get to explore the plethora of books,” said CASA creative writing teacher Ann Stewart. “When we enter, someone invariably notes, with a near-swoon, the aroma of musty books, pungent coffee and polished wood. To a writer, that’s heaven.”

The river along Front Street is a strong source of inspiration as well, remarked CASA dance teacher Rosemary Battista.  Dance students visit the river every year to observe nature: not only the power of the water, but also the peace and tranquility that it provides.

In addition, students often comment on the bridges and relate their lines and form to the shapes they make when they dance. Often, the students create strong, emotional choreography from the contrast of the city noises and the quiet beauty of nature, she said.

Jackie Kosoff of Hershey graduated from CASA last year and is now majoring in dance at Montclair State University in New Jersey. She attests that the exercise by the Susquehanna provided an energetic muse. 

“It opened my mind to a new way of thinking and finding a source for inspiration,” she said.  “We take that experience and remember not to limit ourselves. It is a lesson that I carry with me now and will use in my studies. And it started as a quiet time taking notes on the energy of Harrisburg.”

The river is also used for scientific lessons to educate students on the history of floods in the region. Harrisburg School District pupils studied the high water mark from Agnes and tied the experience to a unit on weather, climate and watersheds, learning the causes of floods and how to be prepared.

In fact, nature provides many opportunities for students to get out and about in the city.

CASA students spent a day identifying native Pennsylvania trees on the Capitol lawn using keys provided by the state Department of Conservation and Natural Resources. Meanwhile, Camp Curtin School students celebrated the 25th anniversary of Arbor Day last spring with the Harrisburg Department of Parks, Recreation & Enrichment at the Italian Lake band shell. They were able to assist and learn more about the important effect trees have in our communities and how urban and community parks provide value.

Speaking of nature, Harrisburg’s Math Science Academy partners with Harrisburg Inner City Outings, a local nonprofit, to provide life-changing experiences for Harrisburg youth.

“Over the last seven years, we have completed more than 70 outings with 300 or more Math Science Academy students participating in the program,” said teacher Judd Pittman.

He said that Harrisburg students have hiked to Hawk Rock and Pole Steeple and paddled the Susquehanna and Juniata Rivers. 

Students also participated in The Sierra Club-sponsored Susquehanna River Clean Up and Friends of Midtown’s annual fall clean up.

“The students have gained a deeper appreciation regarding their impact on and relationship with the natural world,” said Pittman. “The experiences students have on Saturdays are often expressed through blogs and student-generated write-ups in the school newsletter, bringing full circle the connection between school and the opportunities afforded our students through Harrisburg Inner City Outings.”

  

Lessons from the Past, Present

The Harrisburg Cemetery sits in somber contrast to the spirited stories of former city residents buried there. Here is where local historian George Nagle brings tales of mid-1800s Harrisburg abolitionists to life for local high school students. A member of the Camp Curtin Historical Society, Nagle leads a field trip each fall to teach about people who were critical national figures in the anti-slavery argument raging during the pre-Civil War era.

Harrisburg Academy senior Hannah Shea of Susquehanna Township attended the cemetery field trip to one of the city’s best-kept historical secrets. “It really put the stories of past national debate in context for me,” she said.  “People from Harrisburg influenced the anti-slavery movement and participated in the Underground Railroad. I gained a deepened understanding from learning in such a meaningful atmosphere.”

Harrisburg Academy’s original location was the John Harris-Simon Cameron Mansion. “Our entire school community still returns to the city for our holiday concert at the Forum featuring student performers and for our commencement ceremonies at the Scottish Rite Cathedral,” said Kristina Pae, director of communications for the school.

Academy students of all ages participate in field trips in the city, including performances at the Gamut Theatre and the Scottish Rite Theatre, attendance at the Farm Show, tours of the state Capitol and visits to the Rachel Carson Building for presentations about the peregrine falcon banding. They go on walking tours of historic Uptown Harrisburg, visit the National Civil War Museum, explore the Susquehanna River, attend the Capital Area Science & Engineering Fair at Whitaker Center and watch educational films at Midtown Cinema.

In addition, each graduating senior concludes his or her final year with a three-week internship at a local business or organization.

“The resources of the city are readily available, and companies are willing to reach out in partnership to the school,” said Pae.  

In 2012 alone, students interned at the State Street Academy of Music, Harrisburg Law Bureau, Pennsylvania State Museum, state Bureau of Forestry, Kutztown University Small Business Development Center, Equality PA and the East Shore YMCA, she said.

Other resources in the city offer a social and community service aspect to learning for all students.

For instance, the Harrisburg School District partners with local organizations to provide weekend food for needy families through the Power Pack program, sponsored by PinnacleHealth and the Central PA Food Bank. The life skills classroom at Camp Curtin bags the food, which is then picked up by the district courier, who delivers it to the schools.

“A bag full of non-perishable food goes home every Friday at the end of the school day to families who need extra help with food because sometimes some of our students do not eat on the weekends and come to school on Mondays starving,” said Laura Bloss, Harrisburg School District’s homelessness liaison.  “This relates to curriculum in many ways. When our students have food and healthy nutrition, they are able to focus better in school. Also, our Life Skills students do the packing of the food, so they are getting skills for work like they would at a grocery store by keeping inventory and keeping track of the bags that are filled.” 

Harrisburg schools also work with The Highmark Caring Place, which champions the cause of grieving children by creating awareness of their needs, providing programs for them and their families, and empowering the community to effectively support them. 

“The Harrisburg High School SciTech campus has been sending a group to Highmark for several years, and it is one of our most popular partners for the students,” said SciTech Community Partnership Development Director Doug Reitz. “SciTech students help with the children’s grief center where young children are provided counseling to help them cope with the loss of a loved one.  We send a group each month of the school year for community service work.” 

Opportunity for learning abounds throughout the city, and every destination seems to be right around the corner.

“A hands-on experience of learning always trumps traditional classroom work,” said Harrisburg Catholic’s Rushinski.  “We are fortunate to have a wide array of opportunities this city offers us.”

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Musical Notes: Seasonal sounds, different takes on the Yuletide.

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Hark. The show goes on in December, so here are a few holiday offerings. Jeffrey Gaines is our only exception—a hometown hero and a holiday present. So, rock round the clock (and your Christmas tree) in this final month of 2013.

 

The Celts, Whitaker Center, Dec. 5, doors @ 7:30 p.m.

The Celts are a straight-out-of-PBS special: Irish jigs, the flute, the fiddle, and the folksy tunes of these Irish-born musicians will bring their traditional set of holiday favorites to Whitaker Center. The “Christmas with the Celts” CD will give you a taste of their seasonal selections. Standards, such as, “O Holy Night” and “Little Drummer Boy” will be played, and others of Irish origin will be on tap, as well.

 

Tim Warfield, Strand Capitol, Dec. 21, doors @ 7:30 p.m.

A York native, saxophonist Tim Warfield and his impressive band, featuring Terell Stafford, will rely less on scat for this performance and more on the solid sounds of holiday faves. Expect some creative arrangements of “Silent Night” and “Joy to the World.” Warfield has appeared on The Today Show and Bill Cosby’s You Bet Your Life, where he was member of the house band. His presence in the central Pennsylvania jazz scene is prominent, being a board member of the Central Pennsylvania Friends of Jazz and now artist-in-residence at Messiah College. 

 

Jeffrey Gaines, Appalachian Brewing Company, Dec. 28, doors @ 8:00 p.m.

Jeffrey Gaines has been playing the Harrisburg circuit for more than two decades, yet he’s known nationally and internationally for his ruminative songs on love. His claim to fame occurred after his cover of “In Your Eyes” hit a mainstream audience in the early ‘90s. Since his self-entitled debut album in 1992, he’s put out four other full-length albums.  His ostentatious attire and make up on stage is in direct contrast to his throaty, yet soulful, voice. His songs are schmaltzy but grounded in theme. Start off with his classics, “Fear” and “A Simple Prayer,” for a taste of his talent.

 

Mentionables:

David Bazan, Mechanicsburg, (location revealed upon purchase), 12/2, doors @ 8 p.m., purchase tickets @ The Undertow.com

Stop Making Sense (Talking Heads Tribute), Appalachian Brewing Company, 12/7, doors @ 9 p.m.

The Irish Tenors, Strand Capitol, 12/8, doors @ 7:30 p.m.

 

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Last Blast: Hot sounds then a cooling trend.

We’re winding down the summer with a strong and varied lineup.

Soak up the last of the summer at the FedLive festival, catch an up-and-comer in Pokey LaFarge and start to make your way into fall with modern bluegrass/folk bands, American Opera and The End of America.

BIGTADOO, FedLive, Sept. 1, 6 PM – 2 AM

A one-day music festival with 20 bands and four stages fills our newest concert venue in town, FedLive. They’re keeping it fairly local for the Labor Day weekend shindig. Hailing from York, Dana Alexandra brings her sexy pop and frequent road miles back to her homeland. Kate Glorioso is another female act from York, delivering an equal amount of depth in both her key playing and vocals, recently performing at WXPN in Philadelphia. Chelsea Caroline, a Harrisburg resident, is coming off her successful Kickstarter project, prepared to offer up her sultry sounds. The Dead 50s drive a different engine, releasing a high-energy punk element into the festival. And Ducky & The Vintage, Joy Ike and another modern folk act, Canyon, round out my recommendations.

Pokey LaFarge, Appalachian Brewing Company, Sept. 23, 8 PM

Pokey LaFarge, a St. Louis-based artist, is a multi-genre genius, dipping his creative musical toes across the American roots. Blues, ragtime, early jazz and western swing are all present in his four-album career. Last month, he released his self-titled album on Jack White’s label, Third Man Records, and recently collaborated with White on his album, “Blunderbuss,” while also being featured on HBO’s acclaimed show, “Boardwalk Empire.” Pokey’s reputation is rising and is a fresh pick if you like music that has echoes from a bygone era.

American Opera/The End of America, The MakeSpace, Sept. 26, 8-9 PM

A perfect pairing of folk bands, American Opera and The End of America synch into the musical era of 20-somethings trying to reclaim their national identity through sound and song. They are the type of acts you want to listen to while sitting on hay bales and drinking hard cider. The MakeSpace venue is the perfect informal homestead to take in their tunes. Be sure to listen to “Broken Roads” by American Opera and The End of America’s rendition of Beck’s “Please Leave a Light on When You Go.”

Mentionables: Sept. 19, Ana Popovic, Whitaker Center, 7:30 PM/ Sept. 21, The Dirty Sweet, Appalachian Brewing Company, 8 PM/Sept. 23, Zula and Starlight, The MakeSpace, 8 PM

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Show Tune Showcase: Casts combine talents for “Summer Salute.”

TheBurg_choraleThe country charm of Lebanon, Pa., may have little in common with the hustle and bustle of Harrisburg. But this month at Whitaker Center, Theatre Harrisburg and The Alumni Chorale of Lebanon Valley College will join forces to present “A Summer Salute to the Best of Broadway Musicals III.”

Along with hits from “My Fair Lady,” “Oliver” and a host of other toe-tapping tunes, the performances will feature small group and small ensemble numbers from musicals such as “Avenue Q,” “Smokey Joe’s Cafe,” “Chicago” and “The Secret Garden.”

Steven L. Flom, president of the Chorale, admits that it was tough to choose from the vast Broadway songbook.

“The first problem is that we have an embarrassment of riches when it comes to talent for the ‘Summer Salute,” he says. “This is not an auditioned concert; these musicians are hand-chosen because of their vocal and performance prowess. It is our task to showcase them as best we can to bring some of the greatest Broadway songs to life on our stage.”

The “Summer Salute” was the brainchild of Flom and the Chorale’s artistic director, Gregg R. Mauroni. Because arts organizations always have financial challenges, the two had decided to do a fundraiser similar to the one they had been doing for Central Dauphin East High School, where Mauroni is choral director. They approached Sam Kuba, Theatre Harrisburg’s executive director, with the “Summer Salute” idea, and it was full steam ahead.

This year marks the third installment of the “Summer Salute” and the performance partnership of the Theatre and the Chorale, known for its tight harmonies. The first year attracted a modest but enthusiastic crowd, Flom says, and, by year two, audiences were begging for more.

“When we program the show, our goals are to wow the crowd and challenge the performers to create a great evening of music,” Flom adds. “We were thrilled to hear that the audience wanted more. Spoiler—they will get it this year.”

Twenty Broadway shows are represented in this year’s program, and there are no solo performances. Flom predicts that “Titanic will be a showstopper. “It is vocally stunning and, when attacked by our 70-plus cast, the result is spectacular.”

While the drive between Lebanon and Harrisburg approximates 45 minutes or more depending on the time of day and motorists’ attitudes, these two arts organizations have closely shared talent for many years. Both Flom and Mauroni have worked behind the scenes and on stage for Theatre Harrisburg; one noted founding member of the Chorale, Thomas Hostetter, was Theatre Harrisburg’s artistic director for 28 years.

“He has been part of the backbones of each organization,” Flom says. “Other examples include Joe Gargiulo, who is a long-time member and business manager for the Chorale and who recently performed with Theatre Harrisburg in “Music Man” and “Urinetown.” And the Chorale is enjoying new members like Mandi Krepps, Rick Graybill, Kate Roksandic and Marisa Keener, who were introduced to us through Theatre Harrisburg.”

Flom has a special place in his heart for Broadway and recalls that the first show he ever saw in the Big Apple was “Cats.” Being very young, he didn’t have a clue as to the meaning of it all, but he was enthralled with what he had witnessed and was sure he wanted to be a part of it. He’s made that dream come true. His work as a director and/or choreographer has been featured on Theatre Harrisburg’s main stage every season since 1999. He also serves as resident director/choreographer for Cumberland Valley High School.

So what can audiences expect from “Summer Salute,” a Lebanon/Harrisburg collaboration? Flom says they will be entertained by one of the greatest gatherings of vocalists in song and dance performing both familiar and unexpected Broadway repertoire.

“Be on the lookout for murderers, puppets and even a fiddler on the roof, all rolled together to delight our audience,” Flom promises.

 “A Summer Salute to the Best of Broadway Musical III” will be performed on Aug. 10 at 7:30 p.m., and Aug. 11 at 2 p.m. at Whitaker Center for Science and the Arts, Harrisburg. For tickets, phone 717-214-ARTS or visit www.whitakercenter.org.

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A Legend Visits: Guitar god Jorma Kaukonen makes a stop in Harrisburg.

Veteran rocker and blues guitarist Jorma Kaukonen has had the kind of career that most musicians only dream about.

He was part of the early ‘60s San Francisco folk and blues music scene where he jammed with the likes of Jerry Garcia and Janis Joplin. He was the lead guitarist for Jefferson Airplane, a rock band best known for the hits “Somebody to Love” and “White Rabbit.” He was inducted into the Rock and Roll Hall of Fame. And he founded the legendary band Hot Tuna—still touring after 40 years.

Now 73 years old, Kaukonen doesn’t show any signs of slowing down. One of his newest projects is a music instruction camp—The Fur Peace Ranch, which he runs along with his wife Vanessa. Situated in beautiful rural Ohio, the camp provides a unique opportunity for aspiring musicians to learn from him as well as a team of prestigious musicians, which this season includes Happy Traum, Patty Larkin, Chris Smither and Rory Block.

During the next couple of months, Kaukonen has a heavy touring schedule, playing 25 gigs in cities along the East Coast as a solo artist or with Hot Tuna. He’ll be making a stop in Harrisburg, where he’ll play a concert with the band at Whitaker Center on July 26.

I had a chance to speak to Jorma Kaukonen recently about the upcoming Whitaker Center concert, his musical influences and the Fur Peace Ranch.

TheBurg: Hot Tuna has been around for so long that I’m sure that many people in our area are familiar with your music, but, for the uninitiated, what would they expect to hear at a Hot Tuna concert?

Kaukonen: Our style is extremely fundamental—roots, Americana music. We’re not a straight blues band. We’re really not a straight anything band, but the blues is an incredibly powerful muse for us. I’m fond of gospel music, so there are some spiritual songs involved, as well as songs that I have written. Our bass player is Jack Casady, of course, who I’ve played with for many years. So, what you’re going to get is a cross-section of stuff that Jack and I have been doing for the better part of our life really. We also have Barry Mitterhoff, who’s a great mandolin player. He plays an electric mandolin, which is a little bit of an odd instrument to begin with, and he’s a master—the best that I know.

I think what Jack and my buddies and I bring to the table is a test of time rather than a specific style of music. We play the music that we love and have loved for a number of years, but it has evolved. We don’t constantly have to re-create ourselves in a moment in time.

TheBurg: You have a lot Hot Tuna music available on your site. Would you recommend that people take a listen to those before attending?

Kaukonen: We have a large body of work, and it’s great if people are familiar with it. I think they’d be happy going in cold—obviously we’d be thrilled if they listened to some of our download or some of our YouTube stuff.

TheBurg: I’ve read that the music of the Rev. Gary Davis has been very influential for you. Who was he, and why was he so significant?

Kaukonen: In my opinion, Rev. Gary Davis is one of the most important figures of 20th century American music for a number of reasons. One of them was as a guitarist. His style was incredibly complete. He was able to re-create on the guitar what you would hear on the left hand and the right hand of the piano. He was also such a lover of life—even when he sang a song like “Death Don’t Have No Mercy,” there is always a hint of redemption at the end of the road. For people who are interested in guitar and songwriting and stuff like that, he’s a “must listen.”

TheBurg: The Fur Peace Ranch sounds like a terrific place to go and immerse oneself in music. What’s it like?

Kaukonen: We have fabulous instructors, great concerts and all that kind of stuff, but almost more important than all that is the atmosphere. The Fur Peace Ranch is on a 123-acre farm surrounded by other farms. You get there on a single lane dirt road. We have our 200-seat theater—we have cabins for people who are staying there—but we’re not hooked up to TV. People are there to create that musical community that is so important to all of us—and it seems to happen every single weekend.

It’s been really important for us to make the learning process unintimidating—people can come and play at any level really. And it’s not just guitar. We have classes in bass, lap steel guitar, you name it. In my opinion, there is no better way to communicate than through music, and that’s what happens at the ranch.

TheBurg: Anything crucial that I missed?

Kaukonen: I’d just like to encourage people to come and hear us play. Hot Tuna is so fortunate. We’ve been around a long time, as you know. But our fans—God bless them—have allowed us to change and encouraged us to expand. It’s been an unbelievable run.

Jorma Kaukonen will play Whitaker Center on Friday, July 26. Tickets are available online at www.whitakercenter.org or by calling 717-214-2787.

To learn more about Hot Tuna, visit www.hottuna.com or www.youtube.com/user/FurPeaceRanch

 

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