Tag Archives: Amy Trout

HMAC employees, patrons speak in support of venue, ask City Council for help

HMAC

Employees and patrons of a Harrisburg music venue on Tuesday asked for City Council’s help to keep its doors open.

Harrisburg Midtown Art Center (HMAC) earlier today announced that it would close, saying that it cannot get essential operating licenses after failing to pay entertainment taxes.

During council’s work session, over a dozen residents indicated that they were there in solidarity with HMAC and spoke on behalf of the venue during public comment.

“HMAC has approached the mayor and the city solicitor with a concrete plan to pay the taxes owed and despite HMAC’s attorney reaching out, neither the mayor nor the city solicitor have responded, I believe for two weeks,” said resident Julia Tilley. “The only comment that was made that was shared with me was that the administration really doesn’t care if HMAC closes. Now I really can’t believe that anybody would’ve said that, but if they did, if it is true, I think it is a pretty terrible position for a city that is hemorrhaging restaurants and other businesses.”

According to John Traynor, one of the concert venue’s co-founders, HMAC has been closed for two weeks, not being allowed to operate without essential licenses, like health and mercantile licenses.

City Solicitor Neil Grover told TheBurg that HMAC owed a “substantial” amount of unpaid entertainment taxes and said that this is an “issue of their making.”

Traynor shared the same sentiments as Tilley, that HMAC has attempted to work out the issue with the city, but hasn’t received a response. Grover told TheBurg that HMAC’s offer, as of last week, constituted “pennies on the dollar” for what it owed.

Tilley urged council to look at the city’s amusement tax rate of 10% per ticket sold, which, she said, is higher than Philadelphia and New York City.

Amy Trout, co-founder of the Blacklisted Poets of Harrisburg, which hosts events at HMAC, said that her group found a home at the venue.

“It is the only venue in this city that has ever made us feel welcome and wanted and appreciated,” she said. “And I think it is so important to support the arts.”

Another man, who said he is a local promoter who hosts events at HMAC, said that Chris Werner, an HMAC principal, gave him a chance.

“I hope that there’s an answer because if there isn’t and HMAC closes down, I have to figure something out,” he said. “I started from the bottom there.”

Another woman who used to work for HMAC said that working at the venue gave her “purpose.”

“We want to stay working in the city, we want to stay living in the city, and a lot of us, it’s a very real possibility that we’ll have to leave the city both as residents and workers […] We want to stay and we love our city very much.”

Werner’s daughter even stepped up to the mic to share how her father’s business impacted her.

“HMAC has always been my safe place and where I felt the most protected,” she said. “It’s where I see my future. It’s where I learned everything. While most kids grow up trying to figure out their future, I’ve always known.”

Several council members expressed their support for city businesses and said that they would look into the situation with HMAC.

“I don’t want to see another Harrisburg business close. I really hope that we can all work together, we’re all adults in this room, and find a solution because I don’t think any of us can afford for another Harrisburg business to close,” said council member Jocelyn Rawls.

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Every Thursday night, Blacklisted Poets group brings words to life off the page

Blacklisted Poets cohost Amy Trout reads a poem at HMAC.

“It’s very bright up here tonight, guys, and it feels really weird,” laughs poet Amy Trout from a dimly lit  Stage on Herr at HMAC.

She shakes it off and puts another hand on the mic.

“Okay, I’m going to read one that I’ve read a few times. I wrote it this spring, but I’ve been really working on this poem, so you’re going to hear it again,” she tells the crowd of 20 on a frigid December Thursday night.

She jumps into verse. Basking in the glow of a fireplace projected floor-to-ceiling onto the wall, people nod along with her, as if to say, “I’ve been there too.” They smile at quirky lines. When she’s read the last word, she hits a bell on the podium to mark the poem’s end.

The echo of footsteps leaving the stage, cloaked by applause, say: It is time for the next speaker.

Trout, and her friend and fellow poet Anna Jones, are the cohosts of Blacklisted Poets, a Harrisburg poetry reading group that meets every Thursday at 8 p.m. In the winter, hidden away in HMAC’s basement. In the summer, out in the open in the venue’s courtyard.

“We accept any kind of poetry, any genre, any form,” Trout says.

Founded by the late Harrisburg poet Marty Esworthy as “the Almost Uptown Poetry Cartel,” the group has been meeting on the same night now for roughly 30 years. In 2021, Trout and Jones took over the group.

They changed the group’s name to mark its new era. Its “Blacklisted” title is a nod to how the group bounced between venues early after the takeover, reading at places like coffee shops, delis or bookstores.

They eventually found a home at HMAC where Trout’s husband, Kevyn Knox, is a manager. Its late hours are a plus for the poets. Because the venue is open until 2 a.m., they can read a bit past their 10 p.m. end time, if needed.

Jones reveres how the group has naturally attracted a diverse following.

“It’s one of the only places in this city where you have people of all backgrounds, all ages, all cultures,” Jones says.

She herself is a transplant from England, who came to Harrisburg in 2008. The following year, she took a class at HACC with Rick Kearns, the current poet laureate of Harrisburg, who suggested she come to the group to socialize with other poets.

As she recalls, doing so marked a big turning point in her life.

“This poetry reading legit saved my life when I first moved to the country,” Jones says.

She’s made countless lifelong friends through the group and regards its continued Thursday night occurrence as a form of tribute to her late mentor, whose values, she says, remain at the group’s core.

“His passion was the fact that poetry is supposed to live off the page. It’s an oral tradition. It goes right back to Beowulf, to the Middle Ages, to stories told around campfires,” Jones says.

She says too many people think of poetry “as just being in books.”

“Saying something out loud is so much more powerful than just writing it down,” she says.

Trout brings up another rule of Esworthy’s—never apologizing for your art. The forum of the readings fosters an energy of acceptance.

Poets at the reading bring life experiences of all kinds to the stage.

One poet tells of a challenging predicament: getting a court summons in the mail, months after a car crash that seriously injured her back. It took her months to physically recover from the wreck. She tells the crowd, in poetic verse, how she is now being charged for drug possession for THC found in her car’s glove compartment. Her boyfriend’s THC by the way, she says.

She worries the charge could impact her nursing license. She curses the male driver who stopped in front of her in a fit of road rage, upending her life.

Another poet examines her past self. Line by line, she wonders if she would have ended up with her abusive ex-husband if she wouldn’t have been sexually assaulted at a teenage party.

Jones says the nature of poetry is that it often brings such emotional subjects to the forefront.

“People talk about holding space—that’s what poetry does,” Jones says.

This offers poets a chance, Trout adds, to get to know each other better and ultimately, offer support.

“Nobody in this room will ever be mean to anybody about what they read or judge them,” Trout says. “If anything, they’re overly supportive of whatever people are reading on-stage.”

Another poet, Abbie, agrees.

“I call this my weekly therapy,” she quips.

When Trout and Jones talk about what Blacklisted Poets means to them, they talk about community. Because people introduce themselves to the crowd when they go up to the mic, it doesn’t take long for people to become “regulars.”

The group is ever-changing. New poets show up every week, some stick around. Some become entrenched in the community.

“We ask everybody their name. We talk to everybody. It’s very community-oriented,” Trout says.

“In the nearly 30 years I’ve been doing this, I get more inspiration for new poems from listening than from anywhere else,” Trout says.

The group boasts several veteran members who have been coming for upwards of 20 years.

“Most of my closest friends in the world came from this poetry reading in one way or another,” Trout says.

After two hours and more than a dozen poets, walking the line between heartbreak and humor, Jones gets up to close out the night. She tells the group how much she appreciates them. She thanks them for coming out and sharing what was on their minds.

“It took bravery, it took strength, it took energy,” Jones says. “This is one of the best parts of my week.”

With that, she introduces the night’s final poem. It’s about her creative path. It winds through lives writing novels, or plays, or designing costumes—that she could never pursue.

“This is about being a poet,” she says. “This is called: ‘I’m not for you.’”

The Blacklisted Poets meet at HMAC on Thursday nights. For more information, visit the group’s Facebook page.

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Poetry in HBG: Local poets heal, find meaning through putting pen to paper

Erika Eberly

Picture this. A poet finishes reading her newest work in a dimly lit basement. The audience doesn’t snap, as is customary for these kinds of gatherings, but just claps. Revolutionary. It’s almost poetic in itself.

The not snapping, the plastic-cup-of-alcohol drinking, the incense burning—it all sets the scene for Thursday nights at H*MAC in Midtown Harrisburg.

On my right sits a guy in a hoodie and trucker hat, on the left, a young woman in a cheetah print dress and cheetah print jacket, and across the room, an older man in a matching set—fur hat, fur coat and fur leg warmers.

Amy Trout

The self-professed “leader of this ragtag group,” Amy Trout, steps onto the stage in her pink beret hat. She recites a poem that starts out about men bothering women at a bar and ends with the scathing realities of sexual assault and its victims who aren’t always believed. She speaks intentionally fast and passionately. And then, ding. She taps the bell on the string-of-lights-wrapped podium, signifying the end of the poem.

Ringing the bell is one of only two rules of the poetry-reading group. The other is that you can’t apologize. Throughout the night, only one person slips up on that rule, and the group catches it. Lastly, the readings are uncensored—a fact that the group seems to take pride in, that you can get on stage and say whatever you want. You have a captive audience.

These are the Blacklisted Poets of Harrisburg, a group that Trout formed as a continuation of the former Almost Uptown Poetry Cartel, which ended in 2021 when its organizer retired.

One thing I learned from the Thursday night reading was that poetry takes many forms and is very diverse in its expression. That’s something you’ll see evidenced in the Harrisburg poets featured in this story. However, poetry seems to serve mostly the same purpose for writers—it’s therapy. And after the past few years that we’ve had, who couldn’t use a little therapy?

 Cathartic

Thursday night’s poetry reading covered every topic—the backstabbing ex, the loss of a loved one, the love affair and entitled men. Ding. Also mental health, science, pregnancy and God. Ding. Then some that either I wasn’t artsy enough to comprehend or just didn’t quite make sense. Ding.

Anthony Honorowski, aka hoodie guy, was the third to step on stage after science poems guy.

“When you come here, you can let it out and express anything you want,” Honorowski told me earlier that night.

That hasn’t always been his experience, he explained, especially during his time in the military.

“It’s very ‘grin and bear it,’” he said. “A lot of stuff gets bottled up.”

At the reading, he shared a poem about a girl who he met in a psych ward.

Honorowski, now an EMT, has seen how the pandemic has affected mental health—it’s affected his own. What was already an issue for him, caused him to spiral during COVID. But through the poetry group, he found release.

“It was a very liberating experience,” he said of his first time reading in front of the audience.

Erika Eberly has had a similar experience. She’s been part of the poetry group since 2017, when it was still the Almost Uptown Poetry Cartel, although she’s been writing since she was 7.

“Poetry has always been a way of getting something out there,” she said. “It’s cathartic, releasing and healing.”

Eberly is also a local actress and has performed with Harrisburg’s Narçisse Theatre Company. But there’s something about the vulnerability of poetry that allows her to fully express herself, she said.

“I always tried to put on a happy face,” she said. “But it’s good to lay yourself down naked sometimes.”

 

Juelz teaching poetry classes.

Literary Legacy

As opposed to the Blacklisted Poets, oftentimes, Harrisburg-native Julian “Juelz” Davenport’s one rule is to censor when reading poetry. It makes sense since he’s regularly reading to young, impressionable minds at local schools.

Davenport has published several poetry books that share his experiences growing up in poverty, witnessing violence and spending time in prison, among other things. He writes to heal himself, but also to help those in the same situations that he once was in.

“I don’t want the kids to go through what I once went through,” he said. “I wish I knew then what I know now.”

Davenport has taught poetry workshops at several area elementary, middle and high schools, including the recently opened STEAM Academy charter school in Harrisburg and Milton Hershey School. He has also visited several juvenile detention centers and youth programs.

“What I’m teaching them is to take what’s inside them and to bring it out,” he said. “I didn’t know how to place my feelings when I was younger. A lot of them are experiencing the same things.”

Davenport even wrote a poetry book specifically for children that encourages kids to have dreams, to stand up to bullies, and accept their peers despite differences.

Davenport has big plans for his poetry and brand, IME Vision, with new books on the way and plans to continue teaching poetry classes to adults and students.

But it all started when he first put pen to paper, as a young man writing letters to his father in prison.

Basil “BooBee” Talib had a similar experience of writing to incarcerated family members.

The Brooklyn, N.Y., native had a rough childhood, he said. His mother died when he was 5, and he never really knew his father.

Talib’s “Aunt Easy” raised him, cared for him, and taught him how to face his fears, he said. She also taught him street smarts: never touch someone’s food, money or girl. Those come in handy, he said.

In his youth, Talib fell in love with the works of writers like Langston Hughes and Malcolm X. They sparked something in him, and he began to write poetry himself.

“I felt like that was the only person that listened to me—that paper,” he said.

When Talib was incarcerated, he continued to write, sharing spoken word poems with other inmates and writing for the prison newsletter.

“In my poems, I share things that I would’ve never shared,” he said. “Without poetry, I would be a ball of rage.”

These days, Talib is a single dad of two sons and coaches their basketball team at the Camp Curtin YMCA in Harrisburg. He has written eight poetry books and speaks at churches, retirement homes and nonprofits, among other places. He has also participated in the American Literacy Corp.’s “500 Men Reading” event. And if you ever ride the public bus in Harrisburg, you might find one of Talib’s poems resting on a seat. He tends to do that, his son Zahkee told me—carry a bunch of print-outs around in his backpack, leaving one here or there for someone to find. Talib just wants to inspire.

“I’ve done so much negative in my life, but why can’t my legacy be positivity?” he said. “When I talk to people, I want to make a lasting impact.”

 

Gardens

Back at H*MAC, the bell dings again. One poet leaves the stage, making room for Taylor Lagyak. When she first joined the group, she had just given birth to her first child and needed a creative outlet. The first time she read a poem, she spoke fast—she was nervous. During a critique group, the other poets advised her to slow down, that they couldn’t understand what she was saying.

But she’s come a long way. On Thursday night, she recites her poem, “I Don’t Need No Hype Man.” It’s all about confidence.

American poet Marianne Moore once said that “poetry is the art of creating imaginary gardens with real toads.” What has inspired a lot of the Blacklisted Poets, as well as Davenport and Talib, is real pain, mistakes and trauma. It’s even what brought most of them to poetry in the first place. But through poetry, on their terms, they’ve turned those toads into gardens.

A selection from Davenport’s poem, “Young Entrepreneur,” exemplifies this:

Something in us sets us apart from the rest.

Ambition is key to the ignition for what beats in your chest.

Failure is just a fuel for actions or just a tool to build every vision that’s been

thought up by you.

I dropped this little note to keep you on your path.

Go get it!

Be persistent, create your own thing and make it last!

Ding.

For more about Julian “Juelz” Davenport and to purchase his books, visit www.iamjuelz.com. To contact or book Basil “Boobee” Talib or purchase his books, email him at [email protected]. For more information on the Blacklisted Poets of Harrisburg, find them on Facebook.

 

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Playing Now: Change unfolds at a rapid clip at Midtown Cinema

Screenshot 2013-09-30 00.03.39Maybe it’s been awhile since you last visited Midtown Cinema, Harrisburg’s very own art house movie theater.

That wouldn’t surprise Adam Porter, the cinema’s new director of operations. Since he took the helm a few months back, lots of folks, often people from the neighborhood, have popped their heads in for the first time in years.

“A lot of the local people have made a point to see what’s new,” said Porter. “We’ve been getting rave reviews for what we’ve started.”

So then, what is new? Plenty, as it turns out.

Perhaps most significantly, Midtown Cinema is undergoing a general upgrade, along with a transition from 35mm film to digital projection. The adoption of digital will greatly expand the cinema’s access to film libraries, allowing it to offer themed series throughout the year.

“We’re going to start several series that people can buy packages for,” explained Stuart Landon, the cinema’s new director of community engagement. “We’re hoping to acquire the rights to the films from American Film Institute’s ‘100 Years… 100 Movies’ list, we’re looking at bringing a series of documentaries in, and lastly, a children’s series of Saturday morning cartoons so we can get the younger crowd in here, as well as children of all ages.”

The most dramatic transition will occur from Oct. 18 to 24.

“On top of transferring to digital, we’re going to be upgrading our facilities. The screens, the curtains, the acoustics and the sound system all will be improved,” said Landon. “We’re looking at getting better lighting, as well. It’ll be a really fun week for us with a ton of work to do, and our membership program will be kicking off at the same time.”

Membership will provide customers with discounted tickets, as well as perks including vouchers for free popcorn, gift passes and invitations to VIP events.

Midtown Cinema will keep at least one screen open at all times during the work, holding a mini-festival of B-movies.

“While we’re moving to digital, we’re going to have a whole week of double features at a low cost,” said Landon. “We’d love for everyone to come out and help celebrate our future at the Midtown Cinema, as we show all these fabulous films from the past.”

Porter and Landon have been running the show since June, after owner GreenWorks Development changed management teams.

“It was apparent that there needed to be a team instead of just one individual at the helm,” said Porter. “I’ve known Stuart personally for a long time, and our combined skill sets should result in quite a big change here.”

Porter‘s experience in creating environments suited to customers’ needs has informed Midtown Cinema’s renovation efforts. The team has already begun responding to customer requests through rescheduling the theater’s show times.

“We have loyal patrons, and we’re listening to what they ask for,” said Landon. “Some have asked for earlier matinees, specifically on weekends, and it was difficult for others to get from work to a 5:15 showing. We’re making the adjustments, and have moved our second showings to 6 or afterwards.”

“We want to make it so folks can come to the Midtown Cinema for more than just the movie, using this as a community space,” added Porter. “We want this to be a relaxing, fun and important place to be.”

The cinema café has focused on becoming a destination in its own right, with free wi-fi and an extensive and unique in-house drink menu. “Our fantastic barista Rachel Boone has developed about a dozen signature drinks that are ridiculously fun,” said Landon.

One of Boone’s most popular creations is The King, an Elvis-inspired blended combination of coffee, peanut butter, bananas and bacon. The café has also sourced products from several local eateries, including the Yellow Bird Café, Little Amps Coffee Roasters and Karen’s Krunch.

Community integration also has played a large role in the Midtown Cinema’s new programming schedule.

“We are really excited to be partnering with other local organizations to utilize our open nights,” said Landon.

Recent events include an exclusive screening of Sara Bozich and GK Visual’s new series, “What’s on Tap with Sara Bozich,” and the launch of the theater’s “3rd in The Burg” series, which features a low-cost movie after-party for every 3rd in The Burg.

In the end, the “new” Midtown Cinema aims to be more community-focused, welcoming to patrons and pleasant to visit.

“Independent film is an important resource for the community. You get to hear the voices of filmmakers from all over the world,” said Landon. “We still offer the same quality independent film. Our core value is that those voices can be heard right here in Midtown.”

Midtown Cinema is located at 250 Reily St., Harrisburg. For more information, including show times, membership programs and special events, call 717-909-6566 or visit MidtownCinema.com or Facebook.com/ReilyMidtownCinema. 

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