Playing Now: Change unfolds at a rapid clip at Midtown Cinema

Screenshot 2013-09-30 00.03.39Maybe it’s been awhile since you last visited Midtown Cinema, Harrisburg’s very own art house movie theater.

That wouldn’t surprise Adam Porter, the cinema’s new director of operations. Since he took the helm a few months back, lots of folks, often people from the neighborhood, have popped their heads in for the first time in years.

“A lot of the local people have made a point to see what’s new,” said Porter. “We’ve been getting rave reviews for what we’ve started.”

So then, what is new? Plenty, as it turns out.

Perhaps most significantly, Midtown Cinema is undergoing a general upgrade, along with a transition from 35mm film to digital projection. The adoption of digital will greatly expand the cinema’s access to film libraries, allowing it to offer themed series throughout the year.

“We’re going to start several series that people can buy packages for,” explained Stuart Landon, the cinema’s new director of community engagement. “We’re hoping to acquire the rights to the films from American Film Institute’s ‘100 Years… 100 Movies’ list, we’re looking at bringing a series of documentaries in, and lastly, a children’s series of Saturday morning cartoons so we can get the younger crowd in here, as well as children of all ages.”

The most dramatic transition will occur from Oct. 18 to 24.

“On top of transferring to digital, we’re going to be upgrading our facilities. The screens, the curtains, the acoustics and the sound system all will be improved,” said Landon. “We’re looking at getting better lighting, as well. It’ll be a really fun week for us with a ton of work to do, and our membership program will be kicking off at the same time.”

Membership will provide customers with discounted tickets, as well as perks including vouchers for free popcorn, gift passes and invitations to VIP events.

Midtown Cinema will keep at least one screen open at all times during the work, holding a mini-festival of B-movies.

“While we’re moving to digital, we’re going to have a whole week of double features at a low cost,” said Landon. “We’d love for everyone to come out and help celebrate our future at the Midtown Cinema, as we show all these fabulous films from the past.”

Porter and Landon have been running the show since June, after owner GreenWorks Development changed management teams.

“It was apparent that there needed to be a team instead of just one individual at the helm,” said Porter. “I’ve known Stuart personally for a long time, and our combined skill sets should result in quite a big change here.”

Porter‘s experience in creating environments suited to customers’ needs has informed Midtown Cinema’s renovation efforts. The team has already begun responding to customer requests through rescheduling the theater’s show times.

“We have loyal patrons, and we’re listening to what they ask for,” said Landon. “Some have asked for earlier matinees, specifically on weekends, and it was difficult for others to get from work to a 5:15 showing. We’re making the adjustments, and have moved our second showings to 6 or afterwards.”

“We want to make it so folks can come to the Midtown Cinema for more than just the movie, using this as a community space,” added Porter. “We want this to be a relaxing, fun and important place to be.”

The cinema café has focused on becoming a destination in its own right, with free wi-fi and an extensive and unique in-house drink menu. “Our fantastic barista Rachel Boone has developed about a dozen signature drinks that are ridiculously fun,” said Landon.

One of Boone’s most popular creations is The King, an Elvis-inspired blended combination of coffee, peanut butter, bananas and bacon. The café has also sourced products from several local eateries, including the Yellow Bird Café, Little Amps Coffee Roasters and Karen’s Krunch.

Community integration also has played a large role in the Midtown Cinema’s new programming schedule.

“We are really excited to be partnering with other local organizations to utilize our open nights,” said Landon.

Recent events include an exclusive screening of Sara Bozich and GK Visual’s new series, “What’s on Tap with Sara Bozich,” and the launch of the theater’s “3rd in The Burg” series, which features a low-cost movie after-party for every 3rd in The Burg.

In the end, the “new” Midtown Cinema aims to be more community-focused, welcoming to patrons and pleasant to visit.

“Independent film is an important resource for the community. You get to hear the voices of filmmakers from all over the world,” said Landon. “We still offer the same quality independent film. Our core value is that those voices can be heard right here in Midtown.”

Midtown Cinema is located at 250 Reily St., Harrisburg. For more information, including show times, membership programs and special events, call 717-909-6566 or visit MidtownCinema.com or Facebook.com/ReilyMidtownCinema. 

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A Full-Time School: CASA student–a new year, a new charter

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Editor’s Note: This article is the first in an occasional series by students of the Capital Area School for the Arts Charter School.

On Aug. 26, students walked into the Capital Area School for the Arts Charter School (CASA) for their first day of school, eager new and old staff members awaiting them.

CASA, founded in 2001, survived for 12 years on donations and scholarship money from parents and arts patrons throughout the area, but the program’s teachers and administrators had bigger plans in mind: to become a full-time school. Many CASA students attended half the day, either morning or afternoon, and they had to provide their own transportation to Strawberry Square, as well as pay tuition. Now the school is tuition-free, with busing provided through the various school districts.

“CASA brought together young artists from all over central Pennsylvania,” said Cheryl Giles-Rudawski, former CASA principal who was instrumental in executing the charter school process. “Problems gradually started with this model because districts did not want to pay to send students to CASA so the financial burden started to fall on parents. This was not the intention, and many students started declining their acceptance because they could not pay. So, CASA decided to become a charter school so that tuition would not be an issue.”

According to the CASA website, “A charter school is an independent (tuition-free) public school, custom-designed by local citizens.”

In February, the Harrisburg School District board first voted to deny the charter application, but weeks later reversed its decision and accepted the application. Over the course of seven months, CASA board members and staff worked tirelessly to transform the program into a full-time school.

While six arts disciplines remain the core of CASA’s curriculum (dance, film, music, theatre, visual arts and writing), new additions to the school include the academic classrooms and libraries, with classes held in nearby Temple University. A fitness area, which used to be next to a CASA classroom, was reconstructed into a cafeteria and a locker area.

Enrollment continued up to the start of school with 145 students now attending the new charter school, compared to fewer than 100 students last year.

 “We hope in the next 10 years that enrollment will keep growing,” said Tina Baker, guidance counselor. Timothy Wendling serves as CASA’s new principal.

 Keely Fickau is a senior at CASA.

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Harrisburg to Hood to Coast: Local team runs, climbs, endures in famously grueling relay.

Screenshot 2013-09-30 00.05.05Early into the nearly 200-mile running relay, Jane Gordon was shrouded in a fog so thick that she could barely see the person in front of her, let alone the footpath below.

The 26-year-old Camp Hill resident was in the state of Oregon, deep in the forest, descending upon a mountain both beautiful and mysterious. Gordon had no idea what to expect, until the fog disappeared and she was left staring at a natural treasure. 

“You would come out of this smoke and look to your right only to see this huge valley,” said Gordon, who was part of a 12-person team that traveled to Oregon for the Hood to Coast Relay on Aug. 23 to 24. 

“I asked myself, ‘How did I get here?’ It was the best views and most amazing scenery,” she said. “It kept your mind off of the reality—that I had to run 16 miles in the next 24 hours.” 

Gordon joined 11 others, most from the Harrisburg area, in Oregon for the relay, widely viewed as one of the most revered of its kind in the nation. Just 1,050 teams are admitted into the event each year, with a one-day lottery deciding the fate of teams across the country. 

The 31st annual Hood to Coast Relay was a 198-mile journey that took competitors from the peak of Mount Hood to the tiny town of Seaside, a finish line that allowed runners to sink their toes into the soft sand adjacent to the Pacific Ocean. 

“It’s like one of those things where, when you’re doing it, it’s terrible,” said Bryan Goldsmith, 23, of Harrisburg. “But, when you finish, the memories are some of the best.” 

The Coastbusters’ team, which was led by Candace Masson, a Mechanicsburg resident, bypassed the lottery by partnering with the American Cancer Society to raise over $18,000. 

The team featured Masson, co-captains Gordon and Mike Cohen, Martin Goldman, Bryan Goldsmith, Natalie Phillips, Brad Heivly, Leah Stefanski, Hannah Walsh, Jessica Keister, Amy Thornton and Caitlin Prunty.

Masson’s team raised more than $19,400 in a little over a year. As a result, the team has automatic entry into the 2014 race if they choose to do it again, she said. 

For Gordon, who was a seasoned runner beforehand, the experience was something that she couldn’t predict. 

“I think, going into it, we were nervous based on how daunting of a task it was,” she said. “So, we didn’t have time to anticipate everything that was going on. And even leading up to the relay, it was really exciting.” 

Not just for her, but for 26-year-old Brad Heivly, an auditor in Harrisburg who hadn’t run a legitimate race before in his life.

“The race itself was constant high energy, constantly running and picking someone up and dropping them off, and it continued for 30 hours. In 30 hours, I had about 13 minutes of sleep.” 

His hardest run took place midway through the event, when he was tasked with finishing a 7.5-mile leg. It was the farthest he had ever run at one time. And it was pitch black, maybe 50 degrees, he said, and was a continual uphill. But, at the top, he was met with a pretty nice view. 

“By the time I was up there, it was sunrise,” he said. “I was on the crest of whatever peak we were on, surrounded by tall trees. Basically, you felt like you were deep in nature.” 

Technical details may have seemed mundane, but they proved to be some of the most important aspects. To meet the demands of an exhausting race, the team stockpiled essential food like granola bars, protein bars and crackers along with Gatorade, soda and water. 

And since the race took place over nightfall, runners were required to pace with headlamps and fluorescent vests to account for traffic. 

Otherwise, the most important resource was the transportation. The team employed two vans, with two men and four women in each one. That meant, Heivly quipped, “The guys drove everywhere, and, as a result, the ladies were well rested.” 

Sleep was hard to come by. Most legs consisted of four to seven miles, with routes taking anywhere from 40 to 75 minutes to complete. 

“You’re sardines in a Dodge minivan,” said Goldsmith, who was probably the most accomplished runner on the trip, having completed another 200-mile relay from Miami to Key West previously. “The van is constantly at the next checkpoint, everyone is coming in and out, we were lost half the time, so there’s not really a moment where you can get sleep.” 

Goldsmith and the others were able to fight off cramps and stiffness along the way, though. 

“The big thing is the mental aspect to it,” he said. “I would say to myself, ‘Well OK, it’s 2 a.m. and you’re exhausted, but you have to do it anyway.’”

But the reality on the trip, Gordon said, is that you don’t really complain. You know you won’t get much sleep. You realize that it’s going to be hard, and it’s surely going to hurt. But that’s part of the allure. 

“I think the part that made it feel real for me was, when we were having down time, we saw some of the teams that were in the ‘Hood to Coast’ movie,” said Gordon, referring to a 2010 documentary on a previous relay. “We had been training for almost a year, and I realized that I was finally here.” 

He added: “It wasn’t the running part that was most rewarding, but the experience and being part of the biggest relay and knowing that we’d done so much work for the American Cancer Society.” 

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The Hills Are Alive: The Perry County hills, that is, with music.

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From Guthrie to Gershwin, Basie to Brahms, Perry County comes alive each year with a wealth of musical programs. Whether it’s the Festival at Little Buffalo in early October, the Fetter House classical music series in the fall and early spring, or the internationally acclaimed Mountain Laurel Autoharp Gathering in late June, there is something for every ear.

The Festival at Little Buffalo

On Oct. 5, the Festival at Little Buffalo will celebrate its 30th anniversary with an array of great music, tasty food and a wide variety of interesting vendors. The festival runs from noon to dusk at Little Buffalo State Park and is free of charge, although donations are welcome.

Carol Vrcarich, the first executive director of the Perry County Council of the Arts, remembers the beginning.  “It was the summer of 1983, and a number of us gathered around a kitchen table trying to figure out how to celebrate the arts in Perry County. One of our committee members suggested a festival.”

From those humble beginnings grew one of the most successful music festivals in central Pennsylvania.  However, challenges abounded for the organizers. For the first 10 years, festival acts played on a somewhat rickety temporary stage.

“The final straw,” Carol’s husband Tom told me, “was when we hosted a clogging act, and I worried the stage would fall in. Fortunately, our group of volunteers, the Buffalos, went to work and, during one summer, built the Moore Pavilion.” The pavilion became home to the festival, as well as a number of other musical events at Little Buffalo State Park.

Over the past 30 years, a number of national acts have graced the stage—Arlo Guthrie, Kathy Mattea, Rosanne Cash and Leon Redbone to name a few.  “One of the most memorable festivals occurred the Saturday after 9-11,” Tom remembers. “Richie Havens headlined the show and, when he got up on that stage and sang patriotic songs, everyone rose to sing along. There wasn’t a dry eye in the audience, including mine.”

This year, musicians once again will play on the three stages; arts and crafts vendors will be in attendance; and there will be poetry readings, workshops, demonstrations and lots of great food. The performers, some new to the festival and some who have played previously, are always diverse and crowd-pleasers.

The Buffalo Kids area will be active again, including dance, music and magic. Parking is ample and convenient, so visit the website, pick out your favorite acts and come prepared to enjoy toe-tapping music, tasty food and items for sale.

Classical Music Moments

For more than 20 years, the Sunday Arts Hour has brought beautiful classical music to central Pennsylvania. This autumn, you have an opportunity again to join the tradition and savor an afternoon of music from some of central Pennsylvania’s leading performers.

The historic Fetter House in Landisburg, Pa., built in 1848 and the current site of the Arts Hour, was the family home of the late Lady Marjorie Fetter-Goossens. The Steinway grand piano in the parlor belonged to her husband, Sir Eugene Goossens, a composer, violin virtuoso and symphony conductor.

Sir Goossens’ fabulous piano continues to delight music lovers, thanks to the generosity of Lady Goossens and the Perry County Historical Society.

Dick Gregg has been the driving force behind these programs. “Many of the musicians,” he said, “come back time and again because they love the parlor setting and the wonderful Steinway piano.”

When I asked him who was his favorite performer, he said, “That’s really tough because there have been so many great ones, but John Eaken was our first performer, and his wonderful trio has played for us a number of times. They even played for my 50th wedding anniversary celebration.”

Each year, there are four Sunday Arts Hour concerts—the first Sunday of October, November, February and March. The concerts this fall will be presented by pianist Steve Rudolph in October and Bucknell College Music Professor Barry Hannigan in November. Be sure to check the Perry County Council of the Arts website for times and locations since the concerts are now divided between the Fetter House in Landisburg and the Landis House in Newport.

 

Mark Your Calendars

It may not take place until next June, but it is perhaps Perry County’s most noted annual music event and is definitely worth the wait. In 2014, the Mountain Laurel Autoharp Gathering will be held June 25 to June 29 at Little Buffalo Campground, about five miles west of Newport.

This internationally acclaimed festival brings together autoharp enthusiasts from around the world for five days of workshops, concerts and around-the-clock music-making. Now in its 23rd year, the festival features concerts and workshops by some of the folk world’s best musicians.

Dr. George Orthey is the founder of this musical happening, as well as the premier maker of autoharps for the past 50 years. Orthey began building instruments in1964, and this avocation became a full-time enterprise when he returned to Newport after 28 years of service with the U.S. Army Veterinary Corps.

Over the years, Orthey has built 1,500 autoharps and 1,639 mountain dulcimers, along with a number of other instruments. He currently has the wood cut out for eight more autoharps. “If my health hangs in there,” he said, “I hope to build a hundred more autoharps, then we’ll see.” Knowing George, I believe he’ll make that goal.

Orthey autoharps have been owned and played by some of the finest musicians in the world—June Carter Cash, Mike Seeger, Doc Watson, Patsy Stoneman and most of the Carter family, the first family of country music.

I asked him how he got to know June Carter and Johnny Cash. “After I had built a number of harps, a friend suggested I travel to Carter Fold, home to the Carter family, and set up a booth,” he said. “While there, Janette Carter, June’s first cousin, stopped by and liked what she saw. Her brother, Uncle Joe Carter, suggested I make three harps, one of those would be for June. I’m not a musician myself, so it’s been a thrill for me to become friends with the Carter family and enjoy them and other terrific musicians playing my instruments.”

If you’re interested in learning to play the autoharp, you can register for a number of workshops at the festival. And, if you’re in the market to buy an autoharp, there are normally at least seven of the world’s best-known autoharp luthiers on site.

For those of you who can’t wait until next June to learn to play the autoharp or hear toe-tapping music played on the ‘harp, the Mini-Mountain Laurel workshop and concert series is for you. This is a group of afternoon workshops and evening concerts with recognized autoharp masters beginning on Nov. 1 to 2 and continuing monthly thereafter. Check out ortheyautoharps.com for the exact times and locations.

More Music

In addition to the musical events mentioned above, there are many other gatherings around the county, such as a coffee house series sponsored by the Perry County Council of the Arts, church recitals and concerts, a number of festivals at wineries and a community theater each spring. So what are you waiting for? Place these wonderful musical activities on your calendar and enjoy your own Perry County “Sound of Music.”

Don Helin published his first thriller, “Thy Kingdom Come,” in 2009. His recently published thriller, “Devil’s Den,” has been selected as a finalist in the Indie Book Awards. Contact Don at his website, www.donhelin.com.

 

GOING THERE

Perry County Council of the Arts

www.perrycountyarts.org

Mountain Laurel Autoharp Gathering

www.mlag.org

The Little Buffalo Festival

www.littlebuffalofestival.com

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Cultivating the Future: LEAF Project teaches Harrisburg-area teens agriculture, life skills

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On a beautiful sunny summer morning, I took a scenic drive through Cumberland County to an historic family farm and homestead in Centerville. There to welcome me were Heidi Witmer and her team of hardworking young adults. When crew leader Audrey Scott greeted me by name, handing me some garden-grown flowers, I knew I was in for a special morning spent among a friendly group. I quickly learned that these teens have a serious thirst for learning and physically demanding work and an enthusiastic appetite for wholesome foods. This is the LEAF (Leadership, Education and Farming) Project.

When Witmer began organizing the six-week sustainable agriculture summer work and leadership program for 14- to 18-year-old teens, she was met with some doubts. People joked that it would be a difficult feat finding youth willing to hang with the physical, time-consuming responsibilities of growing fresh food and maintaining a farm, she explains. While adults may not always equate teenagers with hard work, Witmer knew better.

“I think there was a perception of youth not wanting to work hard during summer vacation. The reality was the reverse,” she says.

When Witmer opened a two-week registration period, more than 50 teens applied for her 12 available paid positions. And, when she finalized her work crew, she was met with great reception from her young farmers. “It was really exciting to hire them. They were so excited, raring to go,” laughs Witmer, who relays that some of the teens even reveled in celebratory cheers over the phone.        

LEAF Project team members spent a good chunk of their summer on their host farm, owned by Bert Myers, who represents the fourth generation to cultivate his family’s land. Along with Witmer, Myers helped to coach the teens through their summer farming experiences. The young farmers not only grew and harvested food, but they delivered some of their produce to food-insecure youth in Harrisburg, learned how to cook with seasoned chefs and shared their newly acquired healthy food wealth with their families and communities. Combining a paid summer job with agriculture education and leadership training, the LEAF Project allowed participants to be productive during summer break.

“It’s a good way to spend my summer, because I usually don’t have anything to do,” says Celeste Fenon, 16, adding, “I’ve always wanted to work on a farm and have that experience.”

On my visit to learn more, I met some impressive teens, who were at the ready to complete their farm tasks for the day. That morning, I watched the young farmers harvest cucumbers, lettuce and eggplant. When Fenon and her coworker, 18-year-old Avery Morrow, admitted they had never eaten eggplant, a surprised Witmer said, “Well, we’re going to have to have an eggplant week!”

The questions kept coming. “What does it taste like?” “How do you prepare it?” “What other veggies are eggplants similar to?” In just a few minutes, the teens had learned more about eggplant than they had in their entire childhood.

Other teens were hard at work weeding, getting beds ready for planting, setting up an irrigation system and washing freshly picked produce. With a drive to learn and an eagerness to help, many of them reported back to Witmer after they completed a task, ready for their next assignments.

Witmer says that, although many of the teens did not enter the work-study program with gardening experience, they have been surprised by how capable they are at growing fresh food. Fourteen-year-old Micaha Knisely echoed this important outcome of the project. “I am learning to use abilities I have but didn’t know I had [that will] benefit me and other people,” Knisely says.

Hands-on Growth

This past summer, the LEAF Project teens learned how to make specialty food items like salami and healthy homemade soda, using syrup from fruit. They taught Farmers on the Square market-goers how to cook and about the differences between processed ingredients and locally grown whole foods. During the program, they kept writing journals, in which they documented their experiences, goals and accomplishments—a personal growth aspect of the LEAF Project that Witmer says was extremely valuable.

“I was reading some of their journals, and many of them were writing about how fun it is to be dirty, and how good it felt to work hard and be sweaty,” she reflects. “It is profound that this is a rare opportunity for them.”

This fall, LEAF will take part in a fall work party that Witmer says will include large-scale gleaning (collecting leftover crops) and food preservation. The crew will then donate its efforts to hunger relief programs. During the winter, Witmer hopes to start a Youth Council to the Food System Alliance, in which teenagers interested in sustainable agriculture and healthy food will engage with each other to help build our local food system.

Having enjoyed a successful pilot year, LEAF will expand its program next season to include two internship levels, which will allow this past summer’s participants to engage in a longer internship with more responsibility. Witmer also hopes to make room for a larger number of participants.

“We’ve been hearing a lot of requests to expand the scope of our program to draw in more youth. I certainly see the need for this, and it is LEAF’s early development challenge to find a way to increase our impact while we maintain a transformative impact for the youth interns and a culture of excellence and craftsmanship in everything we do,” explains Witmer. “My dream is to continue to invest significantly in a youth intern crew and equip and empower them to have a larger impact on the community.”

Developing Tomorrow’s Leaders

Having grown up in a farming family, Witmer wanted to provide teens with an outlet for meaningful work to get them interested in and educated about how food is grown and raised.

“I believe in what a young person is capable of, and I wanted to provide the opportunity for people to see it,” she explains. “Over time, I believe that interaction with the food system stimulates personal change. In this region, we have access to locally raised food, and we have a remarkably robust food system. I would like to weave the youth into the web of that food system.”

Witmer also hoped to involve a segment of the youth population that she feels hasn’t yet been effectively reached in healthy eating initiatives: everyday teenagers. “I’ve noticed that there are so many opportunities for youth identified with huge needs, but there is very little out there for normative kids. Also, a lot of times, with childhood obesity in the public health arena, the focus is on the really young kids, which is great and absolutely necessary. But, I think a lot of great work happening would be made better if it was available to all kids of all backgrounds,” she says.

“I wanted to work with teenagers, to teach them how to make their own food choices. This will impact the individual [teens], and they will impact their families powerfully. I think a really effective way of looking at the family food culture is through the eyes of teenagers. Youth have such amazing things to say. What would it look like if they rewrote our food guide?”

Witmer’s dream to combine teaching youth with her passion for agriculture has proven a lot of adults wrong. There are plenty of teens willing to work hard if you provide them with an outlet. They do have a strong desire to help others. They do care about where their food comes from. Teens are excited about cooking and eating. And, through the LEAF Project, the members of this group have become environmental and healthy-eating ambassadors to their immediate families and Harrisburg communities.

In a time when our children are growing up with excess consumerism and hyper-technology, this group of teens is a breath of fresh air. Imagine a world with these exceptional teens at the wheel. It’s a future that I am personally more optimistic about having had the privilege of meeting them.

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Harrisburg Stronger: A Q&A with Harrisburg Receiver William Lynch

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TheBurg recently sat down for an interview with Harrisburg receiver Gen. William Lynch and his financial adviser, Steven Goldfield, to discuss elements of the Harrisburg Strong financial recovery plan. The entire, unedited interview follows. An excerpted version of the interview appears in our October issue. 

TheBurg: The Harrisburg Strong Plan is very complex. What would you consider, from the perspective of residents, to be highlights of your plan and what would you like the residents to get from it?

Lynch: The thing that pleases me most about the plan—and you need to know that this isn’t even close to being a one-man effort. We’re fortunate to have world-class representation on this team. In fact, most of the writing was done by others. This is an interesting thing, I think. I am surrounded by people, each of whom knows far more about part of this than I do. On the other hand, there aren’t too many who know something about all of it. I kind of get something from everyone’s perspective. My role in all of this has been pretty much keeping the puppies on the paper and making sure we’re going in the same direction.

So, getting back to your question: The thing that pleases me most about the plan is that it’s readable. It’s not a legal brief. It’s not written by accountants for accountants. Normal people—and I put myself in that category—can read it and say, “Huh, OK.” I think the most important thing for people who live in this city or close by – and I will submit to you that it’s every bit as important for people who live close by, across the river in what we refer to as the suburban communities as it is to the residents. Harrisburg cannot succeed in a vacuum. Harrisburg cannot succeed without the input of the surrounding communities and the region, if you will. A successful Harrisburg will, in turn, lead to a regional success.

So, what’s in it for the city of Harrisburg? Number one, the city of Harrisburg can put this awful incinerator debt behind it. I am a big believer in you are who you think you are, and the incinerator debt and all of that ugly history has become kind of the symbol of the city of Harrisburg. We need to get away from that, and this plan offers us that opportunity.

I think it’s important for you and your readers to know also that ignoring the incinerator debt—if it had never occurred—the city would be in big trouble. The city’s income does not match its expenses and, for some 30 years, it hasn’t. What you see in the deals that people uncover—when you peel that back, it’s almost always the same thing. There’s a $5, $6, $7 million hole in the general fund budget (how we pay cops and firefighters and municipal workers) that generated some cockamamie scheme, for lack of a better word, borrowing of money that, over time, has come back to be significant.

So, forget about the incinerator debt. Let’s talk now about just managing the city’s finances so that we can meet expenses with income. This plan offers a balanced budget through 2016—through the term of the plan. It offers income to the city through the lease of the parking assets, which will take it beyond 2016 and out into the future. And it offers the city the opportunity to craft for itself a predictable, stable financial future. And I emphasize “for itself” for a very good reason. All we can do, even with some of the no-kidding geniuses we have working with us, is to provide the tools that we believe will give the city that opportunity. It’s up to the city then to use those tools in a way that creates that future. Money from the parking—initial proceeds will be set aside for various things like economic development, capital infrastructure improvement, a trust fund to pay post-employment healthcare benefits for past employees, which is an albatross around the neck of any municipality, because those costs increase geometrically.

TheBurg: Harrisburg has a particular problem with post-employment healthcare because of the generous deal that former Mayor Reed reached with the unions before leaving office.

Lynch: Even under the best of circumstances, there is almost no municipality that can fund those costs or plan for them because there’s no way to plan for them. They increase geometrically.

So, it’s hard to find anything good in this situation, but, if you are looking for something good, I believe it’s been an action-forcing set of circumstances that require the city of Harrisburg to face these issues in a way that most cities can’t, at least not yet, and in a way that’s dramatic and gives some cover for the incumbent politicians, who really had nothing to do with this. The situation demands some difficult political choices. There isn’t a politician on the face of the planet who wants to raise taxes, for example. And these things are going to be necessary. The next administration will have to manage it astutely and well and seek ways of simply doing business better. Frankly, that’s a target-rich environment. There’s lots of opportunity here. But we have to come to grips with who’s responsible for this and who’s going to use these tools that I think this whole receivership has been able to provide and move into the future.

TheBurg: When you say, “who’s responsible,” do you mean in the previous administration?

Lynch: No, I don’t mean “responsible” in a, “it’s your fault that we got here.” The fact is there’s nothing we can do to change the past. And that past is unfortunate, perhaps illegal, based on, at best, some instances of professional malpractice. But there’s nothing that you or I can now do to change that past. So, we can work with the future to make that future the best we can and deliver us from this present, which I believe is unfair, caused by that unfortunate past that we can’t change. So, I believe we’re a lot better off looking to the future. I understand there are others who will investigate these things and decide if punishment is warranted and how that should be meted out. But that’s not within our purview.

TheBurg: Is there any particular element in the Harrisburg Strong plan that you feel proud to have accomplished? Alternatively, is there something you wanted to make happen, but couldn’t?

Lynch: We would like to have made all this happen six months ago. The fact is that sometimes things like this just take time, and it’s hard to define why that is. But sometimes, things need to mature. I believe the city of Harrisburg is ready to put this past behind itself and get on with business. I sense that. I know this sound ridiculous, but, at least twice a week, somebody comes up to me on the streets and says, “thanks.” I find that astounding, but it happens enough—and they’re all kinds of people. Really, it’s intriguing.

So, what are we proud of?  I’m very proud of the fact that, for example—and don’t misunderstand, I’m proud of the things that our team and working with the mayor’s office and City Council and the state government and the Department of Community and Economic Development—there are a lot of heroes in this. But I’m very pleased with the fact that we were able to deal with the incinerator property that, frankly, isn’t worth very much as it sits there as a business proposition when it’s burdened by $350 million in debt. There’s no businessman who is going to take that on. What we were able to do was increase the value of that asset, number one, by seeking out a strategic buyer. And Lancaster County Solid Waste Management Authority is a strategic buyer, and they wanted that property because they have a state-of-the-art facility in Lancaster County. They were growing, and they wanted to expand. Purchasing our facility is much more efficient than trying to build a new one from scratch in today’s environment. So, that made sense to me.

Then, we were able to increase the value of that—you may or not know this, but the resource recovery facility burns trash and makes electricity.  So, we were able to increase the value of that—and I mean increasing the money that’s on the table at closing—by brokering a contract with the commonwealth to purchase the electricity. But not purchase it on the spot market, which is what they normally do, but agree to a long-term contract. That gave LCSWMA some predictable income, which they like. But, much more importantly, it allowed for tax-free financing of the bonds that will have to be issued to take that old debt off the market. And that made for a lot more money at closing on the table. Not nearly enough, however—if you assume that we’ve increased the value of that to somewhere in the neighborhood of $130 million—not nearly enough to satisfy $350 million in debt.

TheBurg: You have so many players involved. I’m picturing your role here. It’s like you have to have eight arms and get everybody to shake a hand and promise to you that this is going to go through. Can you take me through the process here?

Lynch: And sometimes eight is not enough. We spent months and month and months, and, when I’m frustrated, I refer to it as negotiating with ourselves. And basically, we like to think of ourselves as the honest broker, though I could find a lot of people who might disagree with that. We piqued the commonwealth’s interest in doing this. Then we had a serious job of convincing the commonwealth that this was an OK deal, because this is not the way electricity is normally purchased. So, part of that sales job, if you will, was to point out the value of a long-term agreement, and there is some value in predictability. And the way some of the geniuses crafted that—and our marching orders, by the way, when we went to the commonwealth to say, “Hey, we’d like you to do this,” was to say, “There are public policy issues here with our capital city. We should, the state government, should be helpful here.” On the other hand, you can list off 20 or 30 other cities to include Pittsburgh, Philadelphia, Altoona, Wilkes-Barre, Scranton, Reading, all of which are in difficulty. So, what we couldn’t do is just have largesse visited upon Harrisburg.

So, the deal with a quid pro quo, where the commonwealth buys something and gets something back, was what we were looking for. And the deal was that because of the public policies and issues involved, we didn’t think that that had to be the best-ever, face-of-the-planet, never-been-a-better electrical purchase deal ever. It just had to be OK. And, at some point, it had to go from being just OK to back below the projected curve to where it was a little better than OK so that, over the life of the agreement, we’re not paying any more than the market would demand. And that’s what we’ve done.

Now, the bottom line is this is based upon projections and everything else, so who knows? We believe predictability, on behalf of what the commonwealth is getting, has value. I think largely, because of our efforts, the commonwealth agrees with that. Built in this, there is something called a clawback provision. And, if electrical rates drop to next-to-nothing and the amount the commonwealth is paying is outrageously absurd, the commonwealth can claw back some of that. So, the bottom line here is we think this is going to be OK. And what’s in it for the purchaser is predictable income, but what’s really in it for the deal is the way of the financing, which requires a lot less money on the table.

TheBurg: Which portions of the plan did you find most troublesome to put together and which were the least problematic?

Lynch: I was going to be a smart aleck and say, “there was no part that was easy,” and I don’t think that was an exaggeration. I found it very, very difficult to deal with some of the entities and some of the people we’ve had to deal with. And I think—and Steve (Goldfield) sitting here is a numbers guy, he’s a financial guy. And, if you’re a journalism major, an English major, you’re probably built the same way I am. I don’t do math in public; I don’t understand it. My stepdad could add up his golf score in his head, and he could never figure out why I couldn’t do that. So, I’m leading up to this: even for me, the math part of this is easier than the people part. I think that people ignore the people part. If you have lived in Harrisburg for any amount of time, I think you sense, in the pit of your stomach, the people part.  You know, “those so-and-so’s outside the city are out to stick it to us. Why should we pay back the bond insurers? We didn’t do this. Somebody else did it—in the name of the city—but it wasn’t us.” There’s a strong sense that somebody else should somehow bail us out of this.

One of the things that I have found very difficult is by enacting Act 47 and the receivership provisions, the legislature has given the impression, if you choose to take it, that the state has somehow taken over this problem, and it’s no longer our problem. It’s somebody else’s. That is grossly erroneous. There is nobody who sees it that way except people who choose to. The only way for the city of Harrisburg to work its way out from under this problem is for the city of Harrisburg to take ownership of it and work its way out of it.

Go back to what I told you a couple of minutes ago: I think this plan provides the tools to make this possible, and it is a far superior outcome than bankruptcy. Everything we read and see, and I’m sure you guys have done your homework. All you have to do is Google the California cities or Central Falls, R.I., or now, God help us, Detroit. None of that is anything we want to emulate. We have had really good coverage in the national press and in some of the more esoteric publications that people like Steve read, the Bond Buyer, that, in general, praised this collaborative solution as being far superior.

So, what am I most pleased about? That’s probably it. Not the press coverage, but the fact that we’ve been able to somehow pull this off—I think. We’re not quite there yet. But,  to go back to what’s most difficult—the getting over the biases because they’re very real. And, if you ignore that, say, well, “That doesn’t make any sense; it’s just stupid.” Then you’re screwed. You have got to understand what it is, and you’ve got to deal with the people part. To me, the math should be so good that it outweighs those biases, and there is no rational alternative than, “I just want to get even. And I’m willing to burn it down to do that.” And we have run across some of that.

It’s a very real thing. And, if you don’t, at least, know it’s there, you’re doomed to failure, I think, because it would be very easy to get frustrated with this.

TheBurg: Some people have been surprised at the creditor concessions in this agreement. Can you provide insight into how those negotiations went with the major creditors and how eventually you were able to reach agreement with them?

Lynch: Yes, but before I do that, you’ll be disappointed, but we will not discuss concessions, and here’s why. That becomes emotional. It becomes personal. What we decided sometime ago to do was to concentrate on what’s in it for us. So, I’m happy to tell you what I think is in it for the city. I would recommend that you check with the others involved, you know who they are. My belief is that each of those entities found something that was in it for themselves. Otherwise, they wouldn’t have agreed to it. So, when you say, “Boy, we really stuck it to so and so,” you make an enemy, and we choose not to do that. This was never anything we discussed in a group. What we did do was we tried to appeal to each entity’s self interest and demonstrate that this was far superior to bankruptcy.

Now, there are some who aren’t sure that’s correct. We believe that some were more interested in just maintaining the status quo. We believe there were some who were much more interested in getting the deal done, and I put the city in that category. The city simply will have trouble paying the bills even more than we have had. So, we need the income from parking, the parking lease and other things we discussed. We need the infusion of capital that we’ve discussed. None of which appears in bankruptcy, by the way, and none of which appears until after closing of these various deals.

So, I guess to answer your question in a sentence or two: the art in this was being able to find something in it for the various parties. And one of the more difficult parts was getting some of the creditors to work together. One of our, I guess, techniques was to say, “There’s x amount of money, and I don’t care how you guys divide that up.” And that seemed to work OK. It created some weird partnerships.

TheBurg: You mean Dauphin County and AGM as partners?

Lynch: Yeah, and others. There’s a whole herd of lesser creditors. Those are the ones we think of, but there’s Covanta, CIT, JEM, Metro Bank, SunTrust, others.

TheBurg: On a slightly different topic: Reading the plan, a lot of it seems to hinge on the replacement or substitution of some fresh faces for elected officials, to remove things from the reach of the mayor and City Council.

Lynch: Like?

TheBurg: The Harrisburg Authority separation, regaining control over the water/sewer and employees who are going to run that. Also, the creation of a task force to do the OPEB (Other Post-Employment Benefits) trust.

Lynch: Let’s do water and sewer first, because they’re not even close to being the same. I understand your question.

When I first got here, the concept was that we would sell the water and sewer, or at least would monetize it, which is the fancy word for it. Or at least hire a private entity to come in and manage those assets. And we changed our mind. The reason we changed our mind was that we were beset by people from Washington who came to help us—the EPA, the Department of Justice. Those guys who come in and say, “I’m taking your computer.” You may recall the issue with the suburban communities and overpayment and misuse of those funds. So, all of that sort of met me as I entered the office on day one or two.

What we discovered was that all of those Washington people who were threatening to fine us if the city did not undertake a $55 million required fix to the sewage treatment plant to make it comply with Chesapeake Bay and other issues. And your first reaction is to laugh right out loud and say, “The line for paying fines is over there.”  But then you realize it isn’t funny, and they’re very serious. And they really don’t have a mechanism other than to levy fines.

So, we made a conscious decision to work with those folks and kind of co-opt them. I don’t know if you should say that in your newspaper. It may offend them. But what we didn’t want was them correcting our homework later. So, we brought them in at the beginning, again, with some very good people who worked with us to represent the (Harrisburg) Authority and the city. And what emerged was a Washington, D.C.-style plan. Washington, D.C., is considered to be a turnaround poster child in the way they did the water and sewer system. It’s deemed to be the best. So, we unabashedly set out to copy that. We brought in some people who were active in that, who knew what they were talking about.  

So, here’s the deal. The Authority should be an operating authority. The Harrisburg Authority should run the water and sewer business, and that’s it. Over the years, the Authority has gotten into all kinds of stuff that you know better than I do, that has nothing to do with anything.  So, we wanted to bring them back to their core business and give them the assets and the authority and the responsibility to do that business and take some of that away from the city because, if those employees work for the Authority, it brings the city closer to a balanced budget. If the Authority is in that business, they should provide that service better, more efficiently. Oh, and by the way, the Authority will then take on the responsibility for those pipes that have been in the ground beneath the city streets since 1898. So, there’s a lot of potential liability there that now becomes the Authority’s, and the Authority still has—or will have—the ability to borrow that the city does not to enter into some kind of a capital improvement periodic maintenance system that frankly needs to start today.

So, the Department of Justice, the EPA, state DEP and all those folks sat in on these meetings, and there was a consensus that this was the way to go. So, that’s what we’re doing. My personal bias was to start all over again with a new authority, but that’s just too hard to do. And this authority will be transformed. We’ve already signed the papers. The mayor and the authority have agreed on how this will take place. The authority will now get to do the water and sewer, and the city won’t. And that includes billing, etc. Now, there will be a transition period to go from here to there.

Immediately, that makes the Authority eligible for a $26 million loan from PENNVEST. Are you familiar with PENNVEST?

TheBurg: Yes, the state infrastructure improvement authority.

Lynch: Yeah, so that loan frankly was contingent upon it going to the Authority, rather than the city.

TheBurg: Yeah, I heard that in the press conference (announcing the agreement between the city and the Authority).

Lynch: No comments necessary. So, that’s half, we think, of what will be required for the sewage treatment facility upgrade. We have already have had some private financial institutions making inquiries. That’s unheard of in Harrisburg. Steve and I would go to banks for a year, and they’d laugh right out loud at us. So, this is—there are a couple of good things that have happened lately, and this is one of them. We also think we perhaps can go back to PENNVEST and tap that yet again.

I left out the suburban customers—and I’ve forgotten what percentage of that business they are.

Goldfield: Between 40 and 50 percent of the revenues in sewer alone.

Lynch: So, that’s a big deal. And there’s also some water transfer there, as well.

So, one of the things that we discovered is that nobody had ever met with those guys—ever. Steve brokered a meeting with them. We all got together. We had never had all of those folks in a room before. The relationship with the city was, dare I say, adversarial. They thought they’d been done wrong by the city. They were astounded that anyone was willing to listen to them or talk to them. They believed they had overpaid by a whole boatload of money. We negotiated that with them, and we’ll make sure they get some of that back. On the other hand, their real interest is to be invested with the city in this. Oh, and by the way, they have far better credit ratings than anybody you know. So, we can, we think, tap into that in the future.

So, that’s the benefit to all that. I would frankly like to see them get even more involved. They’re not there yet. They’re not sure. But the fact that we welcomed them to look over our shoulder will make things go a helluva lot better in the Authority than it has in the past.

TheBurg: Now, on the task force?

Lynch: We decided, as a negotiating position, we decided that I would assume the role of judge, whatever. And I would be an advocate for a solution, not necessarily just the city’s advocate. Now, that annoyed some people in the city—ask me how I know. But that seemed to work pretty well in discussions with the creditors. So, we said, from that exalted receiver position, I, with a lot of good advice, would determine a certain amount that was absolutely necessary for the future success of the city. Because, if we just sell off the incinerator, lease the parking, and don’t fix this $8 to $10 to $13 million hole in the city’s budget, what do you got? And the answer is nothing.

So, we decided it would take $40 million, plus or minus. And I say the numbers are bad because they change on a daily basis. Anytime you mention a number, you’re wrong. Again, ask me how I know. So, just in round numbers, we said we wanted to put about $10 million into a silo for economic development. And we wanted to put about $10 million into another silo that was focused solely on infrastructure improvement. And we wanted to put some money into a trust fund that would begin—begin only—to fund post-retirement benefits for people. People we’ve already made deals with, who have labored in this city for a long time. Nobody else has done that. That’s basically just seed money, appropriately invested, and the city needs to kick into that in the future. And, eventually, that will be self-sustaining as that population will diminish, of course, over time—but not for a long time.

And we wanted to set some money aside for paying down the city’s bills. Remember when we had the big sinkhole on Maclay Street? I’ve forgotten the name of the contractor, but the guy said, “Yeah, I’ll come and fix it for you, but not until you give me a check first.” And that’s the problem with the city’s reputation.

TheBurg: There’s no trust.

Lynch: Well, with good reason. I mean, we had $4 or $5 million of basic things that hadn’t been paid for. Tires for police vehicles—those kinds of everyday, mundane stuff. We’ve done a pretty good job of whacking that down because of the increased earned income tax, for one thing. And we’ve made some pretty stiff employment decisions, or non-hiring decisions generally, that have freed up some money. So, that’s down to a meaningful level, but what we wanted to do was pay off an old SunTrust loan on police cars and stuff like that—and two or three of those other things for several million dollars—and start fresh. And that’s what I mean by putting the city on footing where it can be successful.

OK, what about who is going to administer those monies? The trust fund is easy. You hire a trustee and let some bank do it. The other stuff: I’ve come to decide it’s best to look at that as a grant. It’s a funding for grants to be used for specific things, but they’re grants that only the city can access. But, like any other grant, there are strings attached and people who have to be convinced, and that’s the point here. We want that money to be hard to use. We want you to have to demonstrate that the need is there, that it’s the best possible use. And we want that to be governed by a diverse group of people with various interests. That’s what that is all about. This is not normal city income. It’s not. It comes from the proceeds of these sales.

The fact is we carved this out of the settlement, and the fact is we wanted it to be controlled in a way that would be above reproach. It’s going to be purer than Caesar’s wife. And that’s the point of it. If you have a plan for money you think will further economic development, and you come before this board or committee or whatever it winds up being—and you can make your case, they’ll go along with it. But they won’t go along with just because your brother-in-law is the contractor.

TheBurg: It does strike me as very historic plan compared to other cities, both in Pennsylvania and nationwide. You are in this new territory. Part of it that seems historic, as well, is that you could look at this and say: the city’s own elected officials were not able to govern. They were not able to come up with these ideas and administer them in a way that outside bodies found trustworthy. And that happened over enough time that a higher level of administration, the state-appointed receiver, had to corral some experts and even create institutions to take of this where the city elected officials couldn’t and now can’t.

Lynch: I don’t know that that’s wrong, but we’ve gotten a fair amount of that from our friends down the street here in City Hall. I think the point here is, if you want to look at problems writ large, it’s easier for someone like me to come in who doesn’t have any baggage or not emotionally tied to it, to see the fixes. It’s like when you have somebody inspect your house. There’s a water stain on the ceiling. Well, jeez, I’ve been living with that for 10 years, and I didn’t even know it was there.

So, from that perspective, an outsider, I believe, is helpful. From the perspective of how do we control this money, the point is that we want to make sure, doubly sure, that the concept is executed. None of this changes City Council or anybody else’s normal legislative role with respect to normal city income taxes, business taxes, fines, all that stuff. All of that will be going along. And we think, if the plan is confirmed, the budget will be balanced through 2016. After that, there will be an opportunity to keep that going. Lurking along the side is this money in those various pots, which can be used for additional economic development, and also I see it as an easy way to double the money. Are you familiar with an RCAP grant?

Goldfield: It’s a commonwealth of Pennsylvania revitalization capital grant program.

Lynch: So, you can get, if you have a project that’s deemed worthy by a group similar to the ones we’re talking about over in DCED, you can get money. But you have to have matching funds. So, now, if the city applies for one of those grants, it now has the opportunity to match that and double that money. Harrisburg University, for example, spoke to me the other day. They have some RCAP money, but they don’t have a match. If this is the kind of thing that the city deems is good for the city, you can match those funds. But the point of the outside oversight is to remove any questions, doubt, whatever. This is a new beginning, which, I believe, the next administration, the next mayor, should be able to manage for the benefit of the city.

TheBurg: What do you think are the takeaways for the people of Harrisburg with the parking aspect of the plan? What should they be most concerned about?

Lynch: I might change that around to say what they should be most pleased about. What do you think parking brings in for the city? Last year, it brought in only $250,000. Why? A lot of reasons that have to do with the past you’re so familiar with, a whole lot of bad deals. Bond service on the Harrisburg Parking Authority is about $100 million in bonds out there.

So, what people in the city should take away from this: the plan restores that income to the city, that historic $3½, $4, $5 million—it gets up to about $6 million by 2016. Even if it weren’t for the incinerator debt, this would be a good deal for the city of Harrisburg. The parking assets are leased. They will eventually come back to the city. They’re managed by a nationwide leader in this business—Standard Parking—the biggest in the country. Standard Parking has some 30 outlets in Pennsylvania, one of which is right down here at the airport. Well-respected company. They know how to do this business. So, all of that will bring money back to the city. And there’s lots of bits and pieces to this agreement, but the basics are that it returns the normal parking revenue to the city, in a way that hasn’t been there literally for years.

You will hear that they want to raise parking rates in the garages and stuff like that. What we want to do is bring some order to parking meters, parking garages. You can park at a meter for less than you can park in a garage. So, if you come in here from across the river and you’re going to spend the day, you park out front here all day long because it’s cheaper than the garage. That means your customer can’t park and walk into your store. So, what we’d like to do is force people to park in the garages. You can view that as a commuter tax if you want. And that generates more income. This is a public/private partnership. Standard Parking does well only if the city does well. This has not been done anywhere else.

TheBurg: How do you force people to park in the garage?

Lynch: By enforcing the parking meter fines. It should be more expensive to park on the street than to park in the garage.

Goldfield: One of things about the meters, and we’ve talked to City Council about this. First, it’s going to be upgraded to all electronic. Secondly, there are all kinds of ways throughout the country now where merchants can give a token or give a code so that, when a resident wants to drive up to the hardware store or over to the shoe store to get their shoes, they get the first 15 or 30 minutes free. So, it’s going to go from whatever it was to zero for people who live in the city. But I don’t think a lot of people who live in the city pay $150 a month per space for parking. That’s people from the outside. Those fees going up means more money into the city because the city gets 20 percent of every dollar that comes in for off-street parking. One of the things that I really like about this, as Gen. Lynch was saying, is that the city gets the upside of this—unlike in other places where you do a concession and private equity or other people from out of town get the upside. The city gets the upside of this. So, moving people into the garages means more people are 20 percent taxed, and the residual cash flow eventually comes back to the city, as well.

TheBurg: Slightly off-topic: Do you expect to stay on until a time when the receivership is no longer needed?

Lynch: I would hope the receivership would not be needed sooner rather than later. I don’t have any inkling of how long I will stay. I think it’s in everybody’s best interest to get the city out from under the receivership for the reasons I stated when we started. I think it’s very important that city elected officials make this problem their problem and assume responsibility for fixing it. I think they need to get people like me off their back and get on to their appropriate business.

TheBurg: The plan has a section regarding civil claims against professionals, which is rightly separated from the deal-making part of the plan, which is the majority of it. Certainly, residents are eager to see that brought to fruition. It says the receivership reserves the right to carry that forward. How does that reconcile with the desire to get the city out from under the receivership as soon as possible?

Lynch: That’s a good question, and the answer is that I don’t know. We believe that those questions need to be answered. Not from a criminal—we don’t have the ability to do anything from a criminal perspective. But we think that there may be some civil opportunities for us to explore—civil remedies. I don’t know whether we could pass that on.

The best way to say this is that, if the receiver goes away, the city of Harrisburg will still be in Act 47. The city of Harrisburg was in Act 47 and chapter 6 and 7 were enacted when the city of Harrisburg failed to agree to a recovery plan. That’s when the governor declared a state of fiscal emergency. That’s what generated the receivership. So, if, for example, the governor would declare that state of emergency over, I don’t know if that would automatically terminate the receivership or not. You have seven lawyers in a room, and you get 12 different opinions. So, we don’t know. But, no matter what, that would put Harrisburg back in the normal Act 47 process. There would be a coordinator. Every Act 47 city has somebody in there. And my assumption would be that that person could assume some or all of the rights and liabilities of the receiver, maybe not have as much authority. I don’t know. But one way or another, we’ll figure out how to do this.

Goldfield: That how I envisioned it, as well. If you start that process, and then the governor says, “financial emergency over, no need for a receiver”—and this is the first time it’s happened—it’s not like the last 20 times that we did it, this is how we did it. But I always envisioned that the legal team would shift over to the coordinator. That would be their client. It wouldn’t be that the financial emergency is over, so therefore all bets are off on any litigation that you started.

TheBurg: The plan seems to indicate that there’s at least some basis for litigation?

Lynch: I frankly don’t think there’s a lot of money in it, which is why we didn’t spend a lot of money pursuing it. But I think that some type of statement should be made. I don’t know how successful we’ll be. Well, if I say much more, I’ll screw it up. But there are some institutions—it’s more institutions than individuals.

Goldfield: There are all different strategies and different things you can do. But it’s something that Bill (Lynch) has very clearly understood is important to the people of Harrisburg.

Lynch: The parking is the secret to this, because it brings us closer to the amount of money needed to somewhat satisfy the creditors.

TheBurg: The parking solution was a very complex and creative way of putting that solution together.

Goldfield: It had to be because it had to get rid of the creditors and do annual re-occurring revenues for the city for the structural budget, and deals usually aren’t done that way. It had to fix two problems that had mutually related concerns.

Lynch: Usually, when municipalities sell their parking assets, somebody buys them and then says, “Don’t bother me anymore.”

Goldfield: And that’s what they had with Jacob Frydman a couple of years ago. They were on draft 19, and it was going to be upfront money, and these guys bid.  And they wanted to pay money and say, “See you in 75 years. We don’t want to hear about it.” If the city had done that deal, we never would have been able to fix this.

TheBurg: That was another one of Steve Reed’s magic bullets to plug another hole.

Lynch: Each of Reed’s deals—each one—if you peel it back, it was to fix a $5, $6, $7 million hole in the general fund. Each one. It’s amazing.

Goldfield: The Verizon building, which we didn’t get to talk about, is a classic example.

 

 

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Musical Notes: Eclectic Autumn

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A giant “glamour” shot of a Canadian and, no, we aren’t talking Bieber. A family of band members and a band of boys grace our Harrisburg haunts this October. Get the skinny on them below.

Robert Randolph & The Family Band, FedLive, Oct. 3, doors at 7:30 p.m.

The past few years have been a dedicated slog for Robert Randolph and his two parts rock ‘n’ roll, one part gospel and a twist of blues of a band. His new album, “Amped Up” (three years in the making), has all the elements of the past success he’s had with the energizing, steel-guitar sounds. While the first track, “Amped Up”, is a crowd-pleaser, the band takes on issues of economic justice (“Lickety Split”), returning vets (“Welcome Home”) and a long, lost friend (“Blacky Joe”), all while maintaining great spirit and the foundational undertones of gospel, a musical heritage Randolph grew up on.

Jay Arner, The MakeSpace, Oct. 13, doors at 7:30 p.m.

Jay Arner, a Vancouver-based artist, has released his self-entitled album with a giant headshot of himself on the cover, a bold move for a relatively obscure artist and a self-described “shy guy.” His songs harken back to new wave music due to his use of analogue synths and a flat, calm vocal sound. The songs have an Ambulance Ltd. (remember those one LP wonders?) vibe to them, albeit with less production. Call it Canadian summer at The MakeSpace and check this artist on the rise.

The Hackensaw Boys, Appalachian Brewing Company, Oct. 25, doors at 8 p.m.

This string band from Charlottesville has busked and brought game around the world with their old timey songs. After having just completed another European tour, they come to fall in America at just the right time, prepared to elicit yee-haws and boisterous hoedowns. Listen to favorites, “Keep it Simple” and “Can’t Catch Me” for a taste of their country music variety.

Mentionables

Marco Benevento, Appalachian Brewing Company, Oct. 10, doors at 8 p.m.

March Fourth Marching Band, Appalachian Brewing Company, Oct. 11, doors at 8 p.m.

Cabinet, FedLive, Oct. 25, doors at 8 p.m.

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How Did This Happen? Harrisburg Strong’s mission: to clean up a big mess that never should have occurred.

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It was a creative mess made. Therefore, it will take creative means to clean it up.

The city of Harrisburg’s debt crisis is a national story, but one with still a bit of local confusion. Undoubtedly, the public understands there is a mess—a complicated, contemptible one at that. But, truth be told, there are still so many of us wondering: How did this happen?

There are several theories and quite a few facts.

The long and short of it is this—a public project went bad combined with normal urban municipal fiscal challenges, overlaid with antiquated systems of governance and tinged with political perversions.

However, to say the incinerator is a public project gone bad is an understatement. In 1972, the incinerator was built as the region’s answer to its waste. Ideally, the facility would convert trash to steam and electricity, which the city would sell. Ideally, the trash would be flowing in from places local and afar. Ideally, the whole thing would run cleanly, smoothly, efficiently and profitably. That was the public message.

In reality, that hasn’t happened as planned or promised. Never quite right since it was built, the peak of the incinerator’s troubles came in the 1990s, when massive disrepair plagued it, and Dauphin County decided it was cheaper to use a landfill for 10 years instead of the city’s facility. With that county decision, the incinerator lost immense value.

Environmental and operational problems exacerbated the situation. In 2003, the incinerator was $104 million in debt. At that point in time, the options were either to shut it down or fix it up. It was decided to do the latter.

In order to enable the modernization and retrofit, the county agreed, upon completion of the construction, it would bring all of its trash back to the incinerator. The county committed to guaranteeing some of the retrofit bonds. The city did, too.

Both received upfront guarantee fees for doing so.

The construction didn’t go as planned. Barlow Projects Inc. was unable to finish what it started. More funds needed to be taken out. In 2007, the Harrisburg Authority, which owned and operated the incinerator, borrowed more money. The city and county stepped in again to provide loan guarantees and again received guarantee fees for doing so.

As with the first guarantee agreement, this one was voted on by the Authority board, county commissioners and the City Council, brought together by then-Mayor Stephen Reed, with only one dissenting vote among 10 elected officials. Current Mayor Linda Thompson in 2007 sat on the council for this guarantee and voted in favor of the borrowing. By 2008, the incinerator carried $230 million in debt, was delayed in reopening and generated less revenue than anticipated.

While all that was occurring, the city faced year after year of structural deficits.

To combat this common municipal problem, the so-dubbed mayor-for-life Reed didn’t raise taxes or services fees to meet the increased cost of running government. Rather, he located people and arrangements to devise injections of money, closing the holes that continually popped up. That money came by way of various refinances, funds and firms.

Professionals and consultants were brought in to help and paid well for their assistance.

As a result, Harrisburg residents are on the hook for what has become an accumulation of principal, interest, penalties, legal fees, consulting fees, advisory fees and more. Harrisburg is the first and only full guarantor of the incinerator’s debt. As second guarantor, Dauphin County guaranteed $144 million of it, but the agreement states that, for any payment the county makes, the city will pay it back. Neither the Authority nor Harrisburg has been able to make any of the incinerator’s debt payments. For that reason, both the city and the Authority have suits filed against them by the county, bond insurer and trustees.

On top of that, the city has skipped multiple general obligation debt payments and vendor payments. City government has been cut to bare bones, and liabilities for a variety of inventive financial transactions loom on the horizon.

Taking what probably should have been a private business and attempting to make it something to generate revenue for the city, the incinerator is what makes Harrisburg’s financial crisis so distinctive and serious.

While several parties facilitated the debt of the incinerator over 15 years of debacles, it is the city that’s left holding the bag. The details of the incinerator saga tell a chronicle of political maneuvering, creative financing, cronyism, bad business and citizen apathy.

The city of Harrisburg has a population of just below 50,000 people and about 35 percent of those people live below the poverty line. It’s estimated that 50 percent of the city’s assessed property is tax exempt. Government buildings, hospitals, colleges and universities, churches and non-profits are concentrated here since it is both the capital of the state and the core of the region. This contributes to a daytime commuting population that doubles the total residential population.

Because of the incinerator fiasco, Harrisburg residents pay $200 a ton to dispose of their own waste at a facility within city limits, one of the highest trash rates in the country. Contrary to popular notion, the city’s taxes are not the highest in the area nor are utility fees besides trash rates extreme.

All of these dynamics have come into play as the state-appointed receiver and his team developed the plan to confront the task they’re charged with—clean up this mess. As much as can be done.

Tara Leo Auchey is creator and editor of today’s the day, Harrisburg.

 

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Back to the Ink: Following a brief shot of fame, Frank McManus has returned to his tattoo art.

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Bridge Street in New Cumberland exudes “Main Street, U.S.A.” It mixes prime rib and Pilates, kayak rentals and ballet classes, people salons and dog salons. Drivers decelerate 30 feet before intersections, and sidewalks refuse to crack.

But turn down 4th Street, and things are less glossy. Bamboo blinds hang unevenly in the Martial Arts Academy building. A coin dealer uses metal detector clip art on his sign. And tattoo artist Frank McManus has mismatched window dressings. The left shop window contains an orchid plant and five bricks. The right window is empty, minus a comatose moth in the corner.

The door is locked for an early evening appointment. After a stint on Spike TV’s “Ink Master” in July, Frank is back in business. I study the policies on the pane, “No Kids, No Checks, No Attitude, No Refunds,” and stretch my neck to hear the needle buzz. A knock and elbow bump later—his surgical gloves rule out a handshake—I’m on the couch, listening to Jim Dzur, 37, describe the pain.

If it’s a line, it feels like an X-Acto knife. Shading feels more like a blowtorch.

“It’s like a really bad brush burn or a lot of bee stings,” adds Frank. “I hate getting tattooed.”

Frank, 29, has been tattooing professionally for six years, which makes him an infant in the industry. In 2002, he dropped out of Cedar Cliff High School months before graduation. “I was always a different kid. They weren’t doing anything to make me a better artist,” he says.

When the library wouldn’t sign his dropout papers because he owed dues, Frank roamed the halls for nearly two months until the principal offered to pay them. Frank insists that quitting school was one of the best decisions he’s ever made.

Jim lets out a sturdy sigh. “I know, buddy. I know it sucks,” says Frank as he finishes some shading around the ankle. Yoda will take another session to complete, but Jim is eager to discuss tattoo culture and the hippo on his belly before hitting the road.

After a smoke, Frank settles in to his “desk” chair. His light blue Vans shirt and checkerboard slip-ons brighten up the dark but cozy parlor. He keeps the Winston Gold Box handy.

True to tortured artist form, Frank says his art teachers hated him because he wouldn’t follow their rules. He sketched everyday in school and then everyday at his gas station job a few years later. That’s where a regular convinced Frank to hand over his portfolio to a couple of “tattoo buddies.” Shortly after, Frank became an apprentice at Permanent Impressions in Lemoyne. He spent two years there before opening Brass Monkey Studios in Harrisburg.

Frank describes the early learning process as “magical.” He lifts his pant leg to show me a skull tattoo he did on his thigh for practice, which he warns is terrible. He had to work upside down and couldn’t hold on to anything for the pain. There are still some unfinished lines.

However, now that he’s received some career recognition and feels satisfied with his style, Frank admits that tattooing is less enchanting. “Now that I know I’m in and I can do it, now it’s pressure.”

Frank beat out hundreds of applicants for a spot on the reality-competition series “Ink Master.” Though his experience was short-lived—he was the first to be eliminated for a scorpion tattoo and baboon cover-up on an inmate—he’s garnered a lot of local attention. “It was a little hard to take at first just ’cause I’m not used to it,” he says. While Frank realizes that the fame is good for business, he doesn’t want it to change him. “If I, in any way, start thinking I’m cool, I might start tricking myself [into an ego]. I don’t like that.”

When he’s not rushing to complete a tattoo on camera, Frank usually spends 30 minutes on consultations and hours on research before picking up a pencil. If he’s doing a Japanese phoenix with a fire and a skull, he might draw the fire 10 different times after studying different Japanese artists. Sketching sometimes takes up to 15 hours. That’s why, when he has time for simple walk-ins, they can be cathartic.

After four years in the city, Frank moved his work to New Cumberland in 2012. His business partner, Bryan Campbell, rents the space so Frank can focus on his art. “I was tired of owning a business,” says Frank. “Upkeep, bills, having a shop phone,” he explains.

Indeed there’s no shop phone in sight, and his mobile voicemail still sounds tired: “Please leave an intriguing message. If it’s boring, please text me.” Fortunately, Frank’s assistant schedules most of his appointments.

In New Cumberland, Frank says he does 40 percent more business than he did in Harrisburg. When I ask why, he references inner-city stigma. People from Colonial Park, the West Shore and Hershey either didn’t want to deal with parking or were too concerned about crime, he says. “I don’t think it’s really anything Harrisburg specific. I think it’s city problems.”

Although he’s tattooed all kinds of people—lawyers, doctors, accountants, cops, drug dealers, ex-cons, bikers—he says he generally likes to keep the conservative elite at bay.

“They have their thing. They appreciate a master’s degree and a super big paycheck and a retirement, and I think that’s awesome. But go and like that. I won’t bother you about what you like, and you don’t bother me about what I like.”

“Let’s just not try to play the ‘everybody’s going to get along’ game,” he pleads, “because we’re not. Maybe there’s a potential for us to reach some sort of consciousness, but right now, we don’t have it. Let’s be realistic about it at least.”

Self-described as “overly philosophical” and wary of the government, Frank tells me that visible tattoos communicate a worldview. The fact that he’s tattooed on his hands lets people know he doesn’t personally value white-collar ideals.

Frank grew up in a more conservative Presbyterian family. But when his grandparents died, he says his family fell out of the strict Sunday routine. These days, his mom, dad, little brother, half-sister and niece attend different churches or no church. Frank remembers sketching on Bibles to pass the time.

At the front of the shop, a messy stack of stencil transfer paper looks like its own kind of sacred text, with rose petal outlines peeking out. Parts of his one-room parlor are orderly—three skeleton paintings are perfectly positioned on the lavender wall—while other parts are chaotic like the papers. But chaos, he says, serves his process.

The only schedule Frank follows is his tattooing schedule. Other than that, sleep and food fall by the wayside. If he’s really inspired, he’ll stay up for 24 or 36 hours; sometimes he won’t eat for a day. Frank refuses to take sleeping pills or anti-depressants because his product wouldn’t be the same, he says. “The reason that I create artwork in the way that I do is because I don’t have a schedule. It’s cause my life’s f***’d up.”

He challenges me to name the last rich kid who made great art. “They don’t have any need to. I need to because I feel like shit a lot of the time,” he laughs, tugging on his buoyant hair.

From the way Frank engages his clients, you wouldn’t know he’s distressed. He introduces his “buddy Hawk,” who lifts his shirt to show me two colorful sparrows for his two children. Frank lets Hawk ramble about his back surgery, shuffle around the shop and arrange the table with lots of pillows. Hawk strolls outside to wait until we’re finished, and Frank, smiling, fiddles with the creases in his jeans.

He whips his hands behind his head and rotates in his chair. “A lot of the time, I don’t feel like I’m making an active decision to create [a piece of art]. It just pours out,” he confesses. “So if I have to stay up for three days, I have to. That’s a true need.”

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Give It a Twirl: Pastorante noodles around with Italian cuisine.

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Sri Kumarasingam is fixing Harrisburg’s deficit, the deficit of freshly made, Italian pasta, that is. A passionate chef and lover of pasta, Sri entered the Harrisburg restaurant scene in June with Pastorante where—you guessed it—pasta is the main attraction.

Although he enjoys experimenting with all types of cooking—Thai, French, Italian—he thought Harrisburg lacked a restaurant that exclusively sold pasta, an idea that gave birth to Pastorante.

His fresh pasta is produced from his pasta machine, located center stage behind a glass pane that separates the kitchen from the dining area. “We make the pasta right up front so people can see it. It’s an open kitchen. A lot of people have not seen pasta being made, so that’s an attraction,” said Sri.

The contemporary and simple elegance of the space reflects European style, a continent that Sri used to call home. “With the tables and chairs outside, it feels like a European café,” he said.

His menu features exotic rarities to central Pennsylvania, including squid ink fettuccine with shrimp and pappardelle with oxtail ragu. The squid ink pasta noodles are black, looking like a cluster of little, lineless highways on a plate. It has a distinct seafood taste, and the perfectly seasoned shrimp complement and complete the dish.

“This one lady said this is the most disgusting-sounding thing she’s ever heard, but she tried it and said this is the best thing that she’s ever eaten,” said Sri.

The pappardelle with oxtail ragu is a plate of flat noodles, similar to fettuccine but wider, with a meaty sauce that has oxtails that were slow cooked for eight hours before being added to the sauce.

Sri plans on infusing different cultures into his menu, as well. His latest project is discovering a way to incorporate edamame, an immature soybean often found in Japanese cooking, into a dish. Also, be on the lookout for lemon grass, beetroot and chocolate on the menu in the coming months. “If I eat something somewhere, I’ll be thinking, ‘How can I make this into a pasta?’” said Sri.

The classics, like macaroni and cheese and spaghetti and meatballs, are also represented, albeit with a delicious, fresh twist that distinguishes them from their boxed, grocery store cousins.

The dessert menu features staples like Key lime pie and chocolate lava cake, but a pasta-lover like Sri can’t help but experiment with pasta desserts, as well. A recent sweet was chocolate pasta topped with a crunchy peanut butter caramel sauce. Every chocolate-lover needs to give this dish a try.

After opening his first restaurant in the college town of Oxford, England, Sri is used to young people eating experimentally, but he is very receptive to the tastes and needs of an urban American audience of Midtown locals and suburban working commuters.

The Midtown location is within walking distance of downtown offices and is central to the residential community. Sri started offering a lunchtime menu during the summer to appeal to the commuting lunchtime crowd. Pastorante will be selling prepackaged noodles and sauces for those who stop in at lunchtime and want to have a quick meal for dinner, as well.

Residents and businesses of Midtown alike have welcomed Pastorante into their neighborhood. “It’s a good place to live. It’s good for business. The city is coming back up. This area is coming back up,” said Sri.

Pastorante is located at 1012 N. 3rd St., Harrisburg. Call 717-232-7050 or check out the daily specials on their Facebook page, PastorantePA. 

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