Moe Style, No Problems: Pal’s Apparel want to primp you up.

Mohammed Rammouni and Dave Marcheskie. Photo by Dani Fresh.

Crimson plush carpet caressed my Red Wing soles as I stepped inside Pal’s Apparel.

This newly minted menswear store on 2nd Street is cemented between the epicenter of Pennsylvania power and forgotten nights downtown. Skyline gray walls, alabaster trim and rich burgundy leather accents invoke a stark—not sterile—sublime. Pal’s, like contemporary Harrisburg, is a story of hopeful vision.

Mohammed Rammouni sells you on his easy stature and smile before his clothes. The 28-year-old shop owner likes to go by “Moe.” His colloquy is calming; his story is inspiring. It’s hard not to root for the guy.

Moe’s entrepreneurial spirit intersects with his love for the capital city.

The CD East grad helped his family run a mini-mart on Derry Street for several years. Once they sold the market, he worked in retail at the Harrisburg Mall. This is where he fell for helping the style-less feel stylish.

“It always stuck with me,” he said. “When they loved that outfit just as much as you did—it was a great experience.”

Moe left high-styling for ground flooring when his family opened up Big Bob’s outlet. Sure, he can wax about wood grain and tile, but his passion lies within denim and cotton. Moe remains a manager at the flooring outlet, helps his brother flip rentals, and also runs Pal’s. Hustle.

Moe said his friends would often travel to Philly, Queens and D.C. to get clothes nowhere to be found in Harrisburg. He saw opportunity.

He traveled to trade shows in Las Vegas and New York as well as spoke with city residents on what they want to wear. Pal’s Apparel proudly opened around Labor Day. Millennium design icons True Religion and Buffalo David Bitton, as well as rare boutique brands like CIVIL and Mondo New York are in the repertoire. Graphic T-shirts, moto jeans, fresh suede boots and edgy leather jackets are just a few pieces currently on hangers.

“Now, you can get New York here,” Moe said.

My question is: Can the Big Apple survive in the Strawberry?

Moe’s T-shirts range from $15 to $40, jeans from $70 to $125, and leather jackets will run you about a buck-fifty. Honestly, that’s a bargain compared to boutiques in bigger cities. Like many things in Harrisburg, it’s not about price but population. Moe has tapped into a niche market he hopes will be a wellspring. I just hope enough street-style savants see eye-to-eye with his vision. Pal’s promise lies within unique trunk shows, DJs spinning after hours, and a willingness to be flexible with market cravings.

Moe styled me in a camo T (CIVIL) and hoodie leather jacket (Buffalo) with distressed moto jeans (RAW-X), boots (Red Wing Heritage Moc Toe) and aviators. I still firmly believe a crisp suit can make you feel sharp. But, man, nothing boosts confidence like wearing attitude. That’s a feeling you can’t put a price on.


Pal’s Apparel is located at 306 N. 2nd St., Harrisburg Moe Rammouni said he soon will offer men’s blazers and button-downs, as well as ladies’ options. For more information, visit www,palsapparelhbg.com or the Facebook page.

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Old World Eats: At Fraulie’s, a quick trip to Germany, with connections through Lemoyne.

Mimi Wutz. Photo by Waxman Photography.

The Food Network show “Diners, Drive-Ins and Dives” has popularized the notion that food treasures can exist in the humblest of structures. Fraulie’s is such a place.

Situated in a snug space, Fraulie’s German Delicatessen & Import Shop carries authentic, hard-to-find European favorites. Walking into the store from bustling Third Street in Lemoyne, customers are engulfed in flavors from the Old World, surrounded by German bread, cheeses, meats and sweets.

Margo Wutz, a native of Germany, has operated the store for 44 years, after she discovered that the previous owner planned to close it.

“I couldn’t see that we should close the only German source for our food,” she said.

She named it Fraulie’s after a term of endearment given to her by her daughter, Mimi.

Our Food

In the beginning, Margo traveled in her VW Beetle to Philadelphia every week to pick up supplies. Sourcing goods isn’t so cumbersome now, she said.

The cold case is filled with German meats unfamiliar to most folks, like Alpine sausage, which contains sunflower seeds, carrots, peppers and poppy seeds. Another favorite, cervelat, tastes much like prosciutto but smokier. Also available are wiener sausages, bratwurst, salami and smoked ham.

Alongside the many types of meat sits a lovely, fragrant variety of cheeses, including Limburger, hand cheese and cambozola, which Mimi described as, “a cheese to die for—a cross between blue and brie.”

Bread lines the top of the deli case, heavy, dense loaves of Klosterbrot rye, sunflower seed rye and Black Forest rye. Margo said the first thing she noticed when she arrived in the United States was the bread.

“It was like cotton, had no substance,” she said.

More loaves, vacuum-sealed into solid cakes or “brick bread” as Mimi calls them, sit in a basket—muesli, pumpkin seed and linseed bread.

Customers can purchase these delicious choices to enjoy at home or they can order a sandwich to munch in the shop. A nice accompaniment is a hot cup from Kauffman’s Coffee, Tea & Spice Shop, just a threshold away.

What customers don’t have to purchase is the hospitality. Mimi described Fraulie’s as “the place where things slow down.”

The store has many regulars. One such customer arrived, and Mimi asked if he wanted “the usual” Landjäger or “hunter sausages.” He left with a bag and a hearty “auf wiedersehen” from the others in the store. Heidi Castle, friend and frequenter of Fraulie’s, said that Germans never say good-bye, but always “until we meet again.”

“This is where we come and get the things we are used to, love and want to continue the tradition of our food,” she said.

A 20-something Polish woman, Klaudia DeFrank, entered the store and gave the elder Wutz a warm hug. She said that, after coming from Poland four years ago, she was happy to find Fraulie’s.

“It feels so European in here,” she said.

Fun Place

Folks in the store are happy to share their knowledge of the food and its use.

Castle helped with one unique item called Back Oblaten, literally “bake thin wafer.” These small, round wafers, which resemble communion wafers, are used for baking. Cookie dough is scooped directly on the wafer and baked. It becomes a part of the cookie, with no sticking and no waste.

Mimi described some of the other, more distinctive items, such as “rollmops,” not the one used to clean the floor but marinated herring rolled around a pickle; sugar beet syrup, similar to molasses and eaten on bread; and head cheese, a gelatinous loaf containing pig head meat. It’s sliced and placed on sandwiches.

The jarred and canned items are popular at Christmas. Mustards in tubes make great stocking stuffers, interesting teas abound and jellies include rosehip, plum and gooseberry. Of course, there also are the famous German chocolates, marzipan and Haribo Gold-Bears.

Those who venture into this tiny shop either purposefully or serendipitously can savor a sandwich, try some uncommon delicacies, and experience the German culture.

“It’s just a fun place!” Margo said, summing it up.

Fraulie’s German Delicatessen & Import Shop is located at 224 S. Third St., Lemoyne. For more information, call 717-763-7616 or visit their Facebook page.

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Cold or Flu? The symptoms are alike, but it’s important to know the difference.

Cold and influenza season is upon us, and, often times, people are not sure which one they have since the symptoms can be very similar. However, knowing the difference between the two is key to getting better if you become sick.

The flu produces more serious symptoms, and it’s especially important to treat yourself correctly if you have it. The flu can lead to complications such as pneumonia, bronchitis, bacterial infections, sinus and ear infections, and even hospitalization. Children under

5 years old, pregnant women, those over 65, and people with compromised immune symptoms are at higher risk for flu-related complications.

The flu is highly contagious and can be spread through coughing, sneezing or even talking to someone who is infected. Most people can infect someone with the flu one day before their symptoms develop and five to seven days after they’ve become sick.

Symptoms of the flu include: 

  • Fever, body aches, chills and exhaustion. You may have a dry cough.
  • Treatment: Rest, drink plenty of fluids and take medication to decrease your symptoms. Call your doctor if you experience severe symptoms such as shortness of breath, very high fever or pain in your face/eyes or teeth that doesn’t improve.
  • Prevention: The best protection is to get a flu shot. Since strains of the flu are different each year, it’s recommended that you get a flu shot annually. Also, wash your hands often and keep them away from your face to prevent the spread of germs. Eating a balanced diet and staying well rested will also help to build your immune system.

If you do come down with the flu, prescription antiviral drugs can decrease your symptoms and shorten the amount of time you are sick. They also can help you avoid more serious complications. They are not sold over the counter, so you must see a physician to get an antiviral. As a reminder, antivirals are different than antibiotics. Antibiotics won’t help your flu symptoms.

While you can get a common cold any time of the year, your chances are higher during the winter months. Having a cold can be pretty annoying and make you feel just plain lousy. While it is a respiratory illness like the flu, colds are much less serious. They can last seven to 10 days, and the first sign is usually a sore throat and a runny nose.

Symptoms of the common cold include:

  • Runny and stuffy nose, sneezing, cough and sore throat. This can last up to two weeks and can lead to other issues like ear or sinus infections.
  • Treatment: Slow down your regular routine and get rest. Drink plenty of fluids, especially hot teas or soups to relieve your stuffy nose and head.

Gargling with warm water will help with postnasal drip.

  • Prevention: Wash your hands often and get plenty of sleep to keep your immune system healthy.

Unfortunately, there is no cure for a cold. It’s one of those things that just needs to run its course. Over-the-counter medications can give you some relief from your symptoms, but only time will make you feel like yourself again.

While colds are usually more of an annoyance than a serious health threat, when it comes to children, there are times when you should call your doctor. The Centers for Disease Control recommends that you call your doctor if you or your child has one or more of these conditions:

  • A temperature higher than 100.4 degrees Fahrenheit
  • Symptoms that last more than 10 days
  • Symptoms that are severe or unusual

If your child is younger than 3 months old and has a fever, you should call your doctor right away. They can determine if your child has a cold and can recommend proper treatment to help with symptoms.

Prevention and good health habits are the best way to keep yourself well during cold and flu season. Get a flu shot for yourself and your children, wash your hands often, sneeze and cough into a tissue or your elbow to prevent spreading germs, and, most importantly, stay home if you are sick. We can all play our part in keeping our community healthy this winter by practicing these simple steps.

Dr. Denise Harr, board certified in family medicine, is senior medical director of Medical Value Initiatives at Capital BlueCross, a community publisher for TheBurg.

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Beautiful Pain: Difficult truths, complex characters board “A Streetcar Named Desire.”

“A Streetcar Named Desire” is one of the most iconic plays of all time, made especially popular by the 1951 movie, in which Marlon Brando played the character of Stanley Kowalski.

Sean Adams, who plays Stanley in Gamut Theatre’s production of the 1947 play written by Tennessee Williams, grapples with the reputation of both the character and the assumptions about the play. He describes the importance of seeing the point of view of the character, regardless of the terrible things that he does.

It is not enough to classify any character as good or bad, or even evil. Adams plays a character who is abusive, domineering and, as he explains, “more unlike me than any character I’ve ever played.”

These complicated characteristics are exactly what Williams was getting at as he shows the honest life of a destructive family unit: Stanley, the World War II veteran with an explosive temper and increasingly aggressive tendencies (played by Adams); Stella, his pregnant wife who confuses destruction with love (played by Michelle Kay Smith); and Blanche, Stella’s sister, who has come to stay with the couple after some personal struggles in her life and who has a tense, antagonistic relationship with Stanley (played by Amber Mann). The story unravels as these characters live and breathe with each other, with all of their dysfunction, through extreme heartache, pain and loss of innocence.

Although most people know the play because of Brando’s film portrayal of the character, Adams believes that it is actually Blanche’s story and encourages audiences to seek an experience with live theater that is far different from film. He describes the play as, “the tragic and beautiful attempt by a fading southern belle to cling onto something to save herself,” and Williams shows us how truly difficult this can be in the America where old-money stories are being replaced with the fresh ideas of upward mobility by a new, post-war working class.

Trying to live up to an iconic portrayal helps no one, Adams explains.

“Really, I can’t do what Brando did,” he said. “Nobody could do what Brando did. So, all I can do is my own thing.”

That is exactly what Adams intends to do. His aim is to get to the bottom of Stanley’s character—to explore how he can do terrible things and yet still be human.

“He is not just this monster,” Adams said. “He is a real living human, and Tennessee Williams wrote these incredible characters for a reason.”

That is, Stanley is not only there to do horrible things and cause destruction without end, which has been his reputation.

If we are to trust Adams when he says that, in his eyes, this is really Blanche’s story, then we have to trust that his particular portrayal of Stanley will do right by the play—that it will highlight how dangerous it can be for a woman to be in a situation in which not only viewpoints clash, but where there is also a power dynamic that silences her impact, both as a character within the play and as an observable character, by the dominating force that is Stanley Kowalski.

Adams makes clear that a role is not defined by the actors who play them, and it is in his best interest to make his character as true and as honest as possible—and really make it his own.

All of this proves that the play is more than just a characterization of abuse or toxic family relationships. Adams states that the play addresses what most actors are looking for “to get that really ugly kind of moment—to play that and find the truth in it.”

The ugly truth is a primary reason why this play, and Tennessee Williams plays in particular, is fascinating to audiences, Adams said.

When it was first performed, and for some even today, it is a different kind of acting— a different kind of story— where the characters try desperately to do right and still do wrong. We like it because, above all, it demonstrates beautiful pain, in the realest sense, where sometimes there isn’t a hero, and sometimes there isn’t a happy ending.

“A Streetcar Named Desire” runs Nov. 4 to 26 at Gamut Theatre, 15 N. 4th St., Harrisburg. For more information and tickets, call 717-238-4111 or visit www.gamuttheatre.org.

Upcoming Theater Events
At Harrisburg’s Professional
Downtown Theaters

At Gamut Theatre
www.gamuttheatre.org
717-238-411 

“A Streetcar Named Desire”
By Tennessee Williams
Nov. 4 to 26
Fridays and Saturdays at 7:30 p.m.
Sundays at 2:30 p.m.
Doors and bar open one hour prior to performance.

TMI Improv Show
Nov. 16
Doors and bar open at 6:30 p.m. and remain open throughout the event.
Tickets are $10 and can be purchased online or at the door.

The Popcorn Hat Players Present
“A Popcorn Hat Christmas Carol”
Nov. 29 to Dec. 16
Saturdays at 1 p.m.
Wednesdays and Thursdays at 10 a.m. available by request for groups of 20 or more.
Tickets are $8 online or by calling the box office

At Open Stage
Of Harrisburg
www.openstagehbg.com

Court Street Cabaret: Jukebox Edition
An evening of song from Broadway and beyond!
Nov. 3 and 4

“A Christmas Carol”
A dazzling new production of the classic Dickens tale
Dec. 1 to 23

“The Santaland Diaries”
David Sedaris’ irreverent one-man-show
Dec. 3 to 22

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The Landlord Vanishes: Harrisburg has tried to rein in absentee property owners, but the scourge of blight continues.

Two halves of a blighted duplex sagged side by side. Tri-County HDC, developer of affordable housing, bought one half and eyed the other, hoping to demolish both and build new for a revitalizing neighborhood.

“Then somebody came out of the woodwork and bought that property,” said Executive Director Gary Lenker. “There was someone there who put a new window in the kitchen and did about a day and a half’s work, and you never saw him again.”

Meet the newest villain in urban housing: the absentee property owner. This is not your father’s slumlord, milking revenue from beleaguered tenants. This is an internet-enabled bad guy who buys a blighted house for less than the cost of a refrigerator, for no other reason than to sell the rotting carcass to somebody else.

The 21st-century absentee property owner stems from the foreclosure process. Seized homes land on the “upset sale list,” where buyers pledge to pay all back taxes and utilities plus the bid price. If no sale, it’s on to judicial sale, for a purchase clear of encumbrances. Finally, the lowest rung is the repository sale. Asking price: $500.

You know who has $500? A lot of people, some from as far away as Australia, who stumble across the repository list from some obscure place called Harrisburg, Pa. The internet is “a speculator’s dream,” said city Codes Administrator David Patton.

From the repository, properties can land on eBay or Craigslist.

“One guy from Philly bought a house, sold it to someone in Florida, who sold to Utah, and back to someone else in Florida,” Patton said.

They hardly have “noble intentions” for the property, he said.

“It’s all about flipping it and making some quick cash, and we’re the ones that end up paying the price for it.”

Lenker’s Tri-County HDC pays the price in dollars and in time. Tearing down existing properties to make way for new, affordable homes requires a “quiet title” search, assuring clear title for the new buyer. If the owner is AWOL, that search gets lengthier and costlier.

Take the proposed MulDer Square redevelopment on Allison Hill. Tri-County HDC planned to demolish five blighted rowhomes, and the mayor “even signed an order saying they were unfit, uninhabitable.” Demolition could have proceeded in summer 2016, but the search for one absentee owner kept the bulldozers idle until spring 2017.

“For about a year, I worried,” said Lenker. “We did get to the end, but there was a delay.”

Chasing Phantoms
In recent years, Harrisburg has tried to corral in neglectful rental property owners and add teeth to its codes enforcement. For instance, it now requires out-of-area owners to assign a “local” property manager who must live within 50 miles of the city.

However, owners often flout these rules with impunity, especially those who live out of state and, worst still, out of the country.

As physical distance increases, Patton’s enforcement abilities diminish, he said. A summary violation for letting a property languish “has no traction out of state,” and even violations elevated to misdemeanor charges “simply turn into a warrant, which again has no traction out of state.”

“It’s like chasing a snowflake,” he said. “The end result—it always ends up on our demolition list.”

Absentee owners have learned to game the system. A property’s condemned, so they sell it to someone else, forcing the process back to square one. Warrants pile up, so owners meander into Dauphin County Courthouse and flip the property to a new owner, who doesn’t have to sign off or even know they’re now the proud owner of a ramshackle eyesore.

“Any time someone can go over and put their properties in someone else’s name without that person even being there, that’s a problem, because then we’re chasing phantoms,” Patton said.

Harrisburg City Councilwoman Shamaine Daniels, chair of the building and housing committee, wants to see the city impose additional fines allowed by a 2015 ordinance on real estate speculators, to compensate for the extra costs of searches and enforcement.

“It would be nice to see what happens when these ordinances are enforced,” she said. “It’s hard to gauge the effectiveness of an ordinance when it’s not used at all.”

Patton confirmed that the anti-speculation ordinance has not been effective. Without evidence of an owner’s intent to speculate, “I cannot issue a citation under this ordinance,” he said.

And, as for imposing ever-increasing fines, guess what? Courts offer payment plans. One violator is paying off a $7,000 fine at $22 a month. “A lot of times,” said Patton, “they’ll default on the payment plan, and it goes into warrant.”

Yes, a warrant, which can’t be enforced out of state.

Heartbreaking
Among the phantoms Patton chases are absentee owners who create corporations that shield their identities and create smokescreens. One address was a vacant lot in Philadelphia. On another, a Google search revealed “an intersection in Brooklyn.”

Additional legislative action might help, Patton said.

Corporations are meant to protect personal property. Few would dispute that doing business should not put your family’s home at risk. But Patton’s nemeses are “using subterfuge just so they can purchase properties and leave the legacy of their dilapidated properties to us,” he said.

“We need to at least have some agent or principal responsible for the conduct of that corporation so they can be accountable for what their property is doing to our community,” he said.

Through roundtables sponsored by the state Senate Policy Committee, lawmakers hear “loud and clear” that municipal officials need powers to track down the “bad actors” hiding behind corporate protections, said state Sen. John DiSanto, a Republican whose district includes Harrisburg.

“When you’re in a defined blighted area and when there are certain numbers of abandoned homes, we can be more aggressive in taking those properties back and getting them back into use where they’re creating a real hardship on the community,” he said. “But we have to offset that where the LLC is being used in thriving areas and doing what it’s supposed to do.”

Getting the names behind corporations “would make the work easier in terms of who to serve and who to cite,” said Daniels, but she returned to her unanswered question about whether the city’s unused anti-speculation ordinance works or not.

“Similarly, would being able to be named be enough of an incentive for someone to fix their property?” she said. “I don’t know.”

Even when the city proceeds with demolitions after proving that owners can’t be found, the problem lingers. Those vacant lots—still owned by the mystery entity—become overgrown, attracting abandoned cars and illicit activity. Once in a while, neighbors take responsibility for tending to them.

Patton, who keeps a weed-whacker in his truck for those lots, grew up on Allison Hill. His grandfather was raised on Hummel Street. Grandpa met grandma while delivering newspapers on Nectarine Street, around the corner. On those streets, and in Uptown Harrisburg, too, absentee owners find blighted houses ripe for exploitation.

“I see these unique architectural features on these homes built in the early 1900s, and I have to demolish these things,” Patton said. “It’s heartbreaking. You just get vacant lots, vacant lots, vacant lots, and they themselves turn into problem situations.”

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Family Dance: At Pennsylvania Regional Ballet, some are treated like family–others actually are.

Photos courtesy of Pennsylvania Regional Ballet. Photos by Eduardo Patino.

The first time Gillian Murphy danced the Sugar Plum Fairy, she was a high school freshman at the North Carolina School of the Arts.

Since then, she has performed it many times with the world-renowned American Ballet Theatre—where she is principal dancer—and in guestings around the country.

In Tchaikovsky’s beloved “Nutcracker” ballet, the Sugar Plum Fairy rules the Land of the Sweets.

“I’ve always loved dancing it because the music and the role are so uplifting and iconic,” Murphy said.

This year, she’ll have a special treat. Murphy will perform the role with the Pennsylvania Regional Ballet for the first time with her frequent partner, ABT principal James Whiteside. But also, for the first time, she’ll be on stage with her niece, Allegra Inch.

The 12-year-old is a student at PRB, based in Enola.

“It will be so special to share the stage with her and watch from backstage as she dances as a soldier in the battle scene and leading a divertissement in Act II,” said Murphy.

PRB is “thrilled” to have Murphy, “one of the best-known ballet dancers in the country,” said Kathryn Aumiller, executive director. “It’s really a family affair, because Allegra’s mother, Erin Stiefel Inch, is a teacher in the school.”

Allegra calls the experience “an enormous honor.”

“Having my mom as one of the teachers and Gillian as the Sugar Plum Fairy is so special and will be an incredible memory,” she said. “I think it really sums up how we feel as dancers about Pennsylvania Regional Ballet. We are a family.”

That feeling is one consciously cultivated by PRB Artistic Director Sandra Carlino.

Aside from providing professional dance training for students ages 3 to 18 and nurturing individual artistic quality and versatility, PRB is “known for the faculty’s dedication to the emotional and physical well-being of the students,” Carlino said.

Alumni are currently attending university dance programs, performing with professional companies, choreographing, teaching and serving as artistic directors internationally.

One of those alumni who remembers PRB fondly is Kristen Weiser, director of ballet at Columbia (Mo.) Performing Arts Centre.

Weiser was only about 11 when she realized she was more interested in contemporary dance than classical ballet. She had enrolled in the Cumberland Dance Company—as PRB was then known—at 6 years old.

“Sandy did a piece that appealed to me,” said Weiser, who went on to the famous Juilliard School. “It was en pointe (on toe shoes) but neoclassical, and I fell in love with it. She was the best teacher.”

At the time, PRB was the only area company that taught modern dance and contemporary ballet, as well as classical. It also offers tap and jazz for musical theater.

Carlino, a former dancer with New York’s Joffrey Ballet, came to central Pennsylvania in 1987 and was appointed ballet mistress and rehearsal director of Cumberland Dance Company.

In 2001, she became artistic director, but considers the origin of PRB to be the earlier date. A few years later, the school hosted the conference of Regional Dance America, a national association of dance companies.

Carlino started with 45 students. That number now fluctuates between 125 and 130.

After performing in a church for 15 years, PRB purchased a former florist shop in Enola.

“We had two months, between the time we bought it and classes were going to start, to get it ready,” she said. “We completely gutted it and turned it into a ballet school.”

The family atmosphere has attracted staff as well.

Jeffrey Gribler has been freelance teaching and choreographing at PRB regularly. A former principal dancer with the Pennsylvania Ballet and later its ballet master, he is now part of the school’s faculty for the 2017-18 season.

“PRB is a second home to me,” he said. “The atmosphere is so positive and so headed in the right direction. The kids get better all the time. I love the quality of the work.”

Gribler met Carlino as an adjudicator for Regional Dance America and considers her “family.”

A few weeks before the “Nutcracker” performances, PRB will host the family-oriented “Enchanted Nutcracker Tea.”

“This is our fourth year for the tea, which is nice for our kids and their parents,” said Aumiller. “It includes a child-friendly luncheon, narrative preview from the ‘Nutcracker’ production, and autograph signings and photo opportunities with the major characters.”

Everyone in the local dance world knows Central Pennsylvania Youth Ballet in Carlisle for its rigorous training and quality performances. But Carlino is unperturbed.

“In all fairness, CPYB is one of a kind,” she said. “You can’t imitate it.”

But she pursued a different model, inspired by the “kind of trendy classical ballet and neoclassical pointe work” at the Vineland (N.J.) Regional Dance Company.

“I thought to myself—these are our bodies; this is what we should try to go after,” she said. “Some of our dancers won’t be ballet dancers. Some may pursue Broadway careers. We found a way to balance good training with flexibility.”

For pre-professional students, who have daily classes and rehearsals and may not get to eat with busy working parents, Carlino said, “Everyone cares. It is a family thing.”


The Pennsylvania Regional Ballet will perform “The Nutcracker” on Dec. 2 at 1 and 5 p.m. and Dec. 3 at 2 p.m., at the Scottish Rite Theatre, 2701 N. 3rd St., Harrisburg. For more information and to purchase tickets, visit
www.prballet.org or call 717-732-2172.


The “Enchanted Nutcracker Tea” takes place Sunday, Nov. 12, at the West Shore Country Club, 100 Brentwater Road, Camp Hill.

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Imagine This: Harrisburg-area kids take inspiration from Mollybee Toys.

 

Melissa Rhen.

The idea for Mollybee Toys began to germinate about seven years ago, following a well-timed trip to Europe.

“I was pregnant, and my husband returned from a trip to Germany and brought home Haba building blocks, which my kids, now age 5 and 6, play with to this day,” said owner Melissa Rhen.

The couple admired the quality of the beech wood blocks and the creative purpose behind the design. Soon, Rhen’s husband Dave began toying with the idea of purchasing more products with an educational component.

“He sent me an email about three months after my daughter Ella was born which said, ‘Let’s start a toy store,’” Rhen said.

She was game, and the couple decided to throw the dice by opening up an online shop. They named it Mollybee as a tribute to Rhen’s sister, Molly.

As time passed, the couple contemplated expanding into a physical location. At the same time, Rhen’s friend, Rebecca Werley, who was also a stay-at-home mom, was weighing the idea of starting a business of her own. So, the two worked as a team to strike the right balance between business and family life.

Each opened a shop in the same Market Street building in Camp Hill, where Werley runs Sweet 504, an interior design space adjacent to Mollybee Toys.

“We cover for each other when there are doctor’s appointments or field trips, things like that. It works out well,” said Rhen, adding that her children Ella and Landon, now school-aged, help out too. “They have jobs here too like helping me stock the shelves.”


Happy Place
Rhen’s store may be cozy, but there’s something to see at every turn.

There are the European-style educational toys that inspired the shop, such as sturdy wooden puzzles and early learning items. She added to that a range of gift and baby shower items like adorable “onesies” that feature magnetic buttons and colorful “chew bead” necklaces and bracelets designed to be worn by mom and tugged on by little hands.

For older kids, the shop carries many “analog” items, though you won’t find your typical board games like Candyland and Sorry. Rhen opts instead for more unusual merchandise like The Peaceable Kingdom series, which enables children to play against the game rather than each other. She discovers such finds by attending industry events in New York on a regular basis.

She also carries an award-winning series of products called Nancy B’s Science Club, kits designed to spark young girls’ interest in STEM learning, and Elenco Snap Circuits, which teach children about the world of electronics.

Janean Searfoorce, who is a regular MollyBee shopper, said she can always count on finding a good gift there.

“Because it is small, she has to be particular about what she has there, and they are all high-quality items that I can feel confident won’t be duplicated,” she said.

Alexis Schrock of Marysville, who has a 5-month-old and a 3-year-old, said she brings both children to the store.

“I can let them pick out anything, and I know it’s going to be a good toy that’s a mix of education and fun,” she said. “You can tell that every toy has some thought behind it, even the board games.”

When asked to describe the favorite part of her unique business, Rhen doesn’t think twice.

“It’s when the children run into the store and look around and realize that they are allowed to touch everything,” she said.

She added that it’s fun to see how many kids play with the same toy, like the LEGO Light Stax, which have a tiny LED bulb inside each toy brick.

“About five times a day, this is built into a different configuration,” she said.

Rhen said she’s looking forward to celebrating “Neighborhood Toy Store Day” on Nov. 11, when independent retailers across the nation will hold events in their stores.

“We’ll have giveaways and make-your-own Christmas ornaments and other activities,” she said.

Working in a toy store does have its perks, and you can tell Rhen is in her happy place, with children and smiles all around.

Mollybee Toys is located at 1849 Market St. (rear), Camp Hill. For more information, visit www.mollybeekids.com or their Facebook page.

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You Got This! A runner recalls the exhilaration–and exhaustion–of the Harrisburg Marathon.

Photo by Rosie Turner

On a wonderfully cool day recently, people on lunch break enjoyed the fresh air of the Walnut Street Bridge, the Susquehanna River meandering below them.

As I stood at the end of the bridge, just short of City Island, I was brought back to five years earlier when 2,000 fellow runners started a 26.2-mile race. Back then, the Harrisburg Marathon finished on the Walnut Street Bridge, and I was standing near the spot where I once collapsed into a wheelchair.

Run Forever
I’d started to run, casually at first, at the age of 40.

Running, like some other things in life, can cascade, and it soon became my addiction. I’m still not sure why it felt so good, but it might have had something to do with creeping middle age, endorphins and a little hole developing in my soul after 15 years in middle management.

The first marathon I entered was a pancake-flat race in York, which proved catastrophic. I trained for it in earnest, pretty much doing everything wrong, heeding no advice and training too fast and too short. My longest training run was 16 miles. In the race I “bonked” (hit the wall) at, you guessed it, mile 16. I heard a spectator say, “I didn’t know people walked these.”

My lower back had started hurting by then, sometimes bad enough that it was tough getting out of bed. After therapy, I started running again. I read an article in Runner’s World about a growing obsession, among some, to qualify for what might be the greatest race, the Boston Marathon.

I increased mileage gradually, my back held, and, in April 2012, I decided to train, a day at a time, for Harrisburg, which had gained a reputation as a well-organized, small-town race. I studied running websites, talked to local track coaches, stretched after runs, ordered chia seeds online, and religiously followed a training program. I stopped short of high altitude training in Colorado, but considered it. By November 2012, I felt like I could run forever.

Nov. 11, 2012, the date of the race, started cold and clear. By 3 a.m., I couldn’t sleep, and I walked my dog down the farm lane. The air from Canada was bracing; a meteor shot against the sky in front of us, too rare to believe.

I reached the parking lot on City Island around 5 a.m. I sat in my car, queasy but encouraged that others also saw fit to arrive so early. I walked around and picked up my packet inside a building. Everything was organized well, and the people were friendly, talking quietly in small groups. I really had nothing to say except for an inner monologue, and I walked back through the parking lot, telling myself I’m not nervous, and why should I be when I’ve put in the miles. A marathon is two races, someone had told me—the first 20 or so, and then the rest.

Before I returned to my car, I saw another man, maybe 30, in his car eating a thick hamburger. Red meat on race day? First the meteor, then this.

Are You OK?
It was finally nearing race time, and we lined up on the Market Street Bridge, which was choked with runners. Super Storm Sandy had hit several weeks before, wiping out the New York Marathon, and the overflow was hitting smaller races. Pace groups distinguished themselves with raised signs, and I went to the fastest group I saw: 3:25 (three hours, 25 minutes).

I’ll run with the group, I said to myself, and then take off, maybe at mile 18. Standing on the bridge facing the city, the sun was up, sweats were off, and it felt good. Announcements were made, and I wanted to run so badly. Two days ago, during my taper, my boss had said, “I bet it’s painful not to be able to run today.” Yes, boss, thanks.

A blond woman in our group, maybe 10 years my junior, said something to me. She was from Australia, living in northern Jersey, very pretty and outgoing. Absently, I pictured myself cheering her on at the finish.

The gun sounded—or maybe it was a horn. I don’t remember. I do remember feeling strong, curbing the temptation to abandon the group. I talked to the pacer as we ran, a friendly, helpful man in his early 30s named Jamie, sporting a hydration pack and yellow shirt. His personal record was 2:53, and he’d done Boston seven times.

Every two miles, there was a table with small water cups. I slowed down at each, took two cups and drank. The group pulled ahead each time, and I scampered after them, probably catching up too quickly. At mile six, I said something to Jamie about feeling so good and asked if it was too early to take off. We still had about 40 or so people in our group, and others heard me and must have thought I was obnoxious.

At mile 18, I said to Jamie, “If I still feel good by now, I have this, right?

Soon afterwards, we hit three short, but sharp hills. A man staggered down one, and Jamie said, “You got this! Stay with us!” But he pulled to the side and stopped, head down. I was still standing and chose this moment to inch ahead. A half-mile later, in an instant, I felt weak, a little sick. Jamie and a group of about 10 came up on me. He said, “Are you OK?”

Under my breath, I said, “Yes, it will be OK.” He offered a gel, strawberry banana. It made me nauseous and worried. I knew how quickly pace can slow, double, even go to stop, and I knew we were just 60 seconds ahead of a 3:25 finish.

We hit the last stretch, a winding path along the Susquehanna back to our bridge. The sun was up in the sky now, piercing in the dry atmosphere. Jamie announced that we had three miles to go, and a bit after, said, “There’s our bridge!” This was the bike section of the Catfish Triathlon that I’d done just a few months earlier, and I knew where I was. The next bridge, now close to us, was the Harvey Taylor, decidedly not Walnut Street. I hated that fact but was glad to know it as we continued past.

By now, I was finished, as if a virulent flu had taken hold. In any circumstance outside of a dire emergency, or, it turned out, a Boston Marathon qualifier, I would collapse and not move for hours. The human body can hold about 2,000 calories of glycogen, and a marathon, on average, requires much more energy than that. It is unbending math, and if you don’t heed it, you’ll bonk. I had ingested gallons of water and pounds of carbs in the days leading up, but intra-race nutrition was the one crucial item I’d left out of race day.

My mind went back to the catastrophe in York, two years before, but my eyes were fixed on Jamie’s yellow shirt, and, for the life of me, I wouldn’t let it recede. We continued, now four of us, along the path’s too-warm cement.

The last hill on this course was the path up to the Walnut Street Bridge. I braced for it, mentally preparing for the effort as a weight lifter might for a deadlift. On top, we saw the finish beyond the edge of the bridge, and Jamie stepped aside, cheering us on. “Mark, go, go. That’s the finish! You got this!”

I wondered how he could be so confident, because every step felt like my last. I lurched over the finish line, and a woman, a smiling volunteer, an angel, pulled up a wheelchair and pushed me to the medical tent. “Someone died at this last year,” she said.

As I looked around the tent from under my blanket, a nurse took my pulse and pushed Gatorade. I saw others in varying states of disrepair. A fit man in his early 30s was on his stomach next to me, a massage therapist teasing out lactic acid. He smiled at me. I grinned drowsily back and said, “I almost didn’t finish,” and he nodded, knowing what I meant.

The 2017 Enders Harrisburg Marathon is scheduled for Nov. 12. The course changed in 2015 and now finishes in downtown Harrisburg. The new finish, according to Tom Gifford, the race director, “allows more spectators, cheering and excitement.” For more information, visit www.ymcarun.com.

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Fifty & Fabulous: Five decades old, The Plum continues to bear fruit.

There’s always something new at The Plum, the venerable women’s clothing shop in downtown Harrisburg.

That’s what owner Isaac Mishkin says, and, as anyone who’s passed by his Locust Street shop recently can attest, he isn’t kidding.

Since mid-September, a stunning, colossal mural by Ecuadoran artist Vera Primavera has graced the store’s exterior wall, adding vibrancy to what was once a large, drab surface. The mural’s size, bright colors and subject matter (a stylish young woman juxtaposed with a gypsy moth emerging from a purple-hued volcano) have quickly made it a draw for visitors.

It seems fitting that such an amazing addition should happen now, just as The Plum celebrates its golden anniversary—an amazing 50 years selling women’s fashions in the heart of Harrisburg.

Stepping through the door of the boutique just feels special, a calculated move on the part of the 80-year-old Mishkin and his daughter, Kirsten, who carefully crafted the décor to evoke big-city chic, with a dollop of posh. Black walls contrast with ornate white woodwork and high ceilings, giving the space an airy feel. Dripping crystal chandeliers tie in with an oversized gilded mirror for a hint of extravagance. Mishkin is quick to point out, however, that his fashion finds are approachable.

“My business is considered a ‘bridge store,’ which is to say that it’s a store that bridges the gap between the contemporary and the couture,” he said. “Our merchandise doesn’t necessarily have the name recognition like Yves Saint Laurent out of Paris, but it’s sold with quality in mind.”

Hats to Haute

Mishkin’s initial ambitions had little to do with fashion. As a young man, he pursued a degree in accounting—that is, until fate stepped in.

“My father died when I was a senior in college,” he said. “The family operated three millinery stores in Harrisburg, so I returned home to help my mother.”

Mishkin used marketing skills gleaned in college to add handbags to the inventory of headwear. When that succeeded, his interest in retail blossomed, inspiring him to open The Plum in 1967. His mother ended up selling her stores a year after Mishkin blazed his own retail path.

“The hat business was beginning to fade, but she was ready to retire by that time anyway,” Mishkin said.

Running a successful business for 50 years is no small feat, and Mishkin keeps up with the times when it comes to fashion. But, for service, he sticks with the tried-and-true.

“I wait on people the old-fashioned way,” he said, emphasizing the personal service he delivers, catering to each individual shopper.

He also takes pride in how his customers look, as they are a walking testament to his taste.

“I won’t sell anything that doesn’t look good on people,” he said. “We’re not in this business to make one big killing. We want them to say, ‘Oh my God,’ and then return.”


Not Just a Business

Mishkin flashes his signature wide smile, and his eyes light up with anticipation as a customer enters his shop. Watching him in action, it appears that he takes a split-second mental inventory to assess the patron’s shape, size and style to pair with his merchandise. Within minutes, he’s carefully pulling items off the racks—a cashmere sweater here, a poncho there.

“This will look great on you,” he assures one customer, who agrees after trying on his recommendation.

Coats, gowns, jeans, pants, capes, shirts, jewelry, belts, you name it—there’s a little of everything in Mishkin’s 3,000-square-foot flagship store and more can be found at his West Shore location in Camp Hill.

Cindy Fremont works as a financial advisor for Edward Jones and has been shopping at The Plum for 15 years.

“I have to be professional, but I like to throw a little funk in there every so often,” said the East Berlin resident whose mother-in-law originally recommended the shop. “Isaac knows fashion and what looks great.”

Fremont can attest to the quality of the garments, too.

“I have pieces that are easily a decade old,” she said, adding that daughter Kirsten inherited her father’s fashion sense. “When Kirsten travels to New York, she buys for me and everything fits.”

Pamela McDermott is another enthusiastic customer whose loyalty dates back years.

“I graduated from Lower Dauphin in the 1970s and have always loved to dress up since the age of 3,” she said. “When I needed a gown for the senior prom, my mom bought me one at The Plum. I kept the receipt—it cost $44.”

The Union Deposit woman, once recognized by the Patriot-News as a “style maven,” said that she has Mishkin on speed dial.

“I’m not a department store shopper,” she said. “If I’m looking for something unique, edgy and over the top, Isaac will have it.”

Surveying his shop, Mishkin says that he finds it hard to believe that he’s been in business for 50 years. He considers himself very lucky, both that he found his calling and that he’s been able to operate for decades in a difficult industry not known for its longevity.

“When I hear about so many people complaining about their jobs, I’m thankful that I like to go to work,” he said, flashing that big grin again. “Once that retail bug bites you, you can’t get rid of it, even if you want to retire. I like people. I like fashion. It’s not just a business. It’s a social thing too.”

The Plum is located at 213 Locust St., Harrisburg and at 3801 Old Gettysburg Rd., Camp Hill. For more information, call 717-232-9251 or visit www.theplumclothing.com or their Facebook page.

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Critical Condition: Harrisburg’s first responders toil as their building decays around them.

Drippy ceiling tiles, crumbling cement and a faint pong of marijuana—all are part of a day’s work at the Harrisburg Public Safety Building.

The space housing the police and fire bureaus, located on the first block of Walnut Street downtown, has reached the end of its natural lifespan, according to Mayor Eric Papenfuse. The city recently decided not to invest more money in the building and is actively scouting relocation sites.

But until the city identifies an alternative location for almost 200 employees, its first responders—and the administrative staff that supports them—will continue to work in what Papenfuse calls “substandard” conditions.

The vast majority of the building’s employees are police officers and parking enforcement agents who spend their days off site, said Joni Willingham, Harrisburg’s human resources director. Almost 30 administrators, including police and fire chiefs, work there full time.

What’s it like to report for duty every day?

“It’s the equivalent of going on vacation and coming home to a dirty house,” Capt. Gabriel Olivera, the Police Bureau’s public information officer, said during a recent tour of the building.

Small Investments

Mattea Macri has watched the building deteriorate during the 33 years that she’s worked for the bureau.

“It’s dirty,” she said. “There’s problems everywhere—leaks, one room is hot and another is cold.”

The leaks, which manifest as brown rings and waterlogged blisters in the acoustic ceiling tiles, are most numerous in the detective offices on the building’s third floor. Gaps in the ceiling mark where tiles were removed for water damage, and employees use everything from trash cans to coffee cups to catch the runoff.

Olivera says that leaks in the third-floor forensics lab and second-floor records office have never compromised police procedures. Harrisburg police only use their forensics space to run fingerprints and send all other lab work to a state-run facility. And Olivera said that the police department has never lost paper records to water damage.

What’s more hazardous, he said, is the ceiling in the basement parking garage, where crumbling cement and drywall has fallen and damaged personal vehicles.

The building also circulates heat poorly, leaving some rooms uncomfortably hot and others frigid. In the winter, some offices have recorded temperatures as low as 63 degrees, Olivera said.

Ventilation also partially accounts for the faint odor of marijuana in the first and second floors. Olivera said it’s a product of seized drugs stored in the first-floor evidence room. Officers staffing that room recently had standing fans directing the stench outside.

Though the city has decided not to make capital improvements to the building, it still will make small investments in repairs and maintenance, according to city Engineer Wayne Martin.

Olivera identified some areas that have seen recent upgrades, including a hallway where carpet was replaced after the previous carpet became “dangerous.”

But many of the recent enhancements were completed with donated goods and labor. A local Eagle Scout refinished an interview room on the third floor. Down the hall, volunteers from the Rotary Club renovated and furnished a family waiting room.

In some cases, officers take maintenance into their own hands. Olivera pointed out two offices on the first floor where sergeants replaced flooring, applied fresh paint and installed donated desks.

“They just got tired of how it looked,” he said.

When asked if he thought that the workspace conditions affected officer morale, Olivera answered with a definitive “yes.” But he declined to elaborate and insisted that officers would not allow their work quarters to affect public safety.

“In spite of all this, our officers come in every day to do the work they signed up to do,” Olivera said.

Too Big

Olivera hopes that the Police Bureau will downsize its offices in its next move. He said that the force employed close to 200 officers when it moved into the building in 1981. Today, the full-complement rank is limited by Act 47, a state statute that governs financially distressed municipalities. The police force has a capacity of 157 officers but currently operates with 142.

Put simply, the building is too big for the current force, Olivera said. He thinks smaller quarters would alleviate the burden of upkeep and repairs, especially since the city has reduced its maintenance staff under Act 47, he said.

Papenfuse attributed the current condition of the building to years of neglect under former Mayor Steve Reed’s administration. The city decided in 2015 that it would no longer make capital improvements to the building.

Martin, the city engineer, defined a capital improvement as a repair, such as a roof replacement, that would extend the life of the structure.

Once the city relocates its public safety employees, it will likely seek out a lease agreement with a private sector company, Papenfuse said.

Under that agreement, a private company would bear the cost of renovations in exchange for a nominal rent fee from the city.

City Council recently rejected a similar proposal with Eastern University, a Christian college that wished to renovate and rent space in the City Government Center’s unfinished basement.

Papenfuse is skeptical that the city will find many bidders for the basement, but thinks it will have more success fielding proposals for the Public Safety Building. Since it’s a complete, free-standing structure, companies will have more options for how to renovate and use it, he said.

That’s good news to Fire Bureau Chief Brian Enterline.

“This is probably the best building in the city, to be repurposed into something else,” Enterline said.

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