“Beautiful in Every Way”: Susquehanna Chorale’s holiday performances take on new meaning as legendary conductor readies retirement

Linda Tedford

For years, the Susquehanna Chorale’s holiday season has taken the same shape.

Come mid-December, the award-winning group stages its annual “Candlelight Christmas” concert for a weekend. Each year celebrates holiday music, traditional carols and a candlelight rendition of “Silent Night” that some in the choir call “magical.”

This year’s celebration—performed this month at three different venues in the Harrisburg area—will be different. And that difference will have little to do with song selection, performance or even the unpredictable winter weather.

Instead, 2025’s program will mark the final time Linda Tedford will be the one leading it.

“I’m nostalgic,” Tedford said recently while considering her history with the performances. “I’m also reflective. It’s a savoring-the-moment kind of thing.”

Earlier this year, Tedford announced that the current, 45th season will be her last. And while her final performance as a conductor isn’t slated until August 2026, the Christmas program has consistently been one of the chorale’s most celebrated events.

Not only is it one of the most popular live events of the holiday season, it’s also a tradition for the singers who take the stage. In turn, that tradition—along with Tedford, herself—has held a special place in many of the performers’ hearts.

Among those performers this year will be Gwen Lehman, a former chairperson of the chorale’s board. Having joined the group in 2009 with her husband, she initially met Tedford in the 1980s, when both were singing with a different group. Decades later, Lehman noted how much the chorale world will miss Tedford once she steps away.

“She has really forged a true ensemble,” Lehman said. “I’ve never sung for any director who has Linda’s ability to create a tight ensemble sound that’s the result of not just skills we’ve developed, but the family culture she creates. She treats everybody equally.”

To mark her final Christmas program holding the baton, Tedford explained how she picked pieces for the event that reflect both her history with the chorale as well as forward-thinking titles—two of which with be world premieres. Despite the time and thought she has put into curating a memorable set list, Tedford stated that one staple would be impossible to leave out, especially during her final year.

“We always end with ‘Silent Night,’ and it’s in candlelight, surrounding the audience,” she said. “It’s always a beautiful, exquisite moment when the venue is completely quiet and it’s dark, except for the candles. People say they want to come especially to hear that every single year. It’s become such a tradition.”

Lehman echoed those thoughts, even if it meant the chorale had to learn about the carol’s inclusion the hard way.

“Linda got tired of doing it one year, and the audience was deeply upset,” Lehman said with a slight chuckle. “So, now we make sure to do it every year. It’s such a special moment, and I know it’s become a family tradition for people in the area because they always tell us about it.”

 

Family Culture

So, what’s next for Tedford? She said that, once her conducting commitments are fulfilled in 2026, she hopes to travel with her husband and spend more time with her grandchildren. The Susquehanna Chorale has taken up so much of her time, effort and brain power over the years that it will be nice to finally “sit down after all of this,” she said.

Tedford’s absence will be noticed and her presence missed, Lehman added, as she reflected on how close the conductor has become with everyone in the group.

“It will be different without her,” Lehman admitted. “I will miss what we have. You need a sense of teamwork to be able to create beauty, and it will take time to develop that kind of family culture that we’ve enjoyed so much under Linda.”

As for Tedford, she’s not unaware of the weight that this holiday’s program carries as the dates for performances inch closer to the final bow.

“It’s going to be hard,” she said. “Actually, it’s going to be very hard. When I get the feeling of, ‘Wow, this is my last ‘Silent Night’ with the crowd.”

She paused to gather her thoughts.

“I’ve been doing this all my life,” she continued. “I’ve been singing in choirs since high school—over 50 years of doing this. I’ve seen students grow up, have babies, establish lives, and I’ve been part of their lives all this time. Every concert we’ve done, I’ve treasured the opportunity to be with these singers.”

Of course, she said, she’s going to miss it.

“Whatever you’re coming from, I’ve wanted our concerts to be an hour and a half of reflection, joy and the experience of community,” Tedford said. “It’s been beautiful in every way.”

The Susquehanna Chorale’s Candlelight Christmas concert takes place Dec. 19 at the High Center at Messiah University; Dec. 20 at Market Square Presbyterian Church in Harrisburg; and Dec. 21 at the Elizabethtown Church of the Brethren. For more information, including tickets and subscriptions, visit www.susquehannachorale.org.

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Dance Lesson: Annual “Nutcracker” performance brings ballet to schoolkids

Photos courtesy of Eduardo Patino and the Pennsylvania Regional Ballet

Attending a live performance of “The Nutcracker” is a holiday tradition for many people, whether it’s by a major ballet company or a local dance school.

The Pennsylvania Regional Ballet’s annual staging of the Christmas classic includes a unique feature. In addition to offering performances for the public, the dance company offers free performances for local school districts to introduce students to ballet and the theater experience.

The school began hosting the educational performances in 2002, offering free tickets to students in the Harrisburg School District and providing low-cost tickets to students at other public, private and charter schools in the region.

“We do our best to invite all schools in south-central Pennsylvania, but our particular emphasis is ensuring tickets to the Harrisburg School District so that their students can come at no cost,” said Denise Brinley, president of the ballet school’s board of directors. “We’re trying to cultivate the experience of ballet for all children. Its very inspiring to see it all come together.”

The goal is to bring ballet and the arts to communities that might not have the opportunity to see ballet, stated Victoria Silva, the school’s co-artistic director and a former student.

“That’s an important part of our mission—to expose children to the arts and open doors to them,” she said.

The educational performances include live narration, which Brinley said is especially helpful for children who don’t know “The Nutcracker” storyline. The school faculty refreshes the choreography for the performances each year, allowing them to highlight the unique skills within the student body.

“Students all have the opportunity to perform, and we can be much more inclusive in this version,” Brinley said.

The children, Silva added, get very excited.

“The chaperones are sometimes surprised by their behavior, because the kids are entranced for two hours,” she said. “There is a lot of real reaction in the audience, and the students thrive off of that. They feel they’ve given something back to the kids in the seats.”

Classes that attend the educational performances receive supplemental materials to use in their classrooms, including information on theater etiquette, basic dance poses, the history of “The Nutcracker” and related games and activities.

“It prepares them for what the theater experience is going to be like and what they are going to see on stage,” Silva said.

Brinley said that some schools come every year.

“It’s part of their curriculum,” she said. “It’s a really wonderful way to kick off the holiday season.”

Rigorous Program

The Pennsylvania Regional Ballet was established in 1988 as Cumberland Dance Company. The school moved to its current location in Enola under Artistic Director Sandra Carlino during the 2003-04 season and adopted its current name the following year.

The school currently enrolls about 100 students ages 3 to 18. Unlike some other dance schools, the Pennsylvania Regional Ballet has no audition process, fostering an inclusive environment for all students.

“We believe everybody can be a dancer,” Silva said.

Erin Stiefel-Inch, the school’s co-artistic director, was a professional ballerina herself and wanted to enroll her daughter in a quality dance program when she was young.

“I could see the care the teachers took with the students,” she said. “The education that they get is top-notch. No matter what the aspirations are, the school shapes the individual.”

Stiefel-Inch’s daughter is now a professional dancer in New York. Other students do not pursue dancing professionally, but take the lessons learned at the school and apply them to other areas of their lives. Brinley’s daughter danced with the school for 13 years, and she said she can see how that shaped her daughter’s experience.

“It is a rigorous program, and what they put into it, they get out of it,” she said. “They learn discipline, respect and care, and make friends and bonds that will last a lifetime. I feel my daughter’s engagement here shaped who she is and who she will become.”

The school offers scholarships for students in need and free instruction for boys and young men to encourage more males to explore dance.

“Having access to the arts is a really special thing for communities,” Brinley said. “These are things that lift us up and bring us happiness.”

The Pennsylvania Regional Ballet will perform “The Nutcracker” for the public at The Theatre at the Scottish Rite in Harrisburg Dec. 6 and 7. More information and tickets are available at www.prballet.org.

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Songs of Support: “Joy to the Burg” returns, raising spirits and money through local music

Tom Diecidue

What began as a modest idea—just a handful of local musicians recording holiday music to help neighbors facing the cold—has grown into one of central Pennsylvania’s most meaningful traditions.

Through “Joy to the Burg,” area artists lend their voices, creativity and time to support shelters and housing programs that serve the most vulnerable in the region.

The charity project was founded in 2019 by Sheldon Jones, then a newcomer to Harrisburg, who saw people sleeping on the sidewalks and wondered how he and other musicians could help. They decided to put together a Christmas album to raise money for the unhoused.

The effort gained momentum when Jones partnered with Christian Churches United of the Tri-County Area (CCU), an organization supporting people facing poverty and housing insecurity in Dauphin, Cumberland and Perry counties.

 

Local Artists

One of the project’s strongest advocates is Brandon Valentine, executive director and founder of the Central Pennsylvania Music Hall of Fame, a nonprofit formed in 2019 to uplift and strengthen the local music scene.

“The CCU did it on their own for a few years, then pulled us in to facilitate the relationships with the local artists,” Valentine explained.

Each year, musicians come together to record a new holiday album to benefit the unhoused. As the word got out, more artists wanted in.

“In the beginning, the albums had 10 to 15 tracks,” Valentine said. “Now, it’s more like 20 to 30.”

Nick Mucci, CCU’s director of development, said that some of the songs are original and some are traditional. Contributors have included well-known local artists and groups like The Groove Rebels, the Susquehanna Chorale, Greg Platzer, The Jellybricks, No Last Call, The Starving Musicians and many others.

The effort has raised more than $214,000 over the years—if you count the money made from a much-anticipated annual party that attracts 200 to 300 people and features bands that participate in the project. The benefit concert takes place this month at the Abbey Bar in Harrisburg.

So Many Ways

“Joy to the Burg” isn’t limited to a single seasonal concert. Over the years, it’s grown to include other events and activities.

Last month, the artist D-Bo! performed on a float in the Harrisburg holiday parade.

“We’ve been collecting items for homeless shelters, and Ollies (brought) along 20 to 30 employees to collect donations from those in attendance at the parade,” Mucci said.

He added that items like hand warmers, ramen noodles, hot chocolate packs, disinfectant wipes, coffee, beanies and gloves are always needed.

Also, holiday greeting card sets, curated in partnership with the Susquehanna Art Museum, help support the cause and are available for purchase. The sets feature artwork by local artists including Carol Scott, Stephen Michael Haas and Ross Tyger, to name a few. The cards are available online.

There are so many ways to help the needy, and “Joy to the Burg” seems to discover more each year. From albums to parade floats to benefit concerts and greeting cards—these are just a few ideas that have gained traction.

Mucci said that his organization is proud to be part of a very important mission that helps our most vulnerable.

“Bringing together the arts community with the local social services network is a win for all,” he said. “I’m a big believer that music is good for the soul. There is a need for beauty in the world—and artists understand that.”

The “Joy to the Burg” concert takes place Sunday, Dec. 14, at the Abbey Bar, 50 N. Cameron St., Harrisburg. For more information, visit www.joytotheburg.com or their Facebook page.

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Mistrust + Intrigue: “The Secret Agent” is an expertly filmed political thriller that merits attention.

Kleber Mendonça Filho’s “The Secret Agent” breathes on its own.

Anchored by a layered performance from a magnetic Wagner Moura, the film propels itself forward through its beating heart, carnival week in 1977 Brazil, a moment of raucous revelry in the face of military dictatorship, each of which have claimed the lives of dozens of civilians. In the chaos, political refugees dart around Brazil, fleeing to safety in the country from the fascist oppression they face from the militarized police.

Wagner Moura brings suave and cunning to his portrayal of refugee Armando, undercover as Marcelo, hoping to be able to lie low in the town of Recife with his son. However, the police are only a couple steps behind, and it’s a matter of time before the local corrupt officials figure out exactly who he is.

We spend a lot of time with Armando in this immense film, and Moura is up to the task. Mendonça knows exactly how he works and coaxes regret, passion, care and understanding out of mere glances from Moura. I had a lump in my throat in a scene of simple dialogue between Armando and his son.

On a story level, Mendonça expertly weaves mistrust and intrigue around every corner and in every alley, as the police ask too many questions. “The Secret Agent” plays like a noir and gradually unravels the mystery of who Armando really is, who is looking for him, and what he’s looking for. This certainly could come across to some audience members as sluggish pacing, and the runtime is certainly a tall order at 160 minutes. However, the world of 1977 Brazil that is created is so rich and warm that I enjoyed every moment of time I spent with these characters.

Visually, look forward to a sumptuous feast—and I’m not just talking about Wagner Moura. The production design, costume department and casting conjure a lived-in and grimy 1970s Brazil and its many players. Shot using anamorphic Panavision lenses and vintage equipment, the visual language plays very much like the blockbusters of the era, with wide boom shots and beautifully framed action and character moments that play like prime Spielberg. (“Jaws” is directly referenced with a plot point that is better experienced on the big screen, so I won’t spoil it!)

Nina Simone believed that artists had a sacred duty to reflect the times in their work. Perhaps it is out of providence, or a convenient historical parallel, but I consider it a fulfillment of Simone’s wish that Mendonça’s work on this film is receiving the release and attention in America that it deserves. I hope that the Academy will recognize it for what it is and reward it as such—a down-to-earth and diverse thriller that entertains its audience with unmatched craft while educating them on the dangers of unchecked power, crafted with extreme care and expertise by a master filmmaker.

“The Secret Agent” opens soon at Midtown Cinema.

Midtown Cinema is located at 250 Reily St., Harrisburg. For more information, visit www.midtowncinema.com. Gabriel Brown serves as assistant manager at Midtown Cinema. 

 

December Events
at Midtown Cinema

Late Night Frights
“Krampus” (2015)
Friday, Dec. 5, 9:30 p.m.

“Black Christmas” (1974)
Friday, Dec. 26, 9:30 p.m.


Saturday Morning Cartoon
“The Polar Express” (2004)
Saturday, Dec. 6, 11 a.m.

“The Nightmare Before Christmas” (1993)
Saturday, Dec. 13, 11:15 a.m.

“How to Train Your Dragon” (2010)
Saturday, Dec. 27, 11 a.m.

Holiday Film Series
“Gremlins” (1984)
Saturday, Dec. 6, 9:30 p.m.
Sunday, Dec. 7, 7 p.m.

“The Nightmare Before Christmas” (1993)
Saturday, Dec. 13, 9:30 p.m.

“The Muppet Christmas Carol” (1992)
Tuesday, Dec. 16, 7:15 p.m.
Saturday, Dec. 20, 11 a.m.

“Elf: Buddy’s Sing and Cheer Along Edition” (2003)
Friday, Dec. 19, 9:30 p.m.
Sunday, Dec. 21, 6:30 p.m.
Tuesday, Dec. 23, 7:30 p.m.

“It’s a Wonderful Life” (1946)
Sunday, Dec. 21, 6 p.m.
Tuesday, Dec. 23, 7 p.m.
Wednesday, Dec. 24, 7:15 p.m.

“White Christmas” (1954)
Sunday, Dec. 21, 6:15 p.m.
Tuesday, Dec. 23, 7:15 p.m.
Thursday, Dec. 25, 7:15 p.m.

Down in Front! Comedy Riffing
“Santa Claus Conquers the Martians” (1964)
Friday, Dec. 12, 9:30 p.m.

National Theatre Live
“Mrs. Warren’s Profession”
Sunday, Dec. 7, 5 p.m.

“The Fifth Step”
Sunday, Dec. 28, 5 p.m.

Open Mic Night
Tuesday, Dec. 2
Tuesday, Dec. 16

Trivia Night
Tuesday, Dec. 9
Tuesday, Dec.23

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Breakfast, Over Easy: Poached elevates our favorite meal of the day

A plate of eggs poached to perfection and a small stack of golden pancakes are placed on the table, still steaming. The aroma of sizzling bacon and freshly brewed coffee blend into a scent that is equal parts breakfast and bliss.

For Doug Smeltzer, that’s the kind of morning worth waking up for.

The longtime restaurateur—owner of Black n Bleu on the Carlisle Pike in Mechanicsburg—has turned his personal love of breakfast into a new venture: Poached, Mechanicsburg’s latest brunch spot.

“We’re excited to be providing Black n Bleu-quality food at Poached,” Smeltzer said. “When you dine at either restaurant, you’re guaranteed to get a dish that is both delicious and made with quality ingredients.”

Opened in partnership with Jason Minor, Black n Bleu’s general manager, Poached has transformed the long-loved breakfast spot for locals, Diener’s, which was a downtown Mechanicsburg staple for more than two decades. Smeltzer and Minor are preserving the appeal of the morning meal for Diener’s dedicated patrons but have given the space and menu a fresh new feel.

Warm wooden paneling received a few coats of brightening blue and white paint, and time-worn booths were replaced with an open concept layout. Coupled with a flooring upgrade and additional lighting, the restaurant has been reimagined to feel both new and familiar.

“Many of our current customers were frequent diners at Diener’s, and everyone has been surprised at the transformation when they walk in,” Minor said. “But it’s a pleasant type of surprise. We’ve received nothing but positive feedback so far.”

The Poached menu features everything from a traditional breakfast spread to a brunch burger, cinnamon bread French toast, several unique variations of eggs Benedict, smoothies and specialty coffees.

“I’ve tried just about everything on the menu,” Smeltzer said. “My favorite is a dish we call ‘The Poached,’ which is a hashbrown casserole with sausage and three poached eggs, topped with sauteed onions, peppers, tomatoes, Cajun cream sauce and crumbled bacon. It’s been a customer favorite so far, too.”

While their breakfast fare is their biggest draw, bringing in busy crowds on Saturday and Sunday mornings, the Poached partners hope to build up a dedicated customer base for lunch.

Open from 7 a.m. to 2 p.m. Wednesday through Friday, in addition to weekends, the menu’s more lunch-like offerings include salads—one topped with two poached eggs and reminiscent of their popular breakfast casserole—a filet mignon melt, a hot ham and cheese sandwich, and a soup of the week.

“I was counting down the days for them to open,” said Sydney Markel, a Dillsburg resident who regularly dined at Diener’s. “I’m so glad that we could keep a brunch spot downtown as it’s such a great space for the community to come together and support a local business. Poached has already become a weekend favorite for me.”

Poached is located at 135 W. Main St., Mechanicsburg. For more information, visit their Facebook page.

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Italian Tastes: Take a trip to Camp Hill for an authentic slice of Sicily

Ornella Russo

Ornella Russo has loved Camp Hill’s small-town charm since moving to the midstate from Italy in 1999.

She visits often when she is not running Millennium Pizzeria in Dillsburg, and this fall began sharing her love language with the west shore area: food.

Bella Sicilia Bakery & Deli on Erford Road offers authentic Italian pastries, gelato and deli favorites. Since opening in October, the store has welcomed a steady stream of customers seeking a taste of Italy.

For Russo, Bella Sicilia is more than a business venture. It is an opportunity to connect to her roots and share her culture. She has visited her homeland often since moving to the area 26 years ago and loves the Italian tradition of enjoying pastries on Sunday before visiting family members.

Italians start every day with a sweet, she said, and Bella Sicilia has plenty of options filling its four-tiered pastry case, including cannoli, fruit tarts, eclairs, cookies, cake, beignets and more. All items are made daily in the store’s open kitchen, and customers are invited to peek inside to see the magic being created.

“I want to be an ambassador of my origin and mix passion, tradition and family,” Russo said.

Bella Sicilia offers a rotating selection of 12 in-house-made gelatos—a dense, decadent, frozen Italian dessert.

Heartier fare is available among the many sandwiches for sale in the store’s deli, made with imported Italian meats and cheeses and served on focaccia bread or semolina. Those wanting to experiment at home can purchase crudo, mortadella, salami, soppressata and other Italian deli items individually.

Bella Sicilia has only been open about two months, but it already expanded in November when it debuted its hot bar featuring dishes such as lasagna, pasta and chicken parmesan.

Authenticity is important to Russo, so Bella Sicilia imports as many ingredients as possible from Italy. Italians do not use many additives, such as high fructose corn syrup, so the many selections have a pure, rich taste. Also, consistency is key.

“Our offerings become comfort food for people,” she said. “They want to find the same taste.”

Russo started planning for Bella Sicilia in late 2024 and sent her son, Nicholas Faraone, on a two-week food tour of her homeland.

“I went to the best delis in Palermo,” he said. “It was a lot of fun for me.”

Russo and Faraone complement each other well. She focuses on the details.

“Italians eat with the eyes,” Russo said. “I want everything to be very close to perfect.”

Faraone’s passion is customer service. Those who visit the store for the first time may be overwhelmed by its many offerings, but he enjoys taking time to explain the food and its origin to them. He’s also likely to talk you into trying affogato, an Italian dessert combining espresso and gelato. He appreciates a symbiotic relationship with his customers and encourages them to share feedback.

The two also appreciate their employees, who take the time to understand Bella Sicilia’s offerings so they, too, can be ambassadors of Russo’s homeland.

Bella Sicilia has a few tables so customers can enjoy their selections cafe-style. To-go orders and delivery options are also popular, and catering is available for corporate or private functions.

Russo and Faraone appreciate the new friends they have made through Bella Sicilia and are excited to meet others wanting a taste of Italy on Erford Road.

Bella Sicilia is located at 79 Erford Rd., Camp Hill. For more information, visit www.bellasiciliapa.com.

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Sweet Finish: Tiramisu for Christmas—you got a problem with that?

Maybe you are like me.

As much as I love Christmas, the many holiday duties or “festivities,” if you would rather call them, can take their toll. For many years of my family’s life, I felt that it was my time-honored responsibility to knock myself out at Christmas.

Now, dessert for Christmas dinner was no exception. I have quite a history. There were the annual favorites. A southern pound cake with bourbon-soaked walnuts, red and green glazed cherries, and golden raisins also soaked in bourbon. Then every year, I made an old English plum pudding, which was steamed for hours in a boiling kettle of water and refrigerated until the big day. It was served with “hard sauce” and was lit at the table with flaming brandy (really).

I once made something called a “Nesselrode Pie” and now I don’t even know what that is! (I think it was pink and had fruits and nuts in it.)

But recently, I was browsing through some of my cookbooks and found a perfect dessert recipe for Christmas dinner or anytime. It was in the “Sopranos Family Cookbook,” which is as much a collection of anecdotes based on the famous TV series, “The Sopranos,” as it is about cooking. It is a delightful journey through the lives of the show’s characters and the food they loved.

I found a recipe for tiramisu, the classic dessert that you can almost bet you will be offered in a traditional “red sauce” Italian restaurant. I have never made it at home, but this recipe was enticing because it seems elegant and easy. Tiramisu is a rich dessert, so a small piece will do. And, besides, my guests were starting to say “no thank you” to the plum pudding!

 


The Sopranos Tiramisu

Ingredients

  • 1 pound mascarpone cheese (can be found in most supermarkets in the cheese case)
  • ¼ cup sugar
  • 2 tablespoons amaretto liquor or cognac
  • 1 cup heavy cream
  • 24 Italian “ladyfingers” (found in the “imported” section in grocery stores)
  • 1 cup brewed espresso coffee, at room temperature
  • ½ cup chopped bittersweet chocolate

 

Directions

  • In a large bowl, whisk together the mascarpone, sugar and amaretto until smooth.
  • In a chilled bowl (important) with chilled beaters, whip the heavy cream until soft peaks form. Fold the cream into the mascarpone mixture.
  • Lightly dip half of each ladyfinger in the espresso and arrange them in a single layer in the bottom of an 8-inch square pan.
  • Gently spread half the mascarpone mixture on the ladyfingers.
  • Sprinkle with half of the chopped chocolate.
  • Dip the remaining ladyfingers into the espresso.
  • Top with the remaining mascarpone mixture, spreading it smooth.
  • Sprinkle with the remaining chocolate. Cover with plastic wrap.
  • Refrigerate for several hours or overnight before serving. The tiramisu should be cold.

There are many versions of tiramisu out there, changing with the types of alcohol used (rum or Strega liqueur work too). But the recipe above is lovely with the sweet blush of the almond amaretto.

There will be no need to stick a sprig of holly into your tiramisu or light it on fire at the table with brandy. It will impress as it is.

Buon Natale to all TheBurg readers!

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A Strand Century: York’s landmark theater marks 100 years of entertainment.

For 100 years, the Strand Theatre has stood as York’s cultural crown jewel, even as it adapted to significant changes in the entertainment industry.

From vaudeville to talkies to today, the Strand has remained woven into the city’s cultural fabric for a century.

Now part of the Appell Center for the Performing Arts, The Strand stands alongside the Capitol Theatre, which was built in 1906. This past summer, the community celebrated The Strand’s centennial, paying homage to this lasting cultural gem.

 

Save Our Theatres

When Nathan Appell of Appell Amusement Interests announced plans in 1924 for a 1,350-seat theater on N. George Street, the excitement in York was palpable.

Local newspapers lauded the venue as a “state-of-the-art” addition that would bring “first-class entertainment” to the area. Touted as fireproof, an important feature at the time, it was said to be on par with theaters in bigger cities like Baltimore and Philadelphia.

According to newspaper accounts, people lined up early to enter in the summer of 1925. One teen by the name of John Andrews camped out for 12 hours to be the first in to win a season pass.

The Strand’s journey took a corporate turn in 1930 when it and the Capitol were sold to Warner Brothers as part of a nationwide acquisition of 70 theaters. All went well for a while, until a Supreme Court ruling barred Hollywood studios from owning movie houses. In 1953, they were sold to Stanley Warner Co. and operated under RKO Stanley Warner before closing in 1976.

In 1978, York rallied to save the landmarks, devising a “Save Our Theaters Campaign,” which raised $1.7 million to transform the Strand and Capitol into a performing arts center.

Continuing community support fueled further growth, including a $17 million expansion in 2000. In 2017, the complex was renamed the Appell Center for the Performing Arts in honor of the Appell family’s support. The milestone was celebrated with a sold-out performance by singer Tony Bennett.

Todd Fogdall, president & CEO of the Appell Center, said that the mission of the organization is to bring in a wide range of performers, which is why one might see Henry Rollins or Ben Folds performing one evening and older acts like Willie Nelson or Gladys Knight another.

The Appell Center also serves as an educational hub.

“Stage the Page” is a literacy program that has been operating for about 20 years. Children in grades K-2 receive a book and study guide, then visit the center to see the story brought to life on stage.

“It’s fun to run into young adults who remember those shows,” Fogdall said. “They are such formative memories.”

Each year about 8,000 students and teachers participate, he said.

Some partnerships extend beyond the classroom.

“Area restaurants often provide us with food, or in-kind contributions and we work closely with the downtown business association in finding opportunities to cross promote,” said Elaine Bonneau, board chair.

The Strand also hosts “Jazz in the City” on First Fridays.

“Local musicians perform, and it’s a great way to showcase the talent we have here,” Bonneau said.

 

Power of the Arts

Longtime supporter Dr. Ben Hoover recalls the rough shape the Strand was in in 1977 when he first got involved.

“Mayor John Krout invited me to join the ad hoc committee to explore saving the Strand and Capitol theatres, and, when the committee first entered the Strand, it was cold, damp and musty,” he said. “There were a few birds flying about.”

The plaster and wood surfaces were painted pink, and most everything else was covered in deteriorating pink material, he explained. Fortunately, he added, the original 1925 Willy Pogany murals high on the rear side walls did not suffer a similar fate.

Hoover’s wife Anne chaired the Junior League of York Committee, which played a leading role in setting up the Strand Capitol Performing Arts Center, serving as its first vice president and second president.

“It was a full-time volunteer job for more than a decade,” Hoover said.

Hoover’s children were also involved.

“They spent many hours stuffing envelopes for mailings in those early days,” he said.

Hoover said that picking his favorite shows is difficult, but Tony Bennett ranks up there.

“I especially liked it when he turned off the mics and sang to demonstrate the acoustics,” he said.

Another favorite was when Jay Leno came to town in 1989 and spent two hours in Hoover’s two-Packard garage before retreating to the living room to watch “The Tonight Show with Johnny Carson.”

Hoover has witnessed the programming evolve over the years.

“It became clear early on that, to reach a broader community, the talent lineup had to expand,” he said. “That variety continues today.”

For Fogdall, the centennial is more than reflection. It’s about envisioning the next 100 years.

“We want the Strand Theatre to continue to remain a home for creativity and inspiration for all of York County,” he said. “Our goal is to bring people together and remove barriers so everyone can access the transformative power of the arts.”

The Appell Center for the Performing Arts is located at 50 N. George St., York. For more information, visit www.appellcenter.org.

 

Holiday Lineup

This holiday season, the Appell Center features family favorites on the big screen, such as “White Christmas,” “It’s a Wonderful Life” and “Elf.”

For live music, duo Dailey & Vincent will present a holiday concert blending country, bluegrass and gospel on Dec. 4 at 7:30 p.m.

“We hope that the public will consider giving the gift of unforgettable experiences,” said Todd Fogdall, president & CEO of the Appell Center.

He noted that gift certificates can be used for performances, films and classes throughout the year.

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Rock On: With lots of family time over the holidays, try out a craft that’s fun for all

Illustration by Aron Rook

If my first love language is quality time, then my second is handmade crafts.

Because my husband liked to have a child every nine years, and our grandchildren are arriving even more quickly, we entertain all age groups for the holidays. Finding activities to keep everyone simultaneously engaged has taken trial and error over the years.

Out of hundreds of crafts we’ve tried over the decades, only one appeals to everyone: rock painting.

Crafters can paint rock after rock, creating multiple free-form masterpieces. While a typical crafting session can last a few minutes, rock painting sessions can occupy all ages for days. And then the scavenger hunt afterward keeps the game and the conversation going.

For more free-form craft ideas, I consulted expert Karen Whiting, a prolific, award-winning author of craft books, whose professional credits tie her to Gettysburg, Montrose and western Pennsylvania. Whiting’s crowd-pleasers include paper crafts and greeting cards.

“To build kids’ confidence,” Whiting said, “choose projects with just a few steps where success is easy to achieve.”

With free-form art, all crafters need are a few beginning instructions. All results are successful, with no such thing as failure. If the craft allows self-expression, the bigger the chance is of it being a crowd-pleaser.

Hide & Seek

Rock painting has a little game and an entire community surrounding it.

The Kindness Rocks Project went viral during lockdown to remotely encourage strangers through found art. Once you have painted your rock masterpieces, you leave them somewhere for kids to find. The more sophisticated rock painters host social media sites for their painted rocks, with codes mapping back to the artist. It’s the most robust sort of scavenger hunt because you’re on both ends—both planting and finding—and your family is connecting to a larger community.

I learned about the Kindness Rocks Project from my mother. Mom still carries a few painted rocks in her gigantic purse for planting. She didn’t want me to tell this story, but I enjoy embarrassing her, so here we go.

Years ago, rather than purchase rocks from a hardware or crafting store, Mom stole rounded rocks from people’s landscaping, helping herself to dozens of perfectly shaped rocks with the smoothest finishes. When Mom told Nanny about harvesting rocks, Nanny encouraged Mom to get right with the Lord. To this day, Mom insists you cannot steal what nature already provides, and Nanny prays for Mom’s soul.

From whatever location you source your rocks, I won’t judge. I’ve “borrowed” from neighbors, too, but I’m not telling Nanny. Porous rocks soak up paint unevenly, and they tend to have duller finishes. Paint will adhere predictably to rocks with smooth finishes. Whichever surface you prefer, be sure the rocks are clean and dry, and provide lots of them to your crafting crew.

Choose an area in your house where mess is allowed, grouping several tables and chairs together. Whiting recommends moving tables away from walls, spreading out a plastic sheet or thick tablecloth, and having plenty of wipes. Buffet wrap is available at restaurant supply stores or Costco, or even cheap tablecloths from dollar stores. I use old fitted twin sheets that naturally wrap around table corners.

When you set up workstations, keep the personalities of your crafters in mind. For little kids, Whiting recommends putting supplies in individual baggies. If each baggie has the same contents, this eliminates the inevitable complaints of comparisons, and fights over supply ownership. In our basement craft room, we craft family-style, encroaching on each other’s spaces at our oversized table.

Keep a snack station nearby. Serve hearty finger foods that kids can eat with one hand, like chicken nuggets, tater tots, pre-sliced fruits and vegetables, pretzels and drinks with lids.

Acrylic paint works best for painted rocks. I don’t allow glitter, but you can find glitter paint already mixed. Whether you bag supplies individually or spread them across tables, provide paintbrushes, water cups, paper towels and a separate area for drying finished projects. We use our bar because it’s high up, away from curious dogs and kids.

For Everyone

In understanding children’s personalities in group dynamics, Whiting said, “Some are introverted and want to watch before they start, and they want their own space. Others are impulsive and want to start without listening or understanding the process. They make the biggest mess and take the most space.” I felt that.

Having one adult “floater” keeps littles of all personalities on track. A good floater will allow kids to go at their own pace, to make their own choices, to interact nicely with fellow crafters, and to make mistakes gracefully. Most importantly, a good floater must be encouraging no matter what that rock looks like when kids yell, “I’m done!”

To help inspire ideas, provide worksheets of simple line patterns or templates. Either print from an online source, or find coloring books at dollar stores. I like themed sticker books. The cartoonish line figures are easy to copy, or kids may opt to stick them on the rocks, paper, my fitted sheet, whatever.

When the paint is dry, have an adult take the rocks outside, place them on a tarp, and apply a clear coat of epoxy spray. (Take extra care if that rock is double-sided.) When the clear coat dries, you can enjoy being on both ends of the painted rock scavenger hunt.

Rock painting has something for everyone. Even my husband, who does not care for the actual painting part, has a more action-oriented role before and after everyone else paints. Beforehand, he gets to visit the hardware store for a bag of rounded river stones. And later, he walks the gang around the neighborhood to help plant the rocks for other kids to find.

Find out more about The Kindness Rocks Project at www.thekindnessrocksproject.com or on social media.

For more painted rocks inspiration, visit www.paintedrocksapp.com and www.ilovepaintedrocks.com.

Find out more about Karen Whiting at www.karenwhiting.com.

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Adventure Together: Watch the moon, DIY a suncatcher and find light in the winter months

DIY sun catcher

This month, we experience the shortest day of the year during the winter solstice.

With parents almost always feeling short on time, this measly stretch of daylight can suck the wind from even the most determinedly optimistic caregiver’s wings. So, let’s seek advice from those who came before us in the cultures of the past, where people celebrated displays of light as darkness lay heavy on the year.

 

Dancing Lights

While researching the moon schedule this month, I learned that the Geminid meteor shower will be visible in Pennsylvania, peaking around Dec. 13 and 14. Meteor showers are best viewed away from light pollution, so head into the woods with snacks and hot chocolate for a night full of wishes. The full moon will occur on Dec. 4, and what better way to celebrate light than the celestial options found in the night sky?

If you’re more into city lights, Negley Park in Lemoyne offers a view of the illuminated Harrisburg skyline. For those who don’t enjoy being outside at nighttime, you can see the skyline at Negley Park from the safety of your car. If you will be outside, hit up the dollar store for some glowsticks before your nighttime adventure so children stay visible while they run around. We divided into neon color coded teams and had a wild game of flashlight tag that had everyone sweating and laughing. For even more glowstick fun, tape them to your clothes in line with your arm and leg bones to make a glow-in-the-dark skeleton illusion. I cannot recommend enough recording your family doing a glowing skeleton choreographed dance. If you’ve never choreographed a dance before, just turn on a video from KPop Demon Hunters and rehearse some of the simpler moves, then bump the soundtrack while your family recreates the dances. In the dark, no one notices imperfections, so just have fun!

 

Gift of Giving

On the tune of music, the Susquehanna Folk Music Society is hosting the band Windborne at the Unitarian Church in Harrisburg on Dec. 9. Windborne is a folk band that stands out with their engaging four-part harmonies, mystifying young and old alike with masterful, old timey performances. Volunteer with SFMS to earn free tickets to their events. Volunteers help with set up/tear down of chairs and tables, greeting patrons to hand out flyers, selling merchandise before/after the show and other tasks.

Another way to volunteer this holiday season is to get involved with The Brethren Housing Association in Harrisburg. They offer Adopt-A-Family programs where folks are matched with those in need to provide holiday gifts for a whole family. This is a wonderful option for kids to get involved, selecting items that will be celebrated by another person their age. Families can provide holiday meals by donating food items listed on the BHA website. BHA is in need of household items like toilet paper, paper towels, dish soap and other items that can be found on their website.

 

Catching Rays

Inspired by the spirit of celebrating unique forms of light, we made upcycled suncatchers this month. Suncatchers require a flat or semi-flat translucent surface to decorate, so we cut off the top of a plastic strawberry container and used that. We chose to make our suncatcher square, but they can be circles, stars or any shape that feels right.

There are endless options to decorate your suncatcher. For a classic look, cut up crepe or tissue paper and glue it in a pattern, then draw lines of black with marker for a stained-glass effect. For a natural alternative, use dried flowers or leaves that are coated with Mod Podge. Paint is an easy option for decorating a suncatcher. Just remember that light moving through the paint will show your brush strokes, so watch out for globs. Markers are another tried-and-true method that allow for a lot of detail and easily let light pass through. Make your suncatcher extra exciting by combining art supplies for a mixed media creation. We added tassels to ours that went with our “Wicked” theme, but feel free to add gemstones, glitter, beads or any other treasures that will look pretty in a window.

They say that it is not the lantern that illuminates a path, but the light inside. The solstice is the day my kiddo came into the world, bringing with him an inextinguishable brightness. Each year, we find new ways to celebrate the light that can be found on even the darkest days. As we move into this winter season, focus on the people who bring you warmth and the moments that glow.

Negley Park is located at 210 Cumberland Rd., Lemoyne.

For more information on Susquehanna Folk Music Society, visit www.sfmsfolk.org.

For more information on Brethren Housing Association, visit www.bha-pa.org.

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