Tag Archives: Jeff Woodruff

Fugues & Fireflies: Enjoy the Harrisburg Symphony, al fresco.

Sure, you can listen to the Harrisburg Symphony Orchestra inside the spacious and quite impressive Forum in downtown Harrisburg, settle into a seat as the lights dim, and watch Music Director Stuart Malina wave his magic wand.

Yes, you can delight in the music that bounces against the walls, proving that this place has some of the best acoustics around. Certainly, you can be indoors, sitting and listening and delighting.

But maybe, just maybe, you like your music au naturale, amid the chirps of birds and cicadas, feeling a wisp of a breeze against your skin, watching children holding invisible batons while imitating Malina’s every musical move.

That’s what HSO’s summer concert series aims to do—leave behind those Forum walls and allow music to float atop the evening air. Five free concerts will get music aficionados together with those who simply wish to enjoy the ambiance of a tuneful summer’s eve.

The outdoor concerts begin June 30 in Annville and, after traveling around the midstate for a few days, wrap up with a rousing celebration of our country’s birth with a July 4 performance at Reservoir Park in Harrisburg.

“The music is always a mix of light classics, selections from Broadway shows and patriotic fare,” said Jeff Woodruff, HSO’s executive director. “Often, we’ll feature a vocalist or a soloist from the orchestra, perhaps some novelty things and, just maybe, a couple of surprises dreamed up by Stuart.”

The great outdoors lends itself to a more laid-back and easy-does-it sort of mood. Thus, the concerts are informal, casual, along with free of charge. All are welcome, and the emphasis is on entertainment and fun for all who attend. Even the musicians are casually dressed and the usual concert hall “etiquette,” according to Woodruff, is “not in play.”

“It’s a chance for virtually anyone and everyone to hear their wonderful Harrisburg Symphony perform, hopefully under a starry sky, with Stuart himself conducting,” Woodruff said.

Nature’s Own

HSO’s summer concert series has been making beautiful music for several decades, and, for the past several years, the orchestra has been performing in five locations for five nights in a row.

For years, Woodruff explained, the concert was called the “barge concert,” and the orchestra was seated on a dock floating in the Susquehanna. It played toward an audience seated on the banks above the river, plus a few people in boats surrounding the dock.

More recently, HSO performed on the infield at Metro Bank Park, the Senators’ home on City Island, now called FNB Field. Last year, because the Senators were actually in town, HSO planned to play in Riverfront Park, but rain forced the event indoors to the Forum.

The Dickinson College locale in Carlisle has also been a long-time venue for HSO performances.

“We have traditionally been the culminating attraction of the final Sunday of the community’s Summerfair Festival,” Woodruff said. “We set up and play on the campus of the college. When the weather’s nice, that concert has been drawing an estimated 5,000 people seated on lawn chairs and blankets.”

That sort of outreach is what the powers-that-be at HSO strive to achieve. It’s a way to take the orchestra out of the Forum’s interior and go out into various communities. There’s no ticket to buy, no drive downtown, no parking space to struggle to seek. During the years that HSO has been performing the summer concert series, it has played to people who probably don’t attend a musical performance at the Forum.

“We like the sense of community that is created when we set up and perform in these different venues,” Woodruff said. “We also think of it as audience building, as we do suspect that, over the years, more than a few who were introduced to the orchestra at one of the free concerts have been enticed to actually purchase a ticket to come hear the orchestra in the orchestra’s home, the Forum.”

So, while the Forum is an acoustically perfect gem, there’s nothing like nature’s own concert hall to enjoy the best music the region has to offer.  

The Harrisburg Symphony Orchestra’s summer concert series takes place June 30 to July 4 at five different locations around the Harrisburg area. For complete information, visit www.harrisburgsymphony.org.

When and Where

Enjoy the Harrisburg Symphony Orchestra’s summer concert series at the following dates and locations:

June 30: Lebanon Valley College quad, Annville, 8 p.m.

July 1: Negley Park, Lemoyne, 7:30 p.m.

July 2: Dickinson College quad, Carlisle, 8 p.m.

July 3: East Juniata High School, McAlisterville, 7:30 p.m.

July 4: Reservoir Park, Harrisburg, 7:45 p.m.

Author: Lori M. Myers

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His Musical Island: Violin master Kristóf Baráti arrives on Harrisburg’s shores this month.

Renowned Hungarian violinist Kristóf Baráti is one of those musicians who gets to travel to faraway places apart from his native city of Budapest.

He’s no stranger to jet lag, having just completed concerts in Poland and Belgium, and, while he loves being home, setting down his Stradivarius and taking a breather, he’s looking forward to coming to Harrisburg this month and doing a sort of musical triple-header: a masterclass with talented Messiah College students, a concert at Temple Ohev Sholom and solo appearances with the Harrisburg Symphony Orchestra.

Baráti will be busy, and he doesn’t mind one bit.

“There are absolutely not many chances to play and do a masterclass,” Baráti said. “It will be great to share what I have experienced and what I think about music.”

What Baráti thinks about music could very well be a lesson for child protégés and pushy parents. Born into a family of musicians and spending much of his childhood in Venezuela, Baráti’ said that his mother became the first violin instructor who didn’t force him to play or even love the instrument.

“When my mother would ask me to play, it was like a game,” Baráti recalled. “Music was a beautiful world, and I liked taking part in what my parents were doing. Music got me through that delicate teenage period. Music was my little island.”

Peter Sirotin—artistic director of Market Square Concerts, concertmaster of Harrisburg Symphony Orchestra and teacher at Messiah College—said combining solo performances with master classes is common in large metropolitan areas. He saw benefits to both students and audiences and wanted to bring all three organizations together for this type of project after the successful residency with world-renowned pianist, Ann Schein, in 2014.

“I was particularly thrilled with the fact that her masterclass at Messiah College had also filled the hall,” Sirotin says. “It was a joy to watch her inspire and transform four local, young pianists into better versions of themselves on stage.”

That success sparked Sirotin to repeat that “performance.”

After Baráti’s first spectacular recital for the Market Square Concerts series in 2015, which he played the day before his Carnegie Hall debut, Sirotin started a conversation with Jeff Woodruff, executive director of the Harrisburg Symphony Orchestra, and Richard Roberson, dean of the School of the Arts at Messiah College. Despite the logistical challenges, Sirotin wanted to bring Baráti to the midstate for a residency. They agreed.

“Because of the wonderfully collaborative relationships between all three of our organizations, we made it work,” Sirotin says. “Temple Ohev Sholom is involved because it is one of the venues where Market Square Concerts presents its performances in addition to Whitaker Center and Market Square Church.”

Sirotin admits he had discovered Baráti’s playing purely by accident. One of his Messiah College students had been working on a rather complex Bach fugue and so Sirotin turned to YouTube for a few good examples of live performances of that particular work.

“I came across Kristóf’s video from Moscow Conservatory Grand Hall, which is where I went to school and performed myself 20 years ago,” he said. “I really liked Kristóf’s performance of Bach and decided to look around for some more of his performances. I found that, in addition to his wonderful sense of style and musicality, he is also a remarkable virtuoso who performs some of the most technically difficult works for violin with charm, ease and flair very rarely found these days.”

Sirotin had the opportunity to meet Baráti in person two years ago during the violinist’s first area concert and had invited Woodruff, who also was impressed.

“I am thrilled that this project came together,” Sirotin added. “It is wonderful for our community to have the same access to the high-quality performing artists as large metropolitan areas, and a great feeling to have this level of friendly collaborative spirit in all three organizations I am involved with.”

Sirotin knows students will get some “fresh insights and helpful suggestions” from Baráti. Baráti hopes he’ll do even more than that.

“I want students to develop their own viewpoint and interpretation and their own way of solving problems,” he said. “I want students to get the joy of understanding music and the joy of music itself.”

Kristóf Baráti will perform at Temple Ohev Sholom on April 5, hold a masterclass at Messiah College on April 6, and perform with the Harrisburg Symphony Orchestra on April 8 and 9. For more information, visit www.marketsquareconcerts.org for the April 5 performance www.harrisburgsymphony.org for the April 8 and 9 performances.

Harrisburg Symphony Orchestra Upcoming Events:
www.harrisburgsymphony.org

April Masterworks Concert

April 8 at 8 p.m., April 9 at 3 p.m.
The Forum, Harrisburg
Tchaikovsky’s “Romeo and Juliet Overture Fantasy,” Khachaturian’s “Violin Concerto” performed by Hungarian virtuoso Kristóf Baráti, and Shostakovich’s “Symphony No. 12”

Pops Series

April 22 at 8 p.m., April 23 at 3 p.m.
The Forum, Harrisburg
Michael Cavanaugh sings the songs of Elton John and more

Spring Young Person’s Concert

May 5 at 10 a.m. and 11:30 a.m.
The Forum, Harrisburg

May Masterworks Concert

May 6 at 8 p.m., May 7 at 3 p.m.
The Forum, Harrisburg
Gershwin’s “Concerto in F” performed by Stuart Malina, conducted by Gregory Woodbridge; Rachmaninoff’s “Symphony No. 2”

HSYO Mother’s Day Concert

May 14 at 3 p.m.
The Forum, Harrisburg

Author: Lori M. Myers

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Scaling Up: HSO campaign “lets the music grow.”

Maestro Stuart Malina has seen a lot of progress in the 17 years he’s been conducting the Harrisburg Symphony Orchestra.

More programming, a broader range of concerts, exciting guest performers.

But now he’s itching to do even more.

So, HSO began “Let the Music Grow,” a campaign to raise $1.8 million to fund initiatives outside of its annual operating budget, which is already committed to its Masterworks, Pops and Youth Symphony programming. A few months ago, HSO surpassed the $1 million mark with a celebration at the Susquehanna Art Museum.

Executive Director Jeff Woodruff said the campaign is intended to spark artistic innovation, grow education programs and “add excitement to concerts.”

“In essence, we want to become a better orchestra and touch more lives in the capital region,” he said.

Added Maestro Malina: “The audience will see a little bit more pizzazz, the kind of programming that big orchestras can afford.”

Malina said the campaign is intended to give the orchestra more venture capital for “artistic leeway,” such as purchasing music for “new kinds of concerts,” inviting more guest artists and performing movies from motion pictures or with dance.

Specifically, the campaign involves these elements:

Artistic Innovation Fund, $600,000: This fund is intended to help attract a younger audience through such means as high-tech, multimedia shows, classic films with live orchestral accompaniment and other special events.

“I look at the Artistic Innovation Fund as a sort of a ‘venture capital fund,’” Malina said. “In return for the community’s investment, we’ll be able to deliver an artistic product that’s bigger and better than anything they’ve experienced before.”

Educational Opportunity Fund, $350,000: This allows HSO to expand its existing educational programs in area schools and explore collaborations with music educators. HSO representatives already visit and perform in area schools, and the organization sponsors the Harrisburg Youth Symphony Orchestra.

Sound and Lighting Enhancements, $350,000: This fund will help pay for new sound shields and sound-projecting acoustic shells that will boost performance clarity, as well as new speakers, microphones, amplifiers and theatrical lighting. Instrument purchases will eliminate rental costs, upgrade the percussion section—especially for timpani drums—and will provide the Youth Orchestra with specialized woodwinds not typically available to high school students.

Stage Extension, $150,000: A 10-foot removable stage extension at The Forum will provide more possibilities for performances. “Our stage is not very deep and extremely wide,” Malina said. “During my first season there, the brass section was literally sitting in an alcove offstage because there wasn’t enough room for them onstage.”

Champions Fund for Deficit Elimination, $350,000: This goal has been achieved. “We already took care of the deficit. Now we are solvent,” Malina noted proudly, adding that few community orchestras can say this.

“It takes a lot of money to support a professional orchestra, but this community stands behind us year after year to make it happen,” said Ted Reese, HSO’s director of development. “I’m always thrilled to see how surprised people are when they come to their first HSO concert. They expect a stuffy—dare I say boring—concert from an OK orchestra, and they leave The Forum saying, ‘Wow! This is Harrisburg?’”

The HSO is comprised of 75 contract players. Some are from the Harrisburg area, but most come from cities across the east coast, such as New York, Philadelphia, Baltimore and Washington, D.C. Musicians are sent their parts several weeks before each concert then meet in Harrisburg for four, 2½-hour practice sessions immediately before their scheduled performances.

“We put them up in a hotel, per diem,” Malina said. “It’s sort of like a college summer camp for them. They’re all professional musicians, but they’ve been playing here for a very long time, so they feel very attached to Harrisburg. Plus, this is where I made my home.”

As the HSO heads toward its 90th season, Malina expressed a solid confidence in the quality of the group’s performances.

“I worry about how great it’s going to be, not if it’s going to be great,” he said.

To learn more about and donate to “Let the Music Grow,” visit www.harrisburgsymphony.org/let-music-grow.

Author: Phyllis Zimmerman

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