By the Book: Lineup announced for annual Harrisburg Book Festival

Midtown Scholar Bookstore, the site of the annual Harrisburg Book Festival

It may seem unlikely, but Harrisburg has emerged as a key stop for authors on the book promotion and lecture circuit.

That status is punctuated each year by the Harrisburg Book Festival, which will return next month for a sixth year.

“We’re delighted that we’re able to bring this festival to Harrisburg again,” said Alex Brubaker, manager of Midtown Scholar Bookstore, which sponsors the long weekend of book-related events. “Every year, it gets bigger and better.”

The 2018 festival will feature panel discussions, keynote presentations, book signings, story times, arts and crafts and more, Brubaker said.

There will be two ticketed events — the opening keynote with Tayari Jones and the closing keynote with Carol Anderson, he said. Every other event is free and open to the public.

This year’s lineup includes presentations and signings with award-winning authors, including:

  • Grammy-nominated singer/songwriter and poet Mary Lambert
  • New York Times bestselling novelist Tayari Jones
  • National Book Critics winner and New York Times bestselling critic Carol Anderson
  • New York Times bestselling historian Liza Mundy
  • President Barack Obama’s speechwriter David Litt and stenographer Beck Dorey-Stein
  • Caldecott honoree Lauren Castillo
  • Emerging novelists Crystal Hana Kim and Lucy Tan
  • Joe Beddia, whose pizza was named Bon Appetit Magazine’s “Best Pizza in America”

“We’re delighted to feature some of the most internationally renowned authors working today — right here in Harrisburg,” Brubaker said.

The 2018 Harrisburg Book Festival takes place Oct. 11 to 14 at Midtown Scholar Bookstore, 1302 N. 3rd St., Harrisburg. For more information, visit www.hbgbookfest.com.

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Mayor: Judge to delay Harrisburg’s Act 47 deadline until October.

A decision by a Commonwealth Court judge could give Harrisburg until the end of October to adopt an Act 47 exit plan and continue a lobbying campaign in the statehouse, Mayor Eric Papenfuse said on Thursday.

The new deadline would allow city officials more time to negotiate with state lawmakers once they return to the Capitol in September. Harrisburg is asking them to pass a bill that would let the city keep its current taxing authority and make a sustainable exit from the Act 47 state oversight program.

“This clears the stage for the legislature to act,” Papenfuse said. “Hopefully, we’ll get the legislative change we want.”

According to Papenfuse, Commonwealth Court Judge Bonnie Leadbetter indicated at an Aug. 14 conference that she would exempt the city from a statute in Pennsylvania’s Municipalities Financial Recovery Act, which says that a city has 45 days to adopt an Act 47 exit plan drafted by a state-appointed coordinator.

Papenfuse said that city officials did not want to adopt a three-year exit plan until lawmakers could consider House Bill 2557, which is co-sponsored by Rep. Patty Kim, D-Dauphin County, and Rep. Greg Rothman, R-Cumberland County. The House finance, local government and urban affairs committees will hold a joint public hearing on the bill on Sept. 25.

The house returns to session on Sept. 5, and the Senate on Sept. 12. The bill, which Papenfuse announced on July 10, is not yet published in the state’s legislation database.

If the bill passes, Harrisburg will be able to keep its current local services tax (LST) and earned income tax (EIT) rates, which bring in a combined $11.8 million of annual revenue. The Act 47 law has allowed Harrisburg to pass provisional hikes on both taxes. Harrisburg doubled its EIT in 2012 and tripled its LST in 2016.

Otherwise, an Act 47 exit would force Harrisburg to lower its tax rates to their former levels. City officials say they can’t provide basic services if they lose almost $12 million in annual revenue.

Harrisburg’s Act 47 designation expires in September. In March, its coordinator, Marita Kelley, recommended the city stay in Act 47 under a one-time, three-year extension.

In order to secure an extension, however, Harrisburg officials must adopt a state-approved exit plan.

Kelley published the first draft plan on July 9. She had a month to collect public comments and make revisions, but Harrisburg officials faced a September deadline for its final approval.

Residents and city officials excoriated the first draft document, which called for doubling property taxes over three years to offset LST and EIT revenue losses. The second draft deferred the property tax raises for three years, but recommended steep hikes in 2022 if the city does not persuade lawmakers to grant it augmented taxing power.

Members of the Papenfuse administration and City Council agree that Harrisburg can’t balance its books under the current state tax code. They say that Harrisburg deserves special taxing provisions as the state capital city, since it supports large swaths of untaxable land and more than 30,000 commuters a day.

Harrisburg began making that argument to lawmakers in January, when it entered a 12-month, $60,000 lobbying contract with local firm Maverick Strategies. Since then, Papenfuse and his staff have convened dozens of meetings with state legislators.

Their effort soured in June, after Papenfuse clashed with house Speaker Mike Turzai. The next day, Turzai blocked a special provision for Harrisburg from coming up to vote.

The general assembly recessed hours later, forcing Harrisburg to begin the months-long Act 47 exit process. Papenfuse is optimistic that there is enough will in the legislature to pass a bill this fall.

If the legislature fails to act this fall, the mayor hopes that the city can develop an agreeable Act 47 exit plan and continue lobbying into the new year.

As of Friday, Leadbetter had not filed a formal response to Harrisburg’s application for relief. Harrisburg Solicitor Neil Grover, who was present at the Aug. 14 conference, declined to comment on Ledbetter’s decision until it was filed.

Want to learn more about Harrisburg’s financial recovery? Check out TheBurg’s guide to Act 47.

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Dance, Dance, Dance: Fifteen years of forward motion at The Studio.

Photos courtesy of The Studio.

Fifteen years ago, Jennifer Turner Long opened a small dance school in Marysville called The Studio.

It didn’t stay small for long.

After just a year, it had to locate to larger space down the road at the Summerdale Plaza, where it remains today, even as enrollment has grown from that first class of 24 students to 450.

“I have a staff of 15 now, but I still teach,” said Long. “It’s still fun. I love being with the kids.”

Despite such growth, Long said that she strives to maintain an atmosphere of closeness and caring.

“Every year, we grow, and managing that is the challenge,” she said. “It’s so important not to feel like a big place. We know our families here. This is our community.”

Simply put, Long wants The Studio to feel like one big family, an effort not lost on Dave Crozier. With four children, ages 8 to 14, all pursuing dance, Crozier, of Enola, spends “a lot of time” there.

“I view The Studio as more than a dance school,” he said. “They teach grace, manners and humility and maintain a family atmosphere.”

Conveying values like work ethic and kindness are also high on the agenda, Long explained.

“We cultivate our students’ best selves,” she said.

 

My Calling

When The Studio first opened as a small facility in Marysville, Long went door to door to recruit clients.

Within a year, the business had grown enough to move, but it didn’t expand all at once. Instead, it opened with just one studio in the plaza’s lower level, gradually expanding to four.

“We bootstrapped it,” said Long, who runs the business with husband Kevin, who serves as house photographer and videographer. “We used what we earned and didn’t borrow to build any of this.”

About 30 months into the venture, Long felt confident enough to quit her full-time job in the IT field and devote all of her time to The Studio. In effect, the school served as a daycare for daughter Olivia, now 12, whom the Longs adopted from China.

”I could never get away from dance,” Long said. “It was my calling. It spoke to me.”

 

One for Us

Dancers at The Studio choose their own path, whether it’s a budding career or just fun.

Recreational dancers are offered combination classes and two significant performance opportunities, while dancers with greater ambitions can pursue specialty paths that include community performance groups, competition teams and professionally staged ballets. Recent public shows include “The Beauty and the Beast” and “Frosty.”

The Studio’s combination classes teach ballet and tap, with jazz beginning at age 7. Specialty genres include ballet technique, pointe, modern and contemporary, jazz intensives and hip-hop. Students’ ages range from 2 years to senior citizens.

Crozier’s daughter Abigail, 12, considers herself an aspiring dancer, while son Shane, 8, has fun doing hip-hop. Amelia, 14, and Olivia, 10, also enjoy studying dance at the school.

Danielle Erdley’s daughter, Elena, 12, takes “pretty much everything,” her mother said, pursuing a full roster that includes ballet, pointe, jazz, tap and contemporary team dance.

“We weren’t there for five minutes when we knew The Studio was the one for us,” recalled Erdley of Mechanicsburg. “Elena connected to Jennifer right away.”

Small wonder that Elena’s little sister, Kathryn, 5, is following suit with ballet and tap lessons.

Ryleigh Prinz, 12, of Perdix, started at The Studio at the tender age of 2 with “Mommy and Me” sessions with mother Desiree. Today, sister Braelyn, 10, joins Ryleigh in a variety of dance activities.

“The Studio is great because it’s flexible,” Desiree said. “My daughters can take as much as they like. Whatever you need, Jen takes care of it.”

 

Love the Culture

Long believes it’s important to take care of others outside of The Studio. That’s why community service is a vital component of the school’s curriculum.

For example, the school’s Raising the Barre group initiated a costume collection and donation drive last year for Traveling Tutus, an organization that sends costumes to needy children abroad. The group also hosted a “Dancing Through the Storm” party benefiting One America Appeal, a nonprofit that supports natural disaster victims.

In 2015, The Studio joined 1% For Humanity, a worldwide organization fighting extreme poverty and injustice across the globe. Participants pledge to donate at least 1 percent of their income to the cause.

The school also participates each year in the Pennsboro Pumpkin Fest and helps out other worthy causes, including performing at local senior citizens facilities.

“We all really love the culture at The Studio,” Danielle Erdley said. “The kids are all very supportive of each other. It’s just a wonderful community of people.”


The Studio is located at
427 N. Enola Road, Suite A, Enola. For more information, visit www.summerdaledance.com or call 717-614-1942.

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My City Was Gone: How redlining helped segregate, blight Harrisburg.

Growing up on Harrisburg’s 6th Street in the 1930s and ‘40s, Calobe Jackson Jr.’s favorite sandwich was capicola on rye bread. He’d procure the meat, a spicy, cured pork sausage, from Nick’s Italian American store on 6th and Herr—just a block from his family home on Cumberland. The bread came from Strohman’s Jewish Deli, just a block north.

“It was a busy, multi-ethnic neighborhood,” said Jackson, an African-American man who was born in 1930. Though he was a child of the Great Depression, Jackson recalls a neighborhood bustling with small businesses, including Jack’s Hotel, which his father, Calobe Jackson Sr., opened in 1946.

Today, the blocks of 6th Street where Jackson grew up show little of the vibrancy he knew as a boy. Only one neighborhood institution, Jackson House restaurant, still stands. City directories show that businesses started closing in the 1950s, and the number of vacant storefronts and housing units rose steadily through the 1970s and ‘80s. The neighborhood’s proximity to the Capitol Complex and the Broad Street Market likely saved it from the same fate as the northern stretch of 6th Street, where entire blocks languish as patches of grass and concrete.

Ken Frew, a lifelong Harrisburg resident and local historian, grew up hearing stories of 6th Street from his mother. He summarized the changing fortunes of Harrisburg’s longest corridor.

“It was a jumping place,” he said. “Now, it’s been decimated.”

Many factors contributed to divestment in Harrisburg and the flight of wealth to the suburbs after World War II. Among them was a federal effort that segregated neighborhoods in the name of rebuilding the national housing market. Engineered by the federal government and enforced by local realtors, banks and government officials, these policies cut urban neighborhoods off from access to capital, initiating a cycle of divestment and decay that remains visible to this day.

Today, the practice of government agencies denying service to certain neighborhoods is called redlining—a term first coined by community groups in Chicago, referring literally to the red lines that lenders and insurance providers drew around areas they would not service. Redlined neighborhoods—those occupied by African Americans or by integrated, multi-ethnic populations—became unsuitable sites for home loans or business financing. Residents who could afford to leave these areas often did; those who stayed saw once-thriving areas falter around them. According to the National Community Reinvestment Coalition, 74 percent of neighborhoods that were redlined eight decades ago are considered low-to-moderate income today.

The 6th Street corridor from Forster to Maclay streets, which was redlined by appraisers in the 1930s, is a prime example. Jackson’s father was denied a mortgage there in 1945 for Jack’s Hotel, even though he already owned a home and a small business. The neighborhood today has a 33-percent poverty rate, according to census data. Almost half its families make less than $35,000 per year.

 

Best to Worst

The federal agency that pioneered redlining was the Home Owners Loan Corporation (HOLC), one of the dozens of “alphabet soup” organizations created under President Franklin D. Roosevelt’s New Deal program. When HOLC was founded in 1933, the country was facing unprecedented levels of home foreclosures on top of a paltry homeownership rate. A previous federal campaign, begun almost two decades earlier to promote home buying among the working and middle class, had accomplished little by the time Roosevelt took office. Few families could scrape together the 50-percent down payment required on most homes or commit to the standard five- to seven-year loan repayment schedule.

The nation’s housing crisis worsened during the Great Depression. Many families that owned property could no longer make loan payments, and those that aspired to homeownership now had fewer assets. It was in this climate that the federal government created HOLC, which aimed to stabilize the nation’s housing market by issuing low-interest, long-term loans to homeowners in danger of defaulting. At the same time, the Federal Housing Agency (FHA), another New Deal organization, began granting loans to first-time homebuyers.

The FHA adopted lending guidelines that were explicitly racist. Its appraisal standards included a white-only requirement, and its 1935 “Underwriting Manual” warned that allowing races to mix in neighborhoods led to “instability and a reduction in home value.” But the most infamous relics of racial home policy we have today come from HOLC, which created America’s first formal system for assessing lending risk.

With help from local real estate agents and insurance brokers, HOLC representatives dispersed across the country to rank neighborhoods on a scale of best to worst. Their “City Survey” program produced detailed reports for 239 American cities, along with security maps that assigned each neighborhood a grade on a four-letter scale. Neighborhoods that had high concentrations of African Americans were deemed “hazardous” lending zones and got a “D” rating. On security maps, these neighborhoods were colored red. “Definitely declining” neighborhoods got a “C” grade and were shaded yellow; “static,” B-rate neighborhoods were colored blue, and the “best,” A-grade areas, were colored green. The resulting maps are a striking, visual manifestation of a racist national policy agenda.

Legal historian Richard Rothstein writes in his book, “The Color of Law,” that risk designations had nothing to do with social class or credit-worthiness and everything to do with segregation. A neighborhood with African-American residents, for instance, couldn’t escape redlining “even if it was a solid, middle-class neighborhood of single-family homes.” But they weren’t the only ones who suffered under HOLC’s appraisals. Since the federal government hoped to jumpstart the construction industry with new homebuilding, neighborhoods with old, densely zoned housing also got “hazardous” ratings. Areas with multi-ethnic populations—like the one where Jackson grew up—or large numbers of recent immigrants, particularly European Jews, were also redlined.

Redlining maps have resurfaced in recent years as scholars, urban planners and policy makers place new scrutiny on segregation patterns in American cities. More than 100 HOLC maps, including those for Philadelphia and Pittsburgh, are available in an online database hosted by the University of Richmond. Last year, Bernardo Michael, a professor of history at Messiah College, set out to find one for Harrisburg.

An Old Suspicion

Michael, whose scholarship centers on South Asian history, developed an interest in American social history while leading a civil rights tour for Messiah’s Office of Diversity Affairs. The project made Michael wonder about the more prosaic, lived realities of minority communities in central Pennsylvania. With help from Messiah students, he began plumbing local archives to learn how segregation limited mobility and residential choices for people of color.

“One of the things that became clear to me talking to residents in Harrisburg was that racial segregation was very strong and communities were divided on the grounds of color,” Michael said. “Communities of color lived in anxiety-ridden environments and were anxious about many things—where would they eat as they traveled, what neighborhoods were welcoming and open.”

Michael knew that the nation’s redlining practices must have left an imprint in Harrisburg. Unable to find a HOLC security map for the city, he made an inquiry at the National Archives in College Park, Md. It yielded a scan of a 1930s-era map of Harrisburg, rendered in a patchwork of green, blue, red and yellow.

According to Michael, the map “was confirming an old suspicion.”

“Local authorities and the federal government were heavily involved in setting up structures that limited the movements of communities of color,” he said.

He added that, as a result, people of color “found themselves confined to what we now call the inner city not by choice, but by circumstance.”

One crucial circumstance was the inability of black homebuyers to secure FHA mortgages in highly rated suburban areas. The exclusion of African Americans from the national housing market was a frequent topic of derision in the black press. No digital archives of Harrisburg’s historic black papers exist, but a 1954 wire report from the Pittsburgh Courier illustrates the injustice of “the serious housing problem confronting American Negroes which, in effect, hems them into the least desirable areas of our cities.” Lamenting increased congestion and crime in many cities, the writer contends that “white people seeking to escape such an environment find few obstacles and desert such areas in large numbers, leaving them to those unable to escape: Negroes, Mexicans, Puerto Ricans and the like, who would in equal proportion prefer to move, if they could rent or buy in the new FHA-financed suburban settlements.” The FHA did not reform its racist lending policies until passage of the Fair Housing Act in 1968.

Urban renewal movements that began in the 1970s and intensified in the 2000s did save some redlined neighborhoods from abject ruin. Harrisburg’s downtown business district was redlined in the 1930s, but now boasts restaurants, retail and a growing number of new, upscale apartments. HOLC appraisers warned that Front Street was “definitely declining;” recent years have seen new commercial and residential tenants move into many of its historic mansions. Shipoke, which got a “D” rating from HOLC, today is home to some of Harrisburg’s most expensive, historic properties.

But the same housing policies that devalued cities across the country insulated Harrisburg from meaningful investment for decades. Only two areas in the whole city—Bellevue Park and Riverside, an Uptown neighborhood bordering Susquehanna Township—were considered a lender’s “best” bet for investments. Every other corner of the city was deemed stagnant, declining or outright dangerous territory for those in the mortgage business.

Today, Harrisburg has a 31-percent poverty rate, and some neighborhoods with the highest rates of poverty—Uptown north of Maclay, South Allison Hill and the corner of Harrisburg south of 1-83—were all redlined starting in the 1930s. When the federal government announced, in 2017, a new program to spur development in low-income census tracts, it anointed six tracts in Harrisburg as “qualified opportunity zones.” They align almost perfectly with neighborhoods that were redlined by HOLC.

As many scholars have pointed out, these D-rated areas also became convenient locations for the infrastructure that suburban, white homeowners didn’t want in their own backyards. Harrisburg’s low-income and public housing complexes, including Hall Manor and the Howard Day Homes, sit today in areas that were redlined. The Harrisburg incinerator, once a major emitter of pollutants, found its home in a “hazardous” neighborhood in 1969.

Long, Hard Look

Even though the federal government didn’t have a hand in every home loan that was made in Harrisburg, their segregationist policies shaped the national lending economy. According to Frew and Jackson, the risk assessments in Harrisburg reflect a long-term, local planning agenda that sought to accelerate movement into suburbs.

Take, for instance, HOLC’s redlining of many of Harrisburg’s commercial corridors. In addition to 6th Street, which was a bustling business district, Derry Street and Market Street in Allison Hill were outlined in red on HOLC’s security map, even though Derry Street cuts through desirable neighborhoods shaded in blue. The area between South and Chestnut streets—what is now the downtown business district—is striped red and yellow. These business areas buzzed with grocers, record stores, tailors and laundromats in the 1930s, but they represented a model of commercial retail that was on the decline across America.

Starting in the 1950s, American retail shifted from downtown streets to suburban malls. Harrisburg’s first mall, Kline Village, was built in 1951. As Jackson said, the appraisers drawing Harrisburg’s security map “probably anticipated the fact that people were going to stop shopping downtown.”

Compounding the retail migration to the suburbs was the movement, starting in the 1950s, to reroute major city streets with one-way traffic patterns. Under the pressure of political boss Harvey Taylor, city officials launched an all-out war on traffic congestion. They reduced parking lanes and converted 2nd and Front streets to one-way, multilane thoroughfares. It became easier than ever for drivers to pass through Harrisburg without ever exiting their automobiles.

“The plan was to get people out of the city as quickly as possible,” Jackson said. “When people got off from work, they went out of the city, stopped shopping. When they made Market Street one way, that was the end of downtown. The one-way streets made it difficult for people to maneuver.”

Reading the map as a portend of urban planning trends that came to pass in Harrisburg shows how government policy directly influenced local development, subsidizing suburbs at the expense of city neighborhoods and the people who inhabited them.

Another project looming over Harrisburg at that time was the Capitol Complex expansion. This began in the 1900s with the demolition of the Old Eighth Ward, an African-American and immigrant neighborhood that came to be known as Harrisburg’s “tenderloin” district. The Capitol Complex expansion continued into the 1930s and ‘40s, consuming even more property along Forster and 7th streets.

HOLC redlined those areas, possibly because local leaders had already earmarked them for a state expansion, Frew and Jackson said. It’s just one example of how appraisers with colored pencils helped ensure the planning agendas of Harrisburg’s political class.

“The people who made this had to look far ahead to see what’s going on,” Frew said. “It’s like somebody looked into the future at the city of Harrisburg and came up with these areas because they knew they would have a Capitol expansion, and they knew the downtown area was going to change because of street patterns and malls.”

Today, urban renewal efforts aim to redress some of the deprivations in Harrisburg’s most struggling neighborhoods. City Council doubled Harrisburg’s budget to demolish blighted buildings this year. Vacant storefronts in Allison Hill, Midtown and downtown Harrisburg are finding new lives as brewpubs, retail outlets and restaurants. Some redlined neighborhoods, such as the MulDer Square improvement district in South Allison Hill, are the site of targeted, city-led revitalization efforts.

But there’s work yet to be done. And Michael, the professor, thinks it should start with a long, hard look at Harrisburg’s history. The research project at Messiah called “Spaces of Fear” led to a partnership with Harrisburg University. Their collaborative project, “Digital Harrisburg,” aims to digitize historical census data and create interactive, historical maps of the city. Student researchers also continue to find prime materials, such as racially restrictive covenants, that testify to the history of discriminatory housing in the region. The goal, Michael said, is to create an archival database with policy implications.

“Most of the planning by my generation was clueless about the past,” Michael said. “We are not just going to the past for the past itself, but for how the past informs the present and tells us what we need to do to think about the future. And equality and inclusion are going to play an important role in that.”

Explore more about redlining in Harrisburg and other online historical resources at www.digitalharrisburg.com.

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Forever Young: Moonshine & memories at Dead Lightning Distillery.

Andrea and Eric Montgomery stand before a life-sized image of their son, Skylar

Dead Lightning Distillery, according to its storefront sign, was born on 3-3-2018 in New Cumberland, to proud owners Andrea and Eric Montgomery. Their son, Skylar, was also born on March 3.

It’s not a coincidence. Dead Lightning is a tribute to Skylar, whose life ended tragically in an accidental overdose.

“Three months before he died, we talked about starting a business for him,” said Andrea.

Skylar, a huge Grateful Dead fan, had a penchant for making moonshine—also known as white lightning. Marry the two loves, and you have Dead Lightning.

“He made flavors that tasted so good and found places to make it,” Andrea said.

She wanted to continue that practice in his honor, at “a place where friends could hang out, like his living room.”

“Skylar had a heart of gold,” she said. “He was a welder, super tall and would walk in and light up the room. As a mom, when he died, I was ready to give up. I was married to my best friend, with two children, and I couldn’t give up, but I could keep Skylar’s spirit alive.”

Andrea does that by giving a hug to almost everyone who walks through the doors, encouraging people to sit and enjoy a sample of Skylar’s vodkas.

Skylar’s likeness, in the form of a decal at his actual 6-foot-7 height, greets you with widespread, open arms.

“This picture of Skylar was taken after he won a Go Kart race,” Andrea said. “He had his arms outstretched in victory.”

His original moonshine paddle hangs on the wall over the bar. Don’t be surprised if Andrea encourages you to “shoot the boot” from Skyler’s size 15, Red Wing, steel-toe work boot that sits on a shelf. Tapestries that hung on his bedroom wall now hang from the bar’s ceiling. Street signs that bear his name, or imbed a memory, line the bar’s backroom walls. His surfboard is a cool table top. Since he loved games, ring toss and darts are a popular activity in the bar. And Skylar’s favorite music constantly fills the venue.

“It took him to pass for me to learn the importance of music,” Andrea said. “It’s uplifting.”

If this place sounds like it’s an ode to Skylar, well, that’s exactly what his mother intended. The bar is a union of Skylar’s life and how he lived.

“Skylar was a leader,” Andrea said. “He gave his time and his entire salary to others. He always had canned goods in his car to give to homeless people. And he had all these great sayings—‘Memories over Money,’ ‘Laugh at Yourself,’ ‘Don’t Judge People.’”

Those adages grace the tie-dye label of all 14 Local Legend Flavored Vodkas.

“We only sell the distilled alcohol that we make,” said Andrea.

Like handcrafted, small batch rums. Tall Boy, a 750-ml bottle of vodka distilled nine times at a whopping 100 proof, is a fan favorite. So is their cinnamon whiskey, Liquid Lightning.

“Wasabi is the secret ingredient,” she whispered, revealing that not-so-secret knowledge with a wink and a smile.

The craft distillery—an old bank barn in Lemoyne—was originally bought in 2013 as a place to store her husband Eric’s “toys”—cars, trucks, and motorcycles.

“You can eat off the floor in there now,” said Eric, about the distillery.

Head Distiller Tom Gribb, a welder and Skylar’s best friend, built the copper still. Skylar’s brother, Trevor, also distills. Maddie, his sister, is the family business social media sage. Katrina Carpenter, Skylar’s girlfriend, bartends.

“Originally, we wanted to take things slow,” Andrea said. “We were going to try selling the vodkas in farmers markets. The mayor, Doug Morrow,” an advocate in New Cumberland’s revitalization, “approached us when he heard about Skylar’s story. He invited us to check out this space, the former Coakley’s. I walked in here, looked around and walked out. I knew this was it.”

Renovations to the former Coakley’s Cigar Bar on the walk-able section of Bridge Street happened fast—in about three months.

“Our attitude was to make enough money to pay rent and to have a place for friends to hang out,” she said.

Quickly, change happened again.

“Now, our alcohol is in 14 bars and restaurants, all local places within Camp Hill and Harrisburg,” Andrea said. “It’s about working with the locals. We want to get downtown renovated again. When Coakley’s closed, it hurt the town. We want our good vodka to stay here.”

You’re invited to try a flight, throw back a smoked cinnamon shot, order a cocktail du jour, or even create your own drink. Saturday mornings are all about the bloody Mary bar and bagels. They also sell local PA wines and beers. Simple food items, like soft pretzel logs, steak tacos and tri-colored tortillas with fresh margarita salsa, fill the menu.

“My husband and I make all the food,” Andrea said. “I’ve met so many people because of this place, so many people who’ve been touched by Skylar’s story.”

She pointed to a sign over the bar that reads, “Have a good shitty day.”

“People have bad days,” Andrea said. “But Skylar would want them to have a good bad day.”

I can’t think of a better place to sit and contemplate that contradiction.

Dead Lightning Distillery is located at 311 Bridge St., New Cumberland. For more information, call 717-695-7284 or visit www.deadlightningdistillery.com.

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She Wore It Well: A reflection, an appreciation on the centennial of the first Mary Sachs store.

Mary Sachs

On Sept. 6, 1918, a young immigrant from Russia with little formal education opened a clothing store in downtown Harrisburg that would become legendary for its elegance and high fashion.

Mary Sachs dominated the entrepreneurial world of the capital city for decades—until her death in 1960—eventually earning the moniker, “Merchant Princess.”

At first, Sachs sold only upscale women’s clothing, but, eventually, she expanded the store to include several departments. Satellite stores in Lancaster and Reading followed.

Sachs was nothing if not resourceful and determined. After a fire destroyed her original store in 1931, she constructed a new, expanded one, in 1932.

In time, she also became known for her charitable work, earning the additional title of “Princess of Philanthropy.” Eleanor Roosevelt, the country’s first lady and a good friend, declared, “Few can ever match her generosity.”

Historic Harrisburg Association, along with the Mary Sachs Charitable Trust, is now honoring this centennial and her legacy with a celebration that will launch 100 years to the day that Sachs opened her Harrisburg store.

The celebration will highlight three cornerstones of Sachs’s importance to the capital city, said David Morrison, HHA’s executive director.

“One is her introduction of world-class fashion retailing and an international following,” he said. “Second, her elegant shop on N. 3rd Street opposite Capitol Park helped establish downtown Harrisburg as a thriving center of commerce and culture. Then there was her charitable work, helping the needy and inspiring those who were well off.”

 

Retail Royalty

The remembrance actually begins on Sept. 5 with “Harrisburg’s Merchant Heritage and the Legacy of Mary Sachs,” a “Smart Talk” segment with host Scott LaMar that will air at 9 a.m. on WITF.

Then, at noon on Sept. 6, a “Centennial Ceremony” and live TV newscast will take place in Capital Park, near the former Mary Sachs store at 208 N. 3rd St., a Lawrie & Green landmark building that still stands and bears her name.

That same day, a new exhibit, “Harrisburg’s Merchant Heritage,” will open at the HHA Resource Center in Midtown, with an opening reception that begins at 5:30 p.m. Local historian Jeb Stuart, whose father was a business associate of Sachs, is curating the exhibit.

The 35-panel exhibit will cover the retail legacy not only of Sachs and Stuart but of such famed entrepreneurs as the Goldsmiths, Troups and others. It will include photos of downtown landmarks, pictures of other important buildings, newspaper clips and some of the ads for which Sachs was famous.

“The exhibit will focus on the capital city’s historic architecture, buildings and places,” said Stuart. “Imagery drives it.”

One special aspect will be the half-dozen Mary Sachs dresses owned by Alyce Spector, a community leader, from the days of her trousseau. Alyce’s husband, Morton, has been a long-time advisor to the Mary Sachs Charitable Trust.

In addition, the exhibit will be one of 30 stops along Gallery Walk, sponsored by the Art Association of Harrisburg, on Sunday, Sept. 9.

Future programming includes a walking tour of the “Retail Landmarks of Downtown Harrisburg” and a panel discussion on “Harrisburg Retail Royalty” at HHA.

 

A Revival

Sachs’s star still hasn’t faded.

Both the State Archives and the Dauphin County Historical Society have collections of material by and about her. And, if you search online for “Mary Sachs Vintage Clothing,” you’ll find some of the items from her stores.

Then there’s the continuing work of the Mary Sachs Charitable Trust, which she founded. These many years later, the trust is still doing great things, such as offering college scholarships for local students.

“We are proud of the Mary Sachs story from a business as well as a philanthropic perspective and strive to continue her legacy through significant scholarship aid to young women in the tri-county area (Dauphin, Perry, Cumberland) who are going to college with a major in either fashion design, retailing or general business,” said Paul Hoch, a great-nephew of Mary Sachs and chair of the Mary Sachs Trust.

Sachs’s 42-year reign as Harrisburg’s “Merchant Princess” coincided with the city’s golden age, shaped in part by a thriving climate of locally owned downtown retail establishments and other independent urban businesses, Morrison said.

He added that, after many decades in decline, Harrisburg retail is experiencing a revival. He cited the numerous small businesses that have opened in recent years, including Midtown Scholar Bookstore, Provisions grocery store and numerous new shops along N. 3rd Street.

“It’s an age that hasn’t completely passed,” he said.

The Historic Harrisburg Association Resource Center is located at 1230 N. 3rd St., Harrisburg. For information about the Mary Sachs centennial and “Harrisburg’s Merchant Heritage,” visit www.historicharrisburg.com, call 717-233-4646 or e-mail [email protected].

 

Fashion Shows

Mary Sachs opened her first store on Sept. 6, 1918. The centennial will be celebrated with a series of events.

  • Sept. 5, 9 a.m.: “Harrisburg’s Merchant Heritage and the Legacy of Mary Sachs,” a “Smart Talk” segment with host Scott LaMar on WITF. Rebroadcast at 7 p.m.
  • Sept. 6, noon: “Centennial Ceremony” in Capitol Park across from Mary Sachs building, 208 N. 3rd St. Living relatives of Mary Sachs and other dignitaries will commemorate the opening of her famous store.
  • Sept. 6, 5 to 7:30 p.m.: Opening reception for new exhibit, “Harrisburg’s Merchant Heritage and the Legacy of Mary Sachs,” Historic Harrisburg Resource Center, 1230 N. 3rd St.
  • Sept. 9:  Harrisburg Gallery Walk, 11 a.m. to 6 p.m.: “Harrisburg’s Merchant Heritage and the Legacy of Mary Sachs” exhibit is featured at Historic Harrisburg Resource Center, 1230 N. 3rd St.
  • Sept. 22: Walking Tour: “Retail Landmarks of Downtown Harrisburg,” a new narrated tour led by Jeb Stuart and David Morrison. Meet at Capitol East Wing fountain. Fee, payable on arrival, is $15, $10 for HHA members, $5 for students.
  • Oct. 23: Historic Harrisburg Monthly Education Program, “Harrisburg’s Retail Royalty.” This panel discussion features members of prominent local merchant families from decades past, plus current, 21st-century entrepreneurs. Open to the public free of charge at 6 p.m. Historic Harrisburg Resource Center, 1230 N. 3rd St.
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It’s the Ripe Time: Use those last garden tomatoes for panzanella.

If you’re like me, when September rolls around, it’s often a bit of a surprise. How could summer be over already?

I’m always left to wonder why February and March seem to pass so slowly. Nevertheless, for those of us who love the beautiful, fresh produce of summer, farm stands are still overflowing with sweet corn, peppers (especially red ones), eggplant and, of course, tomatoes that taste like tomatoes should.

Italian cooks find innovative ways to use the abundance of late summer tomatoes, from making a simple marinara sauce with nothing more than chopped tomatoes, a little garlic and chopped onion and lots of fresh basil to roasting them with olive oil for a pasta topping that is slightly reminiscent of sun-dried tomatoes. Tomatoes are stuffed with breadcrumbs and cheese and find their way into the classic eggplant relish, caponata.

Italian cooks are also known for their reluctance to waste food. Rinds of Parmesan Reggiano cheese are tossed into soups, especially minestrone. Leftover pasta may be used in a pasta torte. And leftover vegetables find their way into fritattas and egg omelets.

But one food that Italian cooks hate most to waste is bread. Leftover crusts are grated and saved for meatballs. Focaccia bread may be cubed, browned in oil, and used as croutons. And the classic papa al pomodoro is no ordinary tomato soup. It is made with summer’s best tomatoes and stale bread.

One of the best-known Italian recipes is panzanella. Panzanella is tomato bread salad. It is best if made this time of year with ripe, red tomatoes whose juices are transformed, along with vinegar, into wonderful vinaigrette. The bread must be good Italian or French bread and, ideally, a day or two old. Panzanella originates from the Tuscan region of Italy and, like so many Italian dishes, probably no two versions of it are exactly alike. Some call for the bread to be soaked in water, while others dictate that the stale bread cubes be first browned in olive oil. The original panzanella recipe was made with unsalted Tuscan bread, which most of us would likely find unsavory.

Some panzanella recipes include peppers, anchovies, olives, mozzarella cheese and capers. I was even able to find one version that calls for polenta cubes instead of bread. But the recipe that follows is classic and easy. Its focus is on wonderful tomatoes and good country bread and tastes very much like summer.

 

PANZANELLA SALAD

Ingredients

  • 2 ripe, red tomatoes, cut into bite-sized pieces
  • 1 small cucumber, peeled and sliced
  • 1 small red onion, thinly sliced
  • 1 cup fresh basil leaves, torn into small pieces (save a few whole leaves for garnish)
  • ½ cup extra virgin olive oil (more if needed)
  • 3 tablespoons good red wine vinegar
  • 6-8 thick slices of good quality Italian or French rustic style bread (stale bread works best!)
  • Salt and freshly ground pepper to taste

 

Directions

  • In a bowl, combine the tomatoes, cucumber, onion and torn basil. Drizzle the mixture with the ½-cup olive oil, the vinegar and salt and pepper. Toss gently to evenly coat the vegetables.
  • Cut the bread into cubes or tear it into bite-sized pieces. Place half the bread in a wide and shallow bowl and spoon on half of the vegetables.
  • Layer on the remaining bread and then the vegetables. Cover and refrigerate for 1 hour.
  • Toss the salad before serving and add more salt and pepper if needed. I like to add a little extra vinegar.
  • Garnish with the basil leaves and serve immediately.

You can experiment by adding different ingredients to your panzanella salad. There are so many intriguing vinegars out there these days. I have been having fun with black cherry and pineapple vinegars from Williams-Sonoma, as well as a strawberry balsamic from Olio in Lititz.

This is another one of those classic Italian dishes that absolutely will not work without the best ingredients: good olive oil and vinegar, crusty bread and ripe summer tomatoes. It is a very simple dish that can be made a few hours ahead (but no longer) and paired with grilled chicken, steak or fish.

So hold on to summer a little longer. Save that half-loaf of Italian bread that’s been languishing in your breadbox since last Sunday’s pasta dinner. Grab those tomatoes on your counter that are just a little bit soft. A delicious panzanella salad is waiting.

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Community Corner: Notable September Events

September Community Corner

HBG Flea
Sept. 1: Shop the HBG Flea for local art, vintage treasures and curated curios at Midtown Cinema, 250 Reily St., Harrisburg, 9 a.m. to 3 p.m. Visit hbgflea.com.

Button Box Fest
Sept. 1-2: St. Lawrence Club of Steelton, 13 Highland St., hosts Steelton Button Box Bash gathering of button box players, Sept. 1, 5 to 11 p.m., and Sept. 2, 12 to 3 p.m., with accordion music, dancing and refreshments. Cost is $10 on Saturday, $5 on Sunday. Visit Lawrence Club Facebook page.

Kipona
Sept. 1-3: Enjoy the 102nd Annual Kipona Festival in Riverfront Park and City Island with food vendors, live music with bands, handmade art and crafts, a biergarten, Native American pow-wow, canoe races, music, carnival games, children’s activities and more. Visit harrisburgpa.gov.

Archaeology at Fort Hunter
Sept. 5-Oct. 5: State Museum of Pennsylvania will conduct its annual excavation at Fort Hunter Park, 5300 N. Front St., Harrisburg. Archaeologists will be on site weekdays, 10 a.m. to 3 p.m. Visit statemuseumpa.org.

Mary Sachs Centennial
Sept. 6: A tribute to legendary retailer Mary Sachs begins at Capitol Park, across the street from her famous store at 208 N. 3rd St., Harrisburg, at noon, then continues with the opening reception of “Harrisburg’s Merchant Heritage and the Legacy of Mary Sachs,” 5 to 7:30 p.m., at Historic Harrisburg Resource Center, 1230 N. 3rd St., Harrisburg. Visit historicharrisburg.com.

PA Art Tour
Sept. 7: Join docents at State Museum of Pennsylvania, 300 North St., Harrisburg, at 12:15 pm., for a final look at the annual “Art of the State” exhibition. Visit statemuseumpa.org.

River House Concert
Sept. 7: Lysaght River House Concert Series presents Bob Barry & Friends’ “The Fifty Year Journey” in two concert sets, beginning at 7:30 p.m. at 5258 N. Front St, Harrisburg. Tickets are $45. Call Piano One Records for ticket availability. Visit garylysaght.com.

Jazz & Wine Fest
Sept. 7-9: The 12th annual Dauphin County Jazz & Wine Festival will be held at Fort Hunter Park, 5300 N. Front St., Harrisburg. Local and national artists will join area wineries for the three-day event. Weekend passes are $50 in advance, $60 at the door. Visit dauphincounty.org.

Plant Sale & Garden Tour
Sept. 9: Manada Conservancy will host a Native Plant Sale and Garden Tour, 9 a.m. to 3 p.m., at 108 Banbury Circle, Hummelstown. Shop for plants, native perennials, trees, shrubs and vines and visit the gardens of a Manada Conservancy board member. Visit manada.org.

Gallery Walk
Sept. 9: Explore 22 galleries and exhibit spaces to enjoy art, music and refreshments during the Art Association of Harrisburg’s 30th annual free Gallery Walk. Event runs 11 a.m. to 6 p.m. throughout Harrisburg, including in many non-traditional art spaces. Visit artassocofhbg.com.

Restaurant Week
Sept. 10-21: Harrisburg’s premier dining event returns, spanning two weeks, Sept. 10-14 and 17-21. Visit HarrisburgRestaurantWeek.com for participating venues and specials.

9-11 Observance
Sept. 11: Pennsylvania National Fire Museum, 1820 N. 4th St., Harrisburg, will host a 9-11 anniversary observance. Starting at 8:46 a.m., the museum will hold a series of events. Visit pnfm.org.

Photo Talk
Sept. 11: Maryland photographer Cam Miller will discuss her “Daily Photo Walk” at Harrisburg Camera Club, 7 to 9 p.m., in the Giant Community Room, 3400 Trindle Rd., Camp Hill. She will share tips and photos to inspire other photographers. Visit harrisburgcameraclub.org.

Friendship Flowers
Sept. 12: Harrisburg Chapter #18 of Ikebana International will celebrate 60th Anniversary of “Friendship through Flowers” with a special program and luncheon at Trinity Lutheran Church, 2000 Chestnut St., Camp Hill. Ikebana is the Japanese art of flower arranging. For reservation and membership information, contact [email protected].

Puppies and Pints
Sept. 12: Join Harrisburg Young Professionals at HMAC, 1110 N. 3rd St., Harrisburg, 5:30 to 7:30 p.m., for “Puppies and Pints,” benefiting Miffy’s Animal Rescue. Miffy’s will bring several dogs that need a forever home. Visit hyp.org.

Leadership Talks
Sept. 13: Harrisburg Regional Chamber & CREDC will host “Rebels, Renegades & Pioneers” half-day leadership conference at HMAC, 1110 N. 3rd St., 8 to 11:30 a.m. Speakers will discuss their leadership journeys and paths to success. Visit harrisburgregionalchamber.org.

Mega Mixer
Sept. 13: Join members of West Shore, Carlisle Area, Mechanicsburg and Shippensburg chambers of commerce for the 12nd Annual Mega Mixer at the U.S. Army Heritage Center Foundation, 950 Soldiers Dr., Carlisle, 5 to 7 p.m. Registration required. Visit wschamber.org.

Country Gala
Sept. 14: Ned Smith Center for Nature and Art, 176 Water Company Rd., Millersburg, hosts “A Country Gala” fundraising event, at 6:30 p.m. Enjoy food stations, live and silent auctions, musical entertainment and more. Visit nedsmithcenter.org.

20th Celebration
Sept. 14: Join HYP for its 20th Anniversary Celebration at the Hill Society at Hilton Harrisburg, 1 N. 2nd St. The pre-party reception will be held, 5 to 6:30 p.m., with the main event, 6:30 to 9 p.m. Live music by Klock Entertainment. Learn more at hyp.org.

Foreign Films
Sept. 14, 28: Join Fredricksen Library for “In Between,” a story from Palestine on Sept. 14, and “Kinyarwanda,” a film from Rwanda, on Sept. 28. Showings are at 2 and 7 p.m. Visit fredricksenlibrary.org.

Arts Festival
Sept. 15: Hummelstown Arts Festival will be held at the Hummelstown Fire Co., 249 E. Main St., 9 a.m. to 4 p.m. Enjoy works by juried artists, a silent auction, live music, a wine bar and catered appetizers. Visit the Facebook page: Hummelstown Arts Festival.

Food Truck Fest
Sept. 15: The 2018 Wish Upon a Food Truck Festival will be held at AACA Museum, 161 Museum Dr., Hershey, 11 a.m. to 5 p.m. Event includes food trucks, entertainment, children’s activities, music, a special wish reveal and more. Visit wishuponafoodtruck.org.

Mugs & Music
Sept. 15: Explore downtown Mechanicsburg shops, galleries and eateries, with mugs in hand, to participate in tastings at more than 20 merchants, 12 to 4 p.m. Mugs can be purchased at Brittle Bark, 33 W. Main St., Caromal Colours, 13 E. Main St., and Civil War and More, 10 S. Market St. Visit downtownmechanicsburg.com.

Crab Fest
Sept. 15: West Shore YMCA and Trinity High School, 3601 Simpson Ferry Rd., Camp Hill will host the 2nd Annual Central PA Crab, Beer and Wine Festival, 4 to 8 p.m. A portion of proceeds benefit the Central PA Food Bank. Visit pacrabfest.org.

Leisure Bike Ride
Sept. 16: Harrisburg Bicycle Club’s Three Creek Century ride will be held 7 a.m. to 5 p.m., beginning at Penn Township Fire Dept., 1750 Pine Rd., Newville. Details, schedule and times can be found at threecreekcentury.com.

Fort Hunter Day
Sept. 16: Celebrate fall with a craft show, children’s crafts and games, hay rides, carriage rides, exhibits, farm animals, music, food and more, 10 a.m. to 4 p.m., Fort Hunter Park, 5300 N. Front St., Harrisburg. Visit forthunter.org.

Heart Walk
Sept. 16: 2018 American Heart Association Capital Region Heart Walk will be held 12:30 to 4 p.m. on City Island, Harrisburg. Registration begins at 12:30 p.m., and the walk starts at 2 p.m. Visit heart.org/capitalregionwalk.

Curiosity Kids
Sept. 20: Young visitors and families can enjoy “Curiosity Kids—Walk Like the Animals” at the State Museum of PA, 300 North St., Harrisburg, 11:30 a.m. Explore animal footprints and see if you can move your body like the animals. Visit statemuseumpa.org.

Business After Hours
Sept. 20: Mingle with business professionals at Harrisburg Regional Chamber and CREDC’s free networking event at David’s Furniture & Interiors, 5078 Jonestown Rd., Harrisburg, 5 to 7 p.m. Visit harrisburgregionalchamber.org.

Archaeology Meetup
Sept. 21: Join Dr. Kurt Carr, senior curator of archaeology, 4 to 6 p.m., at Fort Hunter Park, 5300 N. Front St., to discuss and view this year’s archaeological excavation. Carr will discuss current and past excavations. Visit statemuseumpa.org.

Healthy Kids
Sept. 16: Children 2-14 are invited to join Healthy Kids Running Series, a nonprofit that provides a five-week program that gets kids active. The first of five consecutive Sunday afternoon races starts at 5 p.m. at George Park, 300 Nyes Rd., Harrisburg. Visit HealthyKidsRunningSeries.org.

Fall Book Sale
Sept. 20-23: Shop the Friends of Fredricksen Fall Book & Media Sale at Fredricksen Library, 100 N. 19th St., Camp Hill. The library will hold a special preview sale on Sept. 20, 2 to 8:30 p.m., and a bag sale on Sept. 23. Visit fredricksenlibrary.org.

3rd in The Burg
Sept. 21: Enjoy the best of Harrisburg during 3rd in the Burg, the monthly arts and culture event at galleries, restaurants and art spaces throughout downtown and Midtown. Check out what’s happening at thirdintheburg.org.

Fall Fest
Sept. 22: Junior Board of the YWCA Greater Harrisburg will host its 9th Annual Fall Fest at Camp Reily, 300 Camp Reily Rd., Harrisburg, 4 to 7 p.m. This event features beer and wine tastings, food and live entertainment. Visit ywcahbg.org.

Women’s Retreat
Sept. 22: Paxton Presbyterian Church, 3500 Sharon St., Harrisburg, will host a Women’s Retreat, 9 a.m. to 12 p.m. Learn about YWCA programs for women, work on a project to benefit the women of the YWCA, and enjoy a rejuvenating activity. Registration is $10 before Sept. 7, $15 at the door. Register at the church or call 717-561-0510.

Sci-Fi Day
Sept. 22: Eighth annual Sci-Fi Day will be held at the Harrisburg Mall, 10 a.m. to 3 p.m. The free event features authors, actors, cosplayers, panel discussions, artists, a costume contest and more. Visit shopharrisburgmall.com.

Celtic Fest
Sept. 22: Head to the 2018 Celtic Craic Music Fest at Harrisburg Postal Picnic Grounds, 1500 Roberts Valley Rd., for live music, Irish and Scottish dancing, bagpipes, beer, wine, food, vendors, kids’ activities and more, 12 to 10 p.m., in support of Methodist Home for Children and Veteran’s Promise PA. Visit celticcraicmusicfest.com.

Celebrate Wildwood
Sept. 23: Celebrate Wildwood Park, 100 Wildwood Way, Harrisburg, 11 a.m. to 4 p.m. Enjoy kids’ activities, environmental education, music, food vendors, used book sale and a “Walk for Wildwood,” beginning at 1 p.m. Visit wildwoodlake.org.

Woofstock
Sept. 23: The annual celebration of all-things canine returns to Harrisburg’s Riverfront Park, 11 a.m. to 5 p.m., featuring music, food, prizes and the largest pet adoption event on the East Coast. Visit cpaawoofstock.com.

Blues Benefit
Sept. 23: Manada Conservancy will host its 3rd annual “Music Over the Mountains—A Celebration of Land Preservation,” 4 to 8 p.m., at Wind in the Willows, 35 Webster School Rd., Grantville, with blues, barbecue and brews. Visit manada.org.

Fashion Benefit
Sept. 26: YWCA’s Power of Style Fashion Show takes place at Hilton Harrisburg, 1 N. 2nd St., in support of Domestic Violence Awareness Month, 5:30 to 8:30 p.m. Visit ywcahbg.org.

Burg Built
Sept. 26: Harrisburg Young Professional hosts “How It’s Built in the ‘Burg” at Appalachian Brewing Co., 50 N. Cameron St., 6 to 8 p.m., with Brittany Holtz, founder of Studio B Power Yoga and Studio B University. HYP members are free, general admission is $20. Visit hyp.org.

Museum Celebration
Sept. 26-30: State Museum of Pennsylvania, 300 North St., Harrisburg, will celebrate 50 years of Mammal Hall, one of its most beloved exhibits, with a week of special programming. Visit statemuseumofpa.org.

FPA Talk
Sept. 27: Temple University Professor Orfeo Fioretos presents a free Foreign Policy Association of Harrisburg talk on “Globalism vs. Nationalism” at West Shore Country Club, Camp Hill, 7:30 p.m. Dinner precedes the talk. Visit fpa-harrisburg.org.

5 Miler
Sept. 29: Harrisburg Young Professionals’ 5th Annual HYP 5 Miler for 5 Charities will kick off at 7:30 a.m. on City Island, Harrisburg. There is a 5K-walk option and a fun run. Visit hyp.org.

Diversity Festival
Sept. 29: Experience world music, dance, food, culture, crafts and other activities at the 4th annual Unity in Diversity Festival, 10 a.m. to 4 p.m., at Schaffner Park, Hummelstown. Admission is free. Visit Unity in Diversity Festival on Facebook.

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You Never Give Me Your Money: In Harrisburg, art is a tough sell. So, it gets paired with food, drink, music.

Harrisburg Art Association

On Sept. 9, people will fill the streets of Harrisburg across 22 different venues for the city’s 30th annual Gallery Walk.

Paintings, photographs and more will line the walls, but there is one thing you might notice along your long art journey. Hardly any of those art-filled walls will be at traditional galleries.

Harrisburg, unlike, say, Lancaster, has few standalone galleries, and it’s about to lose one of its last as Gallery@Second soon will end its regular exhibit schedule, at least for awhile. Another dedicated gallery, 3rd Street Studio, shut down a few months ago after its building sold.

The quirky thing—there’s plenty of art (and plenty of artists) in Harrisburg. It’s just that the art usually is supported by other, more profitable businesses, be they restaurants (Millworks, Suba, Café 1500, Fresa), cafés (Little Amps, Capital Joe, Yellow Bird) or bars and music venues (Zeroday Brewing Co., HMAC).

The problem: People in Harrisburg love to look at art, but they don’t often buy it, said Carrie Wissler-Thomas, president of the Art Association of Harrisburg.

“It’s very, very difficult for a gallery to exist if all it does is show art,” she said.

That was the case for Ted Walke who owns Gallery@Second. He bought the downtown building and then opened his gallery in May 2010, while juggling a full-time job.

“Most people can’t look at the dollar signs or they get depressed,” Walke said.

People in the community were all easygoing and generous, he added. However, it wasn’t sufficient to bring in enough money. Without a staff, Walke had just four or five weekends free over the past eight years, he said. So, he will close down after the current exhibit ends, take a breather and assess what to do going forward.

He doesn’t envision the building being anything but a gallery, but he wants to direct it toward more contemporary work if and when it does re-open. In the meantime, he’s considering a few pop-up exhibits throughout 2019.

 

Labor of Love

Gallery Walk is an excellent way to assess the art situation in the city.

Almost none of the locations on the tour are standalone galleries. Instead, destinations along the walk include places such as Penn National Insurance, Salem United Church of Christ and City House Bed & Breakfast.

The Millworks is a good example of a mixed-use space. With art separated from the bar and restaurant, people can opt to go just for dinner or only for the art. Then there are the many people who come for dinner and find their way to the artists’ studios.

That dream of foot traffic is what drew Tara Chickey to the role of art director at the Millworks. She opened a gallery in Harrisburg in 2003 with a friend and closed it around 2011, when her labor of love became a burden and the money didn’t flow through.

“I think it’s hard to make it in a space that is designed for a very small percentage of people,” Chickey said of her former gallery.

The Millworks, on the other hand, caters to a large population of visitors. Chickey said there’s also not the intimidation factor of walking into a white-walled gallery. People can come to eat dinner and simply wander in and out of the artists’ studios.

Another unique art space in Harrisburg is located not in a bar or restaurant, but in a church.

Riverfront Gallery at St. Stephen’s Cathedral on Front Street opened in August under the direction of Community Coordinator Lindsay Gottwald.

Gottwald started attending the church last summer around the time of Gallery Walk 2017. The opening hallway of the church was already set up to hang artwork, and she felt that the empty walls were a wasted opportunity. Around the same time, the church’s outreach committee sold a piece of art and talked about adding more.

For Gottwald and St. Stephen’s, it’s not about the money. Twenty percent of the proceeds from sold art go to different community organizations, such as Downtown Daily Bread and the Joshua Group. The other 80 percent goes to the artists.

Gottwald hopes the art at St. Stephen’s will help connect the community with the church. Instead of sales, she just wants people to walk in.

“We just want to be a little bit more part of the neighborhood,” she said.

 

A Gem

Walke, Wissler-Thomas and Chickey all agree that one solution to the problem would be connectivity. Gallery Walk is spread out widely, from Shipoke to Midtown to Wildwood Park, making it more of a driving tour than a walking tour.

Using Lancaster as a model, Wissler-Thomas would like to see more retail space, including galleries centralized in one location. Lately, she’s noticed an upsurge of interest in art in the community, especially among young people.

Chickey said that’s one of the nice things about places such as the Millworks.

Patrons who are interested in art get to talk to the artists and learn the story behind what’s hanging on their walls or sitting on their shelves. She’s still fascinated by how many people walk through the doors of the space and get excited to wander around and see the art.

“I think people are starting to see Harrisburg for the gem that it is, but it always has been,” she said.


Gallery Walk 2018 will take place on Sunday, Sept. 9, 11 a.m. to 6 p.m., in many locations around Harrisburg. For more information, including a list of venues, visit www.artassocofhbg.com.

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It’s All in the Game: HUE Fest to rock downtown with e-sports, music.

Video games have become part of the American fabric. Even if you’re not a gamer yourself, you’ve likely watched someone play, maybe a friend, child or grandchild.

But watching a live, high-stakes tournament, with hundreds or thousands of screaming, cheering fans? That’s still a relatively new concept.

This month, Harrisburg University (HU) will join a nationwide trend by launching its collegiate e-sports program at the HUE Festival near its downtown campus.

The brainchild of HU President Eric Darr, the festival merges two of the nation’s largest entertainment industries: video gaming and music.

This is actually the third year that HU has sponsored a free fall music festival. But “nothing of this magnitude,” said Darr. HU will spend more than $500,000 on the festival, which is expected to draw upwards of 10,000 visitors, Darr said.

The festival will serve as a debut of sorts for the Storm, HU’s newly constituted team of varsity-level gamers. The Storm will compete against 32 e-sports teams from across the country, playing two of today’s hottest games, League of Legends and Overwatch, and vying for a $50,000 prize pool.

The action starts on Friday, Sept. 21, with early rounds taking place in HU classrooms, at no cost to spectators. Saturday’s ticketed semi- and final matches are at Whitaker Center’s Select Medical Digital Cinema and Sunoco Performance Theatre.

Whitaker Center Production Manager Brian Ariano has been tasked with preparing the venues for optimum viewing, both onsite and online. He’s been working with local marketing company JPL Creative to make the necessary enhancements.

“[The challenge] is finding a way to tie the two venues together and make them accessible to external audiences, especially the Sunoco Theatre, designed for live performances,” he said.

The festival’s music portion will take place on Saturday at a block party just outside of HU and Whitaker Center, at 4th and Market streets. The headliners will be two rock bands from California, Alien Ant Farm and Lit, as well as Atlas Genius, an alternative rock band from Australia. Joining them will be local bands the Great Enough and Skela. For the late-night crowd, there’s an after-party at Club XL featuring Toronto native DJ Whipped Cream.

Frank Schofield, a media executive with iHeart Media, which is handling the music portion along with ALT99.3, said that video games and music are a natural fit

“Video games always have a soundtrack, like movies and television shows,” he said. “Video games are just a different form of medium.”

The audio also provides players with cues and helps engage the audience. Schofield said that media outlets are still catching up with the live trend, trying to determine how best to manage and maximize the sound portion.

Besides live music, the block party will feature food, vendors, a beer garden and children’s free gaming.

Chad Smeltz, HU’s e-sports program director, marvels at the potential for the program and the sport, which, until now, has been West Coast-centric. Harrisburg’s central location, he said, makes the city a natural East Coast hub.

Originally from Harrisburg, Smeltz returned here recently to head up HU’s program after leaving his role as a full-time coach and general manager for a League of Legends team in California.

“At least for this fall, HU is the only school offering full-time e-sports scholarships, 16 full-time and one presidential,” he said.

Much like Division 1 athletes, jersey-clad students on the Storm even have their own dorm. Smeltz said that players who opt to “go pro” can make up to a seven-figure salary, including paid food, housing and travel.

For players not pursuing a professional career, Darr anticipates a future filled with “an interesting set of career options” in the rapidly growing e-sports industry. He also envisions HU playing a big role in developing and educating the highly trained workforce required for the burgeoning field. But first, they play.

As Harrisburg watches the inaugural Storm team assume their starting positions, HUE Festival 2.0 is already in the works.

“The plan is not to take the festival to the world, but to bring the world to us,” Darr said.

HUE Festival takes place Sept. 21 to 22 at several locations downtown, including at Harrisburg University, at Whitaker Center and at a block party at 4th and Market streets. For more information, visit www.huefest.com.

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