Drag Storytime: All dressed up and ready to read

A recent Drag Storytime at Midtown Scholar Bookstore, with cafe manager David Kern at left, joined on stage by Estevan Valentine, Mister Central PA 2018-19.

Midtown Scholar is known for many things: new and used books, bringing in New York Times bestselling authors and, now, for drag reading events.

The sprawling bookstore has begun hosting “Drag Storytime,” an event in which local drag queens and kings read stories to children and, often, their parents. The idea started in San Francisco and gradually spread throughout the United States. Eventually, David Kern, Midtown Scholar’s café manager, caught wind of it and decided to bring the event to the Harrisburg bookstore.

“I saw how it was doing amazing things out in the communities surrounding us, and I wanted to bring that to the Scholar,” he said. “We have such a wonderful children’s selection here, and I wanted to give back to the community as well.”

Their first Drag Storytime, last November, had more than 80 people crowded around the Scholar’s main stage. Instead of just the typical story reading, the drag queens also have a sing-along, a “how to” drawing demonstration and a performance.

Each of Midtown Scholar’s Drag Storytime events follows a theme. The last event in March had a circus theme, with Kern dressed as a ringmaster and fellow drag queens decked out in cheetah print as if they were circus animals. During story time, they read “The Circus Thief” by Alane Adams and Dr. Seuss’ “If I Ran A Circus.”

“[The kids] loved every moment of it,” Kern said. “This is a way for us to encourage children to really delve into the magic of reading.”

Kern has been a drag queen himself under the stage name “Ms. Anita” for nearly 18 years. His electric performances and involvement in the community earned him the title Miss Central PA Gay Pride 2018-19. According to Kern, Drag Storytime gives him a chance to entertain and give back to his community.

“I wanted to give back and create something for families and people of all ages, and the best place to do that is here at the bookstore,” he said.

The next Drag Storytime, titled “Rainbows and Unicorns,” will take place during Central PA’s Pride Week on July 20. Local drag queens Jade Devere and Skarlet Overkill will read Robb Perlman’s “Pink is For Boys,” which speaks on gender roles, and “A Unicorn Named Sparkles” by Amy Young.

Kern is also accepting donations before or after Drag Storytime to benefit a local organization. Past donations have gone toward Central PA’s Pride Festival and Big Brothers Big Sisters.

Along with Drag Storytime, Midtown Scholar is having its “Summer is For Reading” for children. All summer long, whenever a parents purchase a book for their child, they get a stamp on their “Summer is for Reading” punch card. When they get to five purchased books, they can redeem a free used children’s book after Labor Day.

“This really helps teach children about reading and getting involved in reading,” Kern said. “But it’s also about acceptance and love and self-esteem, and pride within your community.”

For more information on Drag Storytime or Midtown Scholar, visit www.midtownscholar.com and on Facebook @MidtownScholar.

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Harrisburg school district asks court to delay hearing on receivership

A recent meeting of the Harrisburg school board

The Harrisburg school district is requesting a delay in a Friday hearing to determine whether the district will be placed into receivership.

In a court filing today, district Solicitor James Ellison requested a delay for the hearing until Tuesday, claiming that scheduled Friday hearing was too early for the district to properly “prepare a defense.”

“Given the volume of information contained in the Petition and its related exhibits, as well as the significance of the remedy sought by [state Education] Secretary [Pedro] Rivera which could result in a state takeover for the second time in two consecutive decades and change the government of the Harrisburg School District from that of local control to a state appointed receiver, the District and the Harrisburg School District Board of School Directors are requesting additional time to adequately defend against the Petition and the claims set forth therein,” according to the “Motion for Continuance” filed by Ellison.

The requested June 11 hearing date is still within the seven-day statutory requirement to hold a hearing following the submission of Rivera’s court petition on Monday, Ellison wrote.

Ellison stated that Rivera’s “counsel have [sic] invested a significant amount of time to gather information and materials to craft the Petition,” which totals 403 pages, with 14 separate exhibits. Therefore, Ellison wrote, the request for a continuance is “reasonable” and “fair.”

After the hearing is held, the court has 10 days to make a decision to grant or deny receivership.

Yesterday, Rivera filed a petition with the Dauphin County Court of Common Pleas asking the court to appoint a receiver for the district, namely Dr. Janet Samuels, the current chief recovery officer for the district. Judge William Tully then set the hearing for Friday at 1:30 p.m.

In the petition, Rivera offered numerous reasons for the request for the three-year receivership, which would put the district directly under the control of the court-appointed receiver and a Board of Control. These included:

  • “Failing to meet, or even make progress toward, established targets for student achievement.”
  • “Failing to hire or retain a Chief Financial Officer and a qualified Business Manager with the requisite experience to provide financial leadership.”
  • “Failing to develop a comprehensive plan to reduce the excessive staff absenteeism that negatively impacts the District’s ability to serve its students.”
  • “Failing to exercise appropriate administrative controls by maintaining an accurate staff position file, resulting in, among other things, the District improperly providing health care benefits to former employees at the cost of more than $700,000.”

“The Secretary seeks the appointment of a receiver because the District has failed to implement or fulfill key initiatives in a financial recovery plan unanimously adopted by its board of directors, approved by the Secretary of Education, and prepared consistent with a statutory obligation to provide for the delivery of effective educational services to all students enrolled in the District and for the District’s return to financial stability,” according to Rivera’s petition.

On a related issue, school board President Danielle Robinson has called a special meeting of the school board for Thursday to discuss “personnel issues.”

The meeting notice, in today’s issue of the Patriot-News, does not indicate specifically which personnel matters are at issue. However, both Superintendent Sybil Knight-Burney and Solicitor James Ellison currently lack contracts with the district.

The timing, just before the scheduled receivership hearing, may indicate that the administration’s supporters on the school board might try to approve new contracts for Knight-Burney and Ellison just before the district goes into receivership, after which the board would lose that power.

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State files petition to place Harrisburg school district into receivership

The Harrisburg school district Administration Building

The state Department of Education today took a first step towards putting the Harrisburg school district into receivership, meaning the district soon could come under the direct control of a state-appointed receiver.

Secretary of Education Pedro Rivera petitioned the Dauphin County Court of Common Pleas to place the troubled district into receivership, recommending appointing Dr. Janet Samuels as receiver, according to Rivera.

Samuels is currently the district’s state-appointed chief recovery officer (CRO), a position she assumed last year.

“When a receiver is appointed, the individual takes operational control of the district, assuming all the power and duties of the CRO and the board of school directors, except the power to levy and raise taxes,” Rivera said.

Judge William Tully has scheduled a hearing on Friday at 1:30 p.m. He then has 10 days to grant or deny receivership. The judge can either accept the department’s recommendation of a receiver or name an alternative.

The district has been in “financial recovery” since December 2012, and Samuels is one of a succession of CROs over that time.

The CRO, the school administration and the school board were supposed to work together to improve the district academically and forge a financial recovery plan. However, school taxes are now about to rise for two consecutive years, and the district has not shown substantial academic improvement.

Moreover, the district administration increasingly has been under fire for over-hiring faculty, for controversial appointments and for shuffling around principals, among other issues.

In a primary election two weeks ago, Harrisburg voters rejected every incumbent on the ballot, instead nominating five challengers for seats on the city school board, all of whom promised substantial oversight and reform of the district.

Local officials expressed a range of reactions to the news of a possible receivership for the district.

Current board Director Carrie Fowler said that she was “highly disappointed” by the move.

“I can honestly say that I am not surprised by their decision, but was hoping for a different outcome,” she said. “Losing local control of our public school system is silencing the community that clearly stated loud and clear on May 21 they wanted a change.”

Director Judd Pittman described the state’s decision to seek receivership as “a bit of a mixed bag.”

“We’re talking about removing local control, especially after the last election. However, a lot can happen between now and December,” he said, referencing the fact that the new board won’t be seated for six months, meaning that the existing school board would make decisions until then.

For instance, the board would need to approve a contract for newly hired district solicitor James Ellison. The board is also awaiting the results of a state-mandated financial audit of the district.

For the state, the final straw may have come last week, when the administration terminated the contract of the district’s interim human resources director, leaving that crucial department without leadership just days before a major faculty recruiting event, Pittman said.

“She was putting necessary processes into place, and we got rid of her,” he said.

Mayor Eric Papenfuse was fully supportive of the state’s move.

“I want to thank Gov. Wolf and Secretary Rivera for making this difficult but necessary decision,” he said. “I believe receivership will allow the Harrisburg school district to address its many systemic problems and provide brighter futures for the next generation of city youth.”

If the court grants the petition, this would not be the first time the Harrisburg district found itself in a form of receivership. In 2000, the state placed the district under the control of former Mayor Steve Reed and an appointed Board of Control. That arrangement ended in 2010, leading to the hiring of current Superintendent Sybil Knight-Burney.

Currently, only two districts in the state are under receivership–the Duquesne city and Chester-Upland school districts, according to the state DOE.

This story has been updated with comments from local officials.

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Burg Review: Gamut’s “impressive” Free Shakespeare in the Park

A scene from opening night of “Much Ado About Nothing”

Reservoir Park’s band shell transformed into post-World War I New York’s Little Italy on Friday for the Harrisburg Shakespeare Co.’s production of “Much Ado About Nothing”

The comedy, the 26th year of “Free Shakespeare in the Park,” portrays the turmoil that often accompanies small communities and nosy family members.

The set consists of brick, apartment-style buildings complete with balconies, windows and lines of laundry, and it depicts the home of matriarch Leonata, played by Karen Ruch.

The play starts with Leonata welcoming home friends Don Pedro (Jeff Wasileski), Claudio (Ross Carmichael) and Benedick (Eric Dexter Brown), who are returning from the war. Claudio quickly falls in love with Leonata’s daughter, the lovely Hero (Lindsey Root), to the backdrop of biting, witty insults from Benedick and Hero’s cousin, Beatrice (Alexis Campbell). However, in the week before the wedding, the lovers trick Beatrice and Benedick into falling in love.

Meanwhile, the illegitimate son of Don Pedro, Don John (Garrett Knisley) attempts to disrupt the happy scene by tricking Claudio into thinking Hero is cheating the night before her wedding. However, his malevolent scheme is exposed. Claudio believes that Hero has died from a broken heart and is grief-stricken after he realizes her innocence. But Leonata reunites the couple, and the play ends with a cheerful dance.

The Gamut Theatre Group executes the drama in costumes appropriate for the early 20th century. The color of the women’s costumes often mirrors their characters. The lovely, feminine Hero frequently dresses in light pinks and peach-colored garbs, while the feisty, independent Beatrice wears an assortment of blue, purple and green.

The actors depicting the Little Italy residents execute the dramatic scenes in New York accents, while those portraying older characters speak with thick Italian accents to signify recent immigration. Further, the actors stay true to the time period, with many frequently lighting cigarettes with matches and smoking on stage. The production is generally quite authentic to the era.

The actors embody the characters they represent seamlessly. Campbell, who plays Beatrice, fills the stage with her larger-than-life character, romping around the stage with large gestures while speaking in a thick New York accent, while Knisley, portraying Don John, develops a convincing, sordid façade as his character causes mischief.

The actors use the set to their advantage. For instance, buildings almost become characters in their own right, used for the frequent eavesdropping and troublemaking in the play. So, much of the main dialogue occurs on the black stage in front of the set. Actors hide on balconies and even on the grass in front of the stage, peeking behind doors as soon as they risk visibility and comically tumbling over the stage steps, ninja-style.

Moments are illuminated by both lighting and music, with violins accenting crucial scenes. The lighting reflects the mood of the scenes, with unhappy scenes illuminated in blue while warmer moments are basked in an orange glow, and more intense scenes burn red. Lighting is also used in the windows of the set to dictate time of day and to create silhouettes.

Careful attention was paid to the sound and lighting, which added to the impressive acting and sets, marking a high-quality production for this year’s “Free Shakespeare in the Park.”

 

Free Shakespeare in the Park runs from May 31 to June 15 at the band shell in Reservoir Park. Shows run each week from Wednesday to Saturday and start at 7:30 p.m. Seating is not provided, so guests are encouraged to bring blankets or chairs. Tickets are free, but donations are accepted. Guests are encouraged to bring canned goods for Bethesda Mission. For more information visit www.gamuttheatre.org/fsip.

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The Week That Was: A summary of news and events around Harrisburg

A scene from this week’s Park Harrisburg Advisory Committee meeting

What happened around Harrisburg over the past week? Here’s a summary of news and events that you may have missed.

Chad McGowan, a Harrisburg police officer, received the Congressional Badge for Bravery in a ceremony in city hall. McGowan was one of only 18 officers honored nationwide this year. Click here for the full story.

Harrisburg plans to apply for a series of state grants that would allow the city make substantial infrastructure and recreation facility improvements. Click here for the full story.

Harrisburg’s Intergovernmental Cooperation Authority unanimously approved the city’s five-year financial plan, bringing the city a step closer to exiting Act 47 after nine years in the program for financially distressed PA municipalities. Click here for the full story.

Harrisburg school board passed a preliminary budget for the 2019-20 academic year that would raise the school portion of the property tax by 3.4 percent. The board still must pass a final budget. Click here for the full story.

Open Stage of Harrisburg opened its first weekend of the musical “Ragtime,” a production that people should make certain to see during its run, according to our reviewer. Click here for the full story.

Park Harrisburg Advisory Committee met for the first time in more than a year, but only three residents attended the meeting. The committee also enumerated a few past and future projects. Click here for the full story.

Sara Bozich has dozens of great ideas for a fun weekend, especially as the weather forecast takes a turn for the better. Click here for the full story.

TheBurg dropped our new June issue. Pick up your copy at more than 500 distribution locations or click here to read our digital issue.

 

Additional stories from TheBurg Daily over the past week:

Lancaster has been rated the top city in the country to retire. Find out why.

Street-cleaning can generate some serious conflict in Harrisburg. Read our editor’s take on one resident’s fight for justice.

Want to learn an easy stretching routine? Personal trainer Ivan Black shows you how.

 

Do you receive TheBurg Daily, our daily digest of news and events? If not, subscribe here!

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Harrisburg Ascending: Central PA’s rock climbing community is on the rise.

When Shea McGill started her sport more than a decade ago, she wasn’t the confident climber she is today. She was afraid and intimidated.

Some of that came from frequently being the only woman in a group of men. A common misconception about the sport is that it requires a tremendous amount of arm strength—not exactly what women are stereotyped as having. Also, climbing up a rock face with nothing but a harness or rope to secure you isn’t exactly our natural state.

McGill definitely conquered her fear.

She became so skilled that she coached the rock-climbing team at Climbnasium, a popular Mechanicsburg climbing gym, for eight years. She enthusiastically repeated the pep talk she frequently gave her athletes.

“Listen, how many rock climbers do you know? None. How many people do you know who ride their bike or play basketball?” she said. “It’s not a new sport, but it is just so hard. It’s hard for a 6-foot-tall male to succeed let alone a 5-foot-nothing girl who can’t do a pull up.”

While coaching and traveling to climbing spots across the country, McGill has seen the central Pennsylvania climbing community grow, welcoming experienced and novice climbers alike.

“It’s crazy because you wouldn’t think that central Pennsylvania would have such a strong climbing community,” McGill said. “But because it is so small and it is such a niche activity, it draws people who are really unique—young, old, the most interesting people I have ever met.”

For those who haven’t tried to make it up a wall or boulder, climbing may seem straightforward—you climb up the wall using the available mounts and holds around you.

That’s true in a way, but a big challenge of climbing is following the set course. Color-coded markers typically lead the way to the end of the path. It’s like the yellow brick road, just vertical. Unlike the one-foot-in-front-of-the-other approach we’re all familiar with, you may find yourself gripping a hold while ever so gracefully adjusting the position of your feet to make the next move doable.

Problem-solving and critical thinking are core to the sport. You may see climbers staring at the wall making mental notes and envisioning each move before they begin their journey. Or, you may spot a climber holding on to the wall as they calculate their position and how to move to the next hold. It’s this mental workout that is just as much a test of endurance as the physical exercise is.

“You’re not losing that much strength day-to-day but, depending on where you are mentally, you are going to perform completely different,” McGill said.

The mental challenge is what brings James Emery, a frequent climber at The Cave in New Cumberland, coming back for more.

“It’s a mix of athletic exercise and mental problem solving,” Emery said. “It’s a nice foundation.”

 

Superhero

Evan Bates, owner of The Cave, opened the gym after experiencing climbing with his young nieces and nephews.

“My niece was very much here and there—a classic toddler,” Bates said with a smile. “Her climbing on the rocks really gave her perspective and the ability to get some of that energy out. It really helped with her coordination, which was important for her mom and dad. She became really confident in herself, and now that she has a wall at her school, she’s the superhero.”

Bates partially attributes some of the rise in the sport’s popularity to climbing’s grand reveal in the 2020 Summer Olympics in Tokyo, Japan. In addition to adult athletes like Emery, The Cave welcomes many parents who identify climbing as a sport their kids can progress in. So, it’s just not a weekend hobby.

“People are really wanting to climb,” Bates said. “There’s even more of a customer base and more of a community.”

The Friendship Center opened a climbing wall in January 2018 after a survey found that Lower Paxton Township residents wanted to have a local option.

Rachelle Scott, director of the Friendship Center, sees the wall as another activity that families can do with their children. The wall at the Friendship Center is also the only one that is fully accessible. So, it is accommodating for all levels, as well as for adaptive climbing.

Devon Linville, rock climbing team lead there, has seen a variety of ages and backgrounds take to the wall.

“A lot of people never thought about rock climbing before as an accessible thing they can do,” Linville said. “Now they’ve come here and other places and have really gotten into it.”

 

Where to Climb

Central Pennsylvania has a growing number of locations for those interested in giving rock climbing a try. Here are the locations mentioned in this story.

The Cave Indoor Rock Climbing
400 Bridge St., New Cumberland
717-774-2468
www.thecaverockclimbing.com

Climbnasium
339 N. Locust Point, Mechanicsburg
717-795-9580
www.climbnasium.net/home.html

The Friendship Center
5000 Commons Dr., Harrisburg (Lower Paxton Township)
717-657-5635
www.lowerpaxton-pa.gov/friendship-center

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Sweet Success: Urban Churn may have the best craft ice cream in central PA–and now you can walk right in.

Adam Brackbill

Adam Brackbill looked a little tired.

He admitted that he’d only gotten a few hours of sleep the night before his shop opened in Midtown Harrisburg.

First came the early-morning TV interviews, and the print folks arrived a little later. Finally, at about 11 a.m., Brackbill threw open the doors of Urban Churn, marking the return of the old-fashioned scoop shop to the city.

“It’s already been a long day,” he admitted.

However, from beneath the fatigue, Brackbill clearly was delighted. This day had been years in the making, originating with an idea that Harrisburg needed small-batch, craft ice cream and culminating with the first customers trickling into a squat, snug, blue clapboard building on N. 3rd Street.

“In the end, all this work will be worth it,” he said.

 

Hometown-y

Susan Bailey was one of Brackbill’s first customers on that opening day.

She already was a big fan of his product. Brackbill began churning back in 2013 in a tiny space in the back of Midtown Cinema, which actually became one of the first places where people could buy his ice cream.

Eventually, he opened a stand inside the Broad Street Market, which served as an incubator of sorts for his new brick-and-mortar shop.

“I’m so excited, I can’t stand it,” Bailey exclaimed, as she put in a large order, covering most of the eight flavors on the menu.

Yes, she said, she loves ice cream, especially from Urban Churn, which has gained a reputation for freshness, deep flavor and creative variety.

But, just as much, Bailey loves small business, especially those with a strong community foundation.

“It’s so hometown-y,” said Bailey, who came down from her artist’s studio in the Millworks. “This really adds something to the city and to Midtown.”

Score a win for owner Brackbill, as that’s exactly what he intended.

“Our business model fits in so well with this community,” he said. “Our shop and what we do is meant to be personal with people, and Midtown is the place to do that.”

Indeed, business was brisk on that first day, with Brackbill and his two employees taking orders and scooping up ice cream as quickly as they could. Bailey herself ordered five pints—mostly for friends, she said.

The staff also prepared its first affogato (espresso poured over ice cream), a sweet concoction made with Elementary Coffee Co. beans. In addition, they served up lemon bar sundaes and ice cream-topped brownies from another Broad Street Market vendor, Raising the Bar.

By the time you read this, Urban Churn’s menu of ice cream and treats could be vastly different than on that first day in mid-April. Brackbill promises to always have the standard chocolate and vanilla. But, after that, who knows?

As a small-batch producer, he prides himself on mixing it up and experimenting, to keep the business, um, fresh both for himself and his customers. In fact, Urban Churn actually received some national media attention when, over New Year’s, Brackbill dared to make (and sell) sauerkraut ice cream.

Flavors also depend upon what’s seasonally available in central PA (e.g. strawberries and peaches in the summer) and what’s cooking (and baking) at Urban Churn partners like Raising the Bar. He also prides himself on the occasional novelty item, including flavors like wasabi and mango habanero.

And, if you have an idea in mind, pop in and ask. Brackbill just might do it.

“We’re always open to new things,” he said.

 

Connections

The path to opening day wasn’t easy.

Like many buildings in Midtown’s old commercial strip, the squat, clapboard structure needed a lot of work: electrical, plumbing, a new bathroom, new paint, etc.

The renovation cost far more than Brackbill anticipated when he selected what he described as “the perfect location.” So, he turned to the community for help. He started an online fundraising effort, which actually exceeded his $10,000 goal, with dozens of people contributing.

“This is a real community project,” Brackbill said.

In addition, the timing was nerve-wracking.

After leaving its original production space at Midtown Cinema, Urban Churn had set up inside a warehouse in Swatara Township, but the lease had expired. So, Brackbill was leaving that building, while simultaneously renovating his new location and making ice cream for his stand in the Broad Street Market, which will remain open.

“It was tough, but everything worked out in the end,” he said.

Bailey herself was one of Urban Churn’s donors. She said that she was happy to support a community-based business started by a young, local entrepreneur, and the fact that it serves such delicious treats was only a bonus.

“We need to make connections in the community,” she said. “And this will help.”

Urban Churn is located at 1004 N. 3rd St., Harrisburg, and is open Wednesdays through Sundays. For more information visit www.urbanchurn.com.

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Complications of Community: “Much Ado About Nothing” and the honesty behind comedy.

Every year, for the last 26 years, hundreds of people have gathered each night to watch Shakespeare performed under the stars.

Located at the crest of Allison Hill, the Reservoir Park band shell is a stunning place. Look to your left, you see the faint outline of the downtown area. Immediately ahead, the amphitheater sits just below the rolling Blue Mountains. It’s a perspective of the city that is unparalleled if only for what it represents—an effort to bring culture back into a suffering community after the Great Depression.

The band shell, which was one of 27 erected by the federal Works Progress Administration (WPA) in the 1930s, holds true to this intention with Gamut Theatre Group’s annual summer production of “Free Shakespeare in the Park.” The show, one of the largest that the company produces each year, brings economic support into Allison Hill, an often-overlooked community. Previous partnerships with local restaurants and businesses aim to show that Harrisburg, as a community, does reach this far up the hill. On any given day during rehearsals, neighborhood kids watch the production, interact with the cast and crew, and are welcomed into the group. From the grass, they learn the choreography, the monologues, and serve as the first audiences of the show that opens right at the start of the summer season.

This year will see the resurrection of one of Shakespeare’s most popular comedies, “Much Ado About Nothing.” The show features a kind of honesty that director David Ramon Zayas believes is central to the best of Shakespeare’s works. This production is fitting for the park because it embodies what living in a small community tends to be like.

“A part of the story that stands out to me is that there is this tight-knit family aspect and everyone is sort of getting into each other’s business in a way that is a little too familiar,” Zayas said.

The story hinges on two relationships, that of Benedick and Beatrice, and of Claudio and Hero. While Benedick and Beatrice are adversaries who bicker incessantly, friends quickly recognize that their conflict is stemmed from a secret love for each other. On the other hand, Claudio and Hero are seemingly happy, but when conflict is introduced into the relationship by another character, that bliss shatters. As the characters deal with the ensuing antics, we see the rest of the community reveling in the effects of their influence.

The plot, according to Zayas’ concept, unfolds in the Little Italy neighborhood of Manhattan in New York City, just after the conclusion of World War I.

“Core elements of the plot rest in this idea that, from the outset, there has been a war, and now it’s over,” Zayas explained. “So, you have a sense of relief that comes with returning home, and the things left unsaid are all coming to the surface with that return.”

Much of the conflict arises from the new world clashing with the old world and traditional roles and values being challenged with a changing post-war reality.

Despite the setting of a time past, audiences will be familiar with the overarching themes that are present within the play because they speak to the nature of human emotions. While the play is, at its roots, a comedy, Shakespeare does an exceptional job commenting on the difficulties of being part of a small community, with all of the quirks and emotions that become intertwined with it. As with most Shakespeare comedies, “Much Ado” relies on complications in relationships to present that comedy.

“The play features one relationship that is good on the outside but is secretly crumbling, and then you’ve got these other people who are terrible on the outside being brought together,” Zayas said.

It is honesty and dialogue, Zayas said, that pushes this story into nuanced comedy.

“Those moments when you are not laughing—there’s so much truth in them that when the laughter comes back, it is more rich and deep because it comes from a place that you’re able to connect to,” he said.

The dialogue supports the honesty through a witty banter that is most closely associated with the play’s title characters, Beatrice and Benedick.

“They bicker and tease each other but it’s the type of teasing between friends that happens when you really know the deepest parts of one another,” Zayas said.

Shakespeare uses the witty dialogue as a comedic display of how complicated expressions of love and commitment are and what that means in this society.

These relationships attempt to find a balance in a world where, on one hand, everything is familiar in the neighborhood as it once was, and on the other, everything has changed since the war. That’s what makes “Much Ado” a particularly fitting story to be presented in the park. Tradition and change are palpable in Reservoir Park, as a piece of land that has remained largely untouched since its acquisition, despite the urban development all around it. The park remains a tribute to both the old world and the new, and Gamut Theatre Group wades through the complicated relationships that come with developing the tight-knit community where they have continued to perform for over two decades.

Zayas is aware of this responsibility as he takes the reins for directing his first show in the park and reiterates how the massive undertaking of the production is really a bonding experience for all involved.

“You go through a truly grueling experience together and bond in a different way that you don’t always get in a regular production,” he said. “There’s a sort of battle-hardened aspect to it, and that’s very special.”

Working with the cast on these productions builds a sense of community that reaches past the production itself. The actors on stage embody it, and this keeps audiences coming back each year, eager to watch Shakespeare under the stars.

“Much Ado About Nothing,” this year’s “Free Shakespeare in the Park” from Gamut Theatre, runs May 31 to June 15 at the band shell in Reservoir Park, Harrisburg. For more information, call 717-238-4111 or visit www.gamuttheatre.org.

 

UPCOMING THEATER EVENTS
AT HARRISBURG’S PROFESSIONAL
DOWNTOWN THEATERS

At Gamut Theatre
www.gamuttheatre.org
717-238-4111

26th Annual Free Shakespeare in the Park
“Much Ado About Nothing”
May 31 to June 15
Wednesday to Saturday at 7:30 p.m.
Reservoir Park, Harrisburg

 

At Open Stage of Harrisburg
www.openstagehbg.com
717-232-6736

“Ragtime”
May 25 to June 16
A musical epic about the changing landscape of America at the turn of the 20th century.

Lion King KIDS summer camp
June 10 to 28
Registration for this exciting class is open for students 8 to 13.

Musical Theatre Workshop
A challenging class for the young artist looking for professional training in acting, singing and movement. Includes a trip to New York City to see “Be More Chill.”

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One Family, One History: In the month of Juneteenth, descendants of Civil War veteran Ephraim Slaughter reflect on the ties connecting their family, their city.

Family members Yvonne Pittman, Keith Mitchell and Dr. Sharonn Williams pose with a statue of Ephraim Slaughter at the National Civil War Museum.

Young Yvonne Pittman never knew that homes on the other side of her neighborhood lacked indoor plumbing until she walked into a friend’s house.

She asked her mother, “Why do they have a bathtub in the kitchen?”

“Don’t you ever say anything to them about having outdoor bathrooms,” her mother admonished.

“I didn’t realize that we didn’t have an outhouse,” Pittman says now. “We had a bathroom.”

The story of African-American life in Harrisburg encompasses integration, business and prosperity, and the power of community. It is also a tale of segregation, deprivation and loss. Three family members descended from Dauphin County’s longest-living Civil War veteran carry the legacy. All share a belief that enhanced attention to the small stories of the past can enrich the region’s historic tapestry.

They are:

Yvonne Pittman. Her grandfather, Ephraim Slaughter, was an escaped slave, Civil War veteran who lived to age 97, respected businessman and philanthropist. His story and statue are enshrined in a National Civil War Museum exhibit.

Keith Mitchell. Pittman’s younger brother. He’s a retired official from the state and federal labor departments and a National Civil War Museum board member, giving him the rare distinction of serving for a museum where an ancestor is honored.

Sharonn Williams. Pittman’s daughter, contributor to the museum’s 2016 African-American Oral History Project, and an experienced genealogist whose ancestral sleuthing uncovered links between Southern plantations and Harrisburg’s African-American community.

 

Why Harrisburg?

Pittman remembers Slaughter. She rode with him in Memorial Day parades. They walked hand-in-hand around their neighborhood, the 4-year-old serving as eyes for the nearly sightless elderly man.

“Pop-pop” Ephraim was actually Pittman’s step-grandfather, married to her grandmother, a widow named Georgiana Jenkins. Ephraim and Georgiana were separated by 43 years, married in a fond union that came with a quid pro quo. She would care for him in his old age, making the most of his Civil War pension. He would deed her his considerable property—an estate worth $10,000 upon his death in 1943.

Slaughter escaped slavery from a North Carolina plantation in 1863. He served with what would become the 37th U.S. Colored Troops (USCT). In 1869, he moved to Harrisburg.

Why Harrisburg?

“That’s the big question for us,” Williams said.

Maybe it was his association with the Grand Army of the Republic or the railroads rumbling through the city. Or maybe it was the age-old quest for work, including the spot he landed at the legendary Lochiel Hotel, hangout of state Capitol pols and lobbyists.

Ephraim owned homes on Boas, Capital and Forster streets, in the Capitol-area neighborhood now known as Fox Ridge. Mitchell remembers going door-to-door in the 1950s with grandmother Georgiana.

“It really didn’t hit me until later that she was actually collecting rent,” he said.

Georgiana shared Ephraim’s entrepreneurial spirit.

In a peripatetic early life in West Virginia, Williamsport and Harrisburg, she cooked on a riverboat, worked in a boy’s school and as a live-in maid, and ran a beauty salon catering to white women during the day and African-American women in the evening. She sewed dresses for her granddaughters. She could turn anything into a flowerpot, including Ephraim’s spittoon, the one he never missed even as his sight was failing.

Georgiana cooked elegant Sunday family meals of pig tongue or stuffed fish—plus her hand-churned ice cream for dessert—but saved one pot exclusively for soapmaking. She ran a boarding house catering to traveling African Americans, lodging those barred from whites-only hotels.

She also took the bus to tend her garden in Susquehanna Township and then shared its potatoes and cabbages with families living along the dirt roads of the township’s Edgemont neighborhood. She sent her children and grandchildren to the best schools available. She put her sister through college. She was auxiliary president, serving with black and white women, at Ephraim Slaughter American Legion Post 733.

“And she wasn’t even 5 feet tall,” said Pittman.

Mitchell and Pittman grew up in Harrisburg’s integrated neighborhoods and schools. Pittman befriended the sheriff’s daughter from a white family living near the Broad Street Market.

“I went to her house, and she came to my house,” she said. “We didn’t know any different.”

Mitchell, 12 years younger than his sister, moved to Susquehanna Township when his parents built a home there. In the township’s schools, most of his classmates were Jewish.

“There was never any hatred based on religious beliefs and all that,” he said. “If you had disagreements, you had disagreements because of some other reason.”

In the lives of Pittman and Mitchell, the merger of Harrisburg’s high schools dissolved longstanding friendships, while “white flight” helped reverse the integration that they knew.

“We’ve gone right back to segregation,” said Pittman. “It happened so gradually that people didn’t pay attention. Because blacks were moving to the suburbs, too, people didn’t know who was being left behind in the urban areas.”

 

Floodgates

As a new Civil War Museum board member, Mitchell’s “number-one priority” is closing a gap between the 18-year-old institution and the community. There, younger generations can learn the history not told in textbooks, because “you can’t know where you’re going unless you know where you’ve been.”

“Even though the museum sits in Reservoir Park, it has not become part of the community,” he said. “It’s kind of up there all by itself.”

The museum is poised to “open up the floodgates” to visitors and volunteers, agrees museum board Chairman Kelly Lewis. The 2017 agreement that settled simmering differences with the city helped guarantee preservation of the museum’s artifacts collection, and digitizing will provide access to researchers worldwide, he said.

The museum can be storyteller of not only the Civil War but its tragic aftermath, when Jim Crow laws backtracked on the freedoms won over spilled blood, Lewis said. In a play on the term Juneteenth, which recognizes emancipation, the museum is developing a “Junetruth” program countering the “Lost Cause” myth.

“There’s still aspects of the Civil War that are being fought in today’s world,” playing out in such areas as inequitable school funding, Lewis said. “It was an all-encompassing civil war, but much of the story told is about generals and battles, not about everyday people and the huge migration of slaves after the Emancipation Proclamation and the humanity of it all.”

On the museum board, Mitchell replaced revered African-American historian Harry Jones after Jones’ sudden death. Lewis hopes to expand the board, enticing more women and “people of all races and creeds to help us tell this story.”

Williams, who offers genealogy workshops, sees hidden aspects of African-American history citywide—say, in the housing project named after black abolitionist William Howard Day, and in Downey School, developed specifically as an integrated institution. Her own work—and the diligent and coalescing efforts of such locals as historian Calobe Jackson, Jr. and activist Lenwood Sloan—are bringing hidden details to light.

“It seems like they only talk about black history during February, but black history is American history,” she said. “It needs to be incorporated all the time. Harrisburg has a very rich history.”

 

The National Civil War Museum is located at 1 Lincoln Circle, Harrisburg. This month, it notes Civil War Days with tours of Harrisburg Cemetery and the Capitol Preservation Committee’s flag laboratory on June 21, and free admission, with demonstrations and a talk on Juneteenth by the Smithsonian’s Kelly Elaine Davies, on June 22. More information, including a schedule, can be found at www.nationalcivilwarmuseum.org.

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The Painted Word: From the Schuylkill to the Allegheny, art festivals abound this summer.

Samantha Sanders. Photo by Landon Wise.

Going, going, gone.

Those three words may be best associated with baseball’s “boys of summer,” but they could equally apply to my favorite summertime pursuit—art festivals in Pennsylvania. As in, “I’m going to an art festival,” and “I’ve gone to an art festival.”

Art’s summer season recognizes many stages: the studio, the gallery, the museum and even the floorboards where the lights go up. So, in this season of the great outdoors stage, look for inspiration wherever your travels take you.

But, first, this commercial interruption.

This edition of “The Painted Word” is brought to you by the 26th year of free “Shakespeare in the Park” under the band shell at Reservoir Park in Harrisburg with “Much Ado About Nothing.” Now that is something! This year, the Gamut Theatre Group production runs May 31 to June 15—let’s all hope for good (dry) weather!

 

Trendy

It’s good to be a little nosy. In Pittsburgh, nosy people are known as nebbers, as in, “I was nebbing in on the conversation, and I found stuff I shouldn’t have” (thanks Urban Dictionary). During the 10-day span of June 6 to 16, make certain you neb around the Three Rivers Art Festival, which takes place in downtown’s Point State Park, 101 Commonwealth Pl., noon to 8 p.m. daily, featuring some 300 exhibitors.

Over the following weekend, June 22 and 23, head the other way on the Turnpike to the Manayunk Arts Festival, which features 300 exhibitors in this trendy part of Philadelphia. Hours are Saturday 11 a.m. to 6 p.m. and Sunday 11 a.m. to 5 p.m. Manayunk is known as a hipster hangout, offering a welcome change of pace from the hustle and bustle of Center City. Manayunk translates from the Lenape, “It’s where we go to drink,” and, appropriately, there are plenty of great watering holes and restaurants along Main Street.

Next, we take you out of the city for the rustic vibe at the Kutztown Folk Festival, which runs from June 29 to July 7 at the Kutztown Fairgrounds in Berks County. There, you’ll discover more than 200 crafts people and folk artists, along with plenty of good, old-fashioned Pennsylvania Dutch food. Be sure to not “throw the cow over the fence.”

Heading west again, the 53rd edition of the Central Pennsylvania Festival of the Arts beckons, with the street fair spanning the avenues of State College and on the campus of Penn State. Dates this summer run from July 10 to July 14. A sidewalk art sale takes place concurrently on the streets of State College. For more details, visit www.arts-festival.com.

Looking for something out of the ordinary? An oozing monster just might do the trick. The 19th Annual Blob Fest takes place in Phoenixville. Yes, actor Steve McQueen’s career was launched in the 1958 cult classic, “The Blob,” partially filmed in Phoenixville in the Colonial Theater, which is central to the three-day horror film festival, which runs July 12 to July 14. Join the madness being re-enacted as participants scream and run out of the theater. Saddle shoes and poodle skirts are optional.

 

Explore, Enjoy

Closer to home, it wouldn’t be summer without the 45th Annual Mt. Gretna Outdoor Art Show over the weekend of Aug. 17 to 18, held under the oaks of the Chautauqua section of Mt. Gretna at Rt. 117 and Pennsylvania Avenue. Hours are Saturday, 9 a.m. to 6 p.m., and Sunday, 9 a.m. to 5 p.m., with 250 to 300 exhibitors and an admission fee of $8.

Several other central PA festivals close out our summer of art.

The Long’s Park Festival in Lancaster takes place over Labor Day weekend, Friday, Aug. 30, to Sunday, Aug. 31, in its 41st offering. Expect to share the experience with more than 10,000 spectators over the three-day event. Ranked as one of the top-50 fine art festivals in America, all proceeds from ticket sales benefit the foundation’s free summer music series.

If underground art is more your thing, drive down to historic Gettysburg over Labor Day weekend for Creature Feature Weekend. This independent film festival/horror convention features a lineup of dark and bizarre movies, along with celebrity guests, Q&A’s, vendors and food trucks. And, while in Gettysburg, it’s requisite to hop on a ghost and/or film location tour. More information can be found at www.creaturefeatureweekend.com.

Finally, circle back home for the 2019 Harrisburg Mural Festival. Over 10 days, starting on Aug. 30, watch as world-class muralists bring to life grand outdoor paintings around the city. The festival will include numerous public and participation events, capped off with a block party downtown to coincide with the Art Association’s annual Gallery Walk on Sept. 8. For all the details, visit the Sprocket Mural Works website: www.sprocketmuralworks.com.

Given the gamut of festival fare listed, it is certain that summer is a state of mind. So get outdoors, explore and enjoy the beautiful weather, with art acting as a perfect complement.

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