Greater Harrisburg's Community Magazine

A Seat in the Bard Room: Melissa Nicholson to helm international Shakespeare organization.

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Melissa Nicholson

You would think that Melissa Nicholson, executive director of Gamut Theatre Group, would be reciting Hamlet, Macbeth and Othello from the time she emerged from the womb; that the language of the Bard would roll off her tongue like honey and she’d be calling Elizabethan England her second home right from the start.

Think again.

“I had a terrible experience in high school with Shakespeare,” Nicholson recalls. “We read ‘Julius Caesar’ in ninth grade, and I hated it. I said ‘What is this?'”

But what a difference a few years and another Shakespeare play make. Nicholson attended Susquehanna University as a theater major, and the department performed a production of “Midsummer Night’s Dream.” Suddenly, it all made perfect sense.

“The director was great,” she says. “That production opened the doors for me.”

Nicholson went on to perform at The Lost Colony, an outdoors theater in North Carolina, before founding Gamut Theatre with husband, Clark. At the beginning, the couple was producing children’s shows as the Popcorn Hat Players, but, soon, a city official suggested that Harrisburg could use a dose or two of Shakespeare.

The duo complied, performing the Bard’s plays (including “Julius Caesar”) in any space they could find, including a former Midtown bank building that is now home to Historic Harrisburg Association.

Shakespeare is now a permanent part of the theatrical family in Gamut’s Strawberry Square space and will continue to be when the group moves to its new location across the way on N. 4th Street.

But Nicholson’s reputation and love of Shakespeare has now gone beyond our city limits to the international stage. In January, she was appointed vice president of the Shakespeare Theatre Association, an organization established to provide a forum for the artistic, managerial and educational leadership for theaters primarily involved with the production of the works of William Shakespeare. The association discusses issues and methods of work, shares resources and information, and acts as an advocate for Shakespearean productions and training.

Nicholson will serve as vice president for two years and then two years as president beginning January 2017, allowing for not only continuity on the board, but also ensuring long-term institutional memory for the organization as she’ll be invited to executive committee meetings thereafter, according to Patrick Flick, executive director of the Shakespeare Theatre Association.

Flick views Nicholson as the perfect combination of keen businessperson and artist.

“Melissa is quick with a smile, a laugh and a kind word,” he says. “She is a consummate artist manager. This is a model that many regional theaters across the country use to run their theaters and Gamut/Harrisburg Shakespeare is a perfect example of this. Her politic and good-humored manner combined with years of experience running a theater make her the perfect person to be the vice president and consequently next president of Shakespeare Theatre Association.”

Despite the honor, the very busy Nicholson had some doubts if she could take on this added responsibility.

“Last year, people approached me about being vice president,” Nicholson says. “At first, I told them that I can’t do that; I’m in the middle of a capital campaign. But I realized that it’s good for Gamut and for Harrisburg to put us on the Shakespeare map.”

The association, formed in 1991, has had its meetings in different locales across the United States where various member theaters and individuals meet to discuss their needs and challenges and to offer help when necessary. This past January, the association met in San Francisco. Next year, it will get together at Shakespeare at Notre Dame in South Bend, Ind.; the following year in Baltimore.

Nicholson’s love of everything Shakespeare has grown and flourished since that initial dreaded encounter with Julius Caesar. She now pays it forward to children and teenagers through Gamut’s theater school and the Gamut Theatre Summer Academy, where new generations are performing the Bard’s plays. Nicholson says they are studying a language they’re not used to, but a language they begin to understand.

“It helps them express things not available in the modern vernacular,” Nicholson says. “But I don’t teach ninth graders ‘Julius Caesar.'”

To learn more about Gamut Theatre and contribute to its capital campaign, visit www.gamuttheatre.org.

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