Tag Archives: Susquehanna Art Museum

A Town, Emerging: “Cocoon” art installation captures the people, spirit of Steelton

Photo courtesy of Will Masters.

Greg Lewis Reese has worked at the steel plant in Steelton for 50 years.

So, when approached to participate in an art installation about the town, its history and its people, he readily said, “yes.”

“For me, on a personal basis, it was a great reflection on the diversity of people in Steelton and the diversity of people in the steel mill itself,” he said. “There are various generations, before me, with me, after me.”

The exhibit, entitled, “Cocoon Steelton: The Migrations of Many,” is on display through late May at the Susquehanna Art Museum in Harrisburg. It’s the brainchild of Kate Browne, a York County native and international performance installation artist.

“This is a way to put the past, present and future together in one place at one time,” Browne said. “It’s a connection to missing links in history by allowing the history of a place to emerge into the light and elucidate our understanding.”

Specifically, “Cocoon” is a 10-by-26-foot illuminated structure built from local maple saplings, with tags hanging on the interior that note the participants’ towns and countries of origin. Walking through the interior, visitors hear audio recorded during interviews with participants. It gives the feeling of walking through a space and overhearing bits and pieces of various conversations.

The walls surrounding the cocoon structure create a panorama of life-sized photos of those who took part in the interviews and were or are still employees or family members of employees who came to the area to work at the steel mill. The installation premiered in Steelton last August and was later moved to SAM for a longer exhibit period.

Browne, who now lives in New York, chose Steelton as the location for the seventh “Cocoon” in her series of art focused on the sites of forced and voluntary migrations, the struggles with traumatic histories, and the narratives that arise.

The original concept of a cocoon came from the idea of the cocoon or chrysalis in nature, a “safe place” for moths and butterflies as they transform from caterpillars. The sculptural cocoon created by Browne represents people moving forward during their migration or immigration toward a better and more sustainable life.

 

Joy, Sadness

Browne has been working on the Steelton project since 2019, beginning with research on the town and the mill.

While researching, she realized that this history worked well with her understanding of migrations. Steelton and the factory exist because of each other, with people coming from Europe and the southern United States to create a community that became a very American place. She traced these migrations back to Civil War times.

“Steelton is full of a detailed history of these migrations to the town in the search of steady employment,” she said.

Browne interviewed Steelton residents, union and town officials, and mill employees, ranging from 20 to 90 years old. She also partnered with United Steelworkers Union 1688 to contact past and present workers at the steel mill. They opened their doors to Browne’s work and supplied her with interview and photographic space.

“The Borough of Steelton and the Women of Steel must also be given thanks in assisting me with the original project,” she said.

Browne contacted local historian Barbara Barksdale, a Steelton resident, at the onset of the project, asking for assistance in locating current and former mill workers willing to tell their stories.

“To hear from the interviewee directly of their thoughts, passions, joy, sadness and what it meant to their families was eye-opening,” Barksdale said. “It gave sight to how the town was formed as well as the individual communities within the large community.”

The interviews focused on the reality of living in a small steel town with a single-industry economy where jobs have shrunk considerably since the 1950s, Browne said.

“Today, the situation is far from over as the steel mill has recently changed hands again,” she said. “It is important to document how the history of the single economy, local union, generations of families, tell their stories and make decisions about their future.”

Bonnie Mae Carrow, director of exhibitions at SAM, said that it’s an honor exhibiting this art installation that was created for the history of Steelton and the steel mills. She added that having the artist and her crew assist with the installation created a perfect blend of collaboration and understanding of the project and the nuances of the stories told by over 70 participants.

Reese, the steelworker, similarly voiced his admiration for the five-year-long project that has culminated in the installation now at SAM.

“Kate did a great job in bringing this all together,” Reese said.

“Cocoon Steelton: The Migrations of Many” runs through May 19 at the Susquehanna Art Museum, 1401 N. 3rd St., Harrisburg. For more information, visit www.susqueannaartmuseum.org. For more information on artist Kate Browne and her “Cocoon” series, visit www.bykatebrowne.com.

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The Week that Was: News and features around Harrisburg

Ward of Health cut the ribbon on its new downtown Harrisburg location.

We’ve made it to the end of another week in Harrisburg, and we’ve been here to cover the local news. In case you missed any of our reporting, make sure you get up to speed by clicking the links, below.

Dauphin County announced the awardees of its annual gaming grant funds, our reporting found. To view the full list of projects that will receive funding, click here.

Dr. Charles Crampton broke racial barriers and rose to prominence in early 20th century Harrisburg, but not without setbacks and scrutiny, our magazine story reported. However, his local legacy is still seen through the youth he inspired.

Harrisburg City Council approved a contract with SitelogIQ to develop a five-year capital improvement plan, our reporting found. The company will evaluate the city’s buildings, facilities and energy utilization, among other assets and make recommendations.

Nyeusi Gallery has a new art director—local artist Steve Barber. In our magazine story, read about Barber and what it means for him to be the director of the area’s only dedicated Black art gallery.

Sara Bozich has found all of this weekend’s best events and has compiled them all here.

Schaedler Yesco Distribution, a Harrisburg-based company, is celebrating its 100th anniversary this year. In our magazine story, read about the history of the family-run electric supply business.

Shirley Rae’s ice cream shop recently opened in Lower Allen Township at Arcona, our magazine story reported. College sweethearts Rita Weiss and Peter Neavling reconnected later in life and opened the shop despite the pandemic and health issues.

The Susquehanna Art Museum is showcasing a rare collection of its art in the exhibit “From Mantel to Museum: The Eclectic Legacy of Patricia L. Murray,” our magazine story reported. The exhibit emphasizes the connection between art collectors, the museums they donate to and the communities they serve.

Veteran’s Grove, a community of tiny homes for unhoused veterans in Harrisburg, is nearing completion, our online story reported. This week, the project made progress as a local business volunteered its time and resources to install windows and doors on the 15 tiny houses.

Ward of Health cut the ribbon on its new downtown Harrisburg restaurant, our online story reported. The business, a former Broad Street Market vendor, offers plant-based menu items.

 

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Bob’s Art Blog: Love on Display

A mask from “I’m Fine”

With Valentine’s just a week away, February’s Art Blog is dedicated to two unique stories of love. The first is a moving exhibition both figuratively and literally. It is the love story of the most importance; one we all share as part of the human condition—Mental Health Awareness. The second is on a more personal note, a Millworks love story of two artists who share an amazing life in their world of art that has expanded to their daughters’ love and appreciation of the same.

 

“I’m Fine” at the Susquehanna Art Museum

In the world of art, a picture is worth a thousand words. It’s intriguing to note then, that in the signature logo for “I’m Fine” subtly replacing the apostrophe is a ginkgo leaf. It’s the first clue that this is a movement of meaning with its mission motto, “sculpting mental health awareness through art.” Its potent imagery is completed by a stoic ceramic mask devoid of emotion, looking outward. As for the ginkgo leaf, it holds a deeper meaning to its founders.

“I’m Fine” will make a lasting impression in the capital city at Susquehanna Art Museum, opening Feb. 10. The mental health awareness project is now beginning its sixth year and has traveled to major exhibitions across the state with in-depth workshops promoting its central theme.

A mask from “I’m Fine”

The catalyst that drives it, mental health, has taken on a life of its own. Spearheaded by Carrie Breschi and Maureen Joyce, art activists push the envelope from city to city, outpost to outpost, spreading the gospel for mental health awareness. Hopefully, it will get to land at the state Capitol rotunda later this spring, but, before it reaches the chamber floor, it starts its journey at Susquehanna Art Museum.

Bonnie Mae Carrow, director of exhibitions at SAM, mounted the powerful and impactful exhibit in collaboration with Joyce and Breschi, both of Carlisle. Joyce and husband Kevin lost their son to suicide after years of struggling with mental illness. He often had a ginkgo leaf tucked into his jean pocket. The “I’m Fine” project formed out of that heartbreaking loss.

To date, the workshops, totaling 80, have been held in Carlisle, Chambersburg, York and even as far away as Pittsburgh. “I’m Fine” has done outreach programs with school districts across the state as schools have become hotbeds of troubled mental health since the pandemic. Over 1,600 ceramic masks have been created by students and workshop participants. These handcrafted veils of emotion provide the vehicle used to tell each individual story. “I’m Fine” has been a catchphrase to deflect talking about a subject so close to the surface that it’s bubbling over, yet words almost refuse to come out, except a barely audible, “I’m fine.”

As one stands before the collection of 1,000-fold masks at SAM, stop for a moment to think of each and every person who created them with their own unique story of the struggle to stay afloat, being cut loose in a sea of confusion, doubt and fear, not knowing what tomorrow may bring or even the next minute. It can be overwhelming.

Mental health is a condition that affects us all on a daily basis, and the need to be able to share it, discuss it and address it has never been as urgent as it is today. The co-founders Breschi and Joyce state, “Our world is facing a mental health crisis. As artists, we believe in the power of art to ignite change and create new perspectives. We also believe in the community as agents of positive change. It all starts with a conversation.”

“I’m Fine” provides a platform for spreading positivity, encouraging others to speak out and share their stories. Relating to others who share the very same emotions can be a great measure of relief knowing you are not alone, but together, by talking, change can take place.

The exhibit runs through May 19 during museum hours. Join the movement and help the cause by removing the masks, seeing the person underneath and listening to their story. They will be grateful realizing they have been seen and heard.

 

In Thrall to Iceland’s Call (A love story at Millworks Studio 323)

A painting by Tara Chickey

Soulmates, especially artists, operate in the ebb and flow of creativity, energy, beauty and, most of all, love. The give and take of that otherworldly bond is unspoken. A sixth sense or perhaps a seventh. The spark that forged the fire continues to burn through eternity, never to die. Such is the case for Millworks art couple, Caleb Smith and Tara Chickey. Back in the early aughts, the attraction began for Chickey as she admired from afar the community work that Smith was doing with the non-profit independent film festival, Moviate. At the time, she was running a small art gallery, and the rest is history. At least that’s what they say in the movies.

Fast forward two decades and their story has evolved by leaps and bounds. Chickey’s role as art director for Millworks is a full-time job, juggling 30-plus artists and mapping out constantly changing lobby exhibits annually. It still allows her artistic side to shine, showcasing her paintings on a grand scale like the wall-sized mural in Midtown that has become a local landmark. One cannot help but be transported to the great southwest when viewing Chickey’s sun-washed drive-in-theater playing on the screen at N. 3rd and Reily streets.

Photography by Caleb Smith

Meanwhile, Smith is immersed in teaching humanities at Harrisburg University. His classes range from cinema studies to video production and photography. An independent filmmaker, photographer and musician round out his resume. Moviate still rolls the cameras for every Artsfest in May, with special popups throughout the year.

Perhaps the most fascinating chapter is the couple’s love for Iceland and their daughter, an artist in her own right. The Arctic has a magnetic pull as a world of mystery and magic unfolds in Iceland. Chickey shared, “Its allure stems from its rich folklore and culture, the epic vastness of the land and its beauty, a timelessness frozen in the past, yet strikingly modern and its soul-searing sense of isolation.” Smith ruminates on those themes through his documentary films, providing visual elements to advance storytelling, taking it to a whole new level.

Today, the mantle of parenthood fits the frame perfectly, as raising their daughter has taken top billing. They surround her with a solid sense of self and empathy for others and encourage her to believe that trying new things teaches her to discover her talents. Naturally, she is following in their creative footsteps with a love for nature, art and learning. Smith and Chickey want to build a world with endless possibilities for their daughter to inspire others by example. Dreams are as big as one imagines them to be. And an Icelandic poet, Kristijan, over half a century ago, wrote, “Our dreams come true who sleep in the wood of skies, on the berry hearth the last touch of sunlight dies, and the calm is deep where the quiet waters flow.”

 

A Familiar Face at Mechanicsburg Art Center

Imagine my surprise when local art icon Julie Riker, painter of great renown, asked me to model for her portrait drawing class at the Mechanicsburg Art Center’s Red Barn. We both shared a laugh and, to dispel any doubt, I will be fully clothed. LOL. I promised to share my blues (eyes) in a meaningful manner. The event takes place on Tuesday, Feb. 20, from 6 to 8 p.m. at 18 Artcraft Drive, Mechanicsburg.

 

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Joyous Journey: The Studio celebrates 20 years with a tribute to its hometown

The Studio performing “Centerfield.” Photo courtesy of LongShots Photography.

The Harrisburg area has been good to The Studio, which is about to mark its 20th anniversary.

In return, the Enola-based dance studio will express its gratitude this month by paying tribute to some of the things that make our area great.

On Saturday, Feb. 10, The Studio will perform a show called “Hometown Heart” at the Scottish Rite Cathedral auditorium in Harrisburg, celebrating in music and dance contributions of an eclectic group of midstate institutions, including the Harrisburg Senators, Susquehanna Art Museum, Arts on the Square, Reservoir Park, the historic Harrisburg Transportation Center and Kristy’s Whistle Stop ice cream shop in Enola.

The performance will open with a professionally staged ballet, “The Christening,” from “The Sleeping Beauty.” Seventy dancers will participate in the performance, said Jennifer Turner Long, The Studio’s owner and artistic director.

Following the ballet, the school’s musical theater students will lead the audience through the journey of the community organizations being highlighted.

“It’s just like, ‘Hey y’all, in spite of the news of the day, right here is the joy and goodness of where we live, the wonderful things about where we live,’” said Long, a Virginia native who came to the midstate from Colorado.

Without giving too much away, here are a few tastes of what to expect from the Feb. 10 show.

The performance highlighting Susquehanna Art Museum focuses on “Cocoon,” a museum exhibition by Kate Browne featuring the history of Steelton. Images from the exhibition will be projected while the dancers perform.

For Arts on the Square, dancers will perform a piece called “Masquerade.” Last October, the Studio collaborated with Arts on the Square with a performance at Market Square Presbyterian Church in Harrisburg.

For “Centerfield,” the piece dedicated to the Harrisburg Senators, The Studio went to FNB Field on City Island last summer to film a portion of the choreography on site.

This will be the second time The Studio has performed “Centerfield” in public. The first was at the 2023 Pennsboro Pumpkin Festival in October—in the pouring rain.

“Centerfield” is inspired by the All-American Girls Professional Baseball League (AAGPBL), created in 1943 by Philip Wrigley, then-owner of the Chicago Cubs.

Wrigley sought to fill the void in professional baseball created after many male players in the major leagues left to fight in World War II. The AAGPBL lasted until 1954 and is considered the forerunner of women’s professional league sports in the United States.

Last summer, Long and her daughter watched “A League of Their Own,” the movie starring Tom Hanks and Geena Davis, based on the AAGPBL. The Studio dancers will wear AAGPBL uniforms while performing “Centerfield.”

Long also learned of two women from the midstate who played in the league.

Helen Waddell Wyatt grew up in Lemoyne. At age 18, she tried out for a women’s softball team in Harrisburg and attracted the attention of a Wrigley scout. She then played for the Rockford Peaches in 1950 and 1951 before retiring to marry and start a family.

Betty Warfel was born in Enola and played for the Rockford Peaches in 1948 and 1949. She was a highly versatile player who pitched and played several infield positions.

Afterwards, Warfel returned to Pennsylvania, retiring from the Westinghouse Corp. in Philadelphia. She died in 1990 and is buried in Rolling Green Memorial Park in Lower Allen Township.

Long is using social media to try to locate family members of both Waddell Wyatt and Warfel, to invite them to the Feb. 10 performance.

“They were pioneers at a time when women weren’t leaders in all aspects of the word,” Long said. “It was much harder. (They) are just a great role model.”

The 20th anniversary celebration also includes an appearance by internationally known tap dancer Maud Arnold at The Studio on Feb. 11 to kick off “Love Your Body” week. Arnold is giving a tap dance class and will lead a question and answer session.

Long left a career in the corporate world to launch The Studio.

“I wanted to create this business so I could manage my own life and schedule professionally on my terms while I was integrally involved in raising our daughter,” she said.

Looking back at what has been achieved since 2004 is “quite humbling and hard to believe. The whole thing has been sort of surreal,” Long said.

“We certainly have a bright future,” she said. “We are looking forward to it, but we are most grateful for the path that we have had. It’s been joyous.”

“Hometown Heart—Exploring Harrisburg through Art” takes place Feb. 10 at the Scottish Rite Cathedral auditorium, 2701 N. 3rd St., Harrisburg. The Studio is located at 427 N. Enola Rd., Enola (Summerdale Plaza). For more information, visit www.summerdaledance.com.

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A Founder’s Collection: SAM exhibit threads the relationship between artist, patron, community

Art by Joan Danziger. Image courtesy of Susquehanna Art Museum.

By design, the Susquehanna Art Museum is a non-collecting institution, meaning that its galleries feature rotating exhibitions throughout the year.

Yet one of the current exhibits, “From Mantel to Museum: The Eclectic Legacy of Patricia L. Murray,” is an exception to that rule. It features the rare collection of art that is actually held by SAM.

Importantly, the exhibit also emphasizes the connection between art collectors, the museums they donate to and the communities they serve.

During her lifetime, Murray was one of the founders of SAM, a donor to the institution, an educator and a private art collector. In 2023, parts of her collection were donated to the museum posthumously, highlighting her dedication to the museum before, during and after its creation.

Those works are now on display through early April.

As the exhibit title indicates, Murray was an “eclectic” collector, said Alice Anne Schwab, SAM’s executive director. Her collection represents a varied mix of artistic styles, forms and thematic content among numerous local and regional artists, including F. L. Wall, Joan Danziger, Leon Berkowitz, Douglas Zucco, Theo Tobiasse and Ellen Siddons.

Prior to her involvement with the museum, Murray was a gallery owner in Wellsville, Pa. Under the tutelage of art expert Clyde McGeary, she began making trips to Philadelphia and New York City, where she visited various galleries. Through these encounters, Murray not only formed a bond with the owners but learned how the galleries operated.

Importantly, Schwab emphasized that the exhibit demonstrates the cross-beneficial relationship between collectors, museums, artists and the communities they serve.

In addition to helping found SAM, Murray made considerable financial contributions to the museum from 1988 to her death in 2005. When a lack of steady funds hampered SAM’s growth, Murray was one of the museum’s most consistent and generous donors, according to exhibit curator Alex Gabriel. And, in keeping with her family’s wishes, a Patricia L. Murray gallery has been added to the museum.

Murray also helped launch the VanGo! Museum on Wheels, a renovated RV that, to this day, brings the museum experience to students and other community members, especially in rural areas. Over the years, it has reached thousands of people with its onboard museum gallery, hands-on activities and other educational pursuits.

“The exhibit invites viewers to recognize Murray as an overtly positive force in the history of SAM and the greater Harrisburg art world,” Gabriel said.

“From Mantel to Museum: The Eclectic Legacy of Patricia L. Murray” runs through April 7 at the Susquehanna Art Museum, 1401 N. 3rd Street, Harrisburg. For more information, visit www.susquehannaartmusum.org.

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Bob’s Art Blog: All That Staz at Pure Gallery and CALC’s Juried Exhibit

“Empty Nest” by Elizabeth Staz (photo: Jana MacGinnes)

The Art Library called me to say I had two long “overdues”–not books, not works of art, but an art blog that heralds an artist of great repute and a gallery whose horn I needed to toot! The two go hand in hand.

Over three decades ago, my wife Jana and I made our first acquisition of serious art from a local painter who is well known for her abstract watercolors, often incorporating collage into the mix. The combination makes for a delightful interplay of color, tactile interest and fantasy. It is exactly those unique elements that prompted us to purchase Elizabeth Staz’s “The Empty Nest.”

She hails from the bucolic land of Boiling Springs, the home of the Children’s Lake, inhabited by “duck, duck, goose” or something that resembles flying fowl. Her paintings are wistful and whimsical, full of enchantment.

Over the years, Elizabeth has introduced people engaged in everyday activities, adding a narrative dimension to her painting. Perhaps the light brushes from her palette of pastels pronounce tales of time travel to exotic lands or her own garden. In discussing her art, she is the first to share that, more than anything, she “hopes the viewer will experience joy and a sense of adventure even in the commonplace.”

The award-winning artist has shown in galleries from Red Raven in Lancaster to her current home at Pure Gallery in The Shoppes in Arcona. Pure has represented Elizabeth since 2017. The gallery setting for Pure reflects the wooded glens and pristine streams with gurgling brooks and trees that whisper a language all their own, surrounded by Arcona’s landscape.

Rose Anderson of Pure Gallery (photo: Jana MacGinnes)

Owner Rose Anderson envisioned an art gallery for artists, art lovers and artworks that would accommodate all budgets and a variety of tastes. The Shoppes in Arcona were brand spanking new, and Rose was the first tenant to sign on at this creative enclave developed by Charter Homes and Neighborhoods. The setting was supreme for upscale restaurants, shops and services that spoke to a sense of discovery coming upon something exciting and different.

Off the beaten path, figuratively and literally, the Shoppes in Arcona today are home to Thea, an epicurean’s dream restaurant, Red Salon, an expansive hair/beauty emporium, and Arcona Athletic Club for making community connections while working out. In addition, SpringGate Winery, Water Colours Interior Design, Idea Coffee, Amore’ Pizza and Shirley Rae’s Ice Cream round out the Shoppes menu.

Rose saw the vast potential as the earliest adopter and, in celebrating her 20-year anniversary with the past eight of those in Arcona, proved her intuition right. In addition to representing Elizabeth, Pure boasts a roster of local talent including Peg Belcastro, Donna Daniels and Gail Coleman, as well as Ralph Hocker and Stewart Holmes. Rose has incorporated virtual receptions with Elizabeth, Peg and Gail through one-on-one interviews for discussing inspiration, process and creation.

Beyond offering paintings from the floor to the ceiling, Pure is as well known for its custom framing business. A gamut of gifts awaits within, showcasing paintings that become the icing on the anniversary cake. Pure unveils a king’s treasure of hand-carved wooden boxes and hand-crafted jewelry, glass objects d’ art, artisanal candles and cards. Now may be the perfect time for you to discover Elizabeth Staz and Pure Gallery. Be sure to help Rose blow out the candles on her cake and make a wish for an early spring.

 

CALC’s Juried Exhibit, “Looking In, Reaching Out”

“Haphazardly” by Ann Benton Yeager (photo: Abria Donato)

Long-time curator at the Carlisle Arts Learning Center (CALC), Cathy Stone created her own signature style, helping to put CALC on the map for presentation excellence with every show she mounted. Cathy became its executive director at the beginning of last year. After an exhaustive search, Abria Donato became the gallery director during late summer. She is a 2015 graduate of Edinboro University with a BFA in metal-smithing. She shares a vision with a community goal to bring a corral of local artists to the Carlisle address at 38 W. Pomfret St., and starts the new year off with a bang with a special juried show opening this Friday, Jan. 12. Three dozen artists made the cut for “Looking In, Reaching Out,” featuring 50 works of art. Abria was assisted in the process by TheBurg’s art writer, Bob MacGinnes (i.e. yours truly), and his photographer wife, Jana.

 

“Send it Away” by Alana Beall (photo: Abria Donato)

As seasoned jurors, it is one of our favorite activities to help decide what art gets shown from an extensive field of entrants works. Beyond its titled theme lies the challenge to look introspectively at disparate ends of the emotional barometer, from warm friendships to isolation and loneliness, the mental obstacles of daily living, and roadblocks faced for self-expression. Artists well-versed in the gauntlet that life who can throw down are Alana Beall, Andrea Frinch, Craig Bomberger, Gail Coleman and Ann Benton Yeager. It also includes other veterans such as Peg Belcastro, Julie Riker, Michelle Moats, Sue Marazzo, Susan Begnini-Landis and John Guarnera, who all offer their unique take on the dichotomy delivered in the exhibit. Collaborative director at CALC, Mo Geiger, adds her own spin on the more fun aspects of relationships, making connections though games and play. In her role at CALC, she synthesizes art projects filtered locally across organizations, museums and galleries, adding to the visual beauty of the region. She is also the co-founder of the South-Central Pennsylvania Performance Collective, Valley Traction. The exhibit, “Let’s Play,” will have its own soundtrack for the opening night reception for both shows upstairs and down from 5:30 to 7 p.m. The musical accompaniment will be provided by local artist, JWS. Mo has fun with the child in all of us bridging the real and surreal-Wonkaesque, “In a world of pure imagination.” If you venture out to participate in “Let’s Play,” you’ve already won the golden ticket!

 

January Art Events

Friday, Jan. 12, Carlisle Arts Learning Center, “Juried Exhibit” opening reception 5:30 to 7 p.m.

Friday, Jan. 19, 3rd in the Burg

  • Art Association of Harrisburg “Figuratively Speaking” (Winter Members Show) curated by Nate Foster, reception, 5 to 8 p.m.
  • Susquehanna Art Museum “Shifting Forms: 5 Decades of Abstraction” (in its last three days) from 5 to 8 p.m., curated by Bonnie Mae Carrow

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Bob’s Art Blog: Spooky Things that Go Bump in the Night

A longstanding love affair with October stems from my childhood—the anticipation of waiting an entire month for its very last day to dress up and be whatever you wanted to be…can life be any more exciting for an 8 year old?

The year was 1959 and the world was relatively safe back then. Neighbors dropped in unannounced, doors were left unlocked, and kids could play outside without fear. My favorite show was the brand new “Twilight Zone.” “The Monsters are Due on Maple Street” (episode 22) wouldn’t air for another few months, but monsters were on my mind. A lot of kids from my generation shared the zeal for plastic replicas of Dracula, Frankenstein’s Monster, the Mummy and the Wolfman.

Back then, the best thing about Halloween was the event lasted a week. With different towns celebrating the holiday on different nights, we traveled to neighborhoods close by. Progress, Penbrook, Paxtang, minding our P’s, but where were the Q’s? We walked together as friends with bags overflowing. It was like Christmas morning in October.

“Two Sisters” by Tina Berrier, at HIVE artspace

Keeping that childlike innocence alive today regarding All Hallows’ Eve can be a real challenge, but, this October, HIVE artspace in York pulls out all the stops with a chilling show entitled, “The Annual Spooky Art Show.” Susan Scofield is the mistress of ceremonies, stirring her cauldron at 126 E. King St., with Kate Rush right by her side. Eye of newt and batwing broth may sound a bit much to swallow but, believe me, if you enjoy being spooked, or playing pranks, Susan and Kate and Heather Greenough are your “charmed” hostesses through Oct. 28. October’s theme for art at HIVE is timeless: the annual show speaks to their tradition as happens every October. It features an entire medley of mediums: pyrography, mosaic, felted wool, assemblage, painting, handmade art dolls, collage and photography. “Spooky” will make you want to jump over the candlestick!

“Hellebore and Death’s Head Moths” by Nicole Smeltzer (photo: Jana MacGinnes)

Susan edited hundreds of submissions down to a magical 100 throughout the gallery. Highlights include the return of Justin Ritmiller, paying homage to classic film monsters of the past, surely my kind of guy. “Of Monsters and Men,” his acrylic on canvas is a tribute to iconic director, James Whale, who immortalized Frankenstein and his bride from the 1930s, as well as Bela Lugosi as Count Dracula for his “Romanian Nobility,” an acrylic on wood panel—is that a stake by any chance?

Daphne Watts burns an image of Elsa Lancaster on a wood plaque in her iconic role as the Bride of Frankenstein. Beverly Hunter’s Nosferatu cuts to the quick with shards of ceramic, glass and mirrors. The ubiquitous Tina Berrier, (yes, that Tina of Millworks fame and the Nothing Pretty gang and the She Serpents) brings legerdemain with her mixed media assemblage piece, “Hellion.”

“Edgar” by Alana Beall (photo: Jana MacGinnes)

Nicole Smeltzer recently completed a wonderful, whimsical mural for the new Royal Square Mural Park. Her piece is “Hellebore and Death’s Head Moths,” an acrylic on canvas. Monique Kelly mixes media into heady potions with bottles assembled to suit her purpose. Sarah Liles may have you fawning over her watercolor, ink and acrylic marker, “Trick or Treat.” Gretchen Nevin keeps “Tradition” alive with her classic pumpkins, oil on canvas. Lastly, Alana Beall has my heart with a too cool for school acrylic and mixed media piece entitled, “Edgar,” the one and only E.A. Poe.

Be sure to check out the other 91 works as their bones are rattling to see you. As for Susan S., I knew when we first met and discussed Walpurgis Night (the eve of Beltane) “that spooky was a moniker that fit her well.” In keeping with the classic monster’s story arc for this exhibit, the carriage driver in Tod Browning’s 1931 “Dracula,” shuddered “do not cross the Borgo Pass on Walpurgis Night or you will never be seen again.” For me, I will wait for All Hallows Eve when the veil between two worlds is the thinnest.

 

Goes Bump

Illustration by Rob Sheley

The third edition of illustrator Rob Sheley’s “Things That Go Bump in the Night” at Metropolis Collective in Mechanicsburg gave me pause. I started writing this blog back in July as October holds a special appeal that dates back to the 1950s, as you are now aware of…for TheBurg this marks my fifth annual October paean. The 4th of July had just ended when I wrote the title, “Things That Go Bump in the Night.” When Hannah Dobek, gallery director and artist in residence at Metropolis, sent me notice for this show two weeks ago, a big smile crossed my lips. In truth, this phrase had its origin in the 19th century in literature. There is truly nothing new under the sun. The moon, now that is a different story…

“Things That Go Bump in the Night III” fills the eyes with macabre mayhem maniacally manipulated, maudlin and melancholy. Like myself, Rob has an abiding reverence for the “Famous Monsters of Filmland” (Frankenstein’s monster and his bride), making them the centerpiece of his solo exhibition for the new show. In the artist’s own words, “Through color, line, shade and composition,” new life is breathed into classic images formerly seen only in black and white. Rob’s empathetic point of view allows for a richer appreciation of the “monsters” we treasure from the Golden Age of Cinema in the 1930s and ’40s. The show’s fall run encompasses two full moons through its last day on Nov. 25. Rob is a Harrisburg native and has done album work for Elvis Costello, Drive by Truckers, Old 97 and a host of others, including Eastman Kodak. His work over three decades is legendary and begs to be viewed in person for full appreciation of his art. As illustrators go, he is in a class by himself with the images, photographic in detail, yet are not, become otherworldly. Contact the artist robsheley.com.

 

October Art Events

Arts on the Square, Sunday, Oct. 15, Market Street Presbyterian Church. Opening reception 12 to 1:30 p.m., featuring the works of fiber artist, Gloria McPherson

3rd in the Burg, Friday Oct. 20

Susquehanna Art Museum’s “Shifting Forms: 5 Decades of Abstraction” and “Diane Arbus: Ten Years” Both shows run through Jan. 21

Art Association of Harrisburg’s “Art Is” (members show), through Nov. 2

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Bob’s Art Blog: Abracadabra & Presto Change-o

The magician stepped out onto the stage with all attention on him under the spotlight. He tapped his wand three times on the black top hat and said loud and clear, “Abracadabra.” What took place next you can see now on the main floor at Susquehanna Art Museum in its “Transformative Craft,” an “understated powerhouse” of an exhibit for the next 30 days. If that sounds like an oxymoron, you will soon learn as to why.

“Supplication” by Jordan Bashore

For Susquehanna Art Museum’s 8th annual juried art exhibition, 24 artists from around the country brought their exceptional skills up to the challenge with their interpretations of what transformative craft entails. In every case, each artist brought critical thinking and ingenuity to the foreground, parlaying positive change in approaching their medium and object reimagined. When the creation is no longer that of its conceptualized norm due to addition, alteration and amelioration, the completed result rises to a whole different plane and idea of beauty reflected in its new state. In other words, when is a chair more than a chair or a textile becomes a photographic keepsake? They are but two of two dozen excellent examples selected from over 500 entries nationwide juried in that made the cut for the exhibit. “Transformative Craft” is born again as a brand-new entity. The tightly compact number of selections is given free rein in the wide-open space of the museum’s ground floor as well as the DeSoto Family Vault. By intentional choice, each objet d’ art shines forth on its own, shared Executive Director Alice Anne Schwab. The narratives that accompany the art share the artist’s arrival at its finished state, critical to the viewers overall experience. The backstory lends insight to the deeper meaning of transformation.

Highlights of the show include Travis Townsend’s “The New Ship of Progress,” a craft of wood and mixed media that pays homage to the Chinese “junks.” These sea vessels were used for trading and housing as well as pirating, originating during the Han Dynasty. Townsend’s vessel is worlds apart from those of yore. He incorporates compartments and apparatus necessary for adventures of the subconscious mind. Conceptually colorful and artistically executed, “Progress” creates the means to an end that appeals to all the senses. Of local interest, Jordan Bashore of Harrisburg marries “textiles, tulle, and acorns,” according to the artist, threading a needle of continuity throughout her work in “Supplication.”

“drifted over the tide (2)” by Morgan Ford Willingham

On a smaller scale, Morgan Ford Willingham’s “drifted over the tide (2)” entails a “cyanotype with hand embroidery on found textiles.” Her skilled craft as a photographic master allows for a union of mediums shining forth in subtle nuances. The subject matter explores the relationship between mother and daughter in an incandescent image that is as haunting as it is healing. The beauty of an intimate object, both personal and universal, brings the viewer to bear on the gravitas of a parent’s love for a child.

The exhibit runs through Oct. 15. 3rd in the Burg this Friday night provides the perfect opportunity to view the exhibit before its gone.

Robert Childs and Carrie Wissler Thomas

Presto Change-o! (To change quickly from one thing to another, used originally as a magician’s command.)

Wrapping up Gallery Walk 35 this past Sunday afternoon saw the curtain come down on what may be viewed as the best Gallery Walk ever. Thanks to its illustrious leader, Carrie Wissler Thomas, CEO of the Art Association of Harrisburg, and Rachel O’Connor, curator, both had more than a few tricks up their sleeves to pull off such a stunner! Twenty venues, hundreds of artists and hordes of gallery-goers all contributed to a memorable day of art. Curator O’Connor dialed up this year’s theme, “Art Is,” an open-ended dialogue to demonstrate all the facets of the discipline of art with no wrong answers. It is subjective by nature as everyone has their own take on the subject. Evidence was everywhere with more than just “the usual suspects” in the lineup. Museums and murals all added up to lasting memories that will carry us through to next year’s Walk.

“Floating to the Chesapeake” by Kathleen Joffrion, at AAH

Reporting From the Front Lines: Starting at the AAH for Gallery Walk kickoff at noon, the foot traffic was like an art stampede. The amazing thing, the first sale of the day was to a well-known art collector from Winchester, Va., who purchased a Marjorie Taylor painting as an investment. Art patrons also drove in from Fredrick, Md., after seeing the billboard on Route 81 advertising Gallery Walk. Word is out, (literally). Judging by the head count for the first hour at the AAH, edition #35” could be a record setter. The weather tried its best to rain on the parade and, for a while, it did. However, the day would not be deterred nor the art lover’s determination. Rainy day and all umbrellas got their workout. And there were unexpected winners.

“Night Fall on the Farm” by Josephine Alexander, at AAH

Perhaps the most appreciative audience were the ducks on Front Street traveling to the Civic Club of Harrisburg for a special group of artists that included an AAH art instructor, Carrie Feidt. By 2:30 p.m., at the halfway point of the event, the storm passed over with “nothing but blue skies from then on.” In speaking with Vivian Sterste, who marked 10 years at her Vivi on Verbeke studio along with partner Jeb Boyd, reported various artists shopping her studio during Gallery Walk, which included Victor Capecce and Craig Baumgardner, artists showing their works at the AAH. Vivi went on to say that there are “new possibilities in the infinite to be discovered.”

Segue to Chantal Eloundou at her Nyianga Store who stayed open later than the 5 p.m. closing bell as she still had customers visiting her boutique. And if that wasn’t enough, the second annual “impromptu after party” took place at Millworks. It’s always 5 o’clock somewhere. Tara Chickey, art director, revealed “the day mirrored the weather with the foot traffic’s ebb and flow dependent on Mother Nature.”

In case there is any doubt, let me assure you that two Pauls are better than one. Paul D. Murray, gonzo artist in residence, echoed Tara’s words as the rain clouds played a part behind the scenes, but when the sun came out, so did the art audience. Paul Gallo, lively and quick, (one of the seven lively artists) joined the after party, stating that “Gallery Walk brought out new faces, curiosity seekers, and a fair amount of folks enamored with art.” The other Paul, ping ponging back to Murray, referenced a painting Paul G. did a few years back depicting a sci-fi galaxy featuring a functional, not flashy, spaceship entitled, “Searching.” Yachiyo Beck took that as a cue to join in returning to Millworks after spending five hours demonstrating her painting at St. Michael’s Lutheran Church. Ms. Beck briefly announced, even with the gray skies, last year’s attendance was eclipsed at the church with visitors and onlookers. Artist Judy Kelly rejoiced that the day brought a great experience, one worthy of sharing with the world.

It is the special moments we share in life as part of a bigger picture that matter the most. When we feel connected to a likeminded group (like Judy Kelly’s visit from four college-aged girls who met on an app), which brings strangers together to share activities as simple as going for a walk. It is so obvious. Judy truly relishes the joy in the every day. Those times are remembered long after the event has taken place, put in a memory bank that grows with each passing year. Such is the stuff dreams are made of…

September Art Events
Friday, Sept. 15, 3rd in the Burg
Saturday, Sept. 16, Hummelstown Art Festival, 9 a.m. to 4 p.m.

Photos by Jana MacGinnes

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The Week that Was: News and features around Harrisburg

Local officials and project partners ceremonially broke ground on Bethel Village, affordable housing for seniors, on Tuesday.

It has been a full week of news in Harrisburg. From ground breakings to school board meetings, we’ve covered it all. In case you missed anything, all of our reporting is listed and linked, below.

Bethel Village, an affordable housing development for seniors, broke ground on N. 6th Street in Harrisburg, our online story reported. The 46,000-square-foot building will include 49 one- and two-bedroom affordable units. 

Cedar Crest High School boasts a unique feature—a planetarium. In our magazine story, read about how the school uses the teaching tool as a visual aid for astronomy education.

Danielle Martin has always recognized the importance of education in her life and it’s something she’s sought to instill in her daughters. In our magazine story, read about how the single mother has recently received her doctorate, with her daughters also taking the next step in their educational journeys.

Gun violence victims are memorialized in a display outside of the Harrisburg Quaker Meeting House on N. 6th Street, our online story reported. The memorial features about 50 T-shirts with the names of Harrisburg area residents whose lives were lost to gun violence.

Harrisburg School District officials, at a board meeting, amended their 2023-24 budget and approved the hiring of several new principals, our online story reported. Receiver Dr. Lori Suski also announced that the district will discuss its decision to demolish the vacant William Penn High School and accept public comments, at their Sept. 12 board meeting.

Impact Harrisburg awarded the Harrisburg Chamber of Commerce & CREDC with a grant to help increase contracting opportunities for diverse businesses, our online story reported. The grant will help the organization implement recommendations from a disparity study the city completed.

Kate Browne, an international artist, has been working in Steelton on the seventh installment of her “Cocoon” art series, our online story reported. The art installation will include residents’ memorabilia and audio from interviews with residents and local historians.

The Little Miss Black US of A pageant celebrates and empowers young Black girls around the country. This year, two Harrisburg girls are representing the commonwealth in the competition, our magazine story reported.

Our publisher, in a blog post, reflects on how much the Broad Street Market has meant to him since he first moved to Harrisburg. He also shares his optimism for the future of the market.

Sara Bozich has something for everyone to enjoy this weekend in Harrisburg. Find all of her suggestions, here.

The Susquehanna Art Museum’s art auction to raise funds for the Broad Street Market exceeded its goal, our online story reported. The auction included plein air paintings and drawings by 14 local artists.

Uptown Partners, the owner of the Residences at Governor’s Square, will seek to change the status of their bankruptcy filing, our reporting found. The change from Chapter 7 to Chapter 11 bankruptcy should give them additional time to attempt to sell the beleaguered affordable housing development in Harrisburg.

 

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Picture Perfect: Plein air art auction exceeds fundraising goal for the Broad Street Market

Artist Dillon Samuelson participated in the Susquehanna Art Museum’s plein air painting event at the Broad Street Market.

When Alice Anne Schwab, executive director of the Susquehanna Art Museum, heard that the Broad Street Market had burned, she was devastated.

She knew the museum, located just down the street from the market, needed to help its neighbor, and in its signature creative style.

In July, the museum hosted plein air painting in the market courtyard, where local artists painted and drew scenes from around the market. Their creations were auctioned off, with all proceeds going to support the market, which was heavily damaged by fire earlier in July.

The fundraiser was even more successful than Schwab could’ve imagined.

The auction, which ran from Aug. 9 to 18 and included 15 paintings by 14 local artists, raised $3,471, almost $1,000 over the museum’s original goal.

“I was thrilled,” Schwab said. “I really didn’t know what to expect. It was so exciting.”

Many of the paintings featured the front façade of the brick market building, which is now closed due to heavy fire, smoke and water damage. Others depicted the iconic sign on the market’s still-open stone building, quarts of cherry tomatoes, and people playing chess outside the building, among other market-inspired scenes.

Artists ranged from professionals to local elementary school students.

“Broad St Market” by Biruta Hansen

Perry County artist Biruta Hansen painted two pieces, each telling a different story of the brick building. One, entitled “Ghost,” uses grayish blue tones to capture the loss and somber state of the building, while the other painting shows a much brighter, sunny and hopeful scene.

Hansen’s “Broad St Market” painting sold for $1,000 and “Ghost” sold for $395.

“It was very gratifying,” she said. “The idea of contributing to the community in a time of tragedy–it was the least I could do.”

Schwab was happy to see that all of the paintings received bids and was grateful for the community’s interest. She hopes that the funds will help the market as officials seek to support displaced vendors and rebuild the brick building in the months ahead.

“Midtown is like a family; we try to support each other,” Schwab said. “The market isn’t just geographically close, but it’s near and dear to all of our hearts. We are super happy this worked out as it did.”

 

To view the pieces that were included in the auction, click here. To learn more about the Susquehanna Art Museum, visit their website.

 

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